Photographic Aesthetics Critic
Choi chul-joo's PhotoAesthetics Review11
Photographic Critic and Photographic Aesthetics Criticism [11] Photo aesthetics review interpreted by Choi Chul-joo, a photo critic and doctor of cultural design, as visual art theory and cultural design theory / Contemporary photography aesthetics review; Photograph: Louis Choi Chul-joo's "designed boy's room"
Photo Criticism 11/ Photo Aesthetics Criticism: Photo Criticism & Conceptual Artist Choi Chul-joo's Contemporary Desire concept Photo Aesthetics Criticism/ Photograph: Louis Choi Chul-joo <Designed Boy's Room>
Louis Choi Chul-joo, designed boy's room, photograph, 2014
designed boy's room
The designed boy's room is a space to be designed between the past and the present.
This is the design of a photographic image designed with reversible light shading that existed before the current spatial time photograph.
So the design after the photo time is shown by the structure of the space.
This current space is a trace of design consisting of reversible light and shade tailored to the past time. Therefore, the photo time in which the light of the past time has disappeared is an empty space.
This is a photograph as a presence in an empty space where design activities are cut off.
Therefore, although there is no movement, the structure and the subject may photograph the current space reflected by light as being in the current space time. The space is an effect discovered by repeating a design made of reversible shades of light that forms unconscious language. The effect develops a desire to be illuminated with reversible light in place of an object as a resistance to photographic semantic action in an empty space.
The architecture of the paladio is centered on structures.
He takes the form of a structure that forms and embodies emotions. However, the empty space inside acquires the meaning of space depending on the purpose of the structure.
The purpose of one structure replaces space. Therefore, in the boy's room, one table constitutes the purpose of the boy's room.
The spatial function in the boy's room is illuminated as a metaphorical space where the meaning of language completes the image by retrospective photo effect, and the desire of the boy whose public function is hidden in the unconscious mind can be obtained.
Following Palladio's structure of paladianian is a unified 2D installation of the pillar proportion of classical architecture.
It is the same as the bridge of the table structure. The structure of the boy's room, which overlaps the legs supporting the table with the legs of the boy, is classic.
Even if the classic structure is moved to the front of the boy's room and placed in a different form, the boy's room only reveals the wall and the wrong design.
The purpose of the structure has nothing to do with the purpose of the boy. Therefore, the table in the boy's room is one table that can be used for various purposes of the boy. In other words, the purpose image of the structure changes just as the purpose relationship between the boy and the table is different in photographs of time and space. The image penetrates reversible light into one table with the divided object image and the boy's desire. Here, a red table that reveals the blue boy's desire for the first time in which the target image creates meaning is identified with the target image.
However, the patterns can not recognize design.
Time can be seen in the past, but space can not determine the shape of the design.
This is a boy's room that remembers only one table as a structure when he was a boy who could not choose the structure of the room.
Thus, the space leaves a form that is designed in time. It's a vestige of the design left behind.
To achieve an unfulfilled goal, the boy designs a table without a pattern.
In this way, the boy's room is designed by the traces of time in the space he sees.
This is a boy's subjective space designed in the past.
And it is the structure of the boy's room designed in which the boy revived the table with reversible light shades through the current time and space.
The boy's room hides the mark of time and loses the subject of the space.
It is the boy's room was designed.
The designed boy's room is a structure that shows the wall between time and space and purpose behavior.
The boy revives the structure of Paladio Seriana into a single table, and designs the pillars that became the boy's wall for purpose.
The design developed into the boy's room is irrevocably influenced by the structure, making the desire to design the boy's room and concealing what the wall hidden in the boy's space wants through the pillar. /Writing. Photo critic Choi Chul-joo (Doctor of Cultural Design)
Photo critic Choi Chul-joo (Doctor of Cultural Design