Peinture abstraite de réalisme
artiste designer contemporain critique 2
Peintre du réalisme abstrait en tant que artiste designer contemporain [2] Peintre sur le réalisme abstrait des concepts, critique d'art abstrait des concepts de la abstraite. Le critique d'art contemporain Louis Choi Chul-joo est un critique d'art contemporain qui examine les valeurs esthétiques, les processus et l'art de la photographie, des dessins animés, de l'art et du design et aborde le sens d'une œuvre avec la théorie de l'art visuel. La structure du langage parlant est une image de réalité du regard dans laquelle l'image du désir abstrait semble être la structure sémantique du concept du désir. Le critique d'art Choi Chul-joo aborde la valeur esthétique, le processus et l'art de la critique d'art contemporain avec le concept du design abstrait de désir et de la critique d'art contemporain. Il se réfère à la théorie de l'art visuel dans laquelle l'art de la photographie, des dessins animés, de l'art et du design aborde le sens d'une œuvre dans la structure linguistique et critique la réalité du concept de désir./ Résumé conceptuel contemporain Revue du peintre avec art visuel de l'histoire de l'art contemporain Critique Louis Choi Chul-joo & Revue d'art moderne examinant la valeur esthétique, le procédé et l'art de la photographie, des dessins animés, de l'art et du design, et discutant du sens de l'œuvre avec la théorie de l'art visuel. La pintura que choca con el concepto del deseo de Choi Chul-joo, es decir, el concepto del significado lingüístico en el que aparece el arte contemporáneo y destaca la luz metafísica y filosófica, crea una imagen dramática del evento con luces artificiales.
La definición del realismo abstracto conceptual de Choi Chul-joo es una nueva abstracción conceptual que combina conceptos filosóficos, estructuras semánticas lingüísticas y expresiones visuales de la realidad del arte moderno./ Processus de conception de l'artiste contemporain et du concept contemporain Résumé Peintre Concept Résumé Art Work Critique: En tant que Contemporary Concept Abstract Art, l'art de la valeur esthétique a été examiné par la théorie de l'art visuel, et Choi Chul-joo, un Concept contemporain Abstract Painter and Critical, était ses œuvres Through "morning glory", Les perceptions et les structures esthétiques sont souvent interprétées en reflétant des conceptions abstraites du désir et de la structure sémantique linguistique, ce qui entraîne l'abstraction de la même image réelle que le sens linguistique du désir abstrait.conceptuel: la probabilité littéraire de transmettre le désir.
Peinture abstraite-réalisme conceptuelle: La peinture abstraite-réalisme conceptuelle de Choi Chul-joo, qui symbolise son image en tant que structure sémantique de l'abstrait conceptuel, est un art abstrait-réaliste conceptuel qui présente des formes substantielles et des traces de lumière réversibles. C'est le concept de l'art conceptuel initial, une peinture abstraite du réalisme des désirs des autres qui représentent le monde réel. Son réalisme est une fascinante image factuelle composée du sens linguistique en explorant les représentations visuelles du désir à travers des processus de conception abstraits et des théories philosophiques. El significado lingüístico simbólico y las imágenes realistas se encuentran con la realidad a través de la división. La imagen de un evento como objeto del concepto del deseo como realidad aparece como una imagen del fenómeno de la sociedad, pero es un encuentro con el abstracto como una imagen irrealista.
Así, el realismo abstracto conceptual de Choi Chul-joo es típico y generalizado al formar imágenes de acontecimientos que aparecen como sujetos de abstracción realista en las noticias de la vida cotidiana, formando imágenes artísticas.
Además, la abstracción del realismo abstracto conceptual de Choi Chul-joo se especifica como una imagen de realismo abstracto que identifica la estructura de percepción realista de las noticias cotidianas con la imagen de acontecimientos y el concepto de deseo abstracto de los demás, un fenómeno allego que literario de la estructura abstracta.: Louis Choi Chul-joo, morning glory 2025-4-the literary probability of successfully conveying desire, 113X165cm, acrylic and composite materials on cloth, 2025
Louis Choi Chul-joo, morning glory 2025-4-the literary probability of successfully conveying desire, 113X165cm, acrylic and composite materials on cloth, 2025
Des images qui se succèdent avec la littérature qui transmettent avec succès le désir.
Le sens linguistique de la notion de désir forme la relation spatiale médiée par la grammaire visuelle.
Observation culturelle participant au désir des autres et construisant une image réelle comme structure de perspective basée sur le lieu du désir. Il s'agit d'une probabilité littéraire qui permet de transmettre avec succès le désir culturel d'adhérer au désir des autres et de construire une image réelle en tant que structure de perspective basée sur le lieu du désir.
En tant qu'objet disposé à la place du désir dans l'image, le concept de désir subjectif dans l'image du cas se crée dans une différence avec la réalité.
L'abstraction consiste ici à fournir la continuité des formes d'ombre de la lumière abstraite et réversible présentées comme un manque de désir et une image réelle composée de lumière et d'ombre réversibles.
L'abstraction est un vecteur destiné aux sujets du désir, sortant de l'essence du monde post-mortem freudienne pour distinguer par l'image réelle l'existence d'un désir marginalisé dans le monde symbolique, rendant impossible le transfert de la notion du désir à l'image réelle. Le concept de désir de Choi Chu-joo est l'ombre d'une lumière réversible et produit ainsi une image réelle rétroactivement.
Pour faire face à la réalité naine de Lacan dans une image de réalité plane. La structure désirée, dans laquelle s'exprime l'ombre réversible de la lumière comme un support désir, est proche du monde abstrait du désir déficient qui sépare le réel et de la notion du désir aux propriétés possessives. Il s'agit de créer un espace de désir qui fait défaut au monde abstrait et d'intégrer des images abstraites dans la réalité au sens linguistique du terme.
La notion de désir est conçue avec une image réelle, qui s'exprime de manière structurée au sens linguistique dans plusieurs cadres existants. C'est l'expression en images du manque de désir comme sens linguistique qui résulte d'un manque de désir commun.
En campagne électorale, M. Trump évite une crise politique qui le pousse à être candidat à la présidentielle au-delà des désirs manquants à travers des images photographiques qui le lient.
Ce sera l'image du leader politique, première priorité de l'image politique visuelle, qui aura un impact sur la présidentielle et donnera lieu à un suivi auprès des électeurs.
Comme pour la mise en scène du BTS Music populaire, il a formé une structure symbolique victorieuse comme une image placée sur le drapeau américain, une image politique manipulant l"électeur dans le sens d'un symbole du président américain.
Le concept du désir abstrait ne repose pas ici sur une réalité politique, mais devient une image de réalité abstraite, développée, en tant qu'objet symbolique, dans un sens linguistique différent du drapeau américain, vers un concept esthétique universel de la même réalité.
Sorti de la sociabilité traditionnelle en tant que propriété du désir de crise dans un système de valeurs universelles, il a déclenché des conflits économiques et politiques avec une intervention administrative excessive et un pouvoir politique en tant que désir personnel. En outre, le bien-être réel est endommagé par la politique déformée qui revendique l'État-providence par la grammaire visuelle du manque de désir, et l'économie de marché est monopolisée pour le justifier.
Le médium du désir réussi se conjugue avec les attributs de possession du désir de crise, la grammaire visuelle du désir manquant et le domaine du dialogue civilisé.
Système de désir Les images visuelles avancées de la grammaire ont une signification abstraite dans la fonction linguistique.
Ainsi, l'image réelle du concept de désir abstrait selon la formule de désir de Choi Chul-joo est l'abstraction.
Les images abstraites qui ont créé l'image réelle sont des images picturales qui constituent la même notion de désir abstrait que les images réelles qui se reflètent dans un miroir segmenté. À la manière d'un miroir qu'il représente au sens linguistique du terme, l'image constitue une image capable d'anticiper au nom de la réalité la notion de désir, et reproduit l'image réelle.
De plus, un ego, qui part d'une notion de désir identique à l'image réelle, identifie le sens linguistique de l'image avec le désir d'autrui, structure réversible de l'ombre de la lumière.
La structure réversible de l'ombre de la lumière rend idéales les désirs d'autrui nouvellement déficients, et représente la réalité dans une configuration visuelle au sens linguistique du terme.
Cette structure isolée crée une grammaire visuelle au sens linguistique qui contraste avec le manque de désir et les formes abstraites pour reproduire l'image réelle des événements.
L'expression de l'image d'un événement en tant qu'objet se déroule dans une conception abstraite du désir comme une structure de désir insuffisant, et l'image partage l'image d'un événement avec une structure réelle qui dicte le désir d'un autre.
La création d'une image de cas incarne un lieu de réalité efficace, où le désir inconscient est la construction réelle du sens linguistique, ombre de lumière réversible qui renvoie au désir manquant à l"époque de la notion de désir abstrait, et détermine l'image où le désir de l'autre interprète le même sens linguistique qu'un objet donné.
Parce que le sens du langage grammatical n'est pas le même que celui du désir abstrait qui fait défaut en tant que vecteur d'un désir réussi, il s"éloigne de la structure fantastique réelle voulue par le désir abstrait pour créer, à la demande, une double structure sémantique à l'image réelle. L'image réelle choisie est un objet de corrélation qui transmet l'illusion de la réalité identique à l'attribut de propriété inéluctable du désir, et l'image réelle connectée est choisie comme objet de corrélation qui transmet l'illusion réelle au même réel que l'attribut de propriété inéluctable du désir.
Cela réduit la distance avec le contexte de désir culturel et crée une image de désir spécifique. En outre, comme dans la formule de désir Choi Chul-joo multipliée par le design d'image, le sens linguistique du désir peut être choisi à partir d'objets décorés de mathématiques de concepts géométriques pour orienter le désir des autres vers le point de vue du désir abstrait par la direction de la lumière et la taille de l'ombre réversible de la structure désir.
D'où l'image du désir focalisée sur la structure tridimensionnelle qui détermine la position des choses dans la réalité plutôt que dans la représentation en perspective, une image représentant en plan une notion abstraite de désir à travers la théorie mathématique d'une réalité géométrique, le regard instantané qui crée la structure du désir dans la structure à travers l'abstraction esthétique.
Les vecteurs de désir euclidien, qui partagent une taille et une direction mathématiques, créent des objets géométriques qui concevront les structures du réel comme vecteur de désir réussi dans l'espace euclidien. Reproduire l'image réelle comme l'image d'un événement, incarner l'essence du désir sans image au sens linguistique qui est vecteur du concept de désir en tant qu'être manquant.
Il est ensuite constitué d'une réalité linguistique dans laquelle la structure du désir insuffisant se transforme en langage et où le plaisir abstrait est éliminé dans la structure consciente.
Selon la grammaire qui compose la morphologie, l'image d'un concept de désir équivaut à rechercher un ordre structurel au sens linguistique, comme la linguistique structuraliste qui parle de sens.
L'abstraction linguistique en tant qu'image est le processus qui consiste à composer un morphème avec une image réelle, conformément à une règle grammaticale.
Il s'agit d'une métaphore du processus qui distingue une phrase d'une image réelle d'un mot comme d'une signification linguistique.
La peinture abstraite est donc le concept de désir de Choi Chul-joo, une image qui compose la morphologie symbolique de toute image réelle comme sens linguistique de l'événement et de l'image de performance. Toute tentative de déconstruction grammaticale de l'abstraction a une double structure, comme Kant, composée d'expressions visuelles et esthétiques, de sens planaire et de réalité objective empirique. Il s'agit, à la différence de déconstruire grammaticalement le sens linguistique du désir inhérent au réel, de structurer l'image du désir induit par la notion du désir inhérent au réel et de transmettre le sens linguistique de l'abstraction à l'image réelle au détriment du manque de désir.
L'image de l"événement et de la performance s'exprime ainsi au sens linguistique du terme, tandis que l'image d'une structure consciente a du sens.
L'abstraction de Choi Chul-joo fait de Kant un objet subjectif, c'est-à-dire une beauté abstraite, en distinguant grammaticalement la signification linguistique de l'abstraction dérivée de l'inconscient, du plaisir du désir à la castration.
Dans l'ombre réversible de la lumière, la structure de l'attribut désir en tant qu'intermédiaire du désir est incarnée par l'image de la réalité. En d'autres termes, le désir de l'autre partie d'exprimer le manque comme un moyen de désir réussi est que le désir abstrait et la structure réelle du sens linguistique apparaissent en même temps. C'est la structure réelle du désir abstrait qui tire le sens linguistique de l'image réelle, qui est le concept du désir correspondant à la fonction méta-linguistique.
Par conséquent, pour reproduire la structure réelle dans le sens linguistique de l'image, l'attribut du désir manquant de l'objet grammatical définit le sens esthétique avec une image identique à la réalité abstraite sur fond de désir linguistique. Cela a la propriété de l'image de l'événement en tant qu'objet et lieu de désir.
Ce n'est pas l'abstraction en tant que réalité abstraite, mais bien la double position du désir à partir de l'image, la conception répétée d'images de désir abstraites avec des images réelles existantes, efface l'ampleur de l'abstraction en tant que concept langagier avec l'ombre de la lumière réversible, limite sa position au champ du réel.
La symbolique abstraite en tant que concept linguistique du désir joue donc un rôle culturel et structurel en tant qu'image symbolique avec un phénomène de manque de désir.
C'est-à-dire que la forme symbolique de la structure artistique se transforme en image de réalité picturale, permettant à l'autre de voir la signification des symboles linguistiques être regardée par les désirs de l'autre.
Ainsi, la structure désirée que l'autre peut voir est une image qui reproduit l'attribut existentiel du désir absent de l'image événementielle comme un objet sous sa forme réelle.
L'image s'exprime sous la forme d'une notion de désir abstrait, tandis que le désir insuffisant fondé sur la culture se traduit de l'image de l"événement instantané en une abstraction symbolique adaptée à la culture consommée.
L'abstraction est l'image vectorielle de l'existence épique de la culture, divisée entre l'image épique littéraire et le manque conceptuel de désir.
Ici, comme sens linguistique de la notion de désir, l'image événementielle est un vecteur grammatical en tant que verbe représentant l'action. Autrement dit, un vecteur est un verbe agissant sur la notion de désir, mais incapable d'exprimer visuellement le sens du langage, il en abstraction et se visualise avec la même image réelle que le sens du langage.
Le sens linguistique du concept du désir peut ainsi être répété et représenté visuellement de manière symbolique en accord avec l'image, et la notion abstraite du désir se décide dans l'image épique dans l'ombre d'une lumière réversible au niveau de la sociabilité culturelle.
Une image rhétorique au sens linguistique du terme, le désir d'objet comme vecteur de désir réussi, c'est-à-dire de réalité métaphorique, qui refuse de répondre abstrait, se reflète aussi dans l"étang, regardant derrière lui un objet possédé par manque de désir.
La probabilité littéraire de médiatiser avec succès le désir est un logo (argument) qui s'éloigne de la manipulation du désir abstrait et déduit à travers l'image de la réalité logique.
Ainsi, même en accordant une probabilité littéraire à l'image de réalité logique à l'image d'un événement, l'image de performance prouvée par la probabilité et l'envie d'un événement est un fait réel, donc soumis à l'argumentation universelle du désir d'expliquer le résultat de l"événement pour une raison possible. Le processus argumentatif pour raconter l'issue d'un événement s'adapte ainsi à un processus de conception abstraite qui constitue l'ombre réellement réversible de la lumière comme un cadre cohérent du désir.
Afin de structurer de façon réaliste l'existence des choses comme un sens linguistique, les conceptions abstraites qui composent l'image réelle maintiennent systématiquement la notion de désir de certaines choses. Elle permet aussi d'extraire les propriétés esthétiques d'un objet de désir spécifique et d'abstraire la notion de désir à l'image réelle afin que le désir abstrait ne s'inspire pas de l'image.
L'image réelle due à la possibilité d'un objet de possession, qui manque de désir par de tels jugements rhétoriques, obéit à une universalité littéraire, qui est donc abstraite par les probabilités littéraires lorsqu'elle est représentée en images.
C'est-à-dire qu'il implémente le sens linguistique comme une image réelle à partir d'une image de désir qui manque d'abstraction, et par le biais de jugements rhétoriques, il acquiert une image de tableau où l'objet possédé du désir peut avoir une composition causale avec des probabilités abstraites.
Il redéfinit l'abstraction de l'image réelle à travers la méthode du processus qui la compose. À travers un processus de conception abstraite utilisant la formule de désir de Choi Chul-joo ainsi déterminée, la notion de désir forme un objet matériel appelé abstrait. En outre, les objets manquant de désir déterminent le rapport à la réalité avec des probabilités abstraites, et, du point de vue d'autrui, la notion de désir abstrait est abstraite en tant qu'entité constituant le sens linguistique en tant qu'image réelle.
Décrire les probabilités comme sujet de la notion de désir produit des résultats qui tiennent à la promesse que le désir de l'autre rencontrera l'abstraction et la réalité dans un sens linguistique.
Parce que l'image est virtuelle, elle reconnaît le sens linguistique de l'image réelle et d'autres concepts de désir de la même manière que l'image réelle.
L'image virtuelle est alors une image virtuelle qui reproduit l'abstraction dans une image picturale, qui introduit une nouvelle formule de désir conceptuel hors du réel pour en abstraction d'une autre réalité séparée du réel.
Il est donc difficile de constituer la probabilité qu'un objet constitue une structure réaliste en tant que support du désir. Mais l'idée qu'un désir absolument déficient applique l'image d'un événement et d'une performance à une formule du désir comme image réelle peut faire l'objet d'une abstraction probabiliste. / Auteur. Choi Chul-joo, critique d'art contemporain (docteur en design culturel)
L'image de performance est un objet qui décrit le sens des formes trouvées dans l'espace sémantique produit par la lumière réversible. L'image de performance montre une réalité abstraite en un espace abstrait qui peut être inversé dans la forme réelle et qui peut être inversée dans la forme réelle avec le sens de "Blackpink crée une nouvelle image dans le miroir comme dans le tableau "Las Meninas - Les servantes 18", avec une structure grammaticale symbolique. L'image dans le miroir est l'image virtuelle et irréaliste de Velázquez dans l'inconscient du frappeur, l'image fantastique de Velázquez dans l'inconscient du frappeur, Las Meninas Images de Velázquez (les jeunes électeurs essaient de voir BLACKPINK "The Show" plutôt que la diffusion électorale sur YouTube. ) montre une réalité abstraite avec une structure grammaticale symbolique.
Louis Choi Chul-joo, young voters try to watch BLACKPINK's "The Show" rather than an election broadcast on YouTube.
Il est donc difficile de composer la situation politique et la probabilité de choix de l'électeur comme structure réaliste de l'objet comme vecteur du désir. Or, la notion selon laquelle un désir politique absolument déficient applique l'image d'un événement et d'une performance à une formule du désir comme image réelle est exploitée politiquement comme objet d'abstraction des conséquences probabilistes d'un désir déficient.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Symbolic representation grammar generated by reversible shades of light: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 277-the literary probability of successfully conveying desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Choi Chul-joo, Bamboo Forest Forest k277-the literary probability of successfully conveying desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest Bamboo Forest Forest k277-the literary probability of successfully conveying desire-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest Bamboo Forest Forest k277-the literary probability of successfully conveying desire-pond-mirror: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Louis Choi chuljoo, morning glory p133-1-39-the literary probability of successfully conveying desire, a hand-painted picture on a computer
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p133-1-39-the literary probability of successfully conveying desire> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Trump gets attacked during the campaign> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p141-the literary probability of successfully conveying desire> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Louis Choi chuljoo, morning glory p141-the literary probability of successfully conveying desire, a hand-painted picture on a computer
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Louis Choi Chul-joo, morning glory p100-16-2-1-Inauguration of the 47th President of the United States, a hand-painted picture on a computer
Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, bamboo forest 258-the literary probability of successfully conveying desire, a hand-painted picture on a computer: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest j258-the literary probability of successfully conveying desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Louis Choi chuljoo, bamboo forest j258-the literary probability of successfully conveying desire-pond: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <bamboo forest j258-the literary probability of successfully conveying desire> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <2024 U.S. presidential candidate> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <bamboo forest j256-the literary probability of successfully conveying desire-pond> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Louis Choi chuljoo, bamboo forest j258-the literary probability of successfully conveying desire-pond: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.
Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression.
The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.
Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.
In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence.
And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.
The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.
Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.
The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.
And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.
As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.
The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.
The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.
Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.
In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p100-16-2-1-Inauguration of the 47th President of the United State: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, leads to verbal abstraction. In other words, the shape in which the other's desire is realistically revealed in a momentary event is a linguistic abstraction with the same meaning. Conceptual art with morning glory and bamboo as a cultural background is linguistic abstraction. Abstraction creates a conceptual structure reflected in a pond based on the shape of subsequent reality fostered by language and hides the desires of others in instantaneous events.And Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic expression for "morning glory" reflected in the "pond" structure of symbolic reality, reducing the abstract concept of desire to a real image in the category of ideal desire expression in contemporary art.
In addition, as a process of designing the concept of desire, the object of desire is symbolized as a conceptual subject, forming a reality expressed through desire revealed in the oppressed unconscious through design and revealing abstraction as existence
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p137-2-the literary probability of successfully conveying desire> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Louis Choi Chul-joo, morning glory 2025-4-the literary probability of successfully conveying desire, 113X165cm, acrylic and composite materials on cloth, 2025> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <Louis Choi chuljoo, morning glory p100-16-2-1-Inauguration of the 47th President of the United State> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, bamboo forest 256-the literary probability of successfully conveying desire, a hand-painted picture on a computer: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest j256-the literary probability of successfully conveying desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Louis Choi chuljoo, bamboo forest j256-the literary probability of successfully conveying desire-pond: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <bamboo forest j256-the literary probability of successfully conveying desire> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <2024 U.S. presidential candidate> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <bamboo forest j256-the literary probability of successfully conveying desire-pond> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest j256-the literary probability of successfully conveying desire-pond-mirror: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: < > As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting < Louis Choi Chul-joo, morning glory p137-1-28-the literary probability of successfully conveying desire, a hand-painted picture on a computer> created by reversible light.
Therefore, conceptual abstract painter Louis Choi Chul-joo's "j256-the literary probability of successfully conveying desire" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Louis Choi Chul-joo, morning glory p133-1-30-the literary probability of successfully conveying desire, a hand-painted picture on a computer
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p133-1-30-the literary probability of successfully conveying desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's 3formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Therefore, conceptual abstract painter Louis Choi Chul-joo's "p133-1-30-the literary probability of successfully conveying desire" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.
Conceptual Abstract Painter Louis Choi Chul-joo's work "bamboo forest j255-the literary probability of successfully conveying desire-pond-mirror" rather than campaign broadcasts through YouTube-pond-mirror" is an abstract reality image that reconstructs the structure of desire created through an aesthetic grammatical structure into a linguistic sense.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest j255-the literary probability of successfully conveying desire-pond-mirror: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <bamboo forest j255-the literary probability of successfully conveying desire-pond-mirror> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting < Louis Choi Chul-joo, morning glory p137-1-28-the literary probability of successfully conveying desire, a hand-painted picture on a computer> created by reversible light.
Therefore, conceptual abstract painter Louis Choi Chul-joo's "j255-the literary probability of successfully conveying desire" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p137-1--the literary probability of successfully conveying desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's 3formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p137-1-the literary probability of successfully conveying desire" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.
Conceptual Abstract Painter Louis Choi Chul-joo's work "bamboo forest j255-the literary probability of successfully conveying desire-pond-mirror" rather than campaign broadcasts through YouTube-pond-mirror" is an abstract reality image that reconstructs the structure of desire created through an aesthetic grammatical structure into a linguistic sense.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p133-1-28-the literary probability of successfully conveying desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, leads to verbal abstraction. In other words, the shape in which the other's desire is realistically revealed in a momentary event is a linguistic abstraction with the same meaning. Conceptual art with morning glory and bamboo as a cultural background is linguistic abstraction. Abstraction creates a conceptual structure reflected in a pond based on the shape of subsequent reality fostered by language and hides the desires of others in instantaneous events.And Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic expression for "morning glory" reflected in the "pond" structure of symbolic reality, reducing the abstract concept of desire to a real image in the category of ideal desire expression in contemporary art.
In addition, as a process of designing the concept of desire, the object of desire is symbolized as a conceptual subject, forming a reality expressed through desire revealed in the oppressed unconscious through design and revealing abstraction as existence
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <p133-1-28-the literary probability of successfully conveying desire> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Louis Chul-joo Choi, Rendering the intersection of desire outside the window, 140X186cm, acrylic and composite materials on cloth, 2024> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <Louis Choi chuljoo, morning glory p113-7-1-South Korean President Threatens People With Declaration of Emergency Order> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Louis Choi Chul-joo, morning glory p133-1-30-the literary probability of successfully conveying desire, a hand-painted picture on a computer
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p133-1-28-the literary probability of successfully conveying desire" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.a New Yorker's private collection
Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p133-1-30-the literary probability of successfully conveying desire" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory
Background image of an artist's artwork: Louis Choi Chul-joo, the bamboo forest 256, a hand-painted picture on a computer
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest j256-the literary probability of successfully conveying desire-pond-mirror: [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's concept of desire, "morning glory," conflicts with linguistic concepts of meaning emphasized from a metaphysical philosophical point of view, creating dramatic event images to express the subject of insufficient desire, and illuminating the image in reversible shades of white light. He reflects the linguistic grammatical meaning of abstract desire concepts as images to form spaces of multiple event images that share superimposed temporality and reversible white light shades. This is interpreted as the subject of the absence of desire beyond the abstract self of the desire of others rather than physical perception, unlike the materialism of painting in the 18th century. The linguistic grammatical meaning of abstract desire concepts is a dualistic object that regards real images as events, equating the structure of insufficient desire with the principle of spatial composition. And as reversible light at the point of light over time, the material is made into a real image as an object. Thus, the concept of abstract desire in a pond that reflects the image of an event is expressed as a real image that reflects the desires of others in the real world. ■ Choi Chul-joo's Concept of Desire Formula: In the concept of Choi Chul-joo's desire, mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ■ The Design Results of Choi Chul-joo's Desire Abstract Concept: Choi Chul-joo Desire Abstract Concept Design's Linguistic Meaning Results: Although the object that is obsessed with the desire for others is passive, it is possible to actively practice one's desires through the sympathizer as the subject of desire, and the sympathizer who sympathizes with the desires of others as the subject can practice with the same desire. As a subject, a person who sympathizes with or accepts the desires of others becomes the same desire and becomes another subject of execution. Here, the sympathizer who sympathizes with the subject of the other's desire tries to generalize it as another object of desire that acts like a victor of war. However, when desire as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire and the sympathizer antagonize the subject who practiced it according to the other's general desire. ■ Object rendering of the concept of desire is 1. a pop art image that renders unconscious desire as an existential reality by dividing the same concept of desire as the event image into unconscious and real images as an object. Therefore, the subject who speaks linguistic meaning actually represents abstraction, the truth value of the concept of desire, which is an expressive aesthetic structure that specifies the viewing effect of colloquial language and event video broadcasting as an act of speech enunciation that depends on the news. 2. As the truth value of the concept of desire in visual images is an open system, and numerous visual images are transmitted to others through a pluralistic visual system. Abstract images, which are the true values of the concept of desire, attract attention because they have universality as real images expressed by the desires of others. In other words, the object exposed to the abstract desires of others functions as a desire to exchange the same aesthetic image as the concept of desire of others through the diachronic function of pop art applied as a work of art. 3. The truth value of the concept of desire in a linguistic sense in which the abstract image of the concept of desire and reality are the same, represents the structure of desire, and the reality of the abstract concept of desire is a real image, which is the causal structure of desire, and creates a structure of desire by forming a semantic relationship with contradictory desire. Like Kant, this is a dual structure up to modern art, and it encompasses mythical objects in the same structure as humans, and the antinomic desire structure as a single structure. 4. an object of the concept of desire rendered in abstraction: The object rendering of the concept of desire renders the object as an event image, which is the same rational object as the linguistic meaning of the desire structure through the gaze of the rational subject, is recognized as a real image that the subject cannot see. Additionally, other objects of desire are continuously represented by real images that attempt to fill the deficiency of desire. The pond, which reflects present desire as an object to abstract desire, presents a desire structure as a reality, which is an object to abstract desire, but it returns the cause of desire as a real image to an object as an event image, free from the imperfect abstraction that lacks desire that is subjugated to social visibility that has been concealed and deviated from lack through real images. In other words, the structure of deficiency and divided desire is hidden through real images of abstract desires, and contradictory desires subordinate to deviated social visibility become the cause of desire and become the objects of real images. In addition, object rendering of other desires is continuously expressed as a real image trying to fill the deficiency of desire. The rendering of an object that reflects the present desire as an object of abstract desire presents the structure of desire as reality, which is the object of abstract desire, but it returns the cause of desire as a real image to an object as an event image, away from the imperfect abstract lacking desire. In other words, the structure of deficiency and divided desire is hidden through the real image of abstract desire, and contradictory desires subordinate to deviated social visibility become the cause of desire, resulting in abstraction as a real image.
l'artiste contemporain Choi Chul-joo
