Choi Chul-joo AAS Cartoon 9
AAS ShortCartoon The Dust of History
Choi Chul-joo AAS Author's Short Cartoon [9] "The Dust of History" is an AI-enabled sketch (Ai Aided Sketch) cartoon rendering that the cartoonist painted with AI sketches through AI sketches by coding the concept of Choi Chul-joo, a Ph.D. in culture and design./ Choi Chul-joo, a cartoon artist, conceptual abstract realism painter, contemporary concept pop artist, cartoon critic, contemporary art critic & conceptual pop cartoon artist who draws conceptual webtoon cartoons. Choi Kwan-woo (Choi Chul-joo's pseudonym) As a modern conceptual art historian, he is serializing Choi Chul-joo AAS web cartoons and Choi Chul-joo AAP(Ai Aided Plot) cartoon artist web novels based on AAS conceptual abstract realism painting on Facebook and the Internet./
Choi Chul-joo's definition of AAS cartoon image is interpreted as an aesthetic structure that reveals that images go beyond simple visual representation and act as ontological traces and epistemological devices at the point where the illusion of memory and time intersects, which leads to the illusion that the deviation of shade and reflection is mistaken for the present in the temporality that consists of the past and the future repeating the present, converting space into time, and solidifying memories into images through objects that repeatedly exist in a specific place. AAS functions as a philosophical device that reduces the traces of time remembered to realism beyond AI-based sketches, restores the aura of memory through technology, and presents a new visual ontology that crosses the boundaries of art and philosophy in a way that images transcend media to reveal the structure of perception.
Thus, "The definition of Choi Chul-joo AAS cartoon image is a visual real image rendered by realism of AI-reproduced images with the temporality of the remembered space."
The cartoon has artistic value in that it is an extensive AAS conceptual abstract realism painting that combines conceptual pop art, abstract realism, and storytelling. It serializes AAS-generated conceptual abstract realism image rendering(Rendering AI-enabled sketches) and conceptual abstract realism painting cartoons by Choi Chul-joo. He works as a cartoon artist, conceptual abstract artist, and contemporary art critic.
Cartoon artist Choi Chul-joo Short Cartoon [9] "The Dust of History, The air in Taisho-era Tokyo hung heavy with the scent of both progress and decay, a city where the rumble of streetcars vied with the whispering ghosts of ancient traditions. Within this volatile landscape, the revered world of Sumo, a sanctuary of strength and spirit, was slowly being choked by an insidious corruption. Our narrative commences in the twilight of such a period, introducing Takanohara, a promising young Rikishi from the venerable Fujisaki Heya. Endowed with a physique honed by rigorous training and a spirit imbued with the purest ideals of Sumo, he was the heir apparent to a lineage of champions, yet carried the weighty burden of upholding a tradition threatened by unseen forces.
Takanohara’s world, once defined by the sacred rituals and honorable contests of the dohyo, began to crack under the strain of unsettling whispers and clandestine meetings. He observed his senior Rikishi, once proud warriors, succumb to a pervasive lethargy, their eyes reflecting a hollowness that no amount of training could fill. The Heya, once a vibrant crucible of ambition, now felt like a haunted mausoleum. This sense of unease coalesced into a chilling certainty when his Oyakata, a man whose integrity Takanohara had never questioned, summoned him. The Oyakata, his face a canvas of weariness and despair, laid bare a tattered ledger—a meticulous record of illicit transactions, match-fixing schemes, and the systematic embezzlement of Heya funds, all orchestrated by the shadowy hand of Kirishima, a powerful director within the Sumo Association. The revelation struck Takanohara like a physical blow, shattering his naive belief in the sanctity of the sport. The Fujisaki Heya, a pillar of tradition, was teetering on the brink of forced closure, its assets destined to fall into the grasping hands of Kirishima and his syndicate.
Concurrently, a parallel investigation was unfolding in the bustling newsrooms of Tokyo. Ayako, a tenacious and sharp-witted journalist for a prominent weekly, had long suspected a deep vein of corruption running through the Sumo establishment. Her relentless pursuit of truth had led her to the Sumo Association building, where her keen observation skills bore fruit. She witnessed Kirishima, a figure of polished malice, discreetly accepting a briefcase from an anonymous informant, an exchange that confirmed her suspicions of systemic match-fixing and the illicit land deals surrounding Heya closures. Ayako, armed with her camera and a formidable intellect, knew this was merely the tip of a much larger, more dangerous iceberg.
As the first chapter closes, Takanohara finds himself at a precipice. The dohyo, once a sacred space, now feels like a battleground where not just physical prowess but moral integrity is at stake. He stands alone in the pre-dawn silence of the Heya, the dust from countless battles swirling around his feet, symbolizing both the purity of his resolve and the encroaching decay he vows to fight. The weight of tradition, honor, and a desperate plea from his Oyakata rests squarely on his young shoulders. Takanohara, gazing at the empty dohyo, understands that the fight for the soul of Sumo has just begun, and his path, though fraught with peril, is irrevocably set towards uncovering the truth and reclaiming the sport's lost honor.
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This novel is set against the backdrop of the Japanese Sumo world around the 2000s, a period fraught with crisis due to the rise of foreign wrestlers, corruption accusations (Yaocho - match-fixing), and the closure/merger of stables (Heya). It chronicles the struggle of the young elite sumo wrestler, Takanohara, against tradition and corruption.
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Takanohara (たかのはら)
Takanohara is the protagonist of the novel The Dust of History: Echoes of Taisho, portraying a young elite Rikishi who grapples with and fights to preserve the honor of pure tradition within the tumultuous world of Sumo.
Background and Role: He is the rising star expected to inherit the tradition and prestige of the highly revered Takanohana family within the Sumo world. Possessing innate talent and strong mental fortitude, he is destined for greatness but chooses to confront the corruption and chaos head-on.
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Ayako 綾子 (あやこ)
Ayako is the heroine of the novel The Dust of History: Echoes of Taisho, representing a strong and courageous journalist who dares to uncover the deep-seated darkness within the Sumo world. (The character, originally conceived as 'Dr. Amal Hassan,' is implemented as 'Ayako' in the novel.)
Profession and Background: She is a reporter for a reputable current affairs weekly magazine, relentlessly pursuing suspicions of match-fixing (Yaocho) and illegal financial dealings and corruption related to the consolidation and closure of Sumo stables (Heya). Her sharp perspective targets the vulnerabilities of internal power within the Sumo hierarchy.
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Akebonofuji 曙富士 (あけぼのふじ)
Akebonofuji is the symbol of the era and an imposing Mentor figure in the novel The Dust of History: Echoes of Taisho, embodying both the dignity and the solitude of a Yokozuna.
Background and Role: He is the great Yokozuna, originally from Hawaii, and the successful symbol of the rise of foreign wrestlers in the sport. He is an iconic figure who overcame immense cultural barriers and discrimination in a foreign land to reach the pinnacle of Sumo.
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Kirishima 霧島 (きりしま)
Kirishima is the primary antagonist of the novel The Dust of History: Echoes of Taisho, symbolizing the internal corruption and money politics within the Sumo establishment.
Background and Role: He is an influential Director (理事, Ri-ji) and the effective power broker within the Sumo Association. Although his career as a Rikishi was unremarkable, after retirement, he gained control over the Association's financial and operational aspects, evolving into a figure who prioritizes money and pragmatism over Sumo tradition.
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[9] The Dust of History... - END -
* Depending on the cartoon effect, there may be typos in the conversation. And it has nothing to do with the character and the real person.
