Contemporary Artist & Art 3

contemporary artist Louis Choichuljoo 3

Contemporary Art & Artist [3/17-19] Louis Choi Chul-joo Art Review & Design: Choi Chul-joo Art Criticism and Realistic Abstract Design/ The concept of desire in contemporary art, which depicts the desires of others as abstract art composed of contemporary art cartoons, abstracts contemporary images of events and performances by designing the concept of desire of others into an interpretable concept. A new abstract art design methodology that approaches realistic abstraction with this abstract art methodology is Choi Chul-joo's desire concept abstract art design process: The abstract design work of the concept of desire applies Choi Chul-joo's concept of desire design process, and the realistic abstraction design process of the concept of desire repeatedly applies Choi Chul-joo's desire formula./ Example of contemporary art : Comics/ Manwha News K-PopSong & Korean News Comics ReviewNews manwha KPS (28) SEED-X will hold a non-face-to-face K-pop concert

In the concept of desire, mathematical desire is an axiom as logic, and through abstract design, it results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning.

Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition.

Chul-joo Choi, <non-face-to-face K-pop concert 7>, a hand-painted picture on a computer

▒ Manwha Designer Choi Chul-joo’s Cartoon News - Chul-joo Choi’s Manwha(cartoon) Review: one sentence news & news manwha design

Chul-joo Choi, <non-face-to-face K-pop concert 5>, a hand-painted picture on a computer

Manwha Designer Choi Chul-joo’s Cartoon News - Chul-joo Choi’s Manwha(cartoon) Review: one sentence news & news manwha design

newsmanwha - NewsCartoon: Cartoonist & Newsbusan Culture Journalist, Dr. Chul-joo Choi's editorial cartoon line manwha-news

. SEED-X will hold a non-face-to-face K-pop concert

. SEED-X prévoit un concert K-pop en ligne.

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루이 최철주의 배반적 개념미술 추상화 ■ 구상 형태를 선과 색에 맞추는 개념미술에 배반적이다. ■ 최철주의 추상화 디자인 프로세스/ 추상화 <나팔꽃>에서 라캉의 미술 이론을 그 추상화에 연쇄하여서 기표 이미지를 기의 이미지로 전환하고자 라캉의 미술 이론을 형식화한다. 이것은 라캉의 상상계와 환유공식을 반복 적용하여서 타자의 욕망을 회화에 발현하는 의미를 가지며,

여기서 생성된 이미지는 피사체의 입면으로 정시되는 도면을 제외한 형태로 왜곡된 시선으로의 교차점에서 전체 피사체가 일정한 방향의 빛으로 보이는 하나의 형상이다. 그 형상에 라캉 미술이론을 적용한 결과로서 타자의 욕망을 조형미에 접근한다. 이것은 타자의 욕망이 하늘에 감춰진 빛에 있지만 피사체의 자리가 땅위에 있다. 따라서 형상이 없는 하늘과 땅이 실재라면 사실적 욕망의 구조는 지잔 시간에 존재했던 사건의 현장을 그린 존재적 추상이다. 그 추상의 대리자로서 가역적 빛의 음영으로 생성된 <나팔꽃>은 욕망의 구조로서 정해진 형태가 개념의 존재를 인식하게 만드는 사실적 비실재의 이미지로서 미적 가치를 얻는다.

■ 최철주 <나팔꽃 윈도우>는 주제의 대상이 아니고 타자의 욕망 공간적 배경이다. 가역적 빛의 셀재를 맞추고 그 빛의 실재를 감추는 흰색을 통해서 비실재의 구름을 만들고 실재의 음영을 가린다. 그 음영에 틀로서 윈도우는 음영에 숨긴 무늬를 볼 수 있도록 그림자를 통해서 실재의 색조를 조명하고 그 실재의 형상을 존재로서 인식하게 한다.

존재로서 형상을 보는 것은 하늘처럼 일관된 삶의 공간을 보는 것과 동일하다. 그 삶의 공간을 대리하는 만평과 연결하지만 비평하고 판단하지 않고, 사건의 사진으로 실재를 재현하여서 상징하는 대상의 실재를 배반적 개념미술로 구조화하여서 그 개념을 추상한다.

(배반적 개념미술 추상화 최철주미술이론 ACN ・ 2022. 12. 24. 17:11)

배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 만화 리브 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 만화 리브 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

Artist's work of realistic cartoon abstraction in treacherous conceptual art : Chul-joo_Choi, morning glory 2021-b-non-face-to-face K-pop concert1, a hand-painted picture on a computer / Contemporary art pop art abstraction that reinterprets the abstract of treacherous conceptual art as a cartoon work through cartoon news review

Artist's work of realistic cartoon abstraction in treacherous conceptual art : Chul-joo_Choi, morning glory P9-4-non-face-to-face K-pop concert2, a hand-painted picture on a computer / Contemporary art pop art abstraction that reinterprets the abstract of treacherous conceptual art as a cartoon work through cartoon news review

Contemporary Artist Louis Choi Chul-joo

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Artist's background image : Chul-joo Choi, morning glory 2021-e-1, 114X169cm, acrylic and composite

[Contemporary Artist Louis Choi Chul-joo's Treacherous abstraction & cartoons of modern artː the interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ newsmanwha K-Pop Song of Choi Chul-joo’s cartoon news/ newsmanwha K pop song: A hand-painted picture by Choi Chul-joo on a computer & webtoon news cartoon design works by cartoon designer Choi Chul-joo [28] a non-face-to-face K-pop concert _ un concert K-pop en ligne

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Contemporary Art & Artist Louis Choi Chul-joo 17

Contemporary artist Louis Choi Chul-joo artwork review & design 17

Contemporary Art & Artist [17] Louis Choi Chul-joo Art Review & Design: Choi Chul-joo Art Criticism and Realistic Abstract Design/ The concept of desire in contemporary art, which depicts the desires of others as abstract art composed of contemporary art cartoons, abstracts contemporary images of events and performances by designing the concept of desire of others into an interpretable concept. A new abstract art design methodology that approaches realistic abstraction with this abstract art methodology is Choi Chul-joo's desire concept abstract art design process: The abstract design work of the concept of desire applies Choi Chul-joo's concept of desire design process, and the realistic abstraction design process of the concept of desire repeatedly applies Choi Chul-joo's desire formula./

Abstract contemporary art that designed modern art abstract painting [12] Abstract Artist Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory" and "Bamboo Forest." / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: abstract artist Louis Choi Chuljoo "Morning Glory" 2022 New York Personal Exhibition

Art Review: Contemporary Artist & abstract artist Louis, Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis.

20220301~20220308 Flushing Town Hall, New York.

NEW YORK EXHIBITION "MORNING GLORY": LOUIS CHUL-JOO CHOI'S PAINTING https://youtu.be/3oMz0-gejAA

Flushing Town Hall, New York

"morning glory 2021-k-1" is thread painting in the form of a teaching fabric in which the back is illuminated by manually drawing an image of a misarranged image made from an anamorphosis image of a morning glory.

Louis Chul-joo Choi, morning glory 2021-k-1, 136X168cm, acrylic and composite materials on cloth, 2021

In other words, it is a shape in which the position of non-realistic painting with reflected light is expanded to the anamorphosis image in a shape of a cloth shaded in a thread and a small hole in the fabric.

The meaning of the shape is decorated with the color of the spatial light of the fabric entangled in a grid of the real of the customary universality facing the morning glory.

The dark space in contrast to the light of this decorated shape is a shadow created by staying in one place.

Here, as a real object, color is a visual image familiar with the custom of sight.

The meaning is a symbolic language that symbolizes the imitated flower.

Here, the morning glory is a sculpture of Lacan's object ɑ, the meaning of hidden aesthetic structure, as a symbol of space rather than reality by the meaning of Lacan.

Realization triggered by naturalism is a computer-made virtual image that is easy to create, duplicate, and convert, creating an unrealistic image without an original.

This is a computer technology that is not related to works of art, so it is different from works of art using the other's desire perspective as a medium.

However, computer-mediated media art makes other virtual images into real images, but also has artistry as a replica of the original virtual image.

Therefore, the way to effectively promote works of art is to use media art, and the technical expression of media art is also artistic.

This is an example of expressing the medium of art as a media art with contemporary media technology.

The difference between art and non-art is distinguished according to the existence of object ɑ as a real formed from the perspective of the desire of the other in a hypothetical shape as a real thing and a virtual shape as a non-existence.

Therefore, it is difficult to reveal the object ɑ in a virtual shape as a non-existence without the original. The condition of a work of art is that the meaning of the hidden aesthetic structure that exists as the original is an object ɑ.

A realistic picture forms a formative structure, but when it is the same form that does not distinguish between the original and the reproduction, it is not a meaningful composition.

This is because its formability can form an image or reform it into the same form through a realistic structure.

Therefore, the anamorphosis image of the desire of the other person who is difficult to replicate is the meaning object ɑ of the concealed aesthetic structure as an existence.

Here, the anamorphosis image is an objectɑ as another real image separated from the real image, although it is not real as an image of the whole.

An image formed as a virtual object by reproducing an object in a painting is a virtual image that conceals reality.

The virtual image is viewed as a virtual image by being recognized as a plane.

Here, by revealing the object ɑ as a being through the Lacan art theory system, the virtual image becomes real.

Lacan's Object ɑ is hidden in the geometric schematic of perspective that reproduces objects and is momentarily revealed by the desires revealed in the unconscious.

The object ɑ form an anamorphosis image expressed through the desire revealed in the repressed unconsciousness of others with a design to obtain artistry beyond generality, and create the real of the object ɑ to reveal artistry.

The artistry here reveals the object ɑ as another being of the object by transforming the image of the object into an anamorphosis image from the perspective of the other's desire.

And the meaning object ɑ, which has become a concealed aesthetic structure as an existence, acquires artistic meaning with creativity and autonomy.

<morning glory 2021-k-1> depicts an image generated by an anamorphosis image of a trumpet flower, and the form of a picture drawn in the shape of a cloth consisting of a grid in which the back is illuminated is thread painting.

In other words, it is a shape in which the position of non-real painting with reflected light is expanded to an anamorphosis image of a grid hole in which the back is illuminated is thread painting. The meaning of the form is another person's desire decorated with the color of spatial light with thread painting of the real of universality in the customs facing the morning glory. The dark space in contrast to the light of this decorated shape is a shadow created by staying in one place. Here, as a real object being, the color is an image on one side familiar with the custom seen as a gaze. The meaning is a symbolic language that symbolizes the imitated flower. The flower image is a sculpture of the hidden aesthetic structure meaning object ɑ a symbolized being in non-real space as a result of the lacan's meaning.

Object ɑ is an object revealed in Lacan's art theory as a 'gazing' from the perspective of desire and rational thinking from a perspective.

Therefore, the object ɑ as a gaze was revealed as a dot of light in the eyes of the other as the subject.

This is an image that overlaps with the perspective visual system but is momentarily revealed from a desire perspective in an oppressed unconsciousness.

The eyes on the picture see an object drawn on the canvas, but the eyes is like a subject staring at it.

The gaze determines what is seen and what is not seen in a small hole on the screen, such as a cloth, in space, the reflected light determines the image that is shifted according to the coincidence or inconsistency with the gaze.

Therefore, Object ɑ means a concealed aesthetic structure as an entity revealed in the lustful gaze system, not a non-real image in the perspective visual system.

The object to which Lacan's art theory is applied is Louis Chul-joo Choi's morning glory. The object's real is hidden in the margins of the non-real space, depending on the time.

In this way, the reality of the morning glory as a lacan's object becomes the blank space of the non-real space according to the change in time. The trumpet flowers painted there match the image of the light of the space as the target, and the target is set according to the inevitability of the symmetrical unreal space reflected in the mirror, equating the symmetrical real space with the non-real place. This is the space of the image tailored to the object. It is a space of fabric that repeatedly connects one gap and blank, and one picture structure overlaps the color drawn on the fabric with several blanks, square threads.

Louis Chul-joo Choi, morning glory-2021-l, 148X175cm, acrylic and composite materials on cloth, 2021

The image depends on the color and shape determined by the place of the object.

Therefore, the meaning of the image as an object in <morning glory-2021-l> made of thread painting is the color of its meaning, and the reality of the customs universality facing the object is decorated with the color of light.

The dark space in contrast to this decorated light is a shadow created by staying in one place. The object that exists here has a cross-sectional shape that has changed its shape due to the appearance of a staring color and familiarity with customs.

The meaning of "morning glory 2021-l" is an aesthetic structure in which the shape of a realized object stopped in a place of everyday life is shaped as the color of light, and the color of the reflective margin that is difficult to distinguish is repeatedly drawn on a fabric-like material.

Here, the colored picture unravels the value of reality in the shape of color when enlightened by customs or when in place.

However, the material hidden in the margins of the object in the picture is tailored to the color suitable for the object of the time because it cannot reproduce its timeliness.

And "morning glory-2021-l" which sets the outline of the shape on a cloth-like thread as a color line contrasting its color, captures the familiarity of customs with the inevitability of the past space.

This indicates the meaning of the symbolic action that characterizes the design that repeatedly combines pieces of distorted morning glory image in the pictorial imitation process.

The meaning is a symbolic language that symbolizes imitated flowers. Here, the morning glory image is a sculpture of meaning symbolized in non-real space as a result of the lacan's meaning.

The place where the meaning of the morning glory is fixed is an image that leads from unconscious desire to a divided subject, and by repeating the design of the morning glory, the divided subject and the intersection form an image close to the two fixed points.

The semantic function of the image close to the fixed point is simultaneity and synchronicity. The simultaneous function here is the meaning of the sentence, and the image completed by designing the actual object by retroactive effect of the design concept is <morning glory-2021-l>.

The synchronic function of the image is <morning glory 2020-D>, which is a synchronic structure that can be obtained from the source of the design concept hidden in the linguistic sentence, that is, an image of a contrasting metaphor of the image reflected in the mirror.

The emergence of linguistic meanings unconsciously in reversible temporality creates an image of the other's inconsistent desire as the place of <morning glory 2021-b> and develops it in a consistent sense.

This shows the meaning of Lacan's unconscious language, which repeatedly indicates that there is no unstable element, and draws an inconsistent image of a "morning glory" representing an incomplete phenomenon representing the unconscious language, like the desire shown by the other's conscious movement.

Louis Chul-joo Choi, morning glory(2021-b), 132X168cm, acrylic and composite materials on cloth, 2021

The emergence of linguistic meanings unconsciously in reversible temporality creates an image of the other's inconsistent desire as the place of <morning glory 2021-b> and develops it in a consistent sense.

This shows the meaning of Lacan's unconscious language, which repeatedly indicates that there is no unstable element, and draws an inconsistent image of a "morning glory" representing an incomplete phenomenon representing the unconscious language, like the desire shown by the other's conscious movement.

The structuring of "morning glory" as thread painting is an object that implicitly relies on the existence of a structure, that is, the temporality of a momentary coincidence, at a predetermined object.

The image of the object is structured as a shape of the thread, and the image drawn on the connected fabric is expanded into the shade of light to expand the planar shape of the morning glory in the fabric.

Therefore, the structuring of thread painting is the place of morning glory that depend on the existence of an implicit structure in the designated place of the morning glory, that is, the coincidence of momentary temporality.

The position creates an image of a morning glory in the sky and overlaps the image of the overlapping fabric to expand into a reversible shade of light. And the image describes the atmosphere that has changed to flat morning glory and temporality.

By illuminating the position in several directions, the existing shape of the past time is returned to the unconscious shape, and the images reversible to the real shape cannot be overlapped according to one time, but are overlapped in an integrated meaning.

However, the shape does not appear to be meaningful, and the image background is settled in several shades that are momentarily reversible.

This is a different image in which the position of temporality, that is, the image of the sky, appears to be a stimulus of light set in time at one moment of time, just as clouds, rain, and eyes appear.

The image is the place of infinite and continuous existence that light has achieved over time.

The momentary shape in which abstract phenomena coexist as images with form and meaning is a reversible visual structure. When an painter draws, it is the temporal logic of the image that obtains semantic recognition of the image.

Therefore, the structure of the visual reversible reaction is a momentary image according to the visual reversible reaction in the shape of a morning glory, and a misaligned image in which the morning glory is temporarily obscured by shadow or light or coexists in its original position is the meaning of a momentary image.

The image is a view of another person's desire on a cloth at the moment when the shadowy shape of everyday life intersects the morning glory of the past time.

The structure of the branches and leaves of the trumpet flower shows the meaning in harmony with the trumpet flower that matches the appropriate shade corresponding to the light. It's meaning shows the positional structure of the morning glory exposed to bright light in a symbolic shape according to the shadow light.

Therefore, a morning glory painting is an image method that reveals the morning glory that unconsciously exists in the place of the morning glory. The more you repeat the shading image of the reversible light, the more abstract the morning glory image becomes.

In other words, the more reversible light is repeated over time, the less the area of light is expressed by overlapping the shade of the staring morning glory.

The meaning of the morning glory, which repeatedly combines pieces of distorted morning glory image, represents a symbolic shadow in which the other person's desire is specified.

Here, meaning is a language that symbolizes the conceptual image of a morning glory and a flower that mimics an object that always exists.

Therefore, the morphological language of 'morning glory" decorates the reality of the customary universality faced by objects with the color of light.

The dark space in contrast to the decorated light is a shadow created by staying in one place.

In "morning glory 2021-h-back" actual morning glory, cats, fish colors, and shadows coincide with conventional images. The "morning glory 2021-h-back" is a word that symbolizes the other person's desire by imitating the other person's desire hidden on the back of "morning glory 2021-h" where the cat's movement has stopped.

As that "morning glory 2021-h-back", the cats image is a sculpture of meaning symbolized in non-real space as a lacan's word of meaning generated by visual reversible reaction in its place.

This is because the color of the shade caused by reversible light on the overlapping fabric determines the position of the cat and morning glory, and over time, the distorted desires of the other overlap and develop into an image of fabric.

Louis Chul-joo_Choi, morning glory 2021-h, 131X167cm, acrylic and composite materials on cloth, 2021

In "morning glory 2021-h-back" actual morning glory, cats, fish colors, and shadows coincide with conventional images. The "morning glory 2021-h-back" is a word that symbolizes the other person's desire by imitating the other person's desire hidden on the back of "morning glory 2021-h" where the cat's movement has stopped.

As that "morning glory 2021-h-back", the cats image is a sculpture of meaning symbolized in non-real space as a lacan's word of meaning generated by visual reversible reaction in its place.

This is because the color of the shade caused by reversible light on the overlapping fabric determines the position of the cat and morning glory, and over time, the distorted desires of the other overlap and develop into an image of fabric.

This is a visible phenomenon, and the morning glory made by the movement of the other's desire appear inconsistent, and the images of the cat that's separated from desire and the morning glory, whose desires are fragmented, overlap with intersecting threads to form a space ahead of them.

The "morning glory 2021-l-back" approaches landscape paintings that seemed to be the daily desires of others, rejects two-dimensional flatness, divides fantastic plane images into two planes and shows them in a fabric structure so that they can recognize others' desires as reversible shadows.

It is difficult to reveal the object ɑ of the structure of beauty concealed in the object of the hidden structure existing as an attribute of shadow in a picture that is converted into a system that approaches recognition as a meaningless being and draws out symbolic expressions.

Louis chul-joo choi, morning glory-2021-l-back, 148X175cm, acrylic and composite materials on cloth, 2021

The "morning glory 2021-l-back" approaches landscape paintings that seemed to be the daily desires of others, rejects two-dimensional flatness, divides fantastic plane images into two planes and shows them in a fabric structure so that they can recognize others' desires as reversible shadows.

It is difficult to reveal the object ɑ of the structure of beauty concealed in the object of the hidden structure existing as an attribute of shadow in a picture that is converted into a system that approaches recognition as a meaningless being and draws out symbolic expressions.

The perceived symbolic expression is a linguistic composition lacking a formative aesthetic structure that is well-seen at the bottom of the image. It is perceived as a flat expression, but it is a virtual image that hides reality.

The image is a virtual image that deviates from the perspective of reality and belongs to the structure of desire as a hidden aesthetic structure.

<morning glory 2021-l-back> is a background shading by manipulating the morning glory's background with reversible light on the surface of a fabric made of crossed threads.

And light reflected in a small hole in the fabric is an abstract image that expands the plane of an object by overlapping it with reversible light in an unrealistic picture.

The meaning of the image is that the reality of the present universality that trumpet blossoms encounter representing the other person's desires overlaps with reversible light, decorating all space with the sense of color.

The dark shape that contrasts with this decorated flat image is a momentary shadow of reversible light drawn on the fabric.

Here, the cross-sectional image of the custom seen as a real object looking at color is a language that symbolizes an imitated morning glory. This is because the morning glory image is a reversible shadow of the Lacan's semantic structure.

The expression of color recognized as a shadow forms the semantic structure of the image according to the tone of speech with temporary light that reflects the desire of others who are staring at the screen or are invisible.

The transition from a practical expression of this semantic structure to a symbolic system transmits the plane dimension of the object to a semantic structure. The planar image of this practical morning glory makes you stare at symbolic expressions and real images. It shows a dual appearance of expressing the opponent's daily life and symbolic desires at the same time through morning glory.

By removing the stage of volume by using reversible shades over time as monochromatic color, <morning glory 2021-l-back> does not have a fantastic image of the object by light, that is, an image of quattrocento painting.

The ocento painting. This is the process of transitioning from an imaginary world to a symbolic world, and images that do not exist, that is, images reflected in the mirror in the imaginary world, coexist. It reproduces the reality of a morning glory as an image that coexists, but the background image is identified with the morning glory, but the image assimilated with a non-substantial shaded color does not fit the metaphorical meaning of the substance. Its meaning is metaphorical like the linguistic structure, so it is not the same as the form of a morning glory.

Therefore, the meaning structure of shadows created by reversible light with images different from morning glory is an object as a reality, not real. It's not an image as an object, it's an object of reality as someone else's desire. In this way, Lacan's symbol, "morning glory 2021-l-back," shows the concept of changing the shape in which reality exists and enlightening its meaning.

The morning glory 2021-l-back is a small hole where the surface of the picture intersects, setting the non-actual position with reflected light, and drawing a shadow shape in which light overlaps. On the right back and side, the part that receives the light has a bright shape unlike it really is, and the rest has a shape of a shadow transferred by reversible light.

By revealing the reality of <morning glory 2021-l-back> created by the other person's desire, it created a dual space in everyday symbolic expression and real space. In terms of perception, this reveals the flatness of the picture that converts the morning glory, which appears to be an external image, into a symbolic image in contrast to several reversible light. Here, the morning glory 2021-l-back extends the position of the non-real image with reflected light reflected from a small grid-shaped hole pierced on the grid-shaped fabric of the grid.

This is expresses non-real images and existential meanings in the part of the light reflected from the back and the light reversible from the before the time. It forms a visual object with reversible light, brightens the object with a awakened image of the other's desire, and forms a form in which the rest of the image is shaded by several reversible light.

By revealing the reality of <morning glory 2021-l-back> made by the desire of the other, it created a real space with symbolic representations and behind everyday life.

In terms of perception, the morning glory flower, which appears to be a substance as an external image, is converted into a symbolic representation system in contrast to a shadow with several reversible lights in the background. In other words, the represented painting of a symbolic representation shows an image of a cultural shape overlapped with several reversible lights over time.

The crooked image viewed from the side as the object ɑ of Lacan is consistent with visualizing a photo image of the other person's desire in the past as a collage.

This is a crooked image generated by reversible light that goes beyond the actual visual image of the picture.

This is because it is an image created by the desire of the others in the Lacan's theoretical system, which is an irrelevant gaze area whether it is flat or three-dimensional. As an object in <morning glory 2021-e-back>, the morning glory at the bottom of the center among the three morning glory is not clearly aligned and viewed by the object 'ɑ' looks like a gaze.

Here, the morning glory refers to the presence stopped by a momentary gaze in the continuity of reversible time.

Louis Chul-joo Choi, morning glory 2021-e-back, 114X169cm, acrylic and composite materials on cloth, 2021

The image in <morning glory 2021-e-back> shows the existence of reversible temporality by planarizing the morning glory according to the reversible temporality of the perspective visual system margins and objects.

However, even if the existence of the morning glory is reproduced, the morning glory is identified as the background image, but it does not match the object 'ɑ'

It is a meaning structure of shadows created by reversible light with different images from morning glory about what existence is. It is an object that has another reversible temporality from a shadow that is not real.

Therefore, the object is not an image as an object, but a reality as another person's desire.

The morning glory at the bottom of the center connects reversible light to determine the place of existence and form a process of time to indicate the direction of the existence and a space in which it exists.

A morning glory flower formed at a single light source point in time does not have a sense of volume. Here, the morning glory is a partially fragmented image, such as a collage. In this way, each partial image exists in space as a fragmented shape exposed at the same time.

The planar morning glory is the form of a subject generated by the observer's gaze. Through morning glory that have eliminated volume, the presence connected to the reversible light is extracted, and the various reversible light in the background and the shadow of the morning glory are contrasted to show a plane view converted into a distorted image.

The Lacan's gaze cannot be selected as a visible image in which real and non-real reproduce an object according to the perspective of view, and the pictorial image expressing the actual image is identified as an image as non-real.

Therefore, the existence of an object is a distorted image similar to that of Lacan's object ɑ.

Louis Chul-joo Choi,_morning glory 2022-b-back, 130X158cm, acrylic and composite materials on cloth, 2022

The painting they completed as a means of livelihood is what Lacan calls a picture reflected in the mirror, that is, an imaginary system as a metaphor, an object that is satisfied with the image of the real object as an infant by looking at the object reflected in the mirror.

In <morning glory 2022-b-back>, the boundary of the canvas visual range is removed and the three-dimensionality of invisible mannerism in the picture is removed to schematize it as a semantic object. This is an object viewed from the perspective of semantic duality, away from the traditional style of painting expression from the Middle Ages to the modern times.

It imprints that it is a flat canvas and refers to the reality of the family as another meaning of the compositional image formed by chickens and chicks, not the actual picture of perspective.

It is a lacan painting that shows the shadow of object a with a reversible light that rejects the image center of simulacre, which replaces real, by omitting the volume of chicken and rejecting perspective description.

Louis Chul-joo Choi,_morning glory 2022-b, 130X158cm, acrylic and composite materials on cloth, 2022

The transition from such a semantic representation to notation shifts the planar dimension of the figure to the essence of meaning. This is a dual object that simultaneously shows livestock in daily life and a family in a symbolic sense through chickens and chicks.

The shape of the picture reveals the aesthetic meaning of an object in the visual system in image painting.

This is a pictorial act, and the object is defined in a limited area in perspective, distorting the original space, and drawing it on the canvas to produce meaning.

In addition, another meaning due to the shape of the area similar to the object forms a meaning subtracted from the image in a semantic form from the double expression of the shape.

The dual meaning formed here breaks the relationship with the apparent being in the visual system and exists as a meaning in an immaterial cultural space.

The verbal expression of the object in the picture is also metaphorical, but assuming that it is an image that is not reproduced, real exists as a virtual image that reproduces real through thinking.

Here, 'morning glory 2022-b-back' is an unrealistic meeting that distinguishes the symbolic image and real meaning of morning glory, contrary to the reality that chickens and chicks are life and family.

In the picture space, Lacan's real is different from objective real and representative thoughts. It has a real object ɑ that is separated from the real transferred from the symbolic world

In "morning glory 2022-b-back," the hidden images of chickens and chicks in the morning glory landscape are repeatedly expressed in the meaning of the family, and the meaning of the family is revealed in the composition of hidden images from the images of chickens and chicks.

In the semantic space in the picture, the volume of chicken is omitted in its actual shape, and the meaning of the family is expressed in a non-visual system.

In the public domain, real is a hidden meaning beyond the displayed image.

As a real in its concealed meaning, "morning glory 2022-b" shows both the space of life and chickens and chicks with morning glory in the landscape to reveal the existence of the family. "morning glory 2022-b" is a real that shows the value revealed in the family's appearance, eliminating the unrealistic real that seems to be right in front of you and depicts the reality of meaning through thinking.

Painting in the symbolic world is only a continuing symbolic existence of objects. Lacan calls its existence a transcendent signifier.

<morning glory 2022-b> metaphorically expresses the meaning of the family as a real, an area separated from the realm of the symbolic world. Without showing the object to be expressed, compare the actual meaning of the family to chickens and chicks. In other words, invisible concealment creates an image that symbolically compares its meaning with its symbolic image.

However, Freud's unconscious expression can be compared to the desire of the symbolic others in the Lacan theoretical system through psychoanalytic interpretation. Here, the symbolic other's desire is identified in the category of the symbolic world in Freud's unconsciousness and the linguistic meaning of Lacan's signature image.

Therefore, the meaning of Lacan's concealed real image is an unconscious structure. By understanding the real of the family, which is not seen in <morning glory 2022-b-back>, you can find the meaning of the image that symbolizes the existence of the other's desire in a lacan's painting.

The pictorial objects invisible in the visual system are Lacan's object ɑ and surreal object.

This is a distorted image in which the desires of others appear momentarily as an object ɑ of surreal lacan.

That is a dual object of surreal painting that has a symbolic meaning, unlike the meaning of symbolic and perspective actual shapes, as a shape derived from human subconsciousness.

The semantic language of Lacan's surreal image is based on the existence of real that identifies Freud's unconsciousness as a category of symbolic world. Therefore, the meaning of Lacan's surreal real is an unconscious structure. By understanding the real of the painting, <morning glory 2021-h> can be interpreted as another unconscious real in visual art symbolizes the desire of others.

In other words, the real of Lacan's unconscious shape is the effect of the emergence of incomplete and distorted images formed by repeating the semantic language of the image. This is a formula that can be exchanged for meaning through the conscious movement of the notation image, and the meaning is determined by substituting a shape to reveal the meaning of Lacan's desire graph.

It is similar to constructing an image with an unconscious structure into a scenario like a stage in a play and revealing and interpreting the meaning of the scenario through the thinking movement of the image shining reversible light of the past.

In Lacan's theory of visual arts, image exchange is expressed as the others person's desire instead of semantic action by repeating the structure of the mark image and shows meaning that does not act as resistance to insufficient images, that is, insufficient forms. In Lacan's graph of desire, it accepts Saussure's symbolic language, but reveals the meaning, which is the effect caused by the unconsciousness that prioritizes the meaning, that is, the image of the notation.

Here, Lacan's exchange formula; 'f(S...S')S=˜ S (-)s' is replaced with <morning glory 2021-h-back>, the morning glory as a image is connected to the sky, and the cat is incarnated, and the fish is selected as an object ɑ of the batter's desire and shaded into an object in the shadow. Lacan says that the meaning of the fish as the desire of the others is combined with the maintenance of the stick (-).

Lacan's fantasy formula, which functions visually in the picture, describes shapes such as unconsciousness and language so that others can experience their desires consistently and meaningfully. Therefore, the attempt to pursue in Lacan's painting seems to constitute a meaning that symbolizes the desire of others hidden by images, like unconscious language, in the existing space where certain effects of semantic behavior occur. / Writing. Art critic Louis Chul-joo Choi (Modern Painter & Doctor of Cultural Design)

Art critic Louis Chul-joo Choi

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Contemporary Art & Artist Louis Choi Chul-joo 18

Contemporary artist Louis Choi Chul-joo artwork review & design 18

Contemporary Art & Artist [18] Louis Choi Chul-joo Art Review & Design: Choi Chul-joo Art Criticism and Realistic Abstract Design/ The concept of desire in contemporary art, which depicts the desires of others as abstract art composed of contemporary art cartoons, abstracts contemporary images of events and performances by designing the concept of desire of others into an interpretable concept. A new abstract art design methodology that approaches realistic abstraction with this abstract art methodology is Choi Chul-joo's desire concept abstract art design process: The abstract design work of the concept of desire applies Choi Chul-joo's concept of desire design process, and the realistic abstraction design process of the concept of desire repeatedly applies Choi Chul-joo's desire formula./

Art Design Review of Contemporary Art works [12] Conceptual Abstract Artist Louis Choi Chuljoo's Conceptual Abstract Painting <Morning glory> Art Review & Conceptual Art Pop Art Abstract Painting Design / Contemporary art examples of Abstraction Review : Treacherous Contemporary Art Abstract Painter Louis Choi Chul-joo Pop Art Abstract Art Works & Art Reviews / Modern Korean Pop art Abstraction Design Review & Conceptual Art Korean Painting Abstract Painting Design <morning glory p15-11>

Louis Choi Chul-joo, Choi Chul-joo morning glory p15-11, a hand-painted picture on a computer

Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory" and "Bamboo Forest." / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others:

Design review: the New York Contemporary Art Exhibition of "Morning glory" abstract painting(Poster: Youn Yuh-jung won the Oscar for Best Supporting Actress): an exhibition of the desires of others seen by a chick as an infant." a contemporary art work that applies artist Louis Chul-joo Choi's Lacan art theory. 20220301~20220308 Flushing Town Hall, New York.

<morning glory p15-11> creates a red monotone that superimposes the desire structure of the other, created by overlapping the concept of desire with <morning glory> as the background of desire.

At 2022 New York Flushing Town Hall, abstract painter Louis Choi Chul-joo's "morning glory" is produced as a design concept based on the concept of desire, and this is the design of the shape as the semantic structure of the concept of desire, that is, the poster abstraction "morning glory".

Desire Concept Abstraction ■ Design Process / Abstraction <morning glory> forms the image into an art theory of Choi Chul-joo's concept of desire to convert the image into a desire meaning by repeating the abstraction of the concept of desire. This means that the desire is expressed in painting by repeatedly applying the desire formula to the desire of others revealed in the unconscious, and as a result of applying the formula of Choi Chul-joo's desire concept to painting, the desire structure gains value in approaching formative beauty.

■ The concept of desire/ <morning glory> is not the subject of the subject, but the spatial background of the desire of others. It is the same as a consistent space of life like the sky. Cartoon review representing the space of life and performance scenes connect to pop art images, but do not criticize and judge, but reproduce reality as news with photos of events and images of performance scenes. In addition, the effect of conceptualizing the reality of the symbolized object as the desire of others is structured into reversible shades of light to paint the concept.

■ By substituting Choi Chul-joo's desire formula into the abstract painting <morning glory> created by abstraction of the concept of desire, the desire of one other is seen as a reversible structure of light, which reaches the morning glory of the desire background along with the satisfaction of pleasure and sexual impulse(Jouissance) and conceals the inconsistency imagined by the chick in the visual system.

Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory 2021-h-back', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky.

In addition, in <morning glory 2021-g-back>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

Louis Choi Chuljoo, morning glory-2021-l-back, 148X175cm, acrylic and composite materials on cloth, 2021

Louis Choi Chul-joo 2022 New York Exhibition Poster / 'morning glory p15-11' is a virtual non-real that structures the meaning of abstract space that can turn things into real images by constructing images that hide the desires of others in the temporal shadow of light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape reveals the place of the unconscious desire of others.

The image "morning glory p15-11," which depicts the meaning of the shape seen in the space of the meaning created by reversible light, refers to the concept of abstract meaning, which means an abstract space where the desires of others become common fossils and an abstract space that can compose the meaning of a shape hidden by long-term nature into a real shape that reverses things, and creates an image on one screen by drawing an image with a different meaning with reversible light hidden by the movement of the actual changed shape.

Here, drawing images with different meanings from different perspectives and gathering them on one screen is an abstract design of the concept of desire, which is a new attempt to reject the romantic painter's style. In other words, it is an abstract painting that revived the structure of desire, "morning glory" by using the material of light projected in romantic paintings as a place of existence to explore a new style of modern art.

It is the conceptual abstract design method of desire that draws images with different meanings from different perspectives and gathers them on one screen to form a revolutionary picture that deviates from perspective. This is a new attempt to reject the mannerisms of the way Romantic painters painted. In other words, in romantic paintings, a reversible shade of light with the subject of light projected as the place of existence pursues a new style of modern art by breaking away from Romantic painter's modern art with realistic <morning glory> abstract painting. / Choi Chul-joo's concept of desire <morning glory> Abstract painting interpretation

Louis Choi Chul-joo, Choi Chul-joo morning glory p15-11, a hand-painted picture on a computer

<morning glory p15-11> based on the concept of desire is an image that allows you to see the desire of others who function gazing visually in the landscape in the abstract area of painting where certain effects occur.

This is a perverse planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same.

This is an artistic discourse on reality and non-realism depending on the viewpoint of view. Reality and non-realism cannot be selected as visible images that reproduce objects, and the pictorial image that expresses the real image has been identified as an image as non-realism. Therefore, the way to find reality in an object is to reveal the abstraction of <morning glory> as a distorted image in a shade of reversible light similar to the concept of desire.

This is because abstraction as a conceptual semantic structure with a non-real shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-realistic as an ideological non-formal existence with different colors and sizes.

Its existence is an image that defines abstract space as a real reversible shape and whose shape is obscured by actual changes in the shadow of reversible light, which is an exhibition poster image of "morning glory". This is an abstraction of the image of the concept of desire into installation art.

To reveal physical reality as an abstraction is a realistic reality that makes the object 'steady look' and the realistic reality comes from a clear abstracted physical structure. The structural physicality of the abstract has several cross sections in its three-dimensional form. Like Picasso, several perspective shades of reversible light, such as painting a woman in multiple perspectives at the same time, realistically drawing an object from one perspective.

This forms a non-real space with a realistic structure and shows the multifaceted complexity of an abstracted morphological structure.

Here, the abstracted form is an object that the other sees in a conscious space, and an object that appears to be a distorted image that appears to be a gaze to the other due to a desire. As an existential object that passes through the concept of desire in the entire image is formed, an image with the same meaning as the other's unconsciousness and desire is concealed in the reversible shade of light in the entire image.

Chul-joo Choi’, "Grand Prize at the 35th Golden Disc Awards-5", a hand-painted picture on a computer

In the actual <morning glory> shape and gaze shape, the image is shaded and represented with an exterior suitable for the theme of the pop art conceptual cartoon review work <Grand Prize at the 35th Golden Disc Awards-5>.

Here, painting as an object of change in customs is another image that seems to be an object. It is concealed and disappeared as a material of objects drawn in small pieces that are not visible in space.

A small piece of the object is monochromated and shows a reversible real space through a symbolic art movement that actually changes the shape. And it shows how the object as another reality is revealed. In the abstraction, it appears to be an image that appears to be a perspective visual system and a distorted image that reverses the concept of desire, that is, perspective.

Louis Choi Chul-joo, Choi Chul-joo morning glory p15-6, a hand-painted picture on a computer

Louis Choi Chul-joo, Choi Chul-joo morning glory p15-11, a hand-painted picture on a computer

Louis Choi Chul-joo, Choi Chul-joo morning glory p15-11-1, a hand-painted picture on a computer

The desire image of an image different from reality is hidden in the shadow of reversible light because it is the difference between reality and the desire of others. This metaphorically conveys the meaning of reality to the imaginary world by abstracting the desires of others that appear by equating the image of reality (symbol) in the mirror with the same symbol.

It's an imaginary world as a visible metaphor. However, it is not known which subjects are in the two phases. These two images are identified as images showing objects. Here, the other person sees the desire image as a different image from the real image and shows the desire. Real and non-real images cannot be selected as visible images that reproduce objects, and images that differ from phase are found to be non-real images. Therefore, the way to find reality in objects is to reveal the image of desire that projects the object of desire and the place where the desires of others existed as a reversible shadow of light.

The pictorial meaning is abstracted and transferred to the symbolic world through separation from the symbolic image of the sign and reality, recognizing that the symbolic image as a subject is not itself. Here, symbolic images and reality as abstract paintings meet reality through division.

Abstract images as reality are revealed as deviated images, but as non-real images, they are deviated from real images.

In the abstract painting achieved by the misinterpretation of real and non-real, the desire image forms a momentary image by serializing the sign image from the instantaneous staring image.

Desire's object is expressed through identification with the other's gaze and the desire image revealed in the other's unconsciousness. At this time, the images combine meaning in abstraction as a separate whole image.

This equates the image of non-realism as an being revealed by the unconscious desire of the other and the image of the "morning glory" abstraction of reality revealed by the unconscious desire of the other as an abstraction of the concept of desire.

The abstraction here reveals the object as another being of the object by transforming the image of the object into an image that deviates from the other's desire perspective, and contains the meaning of formative desire that the object has with creativity and autonomy. / Writing. Art critic Choi Chul-joo (abstract painter & Doctor of Cultural Design)

Abstract Artist Louis Choi Chuljoo

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Contemporary Art & Artist Louis Choi Chul-joo 19

Contemporary artist Louis Choi Chul-joo artwork review & design 19

Contemporary Art & Artist [19] Louis Choi Chul-joo Art Review & Design: Choi Chul-joo Art Criticism and Realistic Abstract Design/ The concept of desire in contemporary art, which depicts the desires of others as abstract art composed of contemporary art cartoons, abstracts contemporary images of events and performances by designing the concept of desire of others into an interpretable concept. A new abstract art design methodology that approaches realistic abstraction with this abstract art methodology is Choi Chul-joo's desire concept abstract art design process: The abstract design work of the concept of desire applies Choi Chul-joo's concept of desire design process, and the realistic abstraction design process of the concept of desire repeatedly applies Choi Chul-joo's desire formula./

Modern Art and Cultural Design [13] Contemporary Artist Louis Choi Chul-joo's Contemporary Artwork Review & Contemporary Artist Art Exhibition Art Review / Abstract contemporary art that designed modern art abstract painting & Abstract painter Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory" and "Bamboo Forest." / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: Art Review-Reading the New Works: Choi Chul-joo Art Review: Work posted on Facebook: Louis Choi Chuljoo, a morning glory outside the window 2023-1

Louis Choi Chuljoo, a morning glory outside the window 2023-1, 151X178cm, acrylic and composite materials on cloth, 2023

"morning glory window" repeats the concept of desire to cover the shadow image of others' desires and collects images of desire in which external light overlaps with timeliness.

In "morning glory window", a person dancing against the backdrop of morning glory overlaps like a small pillar to cover and hide the shade.

It gives reversible time sensitivity to shades, becoming the desire of others, and has the effect of setting phenomenal positions so that images of light do not overlap.

Louis Choi Chul-joo's "morning glory window" absorbs temporal light and removes symbolic representation on the image surface.

In this way, it creates an image of desire and is obscured by reversible light, leading to the concept of desire in the shadow.

The abstract area of painting, which has a specific effect of desire as the meaning of <a morning glory outside the window 2023-1> as a conceptual art, is an image that allows you to see the desires of others functioning while staring at the landscape.

This is a perverse planarity that appears to consistently mean the morning glory in the painting, which is identical to the reality in the mirror, but not the shape of the background. Abstraction as a conceptual semantic structure of a non-realistic form with the same meaning as the conceptual semantic structure, but abstract as the same meaning of another form is real non-realistic as an ideological non-realistic being of different color and size.

Its existence means the abstract meaning of exhibition poster concept art, which defines abstract space as a real reversible image, and whose image is obscured by real changes in the shadow of reversible light.

Desire Conceptual Art Abstraction, which replaces the phenomenal place of abstract meaning with exhibition posters, can distinguish the place of the shape while conceiving the meaning of the plane that interprets the shape. Shape is abstract in color and size similar to that of an ideological structure, so it has a different meaning, but in the imaginary world, the abstract meaning of the conceptual art is identified with reality, the image of the object and the abstract meaning are identified with the image of the object, and the subject forms an internally transformed abstract meaning. This refers to the abstract meaning of the figure, which defines the abstract space that can actually be reversible, and the design meaning of the abstract figure in which the shape changed by the actual changed movement of the shape is obscured by shading.

In the abstract painting "Choi Chul-joo morning glory", the person who represents the desire of others is designed and reproduced as an abstract object with an object of desire (a morning glory outside the window), and in the graphic image of the perspective visual system, the visual system abstracts the object from the perspective of others' desires with another moment's gaze.

In this way, the image of an object abstracted as a desire concept art forms a distorted image expressed through the other's suppressed unconscious desire to acquire artistry beyond generality, and creates an object with a shadow of an exhibition image with the desire of the other. As a semantic entity, objects contain the formative value of the other's desires as an autonomous choice, change the image of the object into a meaningful structure from the perspective of the other's desires, and reveal objects as another entity of the object.

a small piece of the other's desire, hidden painterly against the backdrop of morning glory, shows a real abstract space that is actually reversible through the movement of symbolic weight that changes shape. Here, the desire of the other is abstracted into a space where the object can actually be reversible in the sense that it is an abstract object.

<morning glory> 2022 New York Exhibition & Korean Painting Abstract Design Modern Artworks: Abstract Images Separated from Picasso's Stereotypes from Objects of Desire: <morning glory p26-2-1>

Abstract poster virtuality consists of cartoons similar to gaze images, virtual representations of distorted images that cannot be represented on the same plane, or stereoscopic representations of real places.

Shadows made up of other people's desires are clearly concealed without being exposed as reflected objects in the mirror, and there is no reality that humans see other objects in the mirror as reversible light.

But the person who drew the picture replaces the other. And the position revealed by the gaze of desire is transferred to the subject that appears at the point of disappearance in the entire virtual image, the position of atopy with no specific place. The subject of the subject's position is the gaze viewed from the perspective of the other's desire, that is, the object revealed by reality.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Choi Chul-joo, MONSTA X <FANTASIA>, a hand-painted picture on a computer

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p106-9-MONSTA X <FANTASIA>: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory 2021-h-back', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory 2021-g-back>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space

It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.

It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality. / Writing. Art critic Choi Chul-joo (Ph.D. in cultural design)

contemporary artist Louis Choi Chul-joo