brunch

You can make anything
by writing

C.S.Lewis

by 최철주 Nov 08. 2023

Contemporary Artworks Review39

Art Critique & Contemporary Art Review39

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [39] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Modern Artwork Criticism [17] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern and Contemporary Artwork CriticismPop Art Cartoon Abstract Painting & Contemporary Art Pop Art Cartoon Abstract / Conceptual Artist Choi Chul-joo Cartoon News Manwha review Art Review Modern Painter Work / Contemporary art examples : Contemporary Abstract Art Artist Louis Choi Chul-joo's "morning glory window" Art Review: Art Review of Contemporary art examples Aaction painting - Artistic act: Contemporary image installation artist & contemporary abstract painter Louis Choi Chuljoo's process art installation Aaction painting, Haeundae-gu Office Gallery 20230703


Abstract painting <Morning glory Window> painting installation performance with treacherous conceptual art as Lacan's object, July 3rd, 2023 Haeundae-gu Office Gallery in Busan. 


The Meaning of Louis Choi Chul-joo's Abstract Painting of Treacherous Conceptual Art: As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence refers to abstraction as a treacherous conceptual art with a realistic structure because it defines abstract space as an actual reversible form and the window shape in front of the morning glory can be abstracted by actual changed movements by the shade of reversible light.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

  

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events. 


It goes through the process from the finished picture to the series. Here, objects according to timeliness are superimposed on the first picture. Thus, several series become a picture combined with the first picture.

If it results in one painting through Louis Choi Chul-joo's Process Art Install Action Painting, it is displayed as an image installation, but if it does not result in one painting, it is recorded as an image of an ongoing series.


Abstract painting <Morning glory Window> painting installation performance with treacherous conceptual art as Lacan's object, July 3rd, 2023 Haeundae-gu Office Gallery in Busan.



Louis Chul-joo Choi, morning glory window 6-1, 241X223cm, acrylic and composite materials on cloth, 2023






Louis Choi Chul-joo, <Morning glory Window 6-1> Installation Aaction painting, Haeundae-gu Office Gallery, 2023.7.3.




Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023


If it does not result in one of the series paintings, it will be recorded as an image of an ongoing series, but if the series is discontinued, it will be displayed as a new work as a completed painting.


<morning glory window 6-2> is a picture of overlapping the movements of the dancing arms after covering the left face with morning glory in the two faces of <morning glory window 6-1>. This work was excluded from this exhibition.


Louis Chul-joo Choi, morning glory 2022-i, 147.5X183.5cm, acrylic and composite materials on cloth, 2022



The entire sculpture as an object of painting appears to be three-dimensionally created at the intersection of distorted gaze, where the painting or painting fixed to the elevation is a shade of reversible light. 

This is a surface image seen as a single perspective that appears as light in a certain direction. The painting of the surface image becomes a series painting when several surface images are added.


In the sculpture, the other's desire is in the light hidden in the sky, but the place where the light forms is on the designated land. If the sky and earth without shapes are real in the place, the structure of desire is the realistic structure that existed in the place is now abstract.

This is a structure of desire created by the shadow of reversible light, and it is not a designated sculpture, but it is a realistic non-realistic shape that makes the existence of the concept recognized. By distorting the image hidden in the shade of the same image and sculpture and illuminating it with a real color through the shade of reversible light so that the image can be seen, the actual shape can be recognized as being.

 (Louis Choi Chul-joo Painting and Sculpture Installation Performance Concept)



Louis Choi Chul-joo, <Morning glory Window> Installation Aaction painting, Haeundae-gu Office Gallery, 2023.7.3. 



Louis Chul-joo Choi, morning glory window 5, 147.5X183.5cm, acrylic and composite materials on cloth, 2023



The image created by Louis Choi Chul-joo's painting acting in line with the performance of "Morning Glory" is "Morning Glory Window."

In other words, Choi Chul-joo's <Morning glory Window> is a painting that expands the place of non-real paintings with reversible light reflected from a small hole in a cloth made of crossed threads and an image of Lacan.


On July 3, 2023, The day before the exhibition of "Morning glory Window" Haeundae-gu Office Gallery, modern image installation artist & abstract painter Louis Choi Chul-joo installed an action painting. 



Louis Chul-joo Choi, morning glory 2022-i, 147.5X183.5cm, acrylic and composite materials on cloth, 2022 



As a painting, morning glory 2022-i reveals the artistry of a semantic structure by forming an image expressed through the desire revealed in the other's suppressed unconsciousness in design and creating an object as a being to acquire artistry beyond generality.


The artistry that emerged in the object here reveals the object as another being by transforming the image of the object into a meaningful structure from the perspective of other people's desires, thereby containing the artistic meaning of the object as creativity and autonomy of others' desires.


And the small piece as the desire of the other hidden in the background of the painting shows a reversible real abstract space through the target intention movement that actually changes the shape. 

This refers to the meaning of an abstract object, and the object refers to the meaning of an abstract landscape shape in which the actual reality of the shape is hidden by the desire of the other person, showing an abstract space that can be actually reversible.



Louis Choi Chul-joo, <Morning glory Window> Installation Aaction painting, Haeundae-gu Office Gallery, 2023.7.3.




Louis Chul-joo Choi, morning glory window 4, 148X179cm, acrylic and composite materials on cloth, 2023



Abstract painting <Morning glory Window> painting installation performance with treacherous conceptual art as Lacan's object, July 3rd, 2023 Haeundae-gu Office Gallery in Busan. 


Louis Choi Chul-joo's image installation distorts space into desire and abstracts space by moving images of events and performances to fabric and installing fabric with desire images in real spaces with irregular walls and sculptures.



As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.


Its existence defines an abstract space as an actual reversible shape, and abstracts the image <morning glory> in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.


It realizes the surface image of the non-realistic sky just as the clouds reflected in the building are real as surface images. This is the impression of a city in which the desire concept image is developed at small intervals where it exists momentarily as a reversible shade of light.


In this way, fragments of contemporary visual culture are abstracted with desire in the realistic structure. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)


Contemporary Art Critic Louis Choi Chul-joo


작가의 이전글 Contemporary Art Sketch PopArt
브런치는 최신 브라우저에 최적화 되어있습니다. IE chrome safari