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conceptual abstract artist Louis Choi 11
Conceptual abstract artist Louis Choi Chul-joo [11] Contemporary Cartoon Review, News History Cartoon Review, Contemporary Art News History Painting Criticism; Contemporary Art Cartoonist Criticism [11] Abstract Cartoon Art & Abstract Cartoonist Louis Choi Chul-joo Modern art Cartoon work: Contemporary art conceptual cartoon history artist Louis Choi Chul-joo paints realistic pop art cartoons as treacherous conceptual art through the series of the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual cartoon art and abstraction of modern cartoon art based on the concept of the desires of others: Contemporary pop artist Louis Choi Chuljoo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's treacherous conceptual art = Cartoon review of the concept [3] Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ : Chul-joo Choi & Kang's Korean Pop Star (2019-8-3) /Reporter Choi Chul-joo’s Cartoon Review
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life. It's a treacherous conceptual art called realistic abstraction, the cartoon news of Contemporary Art Sketch Abstract Painting.
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Chul-joo Choi, Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2, a hand-painted picture on a computer, 2019
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’
. Yoona du groupe K-pop Girls' Generation a commencé comme la principale actrice du film 'Exit'
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 97- Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest b97-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
Desire Concept Realistic Abstract Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest b97-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. /
Desire Concept Realistic Abstract Work: Choi chuljoo, Morning glory d112-2-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p112-2-Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 2> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.
■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 97, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b97, hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory window 2024-4-Memories, 147X143cm, acrylic and composite materials on cloth, 2024
In "morning glory-memory", abstraction is a reversible shade of light, and several conceptual beings are embodied on the background of morning glory, which represents the structure of desire as abstract beings in a real shape.
This is the image of memory as the desire of the other as a reversible shade of light in "morning glory", which does not describe the atmosphere. Here, according to the identity of the theory of materialism, the desire of the other is conceptualized and the abstraction identified with the actual image is modified, leaving the shade on the fabric by the paint adjusted in the abstraction mode of the actual structure in temporality.
Like a computer game, the abstraction mode overlaps the events and performance images of news cartoons with "morning glory", the background of abstraction, and abstracts the desires of others into shades of a reversible real structure of light.
Depending on where it was viewed as a concept of desire, it is illuminated with reversible light that existed in the past and developed into a shaded structure, just as it appears to be a distorted image according to the position and distance from the object in reality.
Here, the shadowing effect of reversible light forms a shadow structure reflected in the form of reflected light from the small hole of the fabric where the rear surface is illuminated.
The structure is painted with thread painting as <morning glory>.
The image and color of thread painting show the aesthetic value of the hidden shape by showing the concept of desire in the shadow of reversible light by forming the image and color of the faded object without marking it by giving a distance of time.
This is a realistic painting based on Choi Chul-joo's abstract art theory, and it is an abstract painting that depicts the remaining shadow colors as reversible light by capturing the concept of desire beyond literature.
In Choi Chul-joo's concept of desire, the image of structure is a picture of cloth that blocks color by putting a shadowy desire structure comparable to reversible light into a thread and reconstructs the shape into a linear structure of color so that the shape can correspond to a specific color.
Therefore, the conceptual image of desire with the structure of thread added is a painting that paints abstract desires on the structure of cloth and thread that pursues linear aesthetics as the artistry of conceptual art.
The painting "morning glory-memory" is an image of the concept of desire in which a young child mind in Choi Chul-joo's concept of desire is transferred to a chick and the chicken, woman, and dancer are drawn on an image as cloth as objects created by custom.
Like the desire image, the image of the object was drawn by composing chicks, chickens, women, and dancers in a material such as cloth to create an image in which the left and right sides were reversed. Therefore, his painting is a painting of two sides that does not distinguish between the front and the back. Here, when the image on the back is converted to the front, a new painting with traces of one shade in reversible light emerges.
In the imaginary world, identification externally identifies the image of the object as the same subject as the image of the object, and internally forms a phenomenal image of the concept of desire in which the subject is transformed. As a phenomenal image "morning glory-memory"'s back image, the shadow of reversible light without an object, another shadow and back of the space created by the object, brightens or disappears.
It is an image that is insufficient as an object as an image that is satisfied as a child in an image of a real object.
The memory of the object tailored to the dancer's creates a separate space connected to chicks, chickens, fossils, and women in the gap with shadow margins in the empty space, and colors and shapes the objects in a single picture that integrates the bright side of yin and yang with colors on the drawing image.
The shape is an image of reality in which the actual object is reflected in the mirror by confirming the structure of the phenomenal reality that does not exist as an empty space on the back of the object.
In other words, the image of phenomenal reality may be an image of reality in which the image of reality as a metaphor is reflected in the mirror or an image that appears as a virtual shade as another image.
Here, the image of reality is a podium shaped by the desire of others who can see the shaded color as an object being through gaze. The platform clarifies the meaning of a reality being that reflects the visible image as reversible light in which desire has stopped in the place of the city and takes the image as the form of desire.
As the actual structure of its meaning, as the shape stops, the meaning is created as a reversible thought movement. This is an image in which the meaning thought as the structure of an image finds a place of desire in an empty space.
As a result, the conceptual representation of memory in the window of the morning glory, the background of desire, overlaps the real image into a single phase in the same place in a reversible shade to make it a structure of desire for a memory image.
The stray thoughts creates a reversible space as an image of a real object in the direction of thinking about ambiguous desires and shows desire as a phenomenal object.
And the image of existence defines factual abstraction as a meaning that reverses reality, and the image realizes the abstract concept by the meaning that has been transformed into a shadow of reversible light.
Although there is no conceptual reality, the desire painted as an abstraction obscured by reversible light replaces the other. That desire creates an abstract space that can reversibly represent reality and refers to phenomenal value./ Writing. Former curator of the Seoul Museum of Art Louis Choi Chul-joo (Modern art Painter & Doctor of Cultural Design)
Louis Chul-joo Choi, Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ 1, a hand-painted picture on a computer, 2019 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review of the concept [3] Yoona of K-pop group Girls' Generation debuted as the main actress of the movie 'Exit’ / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶Girl group, "Girls' Generation"._ Groupe de filles, "Girls' Generation"
