AAS ShortCartoon Thousand Years of LoveⅡ
Choi Chul-joo AAS Author's Short Cartoon [7] "A Thousand Years of Love Ⅱ" is an AI-enabled sketch (Ai Aided Sketch) cartoon rendering that the cartoonist painted with AI sketches through AI sketches by coding the concept of Choi Chul-joo, a Ph.D. in culture and design./ Choi Chul-joo, a cartoon artist, conceptual abstract realism painter, contemporary concept pop artist, cartoon critic, contemporary art critic & conceptual pop cartoon artist who draws conceptual webtoon cartoons. Choi Kwan-woo (Choi Chul-joo's pseudonym) As a modern conceptual art historian, he is serializing Choi Chul-joo AAS web cartoons and Choi Chul-joo AAP(Ai Aided Plot) cartoon artist web novels based on AAS conceptual abstract realism painting on Facebook and the Internet./
Choi Chul-joo's definition of AAS cartoon image is interpreted as an aesthetic structure that reveals that images go beyond simple visual representation and act as ontological traces and epistemological devices at the point where the illusion of memory and time intersects, which leads to the illusion that the deviation of shade and reflection is mistaken for the present in the temporality that consists of the past and the future repeating the present, converting space into time, and solidifying memories into images through objects that repeatedly exist in a specific place. AAS functions as a philosophical device that reduces the traces of time remembered to realism beyond AI-based sketches, restores the aura of memory through technology, and presents a new visual ontology that crosses the boundaries of art and philosophy in a way that images transcend media to reveal the structure of perception.
Thus, "The definition of Choi Chul-joo AAS cartoon image is a visual real image rendered by realism of AI-reproduced images with the temporality of the remembered space."
The cartoon has artistic value in that it is an extensive AAS conceptual abstract realism painting that combines conceptual pop art, abstract realism, and storytelling. It serializes AAS-generated conceptual abstract realism image rendering(Rendering AI-enabled sketches) and conceptual abstract realism painting cartoons by Choi Chul-joo. He works as a cartoon artist, conceptual abstract artist, and contemporary art critic.
Cartoon artist Choi Chul-joo Short Cartoon [7] "A Thousand Years of Love Ⅱ" Under the glorious marble palace in Florence and the red roofs of the Renaissance era, the love between the lowly Mary and Lorenzo, an aristocrat with high blood, blossomed in secret like a flower of gold. Their love had the spirit of this era, which celebrated human aspirations and artistic beauty, but it was a sin that could never be tolerated under the strict social system and the strict rule of the church. Eventually, their secret encounter was discovered by the fanatical obsession with defending the honor of the Lorenzo family and the harsh gaze of the religious tribunal, which suppressed the free will of human beings. Lorenzo was imprisoned under the family's name, and Maria was exiled from the city as a sinner of heresy. The despair that Maria felt in the face of eternal separation from her loved ones destroyed all the pillars of hope that had sustained her life. She decided to die for herself in the shadows beyond the light of the church, in the valley on the calm and dark outskirts. Instead of a cold river or a poisonous plant, she stood on the edge of a cliff at the highest point to escape the yoke and despair of this life-crushing era. Before her eyes, there was only a devastating future without Lorenzo.
Just as she was about to take her final step, the Witch of the Forest, an ancient being that transcends time and space, appeared with a thick fog. The Witch's eyes were as deep as the stars, and her voice was mysterious as if it contained thousands of years of history. The Witch saw Mary's sublime love, and her pure soul, which resisted violence of status and religion. The Witch gave her eternal destiny instead of death. "Your love cannot end with the short life of this time. You will wander beyond death, searching for his soul for a thousand years. You will meet him in the bond of reincarnation, and you will lose again. This will be your bond, and your oath of eternal love." Maria was brought back from the threshold of death by the witch's mysterious power, and her heart began to beat again in the rhythms of eternity, which transcended human time. She was no longer Maria the Celestial Man of the Renaissance. She became a free spirit who pursued eternal love, completely free from God's rule and the constraints of the times. Now her story is not over, but has resumed with the eternal vow of 'Thousand Years of Love,' a grand narrative that spans a thousand years.
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Florence was the pinnacle of art and an era of oppression in the late 15th century, when the Medici family's downfall and the shadow of religious asceticism intersect. Maria della Rovere was the last pure blood of a prestigious noble family, but the family was already under the political influence of Cardinal Rodrigo della Rovere, and she herself had a political marriage confirmed to Giovanni Vieri, the heir to the harsh wealthy family, as a tool to prevent the family's financial collapse. Her life was like a bird trapped in a colorful silk, and under the watch of the monk Benedetto, who reported to Cardinal Rodrigo every night, everything she did was evaluated by the standard of 'faith purity'. Maria dared not smell even roses picked from her garden and hid them to her heart's content, longing for the only way out of this stifling order: freedom of the soul.
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Maria della Rovere
• Background: from a fallen aristocratic family in Florence. Raised in a highly influential environment of the Catholic Church, anguish between faith and secular duties.
• Personality: Essentially pure and loving art, but strong enough to stand up to the oppression of the times on the inside and defiance.
• Arc: a transition from martyrly love to a solitary observer. A dedicated figure who keeps a thousand years of memory to himself, hovers around his loved one and seeks to protect his free existence, not his own happiness.
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Alberto / Luca
• Background (Part 1): a lowly mason in Florence. Superb talent but not even getting a chance because of his status. Love for Maria is his only hope and despair.
• Background (Part 3, Luca): Promising Sculptor of modern Florence. Seeking realistic success, engrossed in work. Always feeling an unprovoked sense of loss and emptiness, unconsciously trying to carve a "perfect form" female figure (Maria's Renaissance Beauty).
• Ark: a character who only feels the attraction of his soul while forgetting his fateful love. Fragmented memories (deja vu, incomplete pieces) in the unconscious collide and are confused by Maria's appearance.
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Melisandra
• Background: Witch defending ancient knowledge and natural magic considered abandoned by God. Living like a shadow to escape the religious persecution of the Renaissance.
• Role: the architect of the millennium contract. She is not just a facilitator, she is a spiritual being who tests "human free will" against the absurdity of the times. Mystery code that subtly affects the fate of Maria and Luca throughout the novel.
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Giovanni Vieri
the late 15th century Renaissance Florence
status; heir to the wealthy wealthy family (Maria's legitimate) secular power, oppression, incarnation of order, possessiveness, relentless arrogance, worldly desire for power, and morbid possessiveness of Maria
Characteristics; an arrogant aristocrat who blindly follows religious and social order, and believes that his privilege will be eternal.
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Dr. Alessandro Ricci
21st Century Modern Florence
Senior Curator of Archaeology and Art History, Florence Museum
Role; Part III's Realistic Helper. A figure who discovers and studies Maria's body (the woman in the sarcophagus). After witnessing her miraculous resurrection, she helps her, agonizing between scientific reason and transcendental phenomena.
Features; the only external figure who helps Maria adapt to modern society.
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Cardinal Rodrigo della Rovere
late 15th century Renaissance Florence (Rome/Vatican)
ROLE; the de facto spiritual ruler of the Maria family and a senior priest of the church (Maria's uncle).
Motivation; using Maria as a tool for a political marriage to prevent the fall of the family and to establish her political standing. A symbol of hypocritical religious power that tramples on individual freedom and love in the name of 'faith'.
Characteristics; very intelligent, crafty, and cold-hearted. His instructions and pressure block all Mary's way out
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Elisa (Elisa) 26 years old
status; esteem of a prestigious aristocratic family (estimated)
relationship; Alessandro's fiancee
Appearances and Aura; Elisa's appearance exudes a typical aristocratic elegance and a cold atmosphere that is difficult to access.
Personality and Psychology: Elisa is a person who strictly values reason and duty and regards emotional agitation or love as weakness.
Role and Function in the Narrative: Elisa goes beyond just Alessandro's lover competitor, and represents the "old values" that Maria and Alessandro's pure love must fight against.
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Archbishop Lorenzo, the highest power of the church
Background and History; He has been on the core elite course of the church since he was young, rising to his current position with his outstanding political sense and ability to negotiate. He is a realist who prioritizes the permanence of the power structure of the church itself over faith. He believes that the grandeur and hypocritical order of the church are the most efficient means of controlling the world.
Personality and character; sly, sober, and seasoned politician. There is little change in facial expression, and every action is a thoroughly calculated result. He regards Alessandro's treason as an "epidemic threatening his power," rather than a "disgrace to divine authority," and judges it as something to be soberly eliminated without emotional agitation.
The current role; the ultimate decision maker who has detected the embers of treason and decided that they should be uprooted. The shadow behind the order to move the chief prosecutor Paolo to track down and remove the allies. His purpose is to perfectly rebuild the authority and control of the church, which is shaken after the events of Mary.
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Prosecutor Paolo (Prosecutter General), Judicial Enforcement Officer of the Church
Background and History; the man who has been in charge of brutal interrogation and pursuit in the shadow of the church. Under the direction of the archbishop, he has taken on the role of "sewer" to monitor corruption in aristocratic society and deal with political opponents of the church. He is a natural follower and organizer, and he is notorious for having no escape from anyone who gets into his hands.
Personality and character; a loyal, brutal, and efficient executor. Focus on mission accomplishment rather than emotion. He understands Archbishop Lorenzo's instructions, and immediately devises the fastest and most ruthless way to implement them. He has an unrivalled ability in sensitively detecting and tracking Alessandro's movements.
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Verdia
2050 The Witch of the 2050 Garden / Keeper of Time: An ancient being where the boundaries between time and dimension are blurred, called the 'Garden' of 2050. She is not just a figure of the future, but plays a role in supervising the passage of time itself and helping the 'truth' come true by intervening in important moments.
Appearance; Verdi's appearance has a timeless beauty that seems to be a mixture of ancient and future.
Personality & Demeanor; very calm and cool, and maintains a detached posture that does not reveal emotions directly to situations. Her actions are always for the big picture, the Truth of Time.
Powers & Role; Time Manipulation: Chronostasis: It can literally stop time over a wide range of areas. It's not just stopping the surroundings, it's also completely freezing physical phenomena (fire, sound, kinetic energy). It appears only at defining moments in history, testing or directing the fate of certain characters (Maria and Alessandro).
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Count Conti
• Position: High-rank County of the Aristocracy
• Belonging: a ruling class ostensibly obeying the authority of the church
• Key areas of activity: • When other aristocrats start to emerge who are unhappy with the church's cold-blooded response, they are the epitome of an opportunist who openly supports hard-line suppression, but at heart constantly weighs who to stand against if a counteroffensive succeeds, or how to use this crisis for his own benefit.
"A Thousand Years of Love Part II." A short story about a thousand years of love story, a Renaissance aristocrat and a lowly citizen who cannot escape the rule of religion and whose loved one and Hye-jin Maria choose to die with the help of a witch
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[7] A Thousand Years of Love Ⅱ... - END -
* Depending on the cartoon effect, there may be typos in the conversation