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  <title>Kate Lee</title>
  <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr" />
  <author>
    <name>katel</name>
  </author>
  <subtitle>미국 뉴욕 변호사 케이트 리의 글로벌 아트마켓과 지적재산권에 관한 이야기</subtitle>
  <id>https://brunch.co.kr/@@cjrr</id>
  <updated>2021-04-14T07:53:50Z</updated>
  <entry>
    <title>빌려서 내 것으로, 차용미술 - (2) - 케이트의 아트마켓 50</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/52" />
    <id>https://brunch.co.kr/@@cjrr/52</id>
    <updated>2022-12-03T12:08:44Z</updated>
    <published>2022-02-03T01:25:15Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;늘어나는&amp;nbsp;차용미술&amp;nbsp;작품들 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;저작권&amp;nbsp;침해의&amp;nbsp;예외&amp;nbsp;조항인&amp;nbsp;공정&amp;nbsp;이용 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;공정&amp;nbsp;이용&amp;nbsp;인정의&amp;nbsp;어려움   지난주&amp;nbsp;칼럼에서&amp;nbsp;이미&amp;nbsp;존재하는&amp;nbsp;이미지나&amp;nbsp;사물을&amp;nbsp;이용하는 '차용미술(appropriation art)'에&amp;nbsp;대해&amp;nbsp;소개했다. &amp;nbsp;차용미술과&amp;nbsp;저작권,&amp;nbsp;공정&amp;nbsp;이용(fair use)에&amp;nbsp;대해&amp;nbsp;이야기해&amp;nbsp;본다.  Photo: Dious via Flickr/C&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2F2ofMrXp1ncegFZp_ccflFekGf_8.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>빌려서 내 것으로, 차용미술 - (1) - 케이트의 아트마켓 49</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/51" />
    <id>https://brunch.co.kr/@@cjrr/51</id>
    <updated>2023-11-12T07:17:16Z</updated>
    <published>2022-01-25T02:06:08Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;다른&amp;nbsp;사람의&amp;nbsp;창작물을&amp;nbsp;이용하는&amp;nbsp;차용미술 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;이어지는&amp;nbsp;저작권&amp;nbsp;분쟁 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;유명&amp;nbsp;작가도&amp;nbsp;치러야&amp;nbsp;하는&amp;nbsp;재판&amp;nbsp;사례   이미&amp;nbsp;존재하는&amp;nbsp;이미지나&amp;nbsp;사물을&amp;nbsp;이용하는&amp;nbsp;이른바 '차용미술(appropriation art)'&amp;nbsp;작품이&amp;nbsp;늘어나고&amp;nbsp;있다. &amp;nbsp;이로&amp;nbsp;인한&amp;nbsp;저작권을&amp;nbsp;둘러싼&amp;nbsp;문제들이&amp;nbsp;자주&amp;nbsp;발생하는&amp;nbsp;가운데&amp;nbsp;대표적인&amp;nbsp;작가&amp;nbsp;사례를&amp;nbsp;살펴보고자&amp;nbsp;한다.   전시회에 등장&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2Fya7DPJr3GmW8CeXpy6ZC2V3Mn4c.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>예술과 프라이버시 - 케이트의 아트마켓 48</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/50" />
    <id>https://brunch.co.kr/@@cjrr/50</id>
    <updated>2023-11-12T07:17:16Z</updated>
    <published>2022-01-18T02:44:14Z</published>
    <summary type="html">-&amp;nbsp; &amp;nbsp;거리&amp;nbsp;모습을&amp;nbsp;담은&amp;nbsp;사진&amp;nbsp;작품들 -&amp;nbsp; &amp;nbsp;망원렌즈로&amp;nbsp;몰래&amp;nbsp;촬영한&amp;nbsp;이웃집 -&amp;nbsp; &amp;nbsp;세상에&amp;nbsp;공개된&amp;nbsp;사적인&amp;nbsp;문자&amp;nbsp;메시지들 -&amp;nbsp; &amp;nbsp;예술과&amp;nbsp;프라이버시에&amp;nbsp;관한&amp;nbsp;논란들   스마트폰이&amp;nbsp;일상이&amp;nbsp;된&amp;nbsp;시대에&amp;nbsp;살고&amp;nbsp;있는&amp;nbsp;우리에게&amp;nbsp;사진을&amp;nbsp;찍고&amp;nbsp;있는&amp;nbsp;사람들을&amp;nbsp;어디서든&amp;nbsp;마주하는&amp;nbsp;것은&amp;nbsp;더&amp;nbsp;이상&amp;nbsp;낯선&amp;nbsp;모습이&amp;nbsp;아니다. &amp;nbsp;다른&amp;nbsp;사람의&amp;nbsp;모습을&amp;nbsp;사진에&amp;nbsp;담는&amp;nbsp;일은&amp;nbsp;어떤지에&amp;nbsp;대해&amp;nbsp;초상권&amp;nbsp;등&amp;nbsp;프라&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FVU4DUV5y0Rbf3arYqi11Yje2FkY.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>영화 속의 예술 작품 - (2) - 케이트의 아트마켓 47</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/49" />
    <id>https://brunch.co.kr/@@cjrr/49</id>
    <updated>2023-11-12T07:17:16Z</updated>
    <published>2022-01-11T01:17:41Z</published>
    <summary type="html">-&amp;nbsp; &amp;nbsp; 영화 속에 등장하는 예술 작품의 저작권 -&amp;nbsp; &amp;nbsp; 저작권자의 승인이 필요한 2차적 저작물 -&amp;nbsp; &amp;nbsp; 전문 업체 이용에 따른 난점도  지난 칼럼에서 영화에 등장하는 예술 작품들의 사례를 소개했다. &amp;nbsp;영화 속 작품들이 어떤 절차를 거쳐 등장하고, 또 영화에 등장하는 작품들의 저작권 문제는 어떻게 처리되는지 등에 대해 이야기해 본다.   걸작의 영화 등장과&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FpMAKU0GdF-f2qL09Wpn2NzG89FQ.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>영화 속의 예술 작품 - (1) - 케이트의 아트마켓 46</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/48" />
    <id>https://brunch.co.kr/@@cjrr/48</id>
    <updated>2023-11-12T07:17:16Z</updated>
    <published>2022-01-04T01:55:08Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;&amp;nbsp;영화&amp;nbsp;속에&amp;nbsp;종종&amp;nbsp;등장하는&amp;nbsp;예술&amp;nbsp;작품들 -&amp;nbsp;&amp;nbsp;&amp;nbsp;영화의&amp;nbsp;주제,&amp;nbsp;소재,&amp;nbsp;줄거리&amp;nbsp;자체가&amp;nbsp;되기도  예술가의&amp;nbsp;생애를&amp;nbsp;다룬&amp;nbsp;영화를&amp;nbsp;비롯해서&amp;nbsp;영화&amp;nbsp;속&amp;nbsp;예술이&amp;nbsp;주제가&amp;nbsp;되는&amp;nbsp;영화나&amp;nbsp;드라마들이&amp;nbsp;많이&amp;nbsp;있다. &amp;nbsp;이번&amp;nbsp;칼럼에서는&amp;nbsp;영화에서&amp;nbsp;다뤄지는&amp;nbsp;예술에&amp;nbsp;대해&amp;nbsp;알아본다.   르네 마그리트(Ren&amp;eacute; Magritte), 토마스 크라운 어페어(The Thomas Crown Affa&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FpNzZyF--zOHTf7SX0em9qbDCRBQ.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>도난 후 되찾은 작품의 주인은? - (2) - 케이트의 아트마켓 45</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/47" />
    <id>https://brunch.co.kr/@@cjrr/47</id>
    <updated>2021-12-28T07:25:34Z</updated>
    <published>2021-12-28T01:40:37Z</published>
    <summary type="html">-&amp;nbsp; &amp;nbsp;'예술품&amp;nbsp;보험'으로&amp;nbsp;도난,&amp;nbsp;분실,&amp;nbsp;훼손&amp;nbsp;대비 -&amp;nbsp; &amp;nbsp;도난&amp;nbsp;후&amp;nbsp;회수된&amp;nbsp;작품 두고&amp;nbsp;보험회사와&amp;nbsp;분쟁도 -&amp;nbsp; &amp;nbsp;가치&amp;nbsp;상승한&amp;nbsp;작품,&amp;nbsp;소유권&amp;nbsp;분쟁으로&amp;nbsp;이어지기도   일반적으로&amp;nbsp;컬렉터들은&amp;nbsp;작품의&amp;nbsp;도난이나&amp;nbsp;훼손&amp;nbsp;등&amp;nbsp;예기치&amp;nbsp;않은&amp;nbsp;사태에&amp;nbsp;대비해&amp;nbsp;예술품&amp;nbsp;보험에&amp;nbsp;가입한다. &amp;nbsp;하지만,&amp;nbsp;잃어버렸다가&amp;nbsp;되찾은&amp;nbsp;작품을&amp;nbsp;두고&amp;nbsp;보험회사와&amp;nbsp;원소유주&amp;nbsp;간의&amp;nbsp;분쟁이&amp;nbsp;일기도&amp;nbsp;한다.  안젤리카&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FfZrA1qL30Ee4H3O9Mgy7TaD7CLc.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>도난 후 되찾은 작품의 주인은? - (1) - 케이트의 아트마켓 44</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/46" />
    <id>https://brunch.co.kr/@@cjrr/46</id>
    <updated>2021-12-21T07:21:40Z</updated>
    <published>2021-12-21T01:49:30Z</published>
    <summary type="html">-&amp;nbsp; &amp;nbsp;도난당한&amp;nbsp;그림의&amp;nbsp;주인은 -&amp;nbsp; &amp;nbsp;현 소장자와&amp;nbsp;원소유주&amp;nbsp;간의&amp;nbsp;소유권&amp;nbsp;분쟁 -&amp;nbsp; &amp;nbsp;준거법에&amp;nbsp;따라&amp;nbsp;달라지는&amp;nbsp;소유권자   도난당한&amp;nbsp;작품이&amp;nbsp;오랜&amp;nbsp;세월이&amp;nbsp;지나&amp;nbsp;회수되거나&amp;nbsp;발견되는&amp;nbsp;경우들이&amp;nbsp;가끔&amp;nbsp;발생한다. &amp;nbsp;원주인과&amp;nbsp;현재&amp;nbsp;소유자가&amp;nbsp;서로&amp;nbsp;소유권을&amp;nbsp;주장하는&amp;nbsp;상황에서&amp;nbsp;법의&amp;nbsp;적용에&amp;nbsp;따라&amp;nbsp;결과가&amp;nbsp;달라지곤&amp;nbsp;한다.   구겐하임(Guggenheim)에서 사라진 샤갈(Chagal&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FXz_H8VFssLARagnllXNoMeRG4Jg.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>도난당한 예술 작품 - 케이트의 아트마켓 43</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/45" />
    <id>https://brunch.co.kr/@@cjrr/45</id>
    <updated>2021-12-21T03:11:01Z</updated>
    <published>2021-12-14T02:51:03Z</published>
    <summary type="html">-&amp;nbsp; &amp;nbsp;연간&amp;nbsp;수조&amp;nbsp;원에&amp;nbsp;이르는&amp;nbsp;예술&amp;nbsp;작품&amp;nbsp;불법&amp;nbsp;거래 -&amp;nbsp; &amp;nbsp;도난&amp;nbsp;대작들이&amp;nbsp;회수되는&amp;nbsp;행운도 -&amp;nbsp; &amp;nbsp;대부분은&amp;nbsp;행방&amp;nbsp;묘연   예술&amp;nbsp;작품의&amp;nbsp;도난&amp;nbsp;사건이&amp;nbsp;끊이지&amp;nbsp;않고&amp;nbsp;발생하고&amp;nbsp;있다. &amp;nbsp;엄청난&amp;nbsp;액수의&amp;nbsp;작품들&amp;nbsp;대부분이&amp;nbsp;꼭꼭&amp;nbsp;숨어&amp;nbsp;있어&amp;nbsp;행방을&amp;nbsp;찾기&amp;nbsp;어려운&amp;nbsp;가운데,&amp;nbsp;수사기관들의&amp;nbsp;도난&amp;nbsp;작품&amp;nbsp;데이터베이스&amp;nbsp;구축&amp;nbsp;등&amp;nbsp;새로운&amp;nbsp;방식을&amp;nbsp;도입하려는&amp;nbsp;대책&amp;nbsp;마련에&amp;nbsp;부심하고&amp;nbsp;있다.  Phot&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FAO5yB_tC8t35bH-nAJRFzk7kWtw.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>문화유산의 주인 찾기, 반환 - (3) - 케이트의 아트마켓 42</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/44" />
    <id>https://brunch.co.kr/@@cjrr/44</id>
    <updated>2023-11-12T07:17:16Z</updated>
    <published>2021-12-07T01:47:59Z</published>
    <summary type="html">-&amp;nbsp; &amp;nbsp;반환을&amp;nbsp;위한&amp;nbsp;전&amp;nbsp;세계적&amp;nbsp;합의&amp;nbsp;도출 -&amp;nbsp; &amp;nbsp;구속력&amp;nbsp;없는&amp;nbsp;합의와&amp;nbsp;그&amp;nbsp;한계 -&amp;nbsp; &amp;nbsp;반환의&amp;nbsp;현실적&amp;nbsp;걸림돌들   제2차&amp;nbsp;세계대전&amp;nbsp;당시&amp;nbsp;약탈당한&amp;nbsp;문화유산의&amp;nbsp;반환을&amp;nbsp;위한&amp;nbsp;세계적&amp;nbsp;합의체가&amp;nbsp;만들어진&amp;nbsp;후 20여&amp;nbsp;년이&amp;nbsp;지났다. &amp;nbsp;하지만&amp;nbsp;강제력이&amp;nbsp;없는&amp;nbsp;선언이&amp;nbsp;갖는&amp;nbsp;한계&amp;nbsp;극복을&amp;nbsp;위해&amp;nbsp;각국의&amp;nbsp;실질적&amp;nbsp;노력이&amp;nbsp;절실히&amp;nbsp;요구된다.   지난 칼럼에서 2016년 12월 미국에서 제정된&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2F_SaCfIF0ocBD9e74d4Q3DP5jq2k.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>문화유산의 주인 찾기, 반환 - (2) - 케이트의 아트마켓 41</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/43" />
    <id>https://brunch.co.kr/@@cjrr/43</id>
    <updated>2023-11-12T07:17:16Z</updated>
    <published>2021-12-02T03:23:26Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;나치의 예술 작품 강탈 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;전후 이어지는 반환 노력 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;반환의 현실적 장애들   나치에&amp;nbsp;의한&amp;nbsp;전대미문의&amp;nbsp;대규모&amp;nbsp;예술&amp;nbsp;작품&amp;nbsp;약탈로&amp;nbsp;인해&amp;nbsp;전&amp;nbsp;유럽이&amp;nbsp;막대한&amp;nbsp;피해를&amp;nbsp;입었다. &amp;nbsp;전후&amp;nbsp;이어지는&amp;nbsp;반환의&amp;nbsp;노력에도&amp;nbsp;불구하고&amp;nbsp;여러&amp;nbsp;현실적&amp;nbsp;문제들로&amp;nbsp;인해&amp;nbsp;반환이&amp;nbsp;순조롭지만은&amp;nbsp;않다.   독재자의 꿈 총통 미술관(F&amp;uuml;hrermuseum)  Rome, Italy&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FhaJOrF8juS7LewOGI0s6lFOsD9o.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>문화유산의 주인 찾기, 반환 - (1) - 케이트의 아트마켓 40</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/42" />
    <id>https://brunch.co.kr/@@cjrr/42</id>
    <updated>2023-11-12T07:17:16Z</updated>
    <published>2021-11-30T00:35:42Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;유럽 국가들의&amp;nbsp;과거&amp;nbsp;식민지&amp;nbsp;문화유산&amp;nbsp;반환&amp;nbsp;시도 -&amp;nbsp;&amp;nbsp;중국의&amp;nbsp;자국&amp;nbsp;문화유물&amp;nbsp;되찾기&amp;nbsp;노력 -&amp;nbsp;&amp;nbsp;과거사&amp;nbsp;자성&amp;nbsp;목소리도   유럽&amp;nbsp;내에서&amp;nbsp;과거&amp;nbsp;식민 지역의&amp;nbsp;문화유산을&amp;nbsp;반환해야&amp;nbsp;한다는&amp;nbsp;목소리가&amp;nbsp;점차&amp;nbsp;높아지는&amp;nbsp;가운데&amp;nbsp;네덜란드를&amp;nbsp;필두로&amp;nbsp;국가차원의&amp;nbsp;노력이&amp;nbsp;시도되고&amp;nbsp;있다.   2차 세계대전 당시 나치로부터 유럽의 예술 작품을 지키는 임무 담당 부대의 실화를 바탕으로 한&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2F3f9MwCoFdr8OqYqIKBxKXFL_Lk4.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>브랜드화하는 아티스트들 - 케이트의 아트마켓 39</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/41" />
    <id>https://brunch.co.kr/@@cjrr/41</id>
    <updated>2023-11-12T07:17:16Z</updated>
    <published>2021-11-16T01:16:32Z</published>
    <summary type="html">-&amp;nbsp; &amp;nbsp; 변화하는 갤러리와 아티스트 관계 -&amp;nbsp; &amp;nbsp; 상업 브랜드와 아티스트의 협업 -&amp;nbsp; &amp;nbsp; 아티스트 에이전시 성황   순수&amp;nbsp;예술과&amp;nbsp;상업&amp;nbsp;예술의&amp;nbsp;경계가&amp;nbsp;모호해지면서&amp;nbsp;아티스트의&amp;nbsp;활동&amp;nbsp;영역과&amp;nbsp;의미가&amp;nbsp;달라지고&amp;nbsp;있다.   여러 개의 갤러리에서 동시에 활동하는 아티스트들  Photo: BernieCB via Flickr/Creative Commons.  갤러리는 오랫동&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2F2LOBdPbnMtgCT7RD8OPZWfysAcA.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>갤러리와 아티스트 - 케이트의 아트마켓 38</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/40" />
    <id>https://brunch.co.kr/@@cjrr/40</id>
    <updated>2023-11-12T07:17:16Z</updated>
    <published>2021-11-09T08:54:26Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;&amp;nbsp;동반자&amp;nbsp;관계의&amp;nbsp;아티스트와&amp;nbsp;갤러리 -&amp;nbsp;&amp;nbsp;&amp;nbsp;갈등&amp;nbsp;표출로&amp;nbsp;소송까지 -&amp;nbsp;&amp;nbsp;&amp;nbsp;예술계&amp;nbsp;내의&amp;nbsp;변화&amp;nbsp;움직임   결혼에&amp;nbsp;비유되곤&amp;nbsp;하는&amp;nbsp;아티스트와&amp;nbsp;갤러리의&amp;nbsp;관계. &amp;nbsp;하지만&amp;nbsp;모든&amp;nbsp;부부가&amp;nbsp;평생&amp;nbsp;해로하지는&amp;nbsp;않듯이&amp;nbsp;아티스트와&amp;nbsp;갤러리의&amp;nbsp;결합도&amp;nbsp;갈등이&amp;nbsp;불거지며&amp;nbsp;이혼&amp;nbsp;선언으로&amp;nbsp;이어지기도&amp;nbsp;한다.  Photo: Ryan Dickey via Flickr/Creative Commons.&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FOPbG4xMnRoYF_6ositJ96yUL38I.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>예술 작품 매각하기 - (2) - 케이트의 아트마켓 37</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/39" />
    <id>https://brunch.co.kr/@@cjrr/39</id>
    <updated>2021-11-15T07:20:26Z</updated>
    <published>2021-11-02T01:01:16Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;매각에&amp;nbsp;적절한&amp;nbsp;시기&amp;nbsp;조절&amp;nbsp;필요 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;매각하려는&amp;nbsp;작품의&amp;nbsp;역사와&amp;nbsp;작가의&amp;nbsp;이력&amp;nbsp;등&amp;nbsp;고려해야 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;전문가와&amp;nbsp;논의,&amp;nbsp;연구&amp;nbsp;필요  예술&amp;nbsp;작품을&amp;nbsp;매각하려면,&amp;nbsp;지난주&amp;nbsp;칼럼에서&amp;nbsp;언급한&amp;nbsp;위탁&amp;nbsp;판매&amp;nbsp;기관의&amp;nbsp;선정에&amp;nbsp;더해&amp;nbsp;언제&amp;nbsp;매각해야&amp;nbsp;할&amp;nbsp;것인지를&amp;nbsp;결정해야&amp;nbsp;한다.  재판매하기엔 시기상조  Photo: Ken Lund via Flickr/Creative Common&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FwppIl8dkgTKw5QWoS5fnlHulz-k.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>예술 작품 매각하기 - (1) - 케이트의 아트마켓 36</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/38" />
    <id>https://brunch.co.kr/@@cjrr/38</id>
    <updated>2021-11-01T12:36:19Z</updated>
    <published>2021-10-26T02:12:33Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;예술&amp;nbsp;작품&amp;nbsp;매각&amp;nbsp;시&amp;nbsp;고려&amp;nbsp;사항 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;어느&amp;nbsp;기관&amp;nbsp;통해&amp;nbsp;매각할&amp;nbsp;것인가 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;위탁판매&amp;nbsp;계약의&amp;nbsp;중요성   예술 작품을 구입하는 것은 재미있기도 하고 흥분되는 일이기도 하다. &amp;nbsp;하지만 반대로 작품을 매각하는 과정이 그리 즐겁기만 한 일은 아닐 수 있다. &amp;nbsp;특히 초보 컬렉터의 경우 작품을 매각하는 일이 막막하게 느껴질 수 있다. &amp;nbsp;그럼 과연 내가 소유&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FledfbQ9ot2bz44uMTNtf5Li1nk8.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>모딜리아니가 아니면 목숨을 달라 - 작품의 감정 (4) - 케이트의 아트마켓 35</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/37" />
    <id>https://brunch.co.kr/@@cjrr/37</id>
    <updated>2021-10-19T20:48:03Z</updated>
    <published>2021-10-19T04:57:27Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;늘어나는 소송에 대한 부담으로 감정 기관 해체 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;전집 도록 발행 둘러싼 분쟁 발생 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;감정 작업에 대한 법적 보호 시도    권위 있는 감정 기관들의 잇따른 해체  워홀의 '죽음과 재난(Death and Disaster)' 시리즈의 또 다른 작품.&amp;nbsp;&amp;nbsp;&amp;nbsp;Photo:&amp;nbsp;Gwen Fran via Flickr/Creative Commons.  &lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FvXZGqDRuBEoMuMANjp9szEmwgfM.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>워홀인 듯 워홀 아닌 - 작품의 감정 (3) - 케이트의 아트마켓 34</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/36" />
    <id>https://brunch.co.kr/@@cjrr/36</id>
    <updated>2021-10-16T10:28:43Z</updated>
    <published>2021-10-13T02:23:10Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;&amp;nbsp;진작(眞作) 판정 후 뒤집히기도 하는 감정 결과 -&amp;nbsp;&amp;nbsp;&amp;nbsp;감정 기관, 줄 잇는 소송과 막대한 비용으로 문 닫기도   Photo: Jim Linwood via Flickr/Creative Commons.  아티스트의 예술 작품을 진작(眞作)으로 인정할 수 있는 권위를 가진 기관들의 인증을 받는다는 것은 작품의 가치를 제대로 인정받을 수 있는 가장 강력한&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FakUY7-7YKFPb9fJI20fezXIXufg.jpg" width="439" /&gt;</summary>
  </entry>
  <entry>
    <title>가짜 샤갈과 진짜 고흐  - 작품의 감정 (2) - 케이트의 아트마켓 33</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/35" />
    <id>https://brunch.co.kr/@@cjrr/35</id>
    <updated>2023-11-12T07:17:16Z</updated>
    <published>2021-10-04T23:58:48Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;&amp;nbsp;위작 처분에 관한 국가별 법체계 상이 -&amp;nbsp;&amp;nbsp;&amp;nbsp;저작인격권 중시 유럽 위작의 파기도 가능 -&amp;nbsp;&amp;nbsp;&amp;nbsp;다른 감정 판정 시 문제 발생하기도   작품의&amp;nbsp;진위 감정에&amp;nbsp;대한&amp;nbsp;막강한&amp;nbsp;권위를&amp;nbsp;갖고&amp;nbsp;있는&amp;nbsp;기관들의&amp;nbsp;판정으로&amp;nbsp;인해&amp;nbsp;종종&amp;nbsp;논란이&amp;nbsp;일기도&amp;nbsp;한다.   진작(眞作)이 아니라면 사라져야만 하는 운명   마르크 샤갈(Marc Chagall)은 러시아 출신으로 작품 활동의&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FQgD0W7B5A3bac3iDaEtCUb2ZRQk.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>바닐라 스카이는 아니지만 모네 - 작품의 감정 &amp;nbsp;(1) - 케이트의 아트마켓 32</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/34" />
    <id>https://brunch.co.kr/@@cjrr/34</id>
    <updated>2023-11-12T07:17:16Z</updated>
    <published>2021-09-29T05:46:15Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;&amp;nbsp;작품 진위 감정을 둘러싼 논란 -&amp;nbsp;&amp;nbsp;&amp;nbsp;진작(眞作)을 진작이라고 할 수 없을지도    클로드 모네(Claude Monet), '아르장퇴유의 센 강(The Seine in Argenteuil)', Mus&amp;eacute;e d'Orsay, Paris, 1873.&amp;nbsp;&amp;nbsp;Photo: Masem via Wikimedia Commons/Public Domain.   앞서 지난 호&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2FJaqU4PB9rYjLAJBwd-BkgXdlEVI.jpg" width="500" /&gt;</summary>
  </entry>
  <entry>
    <title>위작(僞作)과 진작(眞作) (2) - 케이트의 아트마켓 31</title>
    <link rel="alternate" type="text/html" href="https://brunch.co.kr/@@cjrr/33" />
    <id>https://brunch.co.kr/@@cjrr/33</id>
    <updated>2022-07-15T04:13:01Z</updated>
    <published>2021-09-23T05:15:41Z</published>
    <summary type="html">-&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;미국 역사상 최대 규모 위작사건의 중심에 선 노들러 갤러리 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;전문가들도 속인 위작들 -&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;진위 감정의 어려움   지난&amp;nbsp;호(케이트의&amp;nbsp;아트마켓 30&amp;nbsp;위작과&amp;nbsp;진작 -&amp;nbsp;1)에서&amp;nbsp;노들러(M. Knoedler &amp;amp; Co.)&amp;nbsp;갤러리가 1994년부터 2011년까지&amp;nbsp;앤&amp;nbsp;프리드먼(Ann Freedman)&amp;nbsp;당시&amp;nbsp;대표의&amp;nbsp;주도로&amp;nbsp;뉴욕&amp;nbsp;소재&amp;nbsp;위작&amp;nbsp;조직이&amp;nbsp;제작한&amp;nbsp;그&lt;img src= "https://img1.kakaocdn.net/thumb/R1280x0/?fname=http%3A%2F%2Ft1.daumcdn.net%2Fbrunch%2Fservice%2Fuser%2Fcjrr%2Fimage%2Fa44RwXH4G8fSUziANmwYk2lGrUw.jpg" width="500" /&gt;</summary>
  </entry>
</feed>
