추상화가 최철주｜Abstract Artist 16
추상화가 최철주 현대추상미술평론 현대추상화가평론 현대미술추상작품평론 16
추상 화가 최철주｜현대추상미술평론 현대추상화가평론 현대미술추상작품평론 Contemporary Abstract Art Painter Criticism [16] Contemporary Art Today Choi Chul-joo's Art Criticism, Abstract contemporary art that designed modern art abstract painting & Abstract artist Louis Choi Chul-joo Abstract art work: morning glory window 2024-5-MonaLisa 실재로서 욕망 구조는 주체로서 모나리자가 나팔꽃으로 한 기호표현의 관계를 통하여 모나리자는 나팔꽃에서 상징된 이미지로서 욕망 구조를 생성하는 원인의 대상이 된다.
욕망 구조와 실재 이미지와의 동시적 기능은 개념의 의미가 소급적 효과로서 욕망 이미지로 통합되고 그 이미지를 은유한 모나리자가 욕망 개념에 숨어 있는 근원적 이미지를 공시한다.
그 근원적 이미지로서 모나리자가 최초의 욕망 개념으로 공시되어서 의도적 추상으로서 상징적 이미지에 도달한다.
나팔꽃 윈도우 2024-5-모나리자
현대미술의 이미지를 열어준 르네상스 미술에서 <모나리자>는 귀족에서 상인으로 확산된 미적 욕망을 말한다. 이것은 현대미술의 예술적 가치를 독점하는 타자의 욕망이 자리잡게 된다.
그 욕망의 개념은 종교적 창조주의에서 벗어난 휴머니즘이다.
<나팔꽃 윈도우 모나리자>는 다빈치의 스푸마토(sfumato) 기법으로 살린 신비로운 이미지를 욕망의 배경인 나팔꽃에서 육화한 모나리자가 휴머니즘 욕망의 주체로서 색조로 한 신비로운 대기 효과를 넘어서 이미지로서 실재의 윤곽으로서 추상한다.
그 추상은 왼쪽에 나팔꽃 두 송이와 모나리자의 얼굴과의 안전적 욕망의 미적 효과로 자리를 잡는다.
그 자리는 텍스트로부터 나팔꽃과 모나리자를 매체로 한 욕망 이미지를 반복하여서 가역적 빛의 음영으로 한 추상적 잔향(reverberation) 효과를 보인다.
그 잔향 효과로서 시선이 나팔꽃에서 모나리자로 이어지도록 나팔꽃 뒤에 청과 흑색의 나무 줄기를 알맞게 두어서 욕망의 배경인 나팔꽃에 시선을 모우고 욕망의 주체로서 모나리자의 얼굴로 시선이 이어지게 했다.
그리고 나팔꽃에서 모나리자를 보는 위치와 마주보는 위치를 생성하여서 시선이 욕망의 주체인 모나리자로 향하게 한다.
욕망 개념으로의 은유 모나리자는 나팔꽃에서 욕망 이미지로 대치되면서 나팔꽃은 욕망의 배경으로 구획(demarcation) 하는 의미 작용이 이루어진다. 여기서 욕망의 시선은 적색 윈도우가 프레임으로 구조화되어서 모나리자에 집중한다.
그것은 르네상스적 사고로서 욕망의 대상인 <나팔꽃>을 알레고리로 한 욕망적 의미를 갖는다.
그 <나팔꽃>은 나팔꽃 윈도우가 대상과 욕망에 대한 구획문제를 상징적 은유로서 텍스트의 의미로 해석하는 풍유적 의미(sensus allegoricus)로 한 욕망 이미지를 연쇄하여서 욕망의 대상을 상상계의 실재 이미지와 욕망 개념을 하나의 주체로서 실재의 이미지를 보이는 추상화다. 이것은 의미로서 대상의 이미지를 변질시키는 다다이즘의 개념미술과는 다르게 욕망의 대상을 실재화하여서 가역적 빛의 음영으로 주체의 욕망 구조를 실재한다.
실재로서 욕망 구조는 주체로서 모나리자가 나팔꽃으로 한 기호표현의 관계를 통하여 모나리자는 나팔꽃에서 상징된 이미지로서 욕망 구조를 생성하는 원인의 대상이 된다.
욕망 구조와 실재 이미지와의 동시적 기능은 개념의 의미가 소급적 효과로서 욕망 이미지로 통합되고 그 이미지를 은유한 모나리자가 욕망 개념에 숨어 있는 근원적 이미지를 공시한다.
그 근원적 이미지로서 모나리자가 최초의 욕망 개념으로 공시되어서 의도적 추상으로서 상징적 이미지에 도달한다. /글. 미술평론가 최철주 (팝아트 추상화가 & 문화디자인박사)
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Dr. Chul-joo Choi's editorial cartoon line news Review of Korean News Cartoon [168] People in power regret if they force unreasonable corruption. (2023.12.4.) / Reporter Choi Chul-joo’s Cartoon Review
. People in power regret if they force unreasonable corruption.
. Les gens au pouvoir regrettent s'ils forcent une corruption déraisonnable.
Louis Choi chuljoo, People in power regret if they force unreasonable corruption [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Dr. Chul-joo Choi's editorial cartoon line news Review of Korean News Cartoon [168] People in power regret if they force unreasonable corruption. (2023.12.4.) / Reporter Choi Chul-joo’s Cartoon Review / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶People in power _ Les gens au pouvoir
Louis, Chul-joo Choi, morning glory p113-2-Jeongcho and Mona Lisaa, hand-painted picture on a computer
Desire Concept Abstraction ■ Design Process/ Abstraction In <Choi Chul-joo morning glory>, Choi Chul-joo's theory of abstract art is formalized to convert the object image of desire into meaning by repeating the theory of desire to the abstraction. This has the meaning of expressing the desire of others in painting by repeatedly applying the desire formula of the imagination world and Choi Cheol-joo, and as a result of applying the theory of desire art to painting, the value of approaching the beauty of formality of the desire of others is obtained.
The concept of desire design ■ "Choi Chul-joo morning glory" is not the object of the subject, but the spatial background of the other's desire. It is the same as a space of life that is consistent like the sky. It connects with cartoon review and pop art that represent the space of life, but does not criticize and judge, but reproduces reality as cartoon review with photographic images of events and performances. The effect of conceptualizing the reality of the symbol object as the desire of the other is structured in the shade of reversible light to form the concept as a realistic conceptual art.
The desire for others as chickens that the chick imagines is an abstract painting that hides the inconsistency of the chick's imagination in the shadow of reversible light with the background of the desire for the 'morning glory' as the image of 'Choi Chul-joo's Morning glory'.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p34-7-1-The average lifetime has been extended to extend the work period: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. * Choi Chul-joo's Concept of Desire Abstract Art Theory
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, Desire Concept Realistic Abstract Work: Louis Choi chuljoo, When desire arises, you observe through the window and lie as an opportunity to covet.: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p113-2-People in power regret if they force unreasonable corruption: By repeatedly applying the cencept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i)
■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
Cartoon Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.
Choi Chul-joo, <MONSTA X's "Let me be your fantasy" 5>, a hand-painted picture on a computer
Desire conceptual art abstraction, which replaced the phenomenal place of the meaning of abstraction with an exhibition poster, can distinguish the place of the shape, thus conceiving the meaning of another structural image that interprets the shape.
The shape is abstract in color and size similar to the meaning of the ideological structure to speak of a different meaning, but in the imagination, the abstract meaning of conceptual art is identified with reality, and the image of the object and the abstract meaning are identified externally as the same subject, and the subject forms a transformed abstract meaning internally
This refers to the abstract meaning of a shape, which defines an abstract space that can be actually reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is obscured in shades.
The meaning is designed as "morning glory", which is abstracted as a symbolic language symbolizing a desire flower that imitates the other's desire "MONSTA X's "Let me be your fantasy-5".
In the abstract conceptual image "morning glory", a shape representing the desires of the other is designed and reproduced as an abstract object as an object of desire (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstract Poster 26-2-4). The concept of desire image, which is invisible in the mechanical scheme of the perspective visual system, creates a place of shade while being hidden in reversible light, and abstracts the object of the concept of desire image as a momentary gaze different from the other's desire abstract perspective revealed in the unconscious.
In order to obtain artistry beyond generality, objects abstracted as desire conceptual art form a distorted image expressed through desire revealed in the suppressed unconsciousness of others into a design, create an object of desire conceptual image as a shade of exhibition poster formability with the desire of others as existence, and exist as meaning.
As a meaningful being, the object contains a formative value as an autonomous choice of the other's desire by revealing the object as another being by transforming the object's image into a structure of meaning into a crooked image from the other's desire perspective.
In addition, a small piece as the other's desire hidden in the background of a chicken shows a real abstract space that is reversed through a thought movement that creates an image that actually changes the shape. This is where the other's desire is abstracted and placed in a space where the object can be actually reversible in the meaning of the existence of an abstract object.
Conceptual art of realistic abstraction The realistic structure of art reflects the shape by being distorted by light. What reveals its shape are the outlines and shadows determined by the shadow of light. Realistic abstraction as treacherous conceptual art pays attention to this and embodies realistic concepts. (Choi Chul-joo conceptual art theory on realistic abstraction)
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
newsmanwha K-Pop Song illustratoin [7] MONSTA X <Let me be your fantasy> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review
newsmanwha K-Pop Song illustratoin [7] MONSTA X <Let me be your fantasy> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Desire Concept Realistic Abstract Work: The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Louis Choi chuljoo, Let me be your fantasy 17 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of K-Pop Song illustratoin [7] MONSTA X <FANTASIA> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶Online Live._ En direct en ligne.
Louis Chul-joo Choi, morning glory window 2024-5-MonaLisa, 17.5X24cm, acrylic and composite materials on cloth, 2024
morning glory window 2024-5-Mona Lisa
In Renaissance art, which opened up the image of contemporary art, "Mona Lisa" refers to the aesthetic desire that spread from aristocrats to merchants. This is where the desire of the other to monopolize the artistic value of contemporary art is established.
The concept of desire is humanism, which deviates from religious creativity.
"Morning glory Window Mona Lisa" abstracts the mysterious image saved by Da Vinci's sfumato technique as the outline of reality as an image beyond the mysterious atmospheric effect of the color of the morning glory, which is the background of desire.
Abstraction is established as an aesthetic effect of safe desire with two morning glory on the face of the Mona Lisa and two morning glory on the left.
From the letters, the image of desire mediated by morning glory and Mona Lisa is repeated, showing an abstract reverberation effect in the shadow of reversible light.
As a reverberation effect, blue and black tree trunks were properly placed behind the morning glory so that the gaze could lead from the morning glory to the Mona Lisa, the background of desire, and the gaze was focused on the morning glory and connected to the face of the Mona Lisa as the subject of desire.
And by creating a position facing the Mona Lisa in the morning glory, the gaze is directed to the Mona Lisa, the subject of desire.
The metaphor for the concept of desire The Mona Lisa is replaced with a desire image in the morning glory, and the morning glory is demarcated into the background of desire. Here, the gaze of desire focuses on the Mona Lisa with a red window structured into a frame.
As a Renaissance thinking, it has a desired meaning with the object of desire, <morning glory> as an allegory. The "morning glory" is an abstraction that shows the real world of desire as a subject by linking the image of desire with a sensus allegoricus that explains other meanings beyond the literal meaning, and the morning glory window interprets the demarcation problem between objects and desires as a symbolic metaphor in the meaning of the text.
Unlike the conceptual art of Dadaism, which transforms the image of the object as meaning, this materializes the object of desire and realizes the subject's desire structure in the shadow of reversible light.
As a reality, the desire structure is the subject, and the Mona Lisa becomes the object of the cause of creating the desire structure as an image symbolized in the morning glory through the relationship of symbolic expression made by the Mona Lisa as a morning glory.
The simultaneous function of the desire structure and the real image reveals the underlying image in which the meaning of the concept is integrated into the desire image as a retroactive effect, and the Mona Lisa, who metaphorized the image, hides in the desire concept.
As a fundamental image, the Mona Lisa is disclosed as the first concept of desire and reaches a symbolic image as a deliberate abstraction. / Writing. Art critic Choi Chul-joo (Doctor of Cultural Design)
