Concept Abstract Realism Art 2

Concept Abstract Realism Exhibition Art

Choi Chul-joo Conceptual Abstract Realism Abstract Art [2] Conceptual Abstract Realism Design Process of Desire as a semantic structure, Conceptual Abstract Realism Rendering: Conceptual Abstract Realism Art stems from realistic images at the attractive intersection where Louis Choi Chul-joo's theory of desire meets visual art. Based on his theory of desire and the framework of conceptual abstract Realism, it is an art that abstracts concepts with reversible shades based on unrealistic forms of light and the desires of others. Conceptual Abstract Realism The return of conceptualization techniques in early conceptual art breaks away from abstract methods that are difficult to interpret and creates philosophical inspiration based on culturality, which constitutes conceptual abstraction that explains the desires of others in real places. It also simplifies abstract structures by dividing them into real images to avoid stimulating visual effects such as expression abstraction, and derives philosophical thinking based on literaryity from image effects in linguistic meaning as a realist structure.

The definition of conceptual abstract realism is a new conceptual abstract theory that combines philosophical concepts, linguistic semantic structures, and visual expressions of reality in modern art, a realist art trend that goes beyond mere visual abstraction or metaphorical subject conceptual art wrapped in religious norms without symbolically hiding the desires of others.

This is Choi Chul-joo's "Definition of Conceptual Abstract Realism Abstraction" a new term for contemporary art that describes art that expresses social problems and abstract needs of others through verbal abstraction and symbolic images, and "transports symbolic meaning by using the image as a motif through dialogue with the image." And Choi Chul-joo's conceptual abstract realism image is an image that criticizes problems in modern desire structures and ways of consumption of life as an allegory abstraction image. Therefore, conceptual abstract realism abstraction begins with an abstract interpretation of an image in a phenomenal sense in a previous stage of linguistic meaning. In other words, it becomes a conceptual abstract by interpreting it in an abstract subjectivity before meaning a realist image. The abstract transfers conceptual abstraction, interpreted as an allegory with an image of the same linguistic meaning, to realism image and becomes an abstraction of the actual structure.

Contemporary Concept Abstract Realism Artist Louis Choi Chul-joo's Conceptual Abstract Realism Painting and Exhibition Critique: Korean Contemporary Cartoon Designer Choi Chul-joo's News Manwha Exhibition = News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation: A line News of Choi Kwan-woo’s Manwha Review, Newsbusan Manwha Review, Manwha Review Choi Chul-joo. K-Pop Star 20191129-20191205, Hansae Museum

A realistic abstraction of the concept of desire based on Cartoon Manpyeong, which uses photographs of Choi Chul-joo's events as webtoon news cartoon design works

The definition of conceptual abstract realism is a new conceptual abstract theory that combines philosophical concepts, linguistic semantic structures, and visual expressions of reality in modern art, a realist art trend that goes beyond mere visual abstraction or metaphorical subject conceptual art wrapped in religious norms without symbolically hiding the desires of others.

This is Choi Chul-joo's "Definition of Conceptual Abstract Realism Abstraction" a new term for contemporary art that describes art that expresses social problems and abstract needs of others through verbal abstraction and symbolic images, and "transports symbolic meaning by using the image as a motif through dialogue with the image." And Choi Chul-joo's conceptual abstract realism image is an image that criticizes problems in modern desire structures and ways of consumption of life as an allegory abstraction image. Therefore, conceptual abstract realism abstraction begins with an abstract interpretation of an image in a phenomenal sense in a previous stage of linguistic meaning. In other words, it becomes a conceptual abstract by interpreting it in an abstract subjectivity before meaning a realist image. The abstract transfers conceptual abstraction, interpreted as an allegory with an image of the same linguistic meaning, to realism image and becomes an abstraction of the actual structure.

Korean Contemporary Cartoon Designer & contemporary cartoonist and historical artist Choi Chul-joo's "News Manwha Exhibition": News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation: A line News of Choi Kwan-woo’s Manwha Review, Newsbusan Manwha Review, Manwha Review K-Pop Star

Choi Kwan-woo's cartoon review "a line News of Manwha Review" is a Korean contemporary news manwha with a single cut of cartoon

According to a line of news in the manwha review, it is not an actual news image but a cartoon to show the consciousness of news.

This is because of a line of cartoon review that comics reveal meaning within the realm of news. In other words, the effect of attracting attention to news cartoons is one sentence that reviews the standards of news images.

Euclidean geometry of visual space concept caused the meaning of a new time in Albert Einstein's theory of relativity to perceive the visible space of visual image

In modern times, it is news cartoon art that consists of a phenomenon of formative geometry that reconstructs space into cartoons. This is a contemporary cartoonist and historical painting that shows the same phenomena of events and life as the historical painting until modern times.

Choi Chul-joo(崔徹柱), a contemporary cartoonist and historical artist(現代漫畫美術歷史畫家), speaks of meaning as a line of comic reviews.

Nevertheless, it sheds light on the news through realistic cartoons as an invisible comment.

Therefore, news comics eliminate the illusory space of the figures shown in the news through non-perspective space descriptions to describe the meaning of events without reproducing reality. It's a contemporary cartoon, like Picasso, that expresses the object in time. and reconstructs the pictures of events with a stationary time and draws realistic cartoons with metaphors of a line of review language's concept.

The meaning of a manwha review in a single line of news is a comic image structure in which the meaning of a single line of news is drawn in a single image, resulting in the retroactive meaning of the news, and the metaphorical meaning behind the sentence of a cartoon review is disclosed.

This cartoon is a Korean cartoon, or manwha, with a image of cartoon reviews and a line news of reviews, discussing the authenticity of the incident tailored to the news and portraying its image as a cartoon.

In this way, it's "A line News of Choi Chul-joo’s Manwha Review" and "NewsBusan Manwha Review" to draw the news of the incident in a single cut cartoon and describe the cartoon in a single line reviews. "Manwha Review Choi Chul-joo.Kang Gyeong-ho K-Pop Star" describe the Korean News of incident in a single sketch cartoon

This is the same as cartoon critic Choi Chul-joo's "A line News of Choi Chul-joo’s Manwha Review", as he did of cartoon reviews "Ko Woo-young's Suhoji.“

In other words, there is a retroactive semantic effect in a line of cartoon review, with the simultaneous appearance of language and linguistic expression, and thus an image cartoon meaning the whole cartoon review.

As a contemporary Korean cartoon designer, Choi Chul-joo reconstructs the incident photo of the news as a process of drawing cartoons, drawing a sketch cartoon of the news with the concept of the background of the incident and a line of cartoon reviews. It is a cartoon of several scenes arranged like storyboards with news processes and results in one result of the news like a storyboard.

Therefore, Choi Chul-joo's cartoon review "A line News of Choi Chul-joo’s Manwha Review" is a combination of a realistic cartoon sketch of a photo and a cartoon review in line with the events carried out by the news.

Reconfigure the background picture of an event to match what an event calls a new meaning of cartoon reviews and draw attention to a cartoonized distinct cartoon sketch.

And he draw like a scene in an episode with a realistic cartoon sketch so that the thema of the event and the scene of the incident will be presided over.

Internet newspaper (www.newsbusan.com) NewsBusan, epitomizing the news cartoon make the cut, since September 10 in 2018 and comic sketches and line up in the news.

It is Cartoon reviews Choi Chul-joo and KangG yeong-ho's K-Pop star that made the news of Korean celebrities' incidents into a cut in an episode of a cartoon reviews.

"Choi Chul-joo's Manpyong K-pop STAR" section is newly established in NewsBusan (July 31,19) to introduce cut cartoons and cartoon reviews featuring K-pop stars covering new talents and stars.

In addition, Choi Chul-joo's Cartoon Critic 'A line News is a cut cartoon reviews with events and eye-catching news in the world of the global village.

Cartoonist as a conceptual artist Choi Chul-joo, 'Jeongcho and Inwangsan Tiger,' Marker on Paper, 2010

"A line News of Choi Chul-joo’s Manwha Review" is the same as a sentence in the speech bubble of the cartoon (Jeongcho and Inwangsan Tiger), which was drawn along with Korean first-generation cartoonists Cho Kwan-je, Jo hang-ri, Shin Moon-soo, Kim Ma-jung, Yoon Seong-yoon, Lee Jung-moon, Kang Chang-wook, and Seo seo-young at "The Tiger Year" held in 2010.

Choi Chul-joo's cartoon reviews started with a line news of manwha review that was displayed in a speech bubble(There's a tiger who doesn't even know about Inwangsan!) at "The Tiger Year" held in 2010.

In the exhibition, a line of cartoon reviews (There's a tiger who doesn't even know about Inwangsan!) was displayed in a speech bubble, which is the beginning of the current Choi Kwan-woo cartoon review news drawn by modern historical artist Choi Chul-joo.

It is a cut cartoon with a sentence of cartoon reviews conceived by the tiger proverb at the time, and Jeong-cho, a beautiful woman, and a tiger looking at woman from behind.

This is a modern art work that is shaped as a pop art of modern art, and is a pop art that introduces a new concept that reproduces conceptual art in cartoons.

This a line(sentence) of cartoon reviews depicts a combination of developments and consequences, as the proverb says in a cut cartoon, which reconstructs the truth of the incident, the picture of the incident and the daily story.

It actually provides an image of the contemporary ritualistic phenomenon and the K-Pop entertainment industry's news incident structure through sketch cartoon.

It also provides a glimpse of events and news in the global community and everyday life and death.

For example, at the February 2002 summit between President Bush and President Kim Dae Jung, there was a big difference in views on North Korea. I was going to publish the one-cut and four-cut comic "Dongsangimong" in the newspaper, but I couldn't

Since then, Choi Chul-joo(Choi Kwanwoo), a reporter specializing in news Busan culture, has started drawing "News Busan Manpyeong(satirical cartoon)" in News Busan since 2018 (September 10).

One cut news manwha is a cut cartoon that combines process and results of event with a single sentence of cartoon reviews that match the event in the visual by sketching the character of the incident as a sketch of photo.

One cut cartoon shows its meaning and one sentence of the cartoon review takes its meaning by enjoying the cartoon image. The meaning here is equated with the image of the cartoon and becomes a significant space for the viewer to see its meaning.

The space embodies the nature of the news cartoon reviews by allowing emotion to look like the main character of the event and the actual event scene.

Choi Chul-joo's Cartoon News is a cartoon that presents news. The comic strip depicts the vibrations of events as a single cut cartoon with the beat of the news repeated over and over again.

Thus, the cartoon equates any outward image of the event scene to a level of meaning in the structured cartoon centered on the actuality of the news.

The news in a chain of space-levels vibrate like the everyday life of the global village.

Go to the review of cartoons and review them to match the events, making the news of the cartoon review and adapting the images of the news to the event like cartoons. / Writing. conceptual artists.Louis Chul-joo Choi (historical artist & cartoonist)

Louis Choi Chul-joo, a cartoonist

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation: Newsbusan Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Newsbusan Manwha Review & Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Newsbusan Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Newsbusan Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Newsbusan Manwha Review & A line News of Choi Kwan-woo’s Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Newsbusan Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Newsbusan Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : A line News of Choi Kwan-woo’s Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

The concept of desire is realistically abstracted as a historical painting based on the photograph of the event by using the photograph of Choi Chul-joo's case as a design work for webtoon news cartoon review

Louis Choi Chul-joo's desire concept image in an event Historicalization: Great powers are selling weapons to the brink of war amid trade tensions with smaller nations

Louis Choi Chul-joo's desire concept image in an event Historicalization: When you see gain, you throw away what you think

Louis Choi Chul-joo's desire concept image in an event Historicalization: judge a country's crisis and eliminate its pitfalls

Louis Choi Chul-joo's desire concept image in an event Historicalization: The Bank has begun scaling back its size and staffing as part of its role in social makeup

Louis Choi Chul-joo's desire concept image in an event Historicalization: It is a crime to turn your life around by attacking people who are moving your country

Louis Choi Chul-joo's desire concept image in an event Historicalization: China fought back in a trade war with the United States

Louis Choi Chul-joo's desire concept image in an event Historicalization: Chinese feet to match American shoes

Louis Choi Chul-joo's desire concept image in an event Historicalization: Mexico 'Don't be stimulated by US immigration dispute' by immigration dispute

Louis Choi Chul-joo's desire concept image in an event Historicalization: throw away the polluting water that would be catastrophic and cause disease

Louis Choi Chul-joo's desire concept image in an event Historicalization: Reconciliation takes precedence over politics

Louis Choi Chul-joo's desire concept image in an event Historicalization: Stocks lose money even if they think carefully

Louis Choi Chul-joo's desire concept image in an event Historicalization: Theresa May to drop out and Britain to welcome new Prime Minister

Desire Concept Image Installation Design: The "K-POP STAR" section was newly established in News Busan (July 31, 2019), introducing the activities of K-POP stars that encompass stars in cut cartoons and cartoons.

■ Choi Chul-joo’s Conceptual Abstract realism Abstraction Design Process: Another abstraction that reveals the image as a reality as another structure of gaze that deviates from the visual system as an object that led to realism according to artistry is the image of realism.

In realism abstraction design, a way to effectively convey the dual message of abstraction and reality is to realistically represent concepts and abstractions through contemporary conceptual abstract realism abstractions, such as contemporary media art images or abstractions. Thus, the process of designing conceptual abstrac realism abstractions in media art abstract design is as follows

1. Realism Object Concept: An image formed from a virtual object by reproducing a realistic object is a virtual image that hides reality. A virtual image is recognized as a plane and looks like a realistic image. Here, it is hidden in a geometric plane image of a perspective visual system that reproduces realistic objects and is momentarily revealed as a gaze from the perspective of desire revealed by the unconscious. This defines the concept of a realist object with creativity and autonomy as an image in a linguistic sense as another existence of a conceptual abstract realism object through the unconsciousness suppressed by the desires of others.

2. Sketch Connecting Realism Images with Allegory: Abstract art and art are that matter is distinguished by its existence as a reality and the existence of objects formed from each other's abstract perspectives as virtual beings. The condition of a work of art is to reveal existence in the form of non-existent beings and imaginations as sketches that pass through an Allegory, which images objects and events as reality. Choi Chul-joo's reversible light is an image shaded at the present time in what is called "a real image obscured by the shadow of reversible light" according to its realistic form and movement of light, that is, the temporality. The image creates reality as a shaded image of reversible light, where the linguistic meaning seen as abstraction is identified. It repeats the sketch to connect an anamorphosis image as another reality separated from an image of reality, that is, an existential image that seems to be the structure of gaze, to form an abstract language image into a sketch so that it can be re-formed into a conceptual abstract realism concept.

3. Abstract Realism Object Gaze: As an abstract realism object, the abstract object revealed as a point of light in the eyes of others makes Choi Chul-joo's aesthetic structure anamorphosis image revealed in the desire gaze system look like an abstract Realism object gaze as a philosophical device whose abstract meaning varies depending on the viewer's position and gaze. This image matches the perspective of realist space with the abstract linguistic meaning, and from the conceptual point of desire, abstract and invisible objects appear as gaze paths. As an object that implies the desires of others as a fictional element of human limited by causal relationship in the linguistic meaning of the conceptual abstract realism of images, it intersects with the image and is structured into the linguistic meaning of unconscious abstract realism. Through this process of transformation, viewers experience linguistic abstraction in which forms follow concepts and forms become entangled with meaning.

4. Abstract Realism's Abstraction: Abstract realism's abstraction gets an abstract object specified in Choi Chul-joo's Desire Formula, and the desire image(i) design(d)s beyond the desires of others, which is an opportunity to verbally interpret the conditions under which the abstract object's image is realized(i/d) through grammatical interpretation of the linguistic meaning. And to reach <D(I...I')d=I(D...D'i)i> conceptual abstract realism abstraction as a reality by abstractly selecting a specific object that the subject of desire asks itself what abstract realism wants. This formula suggests a dynamic interplay: desire (D) is echoed across repeated images (I...I'), ultimately shaping an abstract concept (i). This is a realism image that has stopped from the concept of abstract desire that has been realized by abstracting the abstract place that humans cannot experience in life as an object of desire in a linguistic meaning system.

According to Culturality, Choi Chul-joo Concept Abstraction Realism Abstraction Stag's step 1: Distill the concept of desire in reality into images separated from literal causation to promote abstract thinking. step 2: Overlapping the linguistic meaning of the natural object motif with culturally resonant visual elements such as color palettes creates visually harmonious yet conceptually dense realism abstract image. It is a conceptual abstract realism abstraction as a philosophical image that reproduces the essence of human existence and the limitations of perception as a metaphor by operating as Choi Chul-joo's conceptual abstraction as a device that transfers philosophical and linguistic meanings to images.

■ Object rendering of the concept of desire is 1. a pop art image that renders unconscious desire as an existential reality by dividing the same concept of desire as the event image into unconscious and real images as an object. Therefore, the subject who speaks linguistic meaning actually represents abstraction, the truth value of the concept of desire, which is an expressive aesthetic structure that specifies the viewing effect of colloquial language and event video broadcasting as an act of speech enunciation that depends on the news. 2. As the truth value of the concept of desire in visual images is an open system, and numerous visual images are transmitted to others through a pluralistic visual system. Abstract images, which are the true values of the concept of desire, attract attention because they have universality as real images expressed by the desires of others. In other words, the object exposed to the abstract desires of others functions as a desire to exchange the same aesthetic image as the concept of desire of others through the diachronic function of pop art applied as a work of art. 3. The truth value of the concept of desire in a linguistic sense in which the abstract image of the concept of desire and reality are the same, represents the structure of desire, and the reality of the abstract concept of desire is a real image, which is the causal structure of desire, and creates a structure of desire by forming a semantic relationship with contradictory desire. Like Kant, this is a dual structure up to modern art, and it encompasses mythical objects in the same structure as humans, and the antinomic desire structure as a single structure. 4. an object of the concept of desire rendered in abstraction: The object rendering of the concept of desire renders the object as an event image, which is the same rational object as the linguistic meaning of the desire structure through the gaze of the rational subject, is recognized as a real image that the subject cannot see. Additionally, other objects of desire are continuously represented by real images that attempt to fill the deficiency of desire. The pond, which reflects present desire as an object to abstract desire, presents a desire structure as a reality, which is an object to abstract desire, but it returns the cause of desire as a real image to an object as an event image, free from the imperfect abstraction that lacks desire that is subjugated to social visibility that has been concealed and deviated from lack through real images. In other words, the structure of deficiency and divided desire is hidden through real images of abstract desires, and contradictory desires subordinate to deviated social visibility become the cause of desire and become the objects of real images. In addition, object rendering of other desires is continuously expressed as a real image trying to fill the deficiency of desire. The rendering of an object that reflects the present desire as an object of abstract desire presents the structure of desire as reality, which is the object of abstract desire, but it returns the cause of desire as a real image to an object as an event image, away from the imperfect abstract lacking desire. In other words, the structure of deficiency and divided desire is hidden through the real image of abstract desire, and contradictory desires subordinate to deviated social visibility become the cause of desire, resulting in abstraction as a real image.