Contemporary Art Design Method
contemporary art design method example 6
Review of Modern Art Design Methods [6/ 26~28] Examples of Modern Art Design Methods through Abstract Art Works by Contemporary Artist and Cartoonist Louis Choi Chul-joo's Abstract Concept, Modern Art News Sketch & Abstraction : Cartoonist Choi Chul-joo cartoon review / 한국 뉴스만화 평론 Review of Korean News Cartoon 카툰니스트 최철주 카툰 만평 [66] 광풍비화·光風飛火: 강원도 바람의 비화 즉 맑은 바람이 산에 불을 뿜었다 (2019.1.2.)/ 최철주 기자(Reporter Choi Chul-joo’s Cartoon Review)
- 만화평론가로서 최철주는 현대미술 팝아트 작품과 웹툰 만화 뉴스에서 한국 만화 뉴스를 그리는 만화가이다. As a cartoon critic, Choi Chul-joo is a cartoonist who draws Korean cartoon news in contemporary art works and webtoons.
- 한국 화가, 개념미술가, 현대미술가, 추상화가, 미디어 아티스트, 팝 아티스트, 만화가 & 만화평론가 최철주 Conceptual artist, contemporary artist, abstract painter, media artist, pop artist, cartoonist & cartoon critic Choi Chul-joo cartoonist, pop artist, contemporary art work, pop artist who draws webtoon news, contemporary artist, concept artist, cartoon critic Choi Chul-joo.
- 만화디자이너 최철주 현대 만화 미술 역사화 & 현대 개념 이미지 설치미술가 작품 Cartoon designer Choi Chul-joo, contemporary cartoon art historical painting & contemporary concept image installation artist's work
카툰 만평 아트문화뉴스 / 한국 뉴스 만화평론 Review of Korean News Cartoon [66] 광풍비화: 맑은 바람이 산에 불을 뿜었다 (2019.1.2.)/ 최철주 기자(Reporter Choi Chul-joo’s Cartoon Review)
카툰니스트 최철주 카툰 만평 [66] 광풍비화·光風飛火: 강원도 바람의 비화 즉 맑은 바람이 산에 불을 뿜었다
. 맑은 바람이 산에 불을 뿜었다.
. The clear wind spread the fire from the forest fire.
. Le vent clair a propagé le feu de la forêt.
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[덧붙이는 글]
카툰 만평 아트문화뉴스/ 한국 뉴스 만화평론 Review of Korean News Cartoon [66] 광풍비화·光風飛火: 강원도 바람의 비화 즉 맑은 바람이 산에 불을 뿜었다 (2019.1.2.)/ 시사만평가 & 카툰니스트 최철주 시사만화평론, 팝아트만화뉴스, 만화평론, 개념만화평론 Comics critic & cartoonist Choi Chul-joo, current affairs cartoon review, pop art cartoon news, cartoon review, and conceptual cartoon review. 시사 평론가 최철주는 뉴스부산 인터넷신문 문화기자했고, 그는 현대 미술 작품과 웹툰에서 시사 만평 뉴스와 추상화를 그리는 문화평론과 디자인평론가인 추상 화가입니다. Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶광(光): 빛_ Light_ Légère, ▶풍(風): 바람_ wind_ Vents, ▶비(飛): 오르다_ Ascend_ monter, ▶화(化): 불이 비화(飛火): 어떤 영향이 다른 데로 번짐._ Specific effects diffuse elsewhere._ Effets spécifiques diffusés ailleurs, ▶강원 양양산불._ a forest fire in Yang-yang, Gangwon Province._ Un feu de forêt dans la province de Yang-yang. ■ Choi Chul-joo's Concept of Desire Formul: In the concept of Choi Chul-joo's desire, mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ■ The Design Results of Choi Chul-joo's Desire Abstract Concept: Choi Chul-joo Desire Abstract Concept Design's Linguistic Meaning Results: Although the object that is obsessed with the desire for others is passive, it is possible to actively practice one's desires through the sympathizer as the subject of desire, and the sympathizer who sympathizes with the desires of others as the subject can practice with the same desire. As a subject, a person who sympathizes with or accepts the desires of others becomes the same desire and becomes another subject of execution. Here, the sympathizer who sympathizes with the subject of the other's desire tries to generalize it as another object of desire that acts like a victor of war. However, when desire as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire and the sympathizer antagonize the subject who practiced it according to the other's general desire. ■ Object rendering of the concept of desire is 1. a pop art image that renders unconscious desire as an existential reality by dividing the same concept of desire as the event image into unconscious and real images as an object. Therefore, the subject who speaks linguistic meaning actually represents abstraction, the truth value of the concept of desire, which is an expressive aesthetic structure that specifies the viewing effect of colloquial language and event video broadcasting as an act of speech enunciation that depends on the news. 2. As the truth value of the concept of desire in visual images is an open system, and numerous visual images are transmitted to others through a pluralistic visual system. Abstract images, which are the true values of the concept of desire, attract attention because they have universality as real images expressed by the desires of others. In other words, the object exposed to the abstract desires of others functions as a desire to exchange the same aesthetic image as the concept of desire of others through the diachronic function of pop art applied as a work of art. 3. The truth value of the concept of desire in a linguistic sense in which the abstract image of the concept of desire and reality are the same, represents the structure of desire, and the reality of the abstract concept of desire is a real image, which is the causal structure of desire, and creates a structure of desire by forming a semantic relationship with contradictory desire. Like Kant, this is a dual structure up to modern art, and it encompasses mythical objects in the same structure as humans, and the antinomic desire structure as a single structure. 4. an object of the concept of desire rendered in abstraction: The object rendering of the concept of desire renders the object as an event image, which is the same rational object as the linguistic meaning of the desire structure through the gaze of the rational subject, is recognized as a real image that the subject cannot see. Additionally, other objects of desire are continuously represented by real images that attempt to fill the deficiency of desire. The pond, which reflects present desire as an object to abstract desire, presents a desire structure as a reality, which is an object to abstract desire, but it returns the cause of desire as a real image to an object as an event image, free from the imperfect abstraction that lacks desire that is subjugated to social visibility that has been concealed and deviated from lack through real images. In other words, the structure of deficiency and divided desire is hidden through real images of abstract desires, and contradictory desires subordinate to deviated social visibility become the cause of desire and become the objects of real images. In addition, object rendering of other desires is continuously expressed as a real image trying to fill the deficiency of desire. The rendering of an object that reflects the present desire as an object of abstract desire presents the structure of desire as reality, which is the object of abstract desire, but it returns the cause of desire as a real image to an object as an event image, away from the imperfect abstract lacking desire. In other words, the structure of deficiency and divided desire is hidden through the real image of abstract desire, and contradictory desires subordinate to deviated social visibility become the cause of desire, resulting in abstraction as a real image.
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Contemporary Art Design Method
contemporary art design method example 26
Review of Contemporary Art Design Methods [26] Examples of Modern Art Design Methods through Abstract Art Works by Contemporary Artist and Cartoonist Louis Choi Chul-joo's Abstract Concept, Modern Art News Sketch & Abstraction: Contemporary Art Designer Choi Chul-joo [15] Contemporary Art Design, Contemporary Art work Design, Contemporary Art Cultural Design｜Contemporary Art Design Artist Choi Chul-joo's Contemporary Art Today Choi Chul-joo Art Criticism, Contemporary Art Design Criticism, Contemporary Art Cultural Design Criticism and Contemporary Art Today Choi Chul-joo's Art Works ( https://opensea.io/Louisland ) (https://opensea.io/Louisland ) Criticism: The abstract design work of the concept of desire applies Choi Cheol-joo's concept of desire design process, and the realistic design process of the concept of desire repeatedly applies Choi's desire formula./Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Contemporary Art Sketch Abstract Painting [46] Contemporary Art Sketch Abstract Painting:Let me be your fantasy in the window of desire newsmanwha K-Pop Song illustratoin [7] MONSTA X <Let me be your fantasy> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review & Contemporary artist Louis Choi Chul-joo's realistic abstract work of contemporary art as a conceptual art of treachery based on the concept of desire of others <morning glory-Let me be your fantasy > Choi Chul-joo, a contemporary art designer, designs contemporary art abstractions through his desire formula.
Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire.
As an abstract artist, Choi Chul-joo's contemporary conceptual art is an abstract art that abstracts the concept of real formability and reversible shadow of light as unrealistic beings according to the desires of others. This is an abstraction of the other's desire to replace the real place, that is, the other's desire to represent the real place.
Louis Chul-joo Choi, morning glory window 2024-6-gaze, 154X112cm, acrylic and composite materials on cloth, 2024
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Choi Chul-joo, morning glory-Let me be your fantasy, a hand-painted picture on a computer
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's Visual Culture Cartoon Column - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. MONSTA X <FANTASIA-Let me be your fantasy> Online Live (local time 26th)
. MONSTA X <FANTASIA> Online Live (heure locale 26th)
■ Art Critic Choi Chul-joo's Visual Culture Column: To weave pink cloth in waves in a dark place as if it were your last life.
= The temporality of light brightened by overlapping light is real in a realistic structure that removes real images and expresses them as shadows.
In addition, Choi Chul-joo's theory of desire art, which interprets reality as a realistic abstract, is embodied in a shade covered with a bamboo forest depicting the subject of "morning glory" the background of desire.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 108-Let me be your fantasy, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest b108-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p114-1-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 108, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b108, a hand-painted picture on a computer
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p113-3-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p113-1-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Louis, Chul-joo Choi, morning glory p113-2-Jeongcho and Mona Lisaa, hand-painted picture on a computer / Desire Concept Abstraction ■ Design Process/ Abstraction In <Choi Chul-joo morning glory>, Choi Chul-joo's theory of abstract art is formalized to convert the object image of desire into meaning by repeating the theory of desire to the abstraction. This has the meaning of expressing the desire of others in painting by repeatedly applying the desire formula of the imagination world and Choi Chul-joo, and as a result of applying the theory of desire art to painting, the value of approaching the beauty of formality of the desire of others is obtained.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p110-9-The special feeling of the body and mind is “Twice”: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p110-8-2-MORE & MORE: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Background image of an artist's artwork: Louis Choi Chul-joo, morning glory p114, a hand-painted picture on a computer, 2023
Louis Choi chuljoo, morning glory-Let me be your fantasy [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of K-Pop Song illustratoin [7] MONSTA X <FANTASIA> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: In the concept of Choi Chul-joo's desire, mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶Online Live._ En direct en ligne.
The concept of desire design ■ "Choi Chul-joo morning glory" is not the object of the subject, but the spatial background of the other's desire. It is the same as a space of life that is consistent like the sky. It connects with cartoon review and pop art that represent the space of life, but does not criticize and judge, but reproduces reality as cartoon review with photographic images of events and performances. The effect of conceptualizing the reality of the symbol object as the desire of the other is structured in the shade of reversible light to form the concept as a realistic conceptual art.
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Contemporary Art Design Method
contemporary art design method example 27
Review of Contemporary Art Design Methods [27] Examples of Modern Art Design Methods through Abstract Art Works by Contemporary Artist and Cartoonist Louis Choi Chul-joo's Abstract Concept, Modern Art News Sketch & Abstraction: Contemporary Abstract Art Painter Criticism [15] Contemporary Art Today Choi Chul-joo's Art Criticism, Abstract contemporary art that designed modern art abstract painting & Abstract artist Louis Choi Chul-joo Abstract art work: Louis Chul-joo Choi, morning glory window 2024-4-Memories, 147X143cm, acrylic and composite materials on cloth, 2024
욕망의 추상 개념 디자인 ■ 최철주 나팔꽃'은 주체의 대상이 아니라 타자의 욕망의 공간적 배경이다. 그것은 하늘과 같이 일정한 삶의 공간과 동일하다. 삶의 공간을 대표하는 만화 평론, 팝아트와 연결하되 비판하고 판단하지 않고 사건과 공연의 사진적 이미지로 현실을 만화 평론으로 재현한다. 상징 대상의 현실을 타자의 욕망으로 개념화하는 효과를 가역적 빛의 음영으로 구조화하여서 사실적인 개념미술로서 개념을 추상한다.
Louis Chul-joo Choi, morning glory window 2024-4-Memories, 147X143cm, acrylic and cposite materials on cloth, 2024
Louis Chul-joo Choi, morning glory window 2024-4-Memories
In "morning glory-memory", abstraction is a reversible shade of light, and several conceptual beings are embodied on the background of morning glory, which represents the structure of desire as abstract beings in a real shape.
This is the image of memory as the desire of the other as a reversible shade of light in "morning glory", which does not describe the atmosphere. Here, according to the identity of the theory of materialism, the desire of the other is conceptualized and the abstraction identified with the actual image is modified, leaving the shade on the fabric by the paint adjusted in the abstraction mode of the actual structure in temporality.
Like a computer game, the abstraction mode overlaps the events and performance images of news cartoons with "morning glory", the background of abstraction, and abstracts the desires of others into shades of a reversible real structure of light.
Depending on where it was viewed as a concept of desire, it is illuminated with reversible light that existed in the past and developed into a shaded structure, just as it appears to be a distorted image according to the position and distance from the object in reality.
Here, the shadowing effect of reversible light forms a shadow structure reflected in the form of reflected light from the small hole of the fabric where the rear surface is illuminated.
The structure is painted with thread painting as <morning glory>.
The image and color of thread painting show the aesthetic value of the hidden shape by showing the concept of desire in the shadow of reversible light by forming the image and color of the faded object without marking it by giving a distance of time.
This is a realistic painting based on Choi Chul-joo's abstract art theory, and it is an abstract painting that depicts the remaining shadow colors as reversible light by capturing the concept of desire beyond literature.
Louis Chul-joo Choi, morning glory window 2024-4-Memories, 147X143cm, acrylic and composite materials on cloth, 2024
In Choi Chul-joo's concept of desire, the image of structure is a picture of cloth that blocks color by putting a shadowy desire structure comparable to reversible light into a thread and reconstructs the shape into a linear structure of color so that the shape can correspond to a specific color.
Therefore, the conceptual image of desire with the structure of thread added is a painting that paints abstract desires on the structure of cloth and thread that pursues linear aesthetics as the artistry of conceptual art.
The painting "morning glory-memory" is an image of the concept of desire in which a young child mind in Choi Chul-joo's concept of desire is transferred to a chick and the chicken, woman, and dancer are drawn on an image as cloth as objects created by custom.
Like the desire image, the image of the object was drawn by composing chicks, chickens, women, and dancers in a material such as cloth to create an image in which the left and right sides were reversed. Therefore, his painting is a painting of two sides that does not distinguish between the front and the back. Here, when the image on the back is converted to the front, a new painting with traces of one shade in reversible light emerges.
In the imaginary world, identification externally identifies the image of the object as the same subject as the image of the object, and internally forms a phenomenal image of the concept of desire in which the subject is transformed. As a phenomenal image "morning glory-memory"'s back image, the shadow of reversible light without an object, another shadow and back of the space created by the object, brightens or disappears.
It is an image that is insufficient as an object as an image that is satisfied as a child in an image of a real object.
The memory of the object tailored to the dancer's creates a separate space connected to chicks, chickens, fossils, and women in the gap with shadow margins in the empty space, and colors and shapes the objects in a single picture that integrates the bright side of yin and yang with colors on the drawing image.
The shape is an image of reality in which the actual object is reflected in the mirror by confirming the structure of the phenomenal reality that does not exist as an empty space on the back of the object.
In other words, the image of phenomenal reality may be an image of reality in which the image of reality as a metaphor is reflected in the mirror or an image that appears as a virtual shade as another image.
Here, the image of reality is a podium shaped by the desire of others who can see the shaded color as an object being through gaze. The platform clarifies the meaning of a reality being that reflects the visible image as reversible light in which desire has stopped in the place of the city and takes the image as the form of desire.
As the actual structure of its meaning, as the shape stops, the meaning is created as a reversible thought movement. This is an image in which the meaning thought as the structure of an image finds a place of desire in an empty space.
As a result, the conceptual representation of memory in the window of the morning glory, the background of desire, overlaps the real image into a single phase in the same place in a reversible shade to make it a structure of desire for a memory image.
The stray thoughts creates a reversible space as an image of a real object in the direction of thinking about ambiguous desires and shows desire as a phenomenal object.
And the image of existence defines factual abstraction as a meaning that reverses reality, and the image realizes the abstract concept by the meaning that has been transformed into a shadow of reversible light.
Although there is no conceptual reality, the desire painted as an abstraction obscured by reversible light replaces the other. That desire creates an abstract space that can reversibly represent reality and refers to phenomenal value./ Writing. Former curator of the Seoul Museum of Art Louis Choi Chul-joo (Modern art Painter & Doctor of Cultural Design)
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Choi Chul-joo, morning glory-Let me be your fantasy, a hand-painted picture on a computer
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's Visual Culture Cartoon Column - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. MONSTA X <FANTASIA-Let me be your fantasy> Online Live (local time 26th)
. MONSTA X <FANTASIA> Online Live (heure locale 26th)
■ Art Critic Choi Chul-joo's Visual Culture Column: To weave pink cloth in waves in a dark place as if it were your last life.
= The temporality of light brightened by overlapping light is real in a realistic structure that removes real images and expresses them as shadows.
In addition, Choi Chul-joo's theory of desire art, which interprets reality as a realistic abstract, is embodied in a shade covered with a bamboo forest depicting the subject of "morning glory" the background of desire.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest b74, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest g136, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest b115, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 108-Let me be your fantasy, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest b108-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p71, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p107-1, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p107-2, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p107-5, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p107-6, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p109-4, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p110-6, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p112-6, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p112-4-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The concept of desire design ■ "Choi Chul-joo morning glory" is not the object of the subject, but the spatial background of the other's desire. It is the same as a space of life that is consistent like the sky. It connects with cartoon review and pop art that represent the space of life, but does not criticize and judge, but reproduces reality as cartoon review with photographic images of events and performances. The effect of conceptualizing the reality of the symbol object as the desire of the other is structured in the shade of reversible light to form the concept as a realistic conceptual art.
contemporary abstract artist Louis
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Contemporary Art Design Method
contemporary art design method example 28
Review of Contemporary Art Design Methods [28] Examples of Modern Art Design Methods through Abstract Art Works by Contemporary Artist and Cartoonist Louis Choi Chul-joo's Abstract Concept, Modern Art News Sketch & Abstraction: Modern and Contemporary Artist [13] Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Artist & Contemporary artwork review : Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Contemporary Artist & abstract artist Louis Choi Chul-joo's "morning glory" Exhibition with the image of desire's object and Desire's painting exhibition showing the shade of object with reversible light, 20211223-2021125 Gwangan Gallery.
Planning. Former curator of the Seoul Museum of Art Choi Chul-joo (abstract artist & contemporary artist)
Louis Chul-joo Choi, morning glory-2021-l-back, 148X175cm, acrylic and composite materials on cloth, 2021
The "morning glory 2021-l-back" approaches landscape paintings that seemed to be the daily desires of others, rejects two-dimensional flatness, divides fantastic plane images into two planes and shows them in a fabric structure so that they can recognize others' desires as reversible shadows.
It is difficult to reveal the object ɑ of the structure of beauty concealed in the object of the hidden structure existing as an attribute of shadow in a picture that is converted into a system that approaches recognition as a meaningless being and draws out symbolic expressions.
The perceived symbolic expression is a linguistic composition lacking a formative aesthetic structure that is well-seen at the bottom of the image. It is perceived as a flat expression, but it is a virtual image that hides reality.
The image is a virtual image that deviates from the perspective of reality and belongs to the structure of desire as a hidden aesthetic structure.
<morning glory 2021-l-back> is a background shading by manipulating the morning glory's background with reversible light on the surface of a fabric made of crossed threads.
And light reflected in a small hole in the fabric is an abstract image that expands the plane of an object by overlapping it with reversible light in an unrealistic picture.
The meaning of the image is that the reality of the present universality that trumpet blossoms encounter representing the other person's desires overlaps with reversible light, decorating all space with the sense of color.
The dark shape that contrasts with this decorated flat image is a momentary shadow of reversible light drawn on the fabric. Here, the cross-sectional image of the custom seen as a real object looking at color is a language that symbolizes an imitated morning glory. This is because the morning glory image is a reversible shadow of the desire's semantic structure.
The expression of color recognized as a shadow forms the semantic structure of the image according to the tone of speech with temporary light that reflects the desire of others who are staring at the screen or are invisible.
The transition from a practical expression of this semantic structure to a symbolic system transmits the plane dimension of the object to a semantic structure. The planar image of this practical morning glory makes you stare at symbolic expressions and real images. It shows a dual appearance of expressing the opponent's daily life and symbolic desires at the same time through morning glory.
By removing the stage of volume by using reversible shades over time as monochromatic color, <morning glory 2021-l-back> does not have a fantastic image of the object by light, that is, an image of quattrocento painting.
The morning glory has no setting of light, while the background is painted in the way of Quattrocento painting. This is the process of transitioning from an imaginary world to a symbolic world, and images that do not exist, that is, images reflected in the mirror in the imaginary world, coexist. It reproduces the reality of a morning glory as an image that coexists, but the background image is identified with the morning glory, but the image assimilated with a non-substantial shaded color does not fit the metaphorical meaning of the substance. Its meaning is metaphorical like the linguistic structure, so it is not the same as the form of a morning glory.
Therefore, the meaning structure of shadows created by reversible light with images different from morning glory is an object as a reality, not real. It's not an image as an object, it's an object of reality as someone else's desire. In this way, desire's symbol, "morning glory 2021-l-back," shows the concept of changing the shape in which reality exists and enlightening its meaning.
The morning glory 2021-l-back is a small hole where the surface of the picture intersects, setting the non-actual position with reflected light, and drawing a shadow shape in which light overlaps. On the right back and side, the part that receives the light has a bright shape unlike it really is, and the rest has a shape of a shadow transferred by reversible light.
By revealing the reality of <morning glory 2021-l-back> created by the other person's desire, it created a dual space in everyday symbolic expression and real space. In terms of perception, this reveals the flatness of the picture that converts the morning glory, which appears to be an external image, into a symbolic image in contrast to several reversible light.
Here, the morning glory 2021-l-back extends the position of the non-real image with reflected light reflected from a small grid-shaped hole pierced on the grid-shaped fabric of the grid. This is expresses non-real images and existential meanings in the part of the light reflected from the back and the light reversible from the before the time. It forms a visual object with reversible light, brightens the object with a awakened image of the other's desire, and forms a form in which the rest of the image is shaded by several reversible light.
By revealing the reality of <morning glory 2021-l-back> made by the desire of the other, it created a real space with symbolic representations and behind everyday life.
In terms of perception, the morning glory flower, which appears to be a substance as an external image, is converted into a symbolic representation system in contrast to a shadow with several reversible lights in the background. In other words, the represented painting of a symbolic representation shows an image of a cultural shape overlapped with several reversible lights over time.
Louis Chul-joo Choi, morning glory 2021-e-back, 114X169cm, acrylic and composite materials on cloth, 2021
The crooked image viewed from the side as the object ɑ of desire is consistent with visualizing a photo image of the other person's desire in the past as a collage.
This is a crooked image generated by reversible light that goes beyond the actual visual image of the picture.
This is because it is an image created by the desire of the others in the Lacan's theoretical system, which is an irrelevant gaze area whether it is flat or three-dimensional. As an object in <morning glory 2021-e-back>, the morning glory at the bottom of the center among the three morning glory is not clearly aligned and viewed by the object 'ɑ' looks like a gaze.
Here, the morning glory refers to the presence stopped by a momentary gaze in the continuity of reversible time.
The image in <morning glory 2021-e-back> shows the existence of reversible temporality by planarizing the morning glory according to the reversible temporality of the perspective visual system margins and objects.
However, even if the existence of the morning glory is reproduced, the morning glory is identified as the background image, but it does not match the object.
It is a meaning structure of shadows created by reversible light with different images from morning glory about what existence is. It is an object that has another reversible temporality from a shadow that is not real.
Therefore, the object is not an image as an object, but a reality as another person's desire.
The morning glory at the bottom of the center connects reversible light to determine the place of existence and form a process of time to indicate the direction of the existence and a space in which it exists.
A morning glory flower formed at a single light source point in time does not have a sense of volume. Here, the morning glory is a partially fragmented image, such as a collage. In this way, each partial image exists in space as a fragmented shape exposed at the same time.
The planar morning glory is the form of a subject generated by the observer's gaze. Through morning glory that have eliminated volume, the presence connected to the reversible light is extracted, and the various reversible light in the background and the shadow of the morning glory are contrasted to show a plane view converted into a distorted image.
The desire's gaze cannot be selected as a visible image in which real and non-real reproduce an object according to the perspective of view, and the pictorial image expressing the actual image is identified as an image as non-real.
Therefore, the existence of an object is a distorted image similar to that of desire's object ɑ.
Louis Chul-joo Choi, morning glory 2021-g-back, 135X167cm, acrylic and composite materials on cloth, 2021
From the Renaissance to the middle of the 19th century, the expression of painters' paintings, or pictorial images, was immersed in mannerism that adhered to the popular style.
At that time, most painters were in need of life, except for the painters who painted portraits of the royal family, aristocrats, and upper classes.
The painting they completed as a means of livelihood is what Lacan calls a picture reflected in the mirror, that is, an imaginary system as a metaphor, an object that is satisfied with the image of the real object as an infant by looking at the object reflected in the mirror.
In <morning glory 2021-g-back>, the boundary of the canvas visual range is removed and the three-dimensionality of invisible mannerism in the picture is removed to schematize it as a semantic object. This is an object viewed from the perspective of semantic duality, away from the traditional style of painting expression from the Middle Ages to the modern times.
It imprints that it is a flat canvas and refers to the reality of the family as another meaning of the compositional image formed by chickens and chicks, not the actual picture of perspective. It is a lacan painting that shows the shadow of object a with a reversible light that rejects the image center of simulacre, which replaces real, by omitting the volume of chicken and rejecting perspective description.
The transition from such a semantic representation to notation shifts the planar dimension of the figure to the essence of meaning. This is a dual object that simultaneously shows livestock in daily life and a family in a symbolic sense through chickens and chicks.
The shape of the picture reveals the aesthetic meaning of an object in the visual system in image painting. This is a pictorial act, and the object is defined in a limited area in perspective, distorting the original space, and drawing it on the canvas to produce meaning.
In addition, another meaning due to the shape of the area similar to the object forms a meaning subtracted from the image in a semantic form from the double expression of the shape.
The dual meaning formed here breaks the relationship with the apparent being in the visual system and exists as a meaning in an immaterial cultural space.
The verbal expression of the object in the picture is also metaphorical, but assuming that it is an image that is not reproduced, real exists as a virtual image that reproduces real through thinking.
Here, 'morning glory 2021-g-back' is an unrealistic meeting that distinguishes the symbolic image and real meaning of morning glory, contrary to the reality that chickens and chicks are life and family.
In the picture space, desire's real is different from objective real and representative thoughts. It has a real object ɑ that is separated from the real transferred from the symbolic world
In "morning glory 2021-g-back," the hidden images of chickens and chicks in the morning glory landscape are repeatedly expressed in the meaning of the family, and the meaning of the family is revealed in the composition of hidden images from the images of chickens and chicks.
In the semantic space in the picture, the volume of chicken is omitted in its actual shape, and the meaning of the family is expressed in a non-visual system.
In the public domain, real is a hidden meaning beyond the displayed image.
As a real in its concealed meaning, "morning glory 2021-g-back" shows both the space of life and chickens and chicks with morning glory in the landscape to reveal the existence of the family. "morning glory 2021-g-back" is a real that shows the value revealed in the family's appearance, eliminating the unrealistic real that seems to be right in front of you and depicts the reality of meaning through thinking.
Painting in the symbolic world is only a continuing symbolic existence of objects. Desire calls its existence a transcendent signifier.
<morning glory 2021-g-back> metaphorically expresses the meaning of the family as a real, an area separated from the realm of the symbolic world. Without showing the object to be expressed, compare the actual meaning of the family to chickens and chicks. In other words, invisible concealment creates an image that symbolically compares its meaning with its symbolic image.
However, Freud's unconscious expression can be compared to the desire of the symbolic others in the Lacan theoretical system through psychoanalytic interpretation. Here, the symbolic other's desire is identified in the category of the symbolic world in Freud's unconsciousness and the linguistic meaning of desire's signature image.
Therefore, the meaning of desire's concealed real image is an unconscious structure. By understanding the real of the family, which is not seen in <morning glory 2021-g-back>, you can find the meaning of the image that symbolizes the existence of the other's desire in a desire's painting.
Louis Chul-joo_Choi, morning glory 2021-h-back, 131X167cm, acrylic and composite materials on cloth, 2021
Joseph Beuys of Neodada, USA, converted the artificial act of being, that is, the object, into another object and artified people so that the object was recognized as an object of total art. This is because he incarnated the soil, regeneration, resurrection, and rabbit in <How to explain the painting to the dead rabbit, 1965.>
The pictorial objects invisible in the visual system are Lacan's object ɑ and surreal object.
This is a distorted image in which the desires of others appear momentarily as an object ɑ of surreal desire.
That is a dual object of surreal painting that has a symbolic meaning, unlike the meaning of symbolic and perspective actual shapes, as a shape derived from human subconsciousness.
The semantic language of desire's surreal image is based on the existence of real that identifies Freud's unconsciousness as a category of symbolic world. Therefore, the meaning of desire's surreal real is an unconscious structure. By understanding the real of the painting, <morning glory 2021-h-back> can be interpreted as another unconscious real in visual art symbolizes the desire of others.
In other words, the real of desire's unconscious shape is the effect of the emergence of incomplete and distorted images formed by repeating the semantic language of the image. This is a formula that can be exchanged for meaning through the conscious movement of the notation image, and the meaning is determined by substituting a shape to reveal the meaning of desire's desire graph.
It is similar to constructing an image with an unconscious structure into a scenario like a stage in a play and revealing and interpreting the meaning of the scenario through the thinking movement of the image shining reversible light of the past.
In desire's theory of visual arts, image exchange is expressed as the others person's desire instead of semantic action by repeating the structure of the mark image and shows meaning that does not act as resistance to insufficient images, that is, insufficient forms. In desire's graph of desire, it accepts Saussure's symbolic language, but reveals the meaning, which is the effect caused by the unconsciousness that prioritizes the meaning, that is, the image of the notation.
Here, Choi Chul-joo's desire formula; <D(I...I')d=I(D...D'i)i> is replaced with <morning glory 2021-h-back>, the morning glory as a image is connected to the sky, and the cat is incarnated, and the fish is selected as an object ɑ of the batter's desire and shaded into an object in the shadow.
Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p110-8-2-MORE & MORE> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality. ■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Abstract art applying Choi Chul-joo's desire formula is a new abstract art movement of contemporary art that abstracts the structure of desire with images of reality contrary to existing conceptual art.
Desire's fantasy formula, which functions visually in the picture, describes shapes such as unconsciousness and language so that others can experience their desires consistently and meaningfully. Therefore, the attempt to pursue in desire's painting seems to constitute a meaning that symbolizes the desire of others hidden by images, like unconscious language, in the existing space where certain effects of semantic behavior occur. / Writing. Former curator of the Seoul Museum of Art Louis Choi Chul-joo (Modern art Painter & Doctor of Cultural Design)
현대미술작가 최철주 / contemporary artist Louis Choi Chul-joo