현대미술 디자이너 최철주｜Designer Louis C
Contemporary Art Designer Choi Chuljoo26
현대미술 디자이너 최철주 Contemporary Art Designer Choi Chul-joo [26] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Contemporary Art Design Criticism, Contemporary Art Cultural Design Criticism and Contemporary Art Today Choi Chul-joo's Art Works ( https://opensea.io/Louisland ) (https://opensea.io/Louisland ) Criticism: The abstract design work of the concept of desire applies Choi Cheol-joo's concept of desire design process, and the realistic design process of the concept of desire repeatedly applies Choi's desire formula./ Louis Choi Chul-joo, the intersection of desire outside the window & newsmanwha K-Pop Song illustratoin [9] Yubin's "ME TIME", office worker sympathizes Abstract Artist Louis Choi Chul-joo Abstraction Art Work [17] contemporary abstract art movement examples: Conceptual Artwork Criticism: Korean news cartoon review-A line News of Choi Chul-joo’s Manwha Review [196] Trump's stubborn nature made him the 47th president of the United States. (2024-11-09) / Reporter Choi Chul-joo’s Cartoon Review
Louis Choi Chul-joo, the intersection of desire outside the window
창문밖 욕망의 교차점
욕망의 구조를 이루는 가역적 빛이 교차하는 창문은 시간성에 따른 여러개 욕망의 교차점을 마주할 수 있다.
욕망의 교차점은 창문을 통해서 욕망의 선택자가 욕망 개념으로서의 이중적 자리를 만들고 그 이중적 자리에서 욕망의 선택자가 주체로서 원하는 추상적으로 결핍된 욕망 구조의 의미적 실체로서 실제 이미지로 부상하고자 하는 욕망 개념의 언어적 의미를 추월한다.
창문밖 주체로 생성된 욕망은 추상적 욕망 개념의 언어적 의미로 돌출된 결핍된 욕망이 주체의 욕망을 지배하여서 그 욕망의 주체를 상실하게 만들고 분열하여서 감소된 욕망이 욕망을 지배하는 결핍된 욕망과 동일시 된다.
존재로서 실재 이미지는 사후성(Nachtrӓglichkeit)에 따라 결론지어진 욕망에 의해 추상적 욕망의 개념을 현실로 변환함으로써 특정 대상의 내재적 본질을 현존하는 실존적 이미지로 드러냅니다.
이것은 욕망의 대상 공간에 가역적 빛의 음영이 접하지 않고 또 하나의 빈 공간에 현재와 교차점을 이룬다. 그 교차점에서 또 다른 대상과 접할때 그 대상의 공간의 시간성과 접한다.
따라서 결핍된 욕망의 대상물울 욕망의 주체로서 하나의 빛이 여러 대상과 접할때 현존 하는 대상과 과거의 대상이 하나의 자리에서 여러개의 시간성에 따른 빛의 자리를 만들고 무의식과 의식의 교차점을 이룬다.
시간성의 빛으로 보이는 욕망은 거리를 차이로서 실재 이미지의 벙향과 크기가 구분된 현재의 형태와 교차한다.
이것은 연못에 비친 욕망의 대상이 추상적 욕망 개념과 동일시하려는 자아로서 욕망이 연출한 언표적 이미지를 생성하는 의식운동을 한다.
따라서 시간성으로 구분되는 욕망은 서로 다른 형태의 욕망이 서로 교차하여 점진적인 욕망의 변화를 만들어내는 의식적 움직임이며, 욕망은 가역적인 빛의 그림자 속에서 실제 이미지로 나타납니다. 이는 시간성에 따라 달라지는 문화적 배경과 기존 사물을 보고 싶은 타인의 욕망이 교차하는 것입니다.
욕망의 교차점에서 만나는 욕망의 결핍은 물체의 구조에 의해 가역적인 빛의 그림자로 지정된 장소에서 이미지를 교환합니다.
또한 주체로서 욕망은 욕망의 선택자로서 욕망 개념의 필연성으로서 추상적 존재를 유지하고 욕망의 결핍을 특정 장소의 이미지로 교환하며, 그 결과 언어적 의미를 해석하는 현실의 이미지를 욕망의 대상으로 명시한다.
욕망 개념의 선택자는 타자의 욕망에 의해 특정 대상을 실제 이미지로 강제하고, 시간성을 가진 가역적인 빛의 그림자가 이미지의 방향을 형성하며, 욕망 개념과 반대 방향의 벡터가 연결되어 이미지로서 욕망의 결핍을 이미지로 연출한다.
그 욕망을 라캉은 1971년11월4일 강의를 통해서 응시로서 결핍된 욕망을 존재로서 수학적 기호로 수학소(數學素)라고 말했다.
명제로서 수학(mathematical statement)은 욕망을 논리적으로 판단하는 언어적 의미를 담고있다. 이것은 결핍된 욕망이 특정한 대상을 정할 수 있도록 언어적 의미를 실재의 대상을 정하여서 욕망 개념을 실재 이미지와 구분하지 않고 동일한 욕망으로 판단하여서 일관된 욕망의 의미를 의식운동으로 경험할 수 있는 특정 자리를 욕망의 교차점에서 구성한다.
타자의 욕망을 욕망의 교차점에서 벡터의 수치 이미지로 전환할 수 없지만 결핍된 욕망 구조에 실재 이미지를 제한하고 소외된 언어적 의미로서 추상적 타자의 욕망을 실제화 한다.
빛의 가역적 그림자 속의 개념을 욕망의 실제 이미지로 유도적으로 조명함으로써 이미지의 언어적 의미와 실제 현상을 수학처럼 명확하게 구현한다.
실재 이미지 속에 무의식적 욕망 개념의 심리적 벡터로 구성된 특정 대상과 주체로서 욕망이 서로의 시선으로 한 지시 벡터가 대립하여서 결핍된 욕망을 연출시킨다.
이렇게 수학은 욕망 개념에 의해서 추상적 과학으로 한 공리로서 추상 디자인을 거쳐 언어적 의미의 외적 구조에 근거하지 않고 구체적인 현상으로서의 실재로 귀결한다./ 글. 현대 미술평론가 최철주 (문화디자인박사)
Louis Choi Chul-joo, the intersection of desire outside the window
Choi Chul-joo's concept of desire Abstract design concept is a new abstract art methodology that embodies modern abstract concepts transformed from Romanticism to Abstract as real images, starting from the modern art movement.
One conceptual art creates a dual place with the concept of the selector's desire rather than abstract, overtakes abstract conceptual art in the dual place, and repeatedly designs a reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as the subject.
The conceptual aesthetics of figures that design the reality of desire are the result of designing a lack of empirical desire to abstract aesthetic experience into objective reality as a value of life, and formative value is obtained from real images by satisfying the lack of necessary objects.
Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.
Therefore, the actual image as a structure of desire has an aesthetic value that conforms to the conventional practice by omitting shadow images from the real world and placing them in the range of light due to the concept of desire, and settles in the structure of the real subject and the essence of reality. By inductively illuminating the concept in the reversible shadow of light, it clearly embodies the linguistic meaning of the image and the real phenomenon.
By inductively illuminating the concept in the reversible shadow of light as a real image of desire, the linguistic meaning and real phenomena of the image are clearly embodied like mathematics.
As a specific object and subject composed of the psychological vector of the concept of unconscious desire in the real image, the instruction vector in which desire is opposed to each other's gaze creates a lack of desire.
In this way, mathematics is an abstract science based on the concept of desire, which goes through abstract design as an axiom and results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning.
Louis Choi Chul-joo, the intersection of desire outside the window
the intersection of desire outside the window
A window where reversible light intersects that makes up the structure of desire can face multiple intersections of desires according to temporality.
Through the window at the intersection of desire, the selector of desire creates a double place as a concept of desire and overtakes the linguistic meaning of the concept of desire to emerge a real image as the semantic substance of the abstractly deficient desire structure desired by the selector of desire as the subject.
Desire created as a subject outside the window is identified with the lack of desire in which the deficient desire protrudes into the linguistic meaning of the concept of abstract desire dominates the subject's desire, causing the subject of that desire to be lost, and the reduced desire is identified with the deficient desire that dominates desire.
Existential images reveal the intrinsic nature of a particular object as an existing existential image by transforming the concept of abstract desires into reality by desires concluded according to ex post facto characteristics (Nahtraglichate).
This does not come into contact with the reversible shade of light in the target space of desire, but forms a form that intersects the present in another empty space. When it comes into contact with another object at that intersection, it comes into contact with the temporality of the object's space.
Therefore, when light encounters multiple objects as subjects of a desire to be the object of insufficient desire, existing and past objects create a place of light according to multiple temporality in one place and form a point where desires intersect between unconscious and consciousness.
Desire seen as the light of temporality intersects with the difference in distance from the current form in which the direction and size of the actual image are separated.
It is an ego that tries to grasp the object of desire reflected in the pond as a concept of abstract desire, and performs a conscious movement that creates an expressive image generated by desire.
As a result, desire, divided by temporality, is a conscious movement in which different forms of desire intersect with each other to produce a gradual change in desire, and desire appears as a real image in a shadow of reversible light. This is the intersection of the desire to face reality between the cultural background that varies according to temporality and the desire of others to see existing objects.
The lack of desire that meets at the intersection of desire exchanges images in a place specified by the structure of the object as a reversible shade of light.
In addition, as a subject, desire maintains an abstract existence as the inevitability of the concept of desire as a selector of desire and exchanges the lack of desire into an image of a specific place, the image of reality that interprets linguistic meaning as a result is specified as an object of desire.
The selector of the concept of desire forces a specific object into a real image by the desire of the other, a reversible shadow of light with temporality forms the direction of the image, and a vector in the opposite direction to the concept of desire is connected to create a lack of desire as an image.
In a lecture on November 4, 1971, Lacan said that desire is a mathematical sign and that a lack of desire is a mathematical element.
As a proposition, a mathematical statement has a linguistic meaning that logically judges desire. It determines the linguistic meaning so that the lack of desire can determine a specific object, judges the concept of desire as the same desire without distinguishing it from the actual image, and does not distinguish the concept of desire from the actual image by constructing a specific place where the meaning of consistent desire can be experienced as a conscious movement at the intersection of desire.
Although it is not possible to convert the other's desire to a numerical image of a vector at the intersection of desire, it limits the real image to the deficient desire structure and realizes the abstract other's desire as an alienated linguistic meaning.
By inductively illuminating the concept of the reversible shadow of light as a real image of desire, the linguistic meaning and real phenomena of the image are clearly embodied like mathematics.
As a specific object and subject composed of the psychological vector of the concept of unconscious desire in the real image, the instruction vector in which desire is opposed to each other's gaze creates a lack of desire.
In this way, mathematics is an abstract science based on the concept of desire, which goes through abstract design as an axiom and results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning./ Writing. Choi Chul-joo, a contemporary art critic (Doctor of Cultural Design)
Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)
Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: Contemporary Artist, Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis.20220308~20220310 Yeomyeong Halll, New York.
Pop Art Cartoon & Abstract Pop Art Painting [5] Contemporary pop artist Louis Choi Chuljoo, Contemporary art examples : newsmanwha K-Pop Song illustratoin [9] Yubin's "ME TIME", office worker sympathizes
Choi Chul-joo, <Yubin's "The time is running out after hesitating" 6>, a hand-painted picture on a computer
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 218-Yubin's "ME TIME", office worker sympathizes, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest i218-Yubin's "ME TIME", office worker sympathizes, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest i218-Yubin's "ME TIME"-pond, office worker sympathizes: Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p127-1, a hand-painted picture on a computer
The figurative meaning of the conceptual abstract 'morning glory' is that the color of meaning decorates the reality of customary universality facing the object with the color of light. The dark blank space is a shadow created in the area of the subject, which contrasts with the light of a decorated shape. Here, as a real object, color is a single-phase image of the desire custom seen through the gaze. This is a symbolic linguistic image of the background of desire, which symbolizes the concept of desire with imitated flowers. Here, the morning glory image is a piece as a meaning of desire symbolized in real space as a result of the desire image.
"morning glory" expresses the lack of the concept of desire that exists in reversible temporality as a phenomenal image, and expresses the structure of desire obscured by the shade of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract structure of color and plane.
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Choi Chul-joo's concept of desire Abstract design concept is a new abstract art methodology that embodies modern abstract concepts transformed from Romanticism to Abstract as real images, starting from the modern art movement.
One conceptual art creates a dual place with the concept of the selector's desire rather than abstract, overtakes abstract conceptual art in the dual place, and repeatedly designs a reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as the subject.
The conceptual aesthetics of figures that design the reality of desire are the result of designing a lack of empirical desire to abstract aesthetic experience into objective reality as a value of life, and formative value is obtained from real images by satisfying the lack of necessary objects.
Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.
Therefore, the actual image as a structure of desire has an aesthetic value that conforms to the conventional practice by omitting shadow images from the real world and placing them in the range of light due to the concept of desire, and settles in the structure of the real subject and the essence of reality. By inductively illuminating the concept in the reversible shadow of light, it clearly embodies the linguistic meaning of the image and the real phenomenon.
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Korean News Cartoon Review-A line News of Choi Chul-joo’s Manwha Review [196] Trump's stubborn nature made him the 47th president of the United States, Cartoon art work designed by Louis Choi Chul-joo.
Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life. It's a treacherous conceptual art called realistic abstraction, the cartoon news of modern realistic abstraction.
- Conceptual artist, contemporary artist, abstract painter, media artist, pop artist, cartoonist & cartoon critic Choi Chul-joo cartoonist, pop artist, contemporary art work, pop artist who draws webtoon news, contemporary artist, concept artist, cartoon critic Choi Chul-joo.
- Choi Chul-joo, contemporary cartoon art historical painting & contemporary concept image installation artist's work
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.
Conceptual Artwork Criticism: Korean news cartoon review-A line News of Choi Chul-joo’s Manwha Review [196] Trump's stubborn nature made him the 47th president of the United States. (2024-11-09) / Reporter Choi Chul-joo’s Cartoon Review
. Trump's election as the 47th U.S. president
. L'élection de Trump comme 47e président américain
Abstraction concept art works of Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept: Louis Chul-joo Choi, morning glory p127-1-Trump's stubborn nature made him the 47th president of the United States, a hand-painted picture on a computer, 2024
■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.
Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression.
The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.
Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.
In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence.
And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.
The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.
Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.
The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.
And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.
As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.
The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.
The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.
Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.
In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 213-Trump's stubborn nature made him the 47th president of the United States.: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Choi Chul-joo, Bamboo Forest g213-Trump's stubborn nature made him the 47th president of the United States: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest Bamboo Forest Bamboo Forest g213-Trump's stubborn nature made him the 47th president of the United States-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Louis Choi chuljoo, morning glory p127-1, a hand-painted picture on a computer
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p127-1-Trump's stubborn nature made him the 47th president of the United States: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p127-1> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Trump's stubborn nature made him the 47th president of the United States> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p127-1-Trump's stubborn nature made him the 47th president of the United States> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p127-1-Trump's stubborn nature made him the 47th president of the United States" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.a New Yorker's private collection
Therefore, conceptual abstract painter Louis Choi Chul-joo's "Bamboo Forest Forest 213-Trump's stubborn nature made him the 47th president of the United States" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 213, a hand-painted picture on a computer
Louis Choi Chul-joo, the intersection of desire outside the window
Choi Chul-joo's concept of desire Abstract design concept is a new abstract art methodology that embodies modern abstract concepts transformed from Romanticism to Abstract as real images, starting from the modern art movement.
One conceptual art creates a dual place with the concept of the selector's desire rather than abstract, overtakes abstract conceptual art in the dual place, and repeatedly designs a reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as the subject.
The conceptual aesthetics of figures that design the reality of desire are the result of designing a lack of empirical desire to abstract aesthetic experience into objective reality as a value of life, and formative value is obtained from real images by satisfying the lack of necessary objects.
Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.
Therefore, the actual image as a structure of desire has an aesthetic value that conforms to the conventional practice by omitting shadow images from the real world and placing them in the range of light due to the concept of desire, and settles in the structure of the real subject and the essence of reality. By inductively illuminating the concept in the reversible shadow of light, it clearly embodies the linguistic meaning of the image and the real phenomenon.
By inductively illuminating the concept in the reversible shadow of light as a real image of desire, the linguistic meaning and real phenomena of the image are clearly embodied like mathematics.
As a specific object and subject composed of the psychological vector of the concept of unconscious desire in the real image, the instruction vector in which desire is opposed to each other's gaze creates a lack of desire.
In this way, mathematics is an abstract science based on the concept of desire, which goes through abstract design as an axiom and results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning.
Final image superimposed on the artist's work: Louis Chul-joo Choi, a missing pond, 112X249cm, acrylic and composite materials on cloth, 2024
Louis Choi chuljoo, morning glory p127-1-Trump's election as the 47th U.S. president-pond / The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture./ [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ A line News of Choi Chul-joo’s Manwha Review [196] Trump's election as the 47th U.S. president. (2024-11-09)/ Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
