conceptual abstract realism 4
Conceptual Abstract Painter Louis Choi 4
Conceptual abstract real exstence realism painter's Louis Choi Chul-joo [4] Contemporary Art Critic Louis Contemporary artist Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today, contemporary art critic Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism: Choi Chul-joo Desire Concept Abstract pop art combines the abstract conceptual approach of the other's desire art with the design form and linguistic abstract image of pop art. His concept of desire, or conceptual abstract art, appears, and a picture that conflicts with the concept of linguistic meaning emphasized in metaphysical philosophical light creates a dramatic event image with artificial lighting. & Abstract contemporary art that designs abstract paintings of contemporary art: Abstract painter Louis Choi Chul-joo's contemporary conceptual art is an art that abstracts concepts with traces of practical formability and the shadow of reversible light as non-existence on the theme of other people's desires. This is the concept of early conceptual art, an abstract painting that abstracts the desire of others who represent the real seat, the return of a certain pictoriality.
Concept Abstract Realism Painting: Choi Chul-joo's Concept Abstract Realism Painting, which symbolizes an image as a semantic structure of conceptual abstraction, is a conceptual abstract realist art that abstracts concepts with a substantial form and reversible traces of light as existence. This is the concept of early conceptual art, a conceptual abstract realist painting that abstracts the desires of others to represent the real world. His Realism is an attractive realistic image composed of linguistic meanings by exploring visual expressions of desires through abstract design processes and philosophical theories.:
Conceptual Abstract Artist Louis Choi Chul-joo Artwork [4/ 20~22] Conceptual Modern Art Abstract Design Works ( https://opensea.io/Louisland ) Contemporary Cartoon Review, News History Cartoon Review, Contemporary Art News History Painting Criticism;
Contemporary Art Critic Louis Choi Chul-joo's Artist criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism [4] Design Review of Realistic Abstract Painting Using Contemporary conceptual abstract Artist Louis Choi Chul-joo's Treacherous Conceptual Art 미술평론가 최철주 현대미술 추상화 디자인평론 : 유명한 화가, 한국 화가, 현대 화가, 현대 미술가 & 한국 현대 미술평론가 최철주 현대미술 작품 신작읽기 The artwork posted on Facebook & Instagram 현대미술 개념 추상화 디자인 4 : 미디어 아티스트, 현대미술가, 개념미술가, 현대미술 작가, 이미지 설치미술가, 미디어 아티스트, 팝 아티스트 & 한국 화가 루이 최철주
Conceptual Cartoon Review & Artist Pop Art Conceptual Art Abstract painting / Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design: Louis Choi Chul-joo Contemporary Art Critic and Contemporary Art History Cartoonist Louis Choi Chul-joo Abstract Work Criticism on Contemporary Art = Contemporary Art Concept Cartoonist Louis Choi Chul-joo describes realistic pop art cartoons as conceptual art through the series "Bamboo Forest" of morning glory. And "The Missing Pond" / "The Desire Conceptual Abstract Design of Contemporary Art": abstract artist Louis Choi Chul-joo. A realistic abstraction of cartoon art and the conceptual abstract of contemporary desire based on the concept of desire of others: 개념만평 팝아트 이미지로 매개하여서 회화를 추상하여서 또 다른 현대미술 추상화 디자인4 = 라캉적 의미작용의 시각적 문화로서의 특정효과가 발생하는 현대미술 회화 디자인: 의미 구조로서 현상 이미지를 기호화한 오브제 디자인
라캉적 디자인 구성: 루이 최철주 “나팔꽃” 개인전: 라캉의 오브제ɑ와 피카소의 아나몰포시스 이미지로 한 현대 추상화가 루이 <나팔꽃> 뉴욕 개인전/ NewYork Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20220301~20220308 Flushing Town Hall, New York.
Shadows that are continuous with light are distinguished by covering the whole or pointing out it in yin and yang like stars. As a result, the object of the concept of desire is identified by a reversible light shade.
To avoid errors by interpreting aesthetic logic to draw specific objects based on art-related philosophical theories, Choi Chul-Joo, a Ph.D. in cultural design, is conducting a contemporary concept abstract art movement with modern art design methodology through abstract paintings created using desire formulas and abstract design processes.
Choi Chul-joo's Concept of Desire Formul: In the concept of Choi Chul-joo's desire,
mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).
Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
개념 추상화 <morning glory>는 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로써 배면이 비춰지는 교직된 천의 형태에 그리진 라캉의 오브제ɑ다 즉 루이 최철주 <morning glory>의 개념미술은 라캉의 미술이론에 귀속된 추상적 관념이다.
추상화가 루이 최철주의 현대 개념미술은 타자의 욕망을 주제로 한 비실재로서 실제적 조형성의 흔적과 가역적 빛의 음영으로 개념을 추상하는 미술이다. 이것은 초기 개념미술의 개념으로 한 회화성의 복귀 즉 실재의 자리를 대리하는 타자의 욕망을 추상하는 추상화다.
따라서 배반적 개념미술가로서 추상 화가 루이 최철주 <morning glory>는현대 회화를 개념 추상화로 한 디자인 컨셉으로 제작하여서 이것을 라캉적 의미 구조의 형상으로 추상 디자인한다 즉 회화의 개념 추상 이미지를 기호화하여서 그 회화를 디자인한 추상화다. (최철주추상화 <morning glory>에 관한 최철주 개념미술이론)
사실적 추상화의 개념미술이란 사실적 구조는 빛의 왜곡을 받아서 형태를 반사한다. 그 형태를 드러내는 것은 빛의 음영으로 확정되는 윤곽과 그림자다. 배반적 개념미술로 한 사실적 추상화는 이것에 주목하여서 사실적 개념을 형상화한다. (사실적 추상화에 관한 최철주 개념미술이론)
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis, Choi Chguljoo morning glory p47, a hand-painted picture on a computer
Louis, Choi Chuljoo morning glory p47, a hand-painted picture on a computer, 2022/ 만화뉴스 만평을 개념 미술가 작품으로 재해석한 현대미술 추상화 개념만평
개념적 의미 구조로서 추상 이미지 디자인: 이미지를 오브제로 디자인한 라캉의 오브제ɑ<Choi Chuljoo
morning glory>는 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로 디자인한 배면이 비춰지는 교직된 천의 형태에 그리진 라캉의 오브제ɑ다.
그 오브제ɑ의 형상은 뉴욕(Flushing Town Hall & Yeomyeong Hall)에서 루이 2022년 <나팔꽃>개인전 관련 현대미술 추상화 작품으로서 디자인 컨셉으로 한 포스터<morning glory poster>를 제작하여서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 전시 이미지를 기호화하여서 연쇄한 현대 개념미술을 추상화했다.
그 추상화는 형상을 보고서 차이를 구별할수록 한쪽 방향으로 그 형상을 이해하기 때문에 이면(裏面)의 의미를 구상한다. 그 형상이 달라도 동일한 의미를 말할때 그것은 기호적 구조로서 유사한 색깔과 크기의 추상이다. 즉 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이다.
따라서 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사상적 비형상의 존재로서 실재하는 비사실적이다
가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 2022 뉴욕 전시 포스터-47)은 병아리가 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 <Youn Yuh-jung won the Oscar for Best Supporting Actress>을 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실재의 이미지로서 타자의 무의식적 욕망에서 드러낸 추상적 이미지의 순간적 왜곡된 상 오브제ɑ를 보인다.
현대 미술평론가 & 개념미술가 최철주의 현대 개념 디자인은 초기 개념미술의 개념으로 한 회화성의 복귀다. 즉 회화 작품으로 생성하는 개념미술 디자인이다. 따라서 그의 현대 개념미술은 시사만평처럼 현상적 이미지를 비판하지만 회화성으로 디자인적 가치를 말한다.
미술품에서 Ready made 기성품이 회화성을 대신할 수 없고 Marcel Duchamp 뒤샹처럼 창조된 개념과 그의 동조자 Joseph Kosuth 조셉 코수스가 말한 철학에 따른 메시지를 말한다.
반면에 라캉 미술이론에서의 유아적 상상계의 허상을 개념으로 한 최철주의 개념미술 추상화 디자인은 시사만평으로 개념의 의미를 라캉적 개념미술 추상화 이미지에 메시지를 담는다. 그것은 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 이것은 수학적 개념과 철학적으로 의미화한 언어적 해석을 넘어서 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 개념미술 추상화 디자인을 통해서 삶적 가치를 교합시킨다.
여기서 라캉적 개념미술 추상화 디자인은 임의적인 철학성보다는 타자의 욕망을 응시로서 순간적으로 이성적 지각할 수 있는 추상성 디자인을 말한다. (ACN ・ 2022. 10. 7. 2:33 최철주 개념미술 추상화 디자인 해석)
라캉적 디자인방법론(Lacan's design methodology)으로 한 회화 디자인에 대한 라캉적 도슨트: 라캉적 디자이너, 디자인평론가 & 현대미술가 최철주 라캉적 디자인방법론: 현대미술 추상 한국화 작품으로서 <morning glory p47>에 라캉의 환유공식 f(S...S')S=˜ S (-)s 적용하여서 가역적 빛으로 생성한 페인팅 <SSAK>을 중첩한다. 그리고 언어적 은유 이미지를 연쇄하여서 라캉의 환유공식을 재적용하여서 가역적 빛의 음영으로 한 공간의 또 다른 자리에 <Youn Yuh-jung won the Oscar for Best Supporting Actress>의 현상적 자리를 정하여 <morning glory p47-5>로 보인다. 이것은 루이 최철주 뉴욕 전시에서의 라캉적 개념미술로 디자인한 포스터가 라캉적 오브제를 실제화한 추상화임을 말한다.
Louis Chul-joo Choi, morning glory 2022-i, 147.5X183.5cm, acrylic and composite materials on cloth, 2022
개념 미술의 추상화 의미로서의 라캉적 특정효과가 발생하는 회화의 추상적 영역은 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지다. 그 이미지 <morning glory 2022 i>는 라캉의 환상공식에서 현실에 없는 것을 인식하여서 적용시킨 생각이다. 그 생각은 무의식과 언어를 동일한 형상을 그려낸 하나의 이미지다.
여기서 응시로 보이는 나팔꽃은 하나의 색깔로 평면화된 왜상적 구조다. 이것은 회화에서 나팔꽃이라는 일관된 의미로 보이게 있는 왜상적 평면성이다. 그 나팔꽃은 거울에 비친 실재(le réel)와 동일하지만 배경의 형상은 동일하지 않다.
이것은 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이지만 그 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사상적 비형상의 존재로서 실재하는 비사실적이기 때문이다.
그 존재는 실제 가역할 수 있는 형상으로서 추상 공간을 정의하고 그 형상이 가역적 빛의 음영으로 실제 변화된 움직임에 의해 가려지는 개념 미술의 추상화 의미를 말한다.
현대미술 작품: 루이 최철주 2022 뉴욕 전시 morning glory p47
배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 만화 리브 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 만화 리브 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)
Chul-joo Choi, <Youn Yuh-jung won the Oscar for Best Supporting Actress 4>, a hand-painted picture on a computer / 아트문화뉴스 만평 기사등록 ACN ・ 2021. 4. 28. 18:16
Louis Chul-joo Choi, morning glory p47, a hand-painted picture on a computer
현대 미술평론가 & 개념미술가 최철주의 현대 개념 디자인은 초기 개념미술의 개념으로 한 회화성의 복귀다. 즉 회화 작품으로 생성하는 개념미술 디자인이다. 따라서 그의 현대 개념미술은 시사만평처럼 현상적 이미지를 비판하지만 회화성으로 디자인적 가치를 말한다.
미술품에서 Ready made 기성품이 회화성을 대신할 수 없고 Marcel Duchamp 뒤샹처럼 창조된 개념과 그의 동조자 Joseph Kosuth 조셉 코수스가 말한 철학에 따른 메시지를 말한다.
반면에 라캉 미술이론에서의 유아적 상상계의 허상을 개념으로 한 최철주의 개념미술 추상화 디자인은 시사만평으로 개념의 의미를 라캉적 개념미술 추상화 이미지에 메시지를 담는다. 그것은 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 이것은 수학적 개념과 철학적으로 의미화한 언어적 해석을 넘어서 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 개념미술 추상화 디자인을 통해서 삶적 가치를 교합시킨다.
여기서 라캉적 개념미술 추상화 디자인은 임의적인 철학성보다는 타자의 욕망을 응시로서 순간적으로 이성적 지각할 수 있는 추상성 디자인을 말한다. (ACN ・ 2022. 10. 7. 2:33 최철주 개념미술 추상화 디자인 해석)
Louis, Choi Chuljoo morning glory p47-6, a hand-painted picture on a computer, 2023/ 아트문화뉴스 만평을 개념 미술가 작품으로서 재해석한 현대미술 팝아트 추상화 작품
현상적 자리를 포스터로 대신한 추상화는 형상의 자리를 구별할 수 있어서 그 형상을 해석하는 이면(裏面)의 의미를 구상한다. 그 형상은 다른 의미를 말하려고 사상적 구조로 한 그 의미와 유사한 색깔과 크기의 추상한다.
상상계에서 개념 미술의 추상적 의미는 실재와의 동일시하여서 외형적으로 오브제의 이미지와 추상적 의미를 동일한 주체로써 오브제의 이미지와 동일시되면서 내적으로 주체는 변형된 추상적 의미를 형성한다.
이것은 형상의 추상적 의미를 가리키며, 그 형상은 실제 가역할 수 있는 추상적 공간을 정의하고 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미를 가리킨다.
그 의미는 모방한 꽃을 상징하는 기호적 언어로 추상된 <최철주나팔꽃>으로 디자인된다.
추상된 <최철주나팔꽃>에 영화(미나리)를 대리하는 녹색으로 형상을 디자인하여서 라캉의 오브제ɑ(Choi chuljoo morning glory p47-6)으로서 추상적 오브제로서의 재현한다. 그것은 원근법적 시각체계의 기학적 도식에서는 시각체계가 은폐된 가역적 빛으로 한 음영의 녹색 자리를 만들어냄으로서 무의식에서 드러난 타자의 욕망적 관점에서 각각이 다른 순간적인 응시로서의 오브제ɑ가 추상된다.
개념미술 추상된 현대미술 작품 오브제ɑ(Choi chuljoo morning glory p47-6)은 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 타자의 욕망을 존재로 한 조형성의 음영으로 오브제ɑ를 생성하고 의미적 존재 구조의 예술성을 드러내는 것이다.
그 오브제ɑ에서 출현한 예술성은 타자의 욕망적 관점에서 왜상적 이미지로 오브제의 이미지를 의미의 구조로 변형함으로써 오브제의 또 다른 존재로서의 오브제ɑ를 드러내어서 오브제ɑ가 창조성과 타자의 욕망의 자율성으로 한 예술적 의미를 담고 있다.
그리고 회화적으로 육화된 닭의 배경에 감추어진 타자의 욕망으로서의 작은 조각은 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 추상적 공간을 보인다. 이것은 타자의 욕망을 추상적 오브제의 존재 의미로 그 오브제를 실제 가역할 수 있는 추상 공간으로 자리한다.
그리고 형상의 실제가 추상된 타자의 욕망에 가려지는 추상적 풍경 형상의 의미를 대리하는 비실재의 사실적 형상을 보인다.
글. 디자인평론가 최철주 (추상 화가 & 문화디자인박사)
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Conceptual abstract artist
Louis Choi Chul-joo 20
Conceptual Abstract Painter Louis Choi 20 Contemporary Art News History Painting Criticism
Conceptual Abstract Artist Louis Choi Chul-joo Artwork [20] Conceptual Modern Art Abstract Design Works ( https://opensea.io/Louisland ) Contemporary Cartoon Review, News History Cartoon Review, Contemporary Art News History Painting Criticism;
Louis Choi Chul-joo Contemporary Art Critic and Contemporary Art History Cartoonist Louis Choi Chul-joo Abstract Work Criticism on Contemporary Art = Contemporary Art Concept Cartoonist Louis Choi Chul-joo describes realistic pop art cartoons as conceptual art through the series "Bamboo Forest" of morning glory. And "The Missing Pond" / "The Desire Conceptual Abstract Design of Contemporary Art": abstract artist Louis Choi Chul-joo. A realistic abstraction of cartoon art and the conceptual abstract of contemporary desire based on the concept of desire of others: Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's Korean News Cartoon Culture Column in Cartoon Review [192] Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body. (2024-7-27) / Reporter Choi Chul-joo’s Cartoon Review
The figurative meaning of the conceptual abstract 'morning glory' is that the color of meaning decorates the reality of customary universality facing the object with the color of light. The dark blank space is a shadow created in the area of the subject, which contrasts with the light of a decorated shape. Here, as a real object, color is a single-phase image of the desire custom seen through the gaze. This is a symbolic linguistic image of the background of desire, which symbolizes the concept of desire with imitated flowers. Here, the morning glory image is a piece as a meaning of desire symbolized in real space as a result of the desire image.
Louis Choi Chul-joo, cartoon news: Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body, a hand-painted picture on a computer
Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning gnlory" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.
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Louis Chul-joo Choi, morning glory 2021-k-0, 136X168cm, acrylic and composite materials on cloth, 2021
The crooked image viewed from the side as an object of desire is consistent with the collage visualization of photographic images containing the desires of others in the past.
This is a crooked image created by reversible light that goes beyond the actual visual image of the picture.
This is because it is an image created by the desire of the other in the Choi Chul-joo desire conceptual system, which is a gaze area irrelevant to whether it is flat or three-dimensional. As the object of "morning glory 2021-k-0", the morning glory at the bottom of the center of the three morning glory is not clearly aligned and looks at the object of desire.
Here, the morning glory refers to the existence of a momentary gaze in the reversible continuity of time.
Images from <morning glory 2021-k-0> show the existence of reversible temporality by flattening the morning glory according to the perspective clock margin and the reversible temporality of the object.
However, even if the existence of the morning glory is reproduced, the morning glory is only identified as a background image and does not match the object of desire
It is the semantic structure of shadows created by reversible light that has a different image from the morning glory of what existence is. It is an object with a reversible temporality that is different from a non-existent shadow.
Therefore, the object of desire is not an image as an object, but a reality as someone else's desire.
The morning glory at the bottom of the center connects reversible light to determine the place of existence and to form the process of time, marking the direction of existence and the space of existence.
The morning glory, which is formed at the point of a single light source that creates the shadow structure of the desired object according to the reversible light, has no volume. Here, the morning glory is a partially fragmented image, like a collage. As such, each partial image exists in a fragmented form that is simultaneously exposed in space.
A planar morning glory is a subject's desire image created by the observer's gaze. It extracts a presence linked to reversible light through a volume-removed morning glory, and contrasts the various reversible light in the background with the shadow of the morning glory to show a floor plan converted into a distorted desire image.
The gaze of desire cannot be selected as a visible image in which reality and non-reality reproduce things according to perspective, and the pictorial image representing the real image is identified as the non-realistic Choi Chul-joo desire conceptual image.
The image is a distorted real image similar to the object of an object's existing desire.
Louis Choi Chul-joo, Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body 4, a hand-painted picture on a computer
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory', 'Bamboo forest' ' & 'pond' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Choi Chul-joo, Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body, a hand-painted picture on a compute
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's Korean News Cartoon Culture Column in Cartoon Review [192] Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body, (2024-7-27) / Reporter Choi Chul-joo’s Cartoon Review
. Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body.
. Celine Dion chante avec enthousiasme à la cérémonie d'ouverture des Jeux Olympiques en de beaux costumes malgré son corps malade.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 191-Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Choi Chul-joo, Bamboo Forest Forest b191-Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest Bamboo Forest Forest b191-Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p100-2-1-Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p100-2-1> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p1002-1-Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p1002-1-Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body-pond" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.
Therefore, conceptual abstract painter Louis Choi Chul-joo's "Bamboo Forest Forest d191- -Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p1002-1-Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body-pond"is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory
Louis Choi chuljoo, Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body 4 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korean News Cartoon Culture Column in Cartoon Review [192] Celine Dion sings enthusiastically at the opening ceremony of the Olympics in beautiful costumes despite his sick body, (2024-7-27) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: In the concept of Choi Chul-joo's desire, mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ■ The Design Results of Choi Chul-joo's Desire Abstract Concept: Choi Chul-joo Desire Abstract Concept Design's Linguistic Meaning Results: Although the object that is obsessed with the desire for others is passive, it is possible to actively practice one's desires through the sympathizer as the subject of desire, and the sympathizer who sympathizes with the desires of others as the subject can practice with the same desire. As a subject, a person who sympathizes with or accepts the desires of others becomes the same desire and becomes another subject of execution. Here, the sympathizer who sympathizes with the subject of the other's desire tries to generalize it as another object of desire that acts like a victor of war. However, when desire as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire and the sympathizer antagonize the subject who practiced it according to the other's general desire. ■ Effect of Abstract Design with the concept of Choi Chul-joo's Desire as a Linguistic Meaning: The beneficiary who experienced reality as a desire for the other party is passive, but the person in power who can actively execute it from the perspective of the perpetrator puts it into practice with the same desire as the sympathizer. The sympathizer becomes the same desire and becomes the subject of actual action when a powerful person provides the benefit of power or a sympathizer receives it. The other's desire, which is hidden here, generalizes the actual actions of inappropriate powerful people and sympathizers as another object of desire and acts like a victor of war. However, when the actual effect as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire is antagonized by the other's desire, away from the other's general desire for inappropriate power and sympathizers.. ▶2024 Paris Olympics Opening Ceremony _ 2024 Cérémonie d'ouverture des Jeux Olympiques de Paris
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Conceptual abstract artist
Louis Choi Chul-joo 21
Conceptual Abstract Painter Louis Choi 21 Contemporary Art News History Painting Criticism
Contemporary Conceptual Abstract Artist Louis Choi Chul-joo Artwork [21] Conceptual Modern Art Abstract Design Works ( https://opensea.io/Louisland ) Contemporary Cartoon Review, News History Cartoon Review, Contemporary Art News History Painting Criticism
: Louis Choi Chul-joo Contemporary Art Critic and Contemporary Art History Cartoonist Louis Choi Chul-joo Abstract Work Criticism on Contemporary Art = Contemporary Art Concept Cartoonist Louis Choi Chul-joo describes realistic pop art cartoons as conceptual art through the series "Bamboo Forest" of morning glory. And "The Missing Pond" / "The Desire Conceptual Abstract Design of Contemporary Art": abstract artist Louis Choi Chul-joo. A realistic abstraction of cartoon art and the conceptual abstract of contemporary desire based on the concept of desire of others: Korean Abstract Painting <Morning Glory 2022-d-bling bling> Cartoonist Painting Design Criticism & Culture Column and Visual Artist Abstract Painting Based on Visual Arts Criticism [17] Art Critic Choi Chul-joo's Visual Culture Column Based on Cartoon Criticism : We feel happy when I enjoy each day now newsmanwha K-Pop Song illustratoin [1] I want to be happier day by day like this, bling bling. (2020-4-26) / Reporter Choi Chul-joo’s Cartoon Review
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Choi Chul-joo, Kim Yon-ja's bling bling 2, a hand-painted picture on a computer
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's Visual Culture Cartoon Column - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. I want to be happier day by day like this, bling bling
. Je veux être plus heureux jour après jour comme ça, bling bling
■ Art Critic Choi Chul-joo's Visual Culture Column: To weave pink cloth in waves in a dark place as if it were your last life.
= The temporality of light brightened by overlapping light is real in a realistic structure that removes real images and expresses them as shadows.
In addition, Choi Chul-joo's theory of desire art, which interprets reality as a realistic abstract, is embodied in a shade covered with a bamboo forest depicting the subject of "morning glory" the background of desire.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 63-bling bling, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest d63-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest d63-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p106-10-63-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 63, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest d63, a hand-painted picture on a computer
Background image of an artist's realistic Abstraction: Louis, Chul-joo Choi, a morning glory woman, 113X180 cm, acrylic and composite materials on cloth, 2023
Louis Choi chul-joo, bling bling 6 [The interpretation of words in a cartoon newsː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of newsmanwha K-Pop Song illustratoin [1] I want to be happier day by day like this, bling bling. (2020-4-26) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: In the concept of Choi Chul-joo's desire, mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ■ The Design Results of Choi Chul-joo's Desire Abstract Concept: Choi Chul-joo Desire Abstract Concept Design's Linguistic Meaning Results: Although the object that is obsessed with the desire for others is passive, it is possible to actively practice one's desires through the sympathizer as the subject of desire, and the sympathizer who sympathizes with the desires of others as the subject can practice with the same desire. As a subject, a person who sympathizes with or accepts the desires of others becomes the same desire and becomes another subject of execution. Here, the sympathizer who sympathizes with the subject of the other's desire tries to generalize it as another object of desire that acts like a victor of war. However, when desire as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire and the sympathizer antagonize the subject who practiced it according to the other's general desire. ■ Effect of Abstract Design with the concept of Choi Chul-joo's Desire as a Linguistic Meaning: The beneficiary who experienced reality as a desire for the other party is passive, but the person in power who can actively execute it from the perspective of the perpetrator puts it into practice with the same desire as the sympathizer. The sympathizer becomes the same desire and becomes the subject of actual action when a powerful person provides the benefit of power or a sympathizer receives it. The other's desire, which is hidden here, generalizes the actual actions of inappropriate powerful people and sympathizers as another object of desire and acts like a victor of war. However, when the actual effect as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire is antagonized by the other's desire, away from the other's general desire for inappropriate power and sympathizers. ▶day by day _ Jour après jour
New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of desire's object and Picasso's Anamorphosis, 20220301~20220308 Flushing Town Hall, New York.
New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of desire's object and Picasso's Anamorphosis, 20220308~20220310 Yeomyeong Hall, New York.
As an abstraction of the concept of pop art, "morning glory" refers to the reality of morning glory as a concept of desire, and is an image object of desire reflected on the back by drawing an image made in a practical form. Therefore, it is an unrealistic abstraction of the concept of desire with realistic formative traces and reversible shades of light on the subject of the desire of others.
In addition, abstract painter Louis Choi Chul-joo "morning glory" produces design concepts based on the conceptual abstraction of contemporary art and designs them in the form of a semantic structure of desire. In other words, it is a contemporary art conceptual art abstraction that realistically symbolizes the abstract image of painting.
Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022
As a conceptual semantic structure, the shape image is an object of desire <morning glory 2022-d-bling bling> that designs the image as an object of the subject. The object is a real conceptual art image of morning glory 2020 p26-01 as a real desire object by repeating the drawing of the non-real conceptual art image <morning glory 2020 p26-01> in a reversible shade of light on the canvas. This means the morning glory 2022-d-bling bling transferred from Kim Yon-ja's bling bling 3 and is an object of desire drawn from the realistic image of non-real life as reversible light with an image of a structure that is out of shape.
The object's shape is an abstraction that represents the place of reality as a modern conceptual art work that repeats drawing by overlapping the shades of reversible light with the "morning glory" as a design concept of a modern art abstraction work, which has been converted into a desired semantic structure.
Louis Chul-joo Choi, morning glory 2022 p77-6, a hand-painted picture on a computer
In the shape of the subject in which the conceptual word (moi) as a symbolic image is drawn, the subject of the other realizes abstraction by indicating the place where the shape is revealed. And in that abstraction, the image of a conceptual word in a place represents the place, that is, reality.
The shape that instantly reveals the subject of the other in the shape of the subject in which the conceptual word (moi) as an image of the imagination world is drawn provides the cause of the shape that clarifies the position of the image and conceptualizes the desire of one other in the shade of reversible light.
Louis Choi chul joo, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022
Modern conceptual art by contemporary art critic & conceptual artist Choi Chul-joo is a return to painting as a concept of early conceptual art.
Painting here is a realistic conceptual art that displays a place of reality with a poster that creates abstract paintings representing a place of reality.
Therefore, "morning glory 2022-d bling bling" criticizes his contemporary conceptual art as a phenomenal image like cartoon review, but it refers to the semantic value of the non-realistic image "morning glory 2020 p26-01" as a painter. It then transfers the non-realistic image of Kim Yon-ja's bling bling 3 to the non-realistic abstraction of "morning glory".
This goes beyond mathematical concepts and philosophically meaningful linguistic interpretations and combines critical perspective with the life value of desire images with a full review of the scene photos of events and performances. Here, the desire image refers to the painterly nature that can instantly perceive the desire of the other rather than the arbitrary philosophy. (ACN · April 20, 2022 / The desire of the other as an infant <morning glory> New York Exhibition New York Exhibition docent 1).
Therefore, in rational painting, the background desire of the morning glory shape is different from the objective reality and the representational conceptual art of objects so that the distorted flat background according to temporality can be experienced with the desire of others. This is because the object exists in the place of reality separated from reality transferred from the symbolic world.
Louis Choi Chul-joo, morning glory p77-10-bling bling, a hand-painted picture on a computer, 20220308~20220310 Yeomyeong Hall, New York.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p77-7-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Louis Choi Chul-joo, Poster: morning glory p77-7, a hand-painted picture on a computer
As a poster for the 2022 New York exhibition <morning glory p77-7>, the visual system is concealed with a shadow image that reproduces an abstract representation image object, but it is an abstract object that shows the non-real shape revealed in the reversible light shade of a desire point of view revealed in the unconscious as a momentary gaze.
The object hidden in abstraction forms a dwarf image expressed through the desire to acquire artistry out of generality as a desire design and creates an object that creates the other's desire as a being, revealing the conceptual artistry of non-realistic abstraction with the momentary desire image of the other's desire as a semantic structure.
The abstract meaning of conceptual art as a modern art poster abstraction work <morning glory p77-7> is the object of change in customs, and the painting of morning glory as an abstraction is another cross-sectional image of a cultural space that appears to be an object, revealing a infant's existence in which a chick hidden in the shade of morning glory is mistaken for a chicken.
This is an object drawn as a small piece that is not visible in abstract space (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstraction), hiding the desire of others in the background of the morning glory, and in reality, objects are overlapped in the shade of the background of "Napal Flower".
Here, the object hidden in the background of "Napal Flower" is a small piece as the desire of the other. Abstracts the real space that is reversible through the thought movement of the image that the shape of the sculpture actually changes.
Assuming that the space is a non-complete reproducible image formed in the shadow of reversible light, reality exists in space as an abstract and virtual image that actually reproduces reality.
Louis Choi Chul-joo, <Kim Yon-ja's bling bling 3>, a hand-painted picture on a computer
Abstract image design is a conceptual semantic structure, which is an object of desire to design an image as an object. An object refers to the reality of a morning glory by designing a distorted flat image as an object of desire drawn on a cloth and reflecting it on the back.
The shape of the object is an abstract work of contemporary art related to Louis Choi Chul-joo's 2022 New York "morning glory" exhibition (Flushing Town Hall & Yeomyeong Hall), and images related to 100 posters produced with design concepts were designed.
The exhibition poster image of the painting was symbolized as a semantic structure of desire, drawn repeatedly, and abstracted as a realistic conceptual art. Abstraction abstracts the meaning of desire because the more the difference in shape is distinguished, the more the shape is understood in one direction. It is a realistic abstraction with similar colors and sizes as a symbolic structure when the shape refers to the same meaning. In other words, an abstraction in which a realistic form with the same semantic structure as a realistic form is a conceptual semantic structure.
Louis Choi Chul-joo, morning glory p77-10, a hand-painted picture on a computer
The realistic abstract object (Louis Choi Chul-joo 2022 New York Exhibition Abstraction morning glory), which depicts the meaning of the shape seen in the meaning space created by reversible light in the shape of non-real reality, means an abstract space that can be reversed into a real shape by structuring the meaning of the image that hides the desire of others in time in the shade of reversible light, and the meaning of conceptual abstraction that is hidden by the actual changed movement of the shape, the image in the mirror, shows an abstract image object in a virtual space that reveals the place of the unconscious desire of others as a virtual non-real image.
Conceptual artist Choi Chul-joo's abstract design, which abstracts the structure of desire, is a return to painting as a concept of early conceptual art. In other words, it is a realistic conceptual art design created by painting. Therefore, his contemporary conceptual art criticizes the phenomenal image of events and performances, like Sisa Manpyong, but speaks and abstracts design values as a realistic structure of desire with painterliness.
This is a realistic conceptual art that is treacherous to conceptual art that cannot replace painting, and it rejects the philosophical message of Joseph Kosuth, a concept born like Marcel Duchamp.
On the other hand, Choi Chul-joo's conceptual art abstraction design, which is based on the concept of the imaginary world, contains a message in the desire conceptual art abstraction image with current events. It combines the life value of critical perspective and desire painting with a full review of the scene photos of events and performances. This goes beyond mathematical concepts and philosophically meaningful linguistic interpretation and combines life values through critical perspective and desire conceptual art abstraction design with a picture of the scene of the event.
Here, desire conceptual art abstraction design refers to an abstract design that can instantly perceive the desire of others as a gaze rather than arbitrary philosophy. (ACN · 2022. 10. 7. 2:33 Choi Chul-joo Conceptual Art Abstract Design Interpretation)
"morning glory p77-4-3" & "morning glory 2022-d-bling bling"
By repeatedly sketching the design "morning glory 100-2" and applying Choi Chul-joo's desire formula "D(I...D...D'i)i" to the conceptual image of desire, the desire image "morning glory p77-4-3" reveals the meaning of abstract desire "morning glory 2022-d-bling bling" by realizing realistic formability in the shade of reversible light at that moment.
In addition, by repeating the verbal metaphor image and re-applying Choi Chul-joo's desire formula, it appears to have a phenomenal position in another place in one space in the shade of reversible light. Louis Choi Chul-joo 2022 The morning glory poster image, designed as an abstract conceptual art with desire in the New York exhibition, actualizes the desire image object and transfers it to abstraction.
Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022
The abstract area of painting, which has a specific effect that reveals the image of desire as a meaning of "morning glory-bling bling" in conceptual art, is an image that can momentarily see the desire of others functioning gazefully in a landscape as a background of desire.
This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction in the same meaning as a conceptual semantic structure, but abstraction in the same meaning with different shapes is a real non-realistic being with different colors and sizes.
The existence defines an abstract space as a real reversible shape and refers to the abstraction meaning of conceptual art in which the shape is hidden by a movement that has actually been changed in the shade of reversible light.
A realistic desire that replaces the phenomenal place of abstraction meaning with a poster. Conceptual art abstraction can distinguish the place of the shape and conceives a different meaning to interpret the shape. The shape is abstracted as a realistic image of color and size similar to the meaning made as a conceptual structure to speak another meaning, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, outwardly identifying the image of the object and the abstract meaning with the image of the object as the same subject, and internally, the subject forms a transformed abstract meaning. This refers to the abstract meaning of shape, which defines an abstract space that can be actually reversible and refers to the meaning of the designed desire of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.
Its meaning is designed as "morning glory", abstracted as a symbolic language that symbolizes flowers that imitate the desires of others.
By designing a figure that represents the desire of the other in the abstract "morning glory", it reproduces it as an abstract object as an object of desire image (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstraction). In the diagram of the perspective visual system, the object as a different momentary gaze is abstracted from the other's desire point of view revealed in the unconscious mind by creating a shadowed place with reversible light in which the visual system is concealed.
In this way, an object abstracted as a conceptual art of desire image forms a distorted flat image expressed through a desire revealed in the oppressed unconsciousness of others to acquire artistry out of generality, creates an object in the shadow of formability with the desire of others as beings, and exists as a meaning.
As a semantic entity, the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the image of the object into a structure of meaning from the other's desire point of view.
And painterly, a small piece as the other's desire hidden in the background of morning glory and chicken shows a real abstract space that is reversible through the thought movement of the image that actually changes the shape. This is placed in an abstract space where the other's desire can be actually reversed as the meaning of the existence of an abstract object.
The desire of the other person shows a realistic form of non-realism that represents the meaning of the abstract landscape form that is hidden by the abstract desire of the other person. The shape is the intersection of the actual structure selected by the desire of the other created in abstract shades. This is an instantaneously abstracted shape at the intersection where the actual shape of the whole as a non-realistic realistic structure and the desire of the other designed in the shade of reversible light appear as a gaze.
In <Kim Yon-ja's bling bling 2>, the 'bling bling' of the perspective visual system is structured against the background of 'Napal Flower', and the subject in 'morning glory' disappears in the shade of reversible light that is distinct from reality.
The abstracted shape of the morning glory 2022-d-bling bling appears to be an object as another abstraction of reality transferred from symbolism as a reality that is not revealed by revealing the reality of another object other than the same object in the mirror.
The abstract object is not clearly revealed as an object reflected in the mirror as an object due to the desire of the other, but is concealed in a reversible shade of light, and the reality of the viewer is absent by looking at another object exposed in the mirror. However, the person who paints the picture replaces the other.
Conceptual Abstract Artist Louis Choi Chul-joo-------------------------------------------------------------
Conceptual abstract artist
Louis Choi Chul-joo 22
Conceptual Abstract Painter Louis Choi 22 Contemporary Art News History Painting Criticism
Contemporary Conceptual Abstract Artist Louis Choi Chul-joo Artwork [22] Conceptual Modern Art Abstract Design Works ( https://opensea.io/Louisland ) Contemporary Cartoon Review, News History Cartoon Review, Contemporary Art News History Painting Criticism
: Louis Choi Chul-joo Contemporary Art Critic and Contemporary Art History Cartoonist Louis Choi Chul-joo Abstract Work Criticism on Contemporary Art = Contemporary Art Concept Cartoonist Louis Choi Chul-joo describes realistic pop art cartoons as conceptual art through the series "Bamboo Forest" of morning glory. And "The Missing Pond" / "The Desire Conceptual Abstract Design of Contemporary Art": abstract artist Louis Choi Chul-joo. A realistic abstraction of cartoon art and the conceptual abstract of contemporary desire based on the concept of desire of others: Art Critique/ Louis Choi Chuljoo Docent Explained: Abstract Painting Art Theory Presentation of the Concept of Desire & Contemporary Art Critic Choi Chul-joo's Artwork ( https://opensea.io/Louisland ) Review of Contemporary Art Works on Facebook and Instagram: the bamboo forest-c198-People in power regret if they force unreasonable corruption & Modern abstract artist Louis Chuljoo Choi's <Morning glory window p55-3>
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, Desire Concept Realistic Abstract Work: Louis Choi chuljoo, When desire arises, you observe through the window and lie as an opportunity to covet.: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p106-13-People in power regret if they force unreasonable corruption: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i)
Cartoon Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest-198-People in power regret if they force unreasonable corruption: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest-c198-People in power regret if they force unreasonable corruption: Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <People in power regret if they force unreasonable corruption> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest-c198-People in power regret if they force unreasonable corruption-pond: Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <People in power regret if they force unreasonable corruption> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).
■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 198, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest c198, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p55, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p55-3, a hand-painted picture on a computer
Background image of an artist's realistic Abstraction: Louis, Chul-joo Choi, morning glory p4, a hand-painted picture on a computer
Background image of an artist's realistic Abstraction: Louis morning glory 2022-e, 148X177.5cm, acrylic and composite materials on cloth, 2022
Background image of an artist's realistic Abstraction: Louis, Chul-joo Choi, morning glory p106, a hand-painted picture on a computer
Background image of an artist's realistic Abstraction: Louis Chul-joo Choi, a morning glory (outside the) window, 150X180cm, acrylic and composite materials on cloth, 2023
Louis, Chul-joo Choi, a morning glory (outside the) window p55-3, a hand-painted picture on a computer
"morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.
Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression.
The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.
Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.
In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence.
And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.
The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.
Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.
The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.
And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.
As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.
The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.
The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.
Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.
In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.
Louis, Chul-joo Choi, morning glory p106-13-Jeongcho and Inwangsan Tiger, a hand-painted picture on a computer
Desire Concept Abstraction ■ Design Process/ Abstraction In <Choi Chul-joo morning glory>, Choi Chul-joo's theory of abstract art is formalized to convert the object image of desire into meaning by repeating the theory of desire to the abstraction. This has the meaning of expressing the desire of others in painting by repeatedly applying the desire formula of the imagination world and Choi Cheol-joo, and as a result of applying the theory of desire art to painting, the value of approaching the beauty of formality of the desire of others is obtained.
The concept of desire
■ "Choi Chul-joo morning glory" is not the object of the subject, but the spatial background of the other's desire. It is the same as a space of life that is consistent like the sky. It connects with cartoon review and pop art that represent the space of life, but does not criticize and judge, but reproduces reality as cartoon review with photographic images of events and performances. The effect of conceptualizing the reality of the symbol object as the desire of the other is structured in the shade of reversible light to form the concept as a realistic conceptual art.
The desire for others as chickens that the chick imagines is an abstract painting that hides the inconsistency of the chick's imagination in the shadow of reversible light with the background of the desire for the 'morning glory' as the image of 'Choi Chul-joo's Morning glory'.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p34-7-1-The average lifetime has been extended to extend the work period: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. * Choi Chul-joo's Concept of Desire Abstract Art Theory
현대 추상화 작품: Louis, Chul-joo Choi, morning glory p55-3-People in power regret if they force unreasonable corruption, a hand-painted picture on a computer
The desire abstract design method consists of a revolutionary form of painting that deviates from perspective by drawing images with different meanings at different points in time and gathering them on one screen. This is a new attempt to reject the mannerism of the romantic painters in their paintings. In other words, it pursues a new style of contemporary art by breaking away from modern art with the abstract painting of "morning glory" in the shade of reversible light in which the subject of light projected in romantic paintings is the place of existence. / Contemporary art <morning glory> Abstract painting Choi Chul-joo Analysis
An object (Louis Choi Chul-joo, a morning glory outside a window), which depicts the meaning of a shape seen in a semantic space created by reversible light, is an abstract space that can be reversed into a real shape by structuring an image that hides the desire of others in time in the shade of reversible light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape, or the image in the mirror, is an image of a virtual non-realistic and shows an abstract image that reveals the place of the other's unconscious desire.
The object depicts the meaning of the shape seen in the meaning space created by reversible light. The object <morning glory window> means an abstract space where a chick can structure the meaning of a certain shape in the shadow of reversible light and reverse the object into a real shape by structuring the meaning of a certain shape hidden in the long time when the desire of the other is fossilized. As a seat, the actual shape is completed in the shadow of reversible light in which the reality of the exhibition poster shape is changed. It is the concept of the abstract painting <morning glory window> that obscures sound from the movement of light that formed the shape. (Abstract painter Louis Choi Chul-joo <morning glory window> Concept: Choi Chul-joo Modern Art Theory)
Concept of Desire <morning glory p55-3-People in power regret if the force unreasonable corruption> as art is an image that can momentarily see the desires of others functioning gazefully in the landscape.
This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the real(le Réel) reflected in the mirror, but the shape of the background is not the same.
Artistic discourse on reality and non-real continues according to the viewpoint. Real and non-real objects cannot be selected as visible images that reproduce objects, and pictorial images that express real images were identified as non-real images. Therefore, the way to find reality in an object is to reveal it through the abstraction of "morning glory" as a distorted planar image in the shade of reversible light similar to the object of desire.
This is because abstraction in the same meaning as a conceptual form, which is a realistic form of non-realism with the same structure of meaning, is an abstract as a conceptual structure, but abstraction as the same meaning with different shapes is a real non-realistic being as an ideological atypical being with different colors and sizes. The existence defines an abstract space as a real reversible shape and is an image that is hidden by a movement in which the shape is actually changed in a reversible shade of light, and is an image of the exhibition poster image of "morning glory". This abstracts the cultural concept of desire into installation art.
Louis hoi Chul-joo, morning glory poster 55, a hand-painted picture on a compute, 2022
Cartoonist as a conceptual artist Choi Chul-joo, Jeongcho and Inwangsan Tiger, Marker on Paper, 2010
The image is shaded and represented in a surface area suitable for the theme of "Jeongcho and Inwangsan Tiger", a pop art concept, in the actual shape and gaze shape of "Choi Chul-joo's morning glory P55".
Here, drawing a picture as an object of change in custom is another image that seems to be an object. It is hidden and disappeared as a material of the object drawn as a small piece that is not visible in space. A small piece of the object shows a real space that is reversible through image thinking movement that monochromates and actually changes the shape. It shows how the object as another reality is revealed. In the abstraction, it appears to be a desire image, a distorted plane image that reverses perspective, along with an image that appears to be a perspective visual system.
If the place of Choi Chul-joo's morning glory P55 in the abstract space is no longer specified as a poster and applied to Lacan's "Four Directional of Interpretation (Eé=Jacques Marie Émile Lacan, Écrites, Seuil, 1977, 53)", the painting work is interpreted as "Four Directional of Interpretation" by placing the line of 'utre' and the line of the horse (moi) a and the line of interpretation (utre) and painting (Es) S in a diagonal position where they intersect as a symbolic system.
Here, Lacan conceptual art abstraction begins with the imagination world, where the infant reveals reality through mirror theory identifies the representative image reflected in the mirror with the imaginary image. Recognizing that the representative image is not himself as a subject, it transitions to an abstraction interpreted as a symbolic system through the separation of the symbolic image of the sign and reality. The abstract image and reality meet with reality through division. As reality, the representative image is revealed as a dwarf image, but as non-realistic, it is an encounter, that is, abstraction, that is, a contradiction with reality. (ACN. 2022.10.14 Choi Chul-joo's interpretation of the 'Four Directional of Interpretation of Lacan')
Louis hoi Chul-joo, morning glory poster55-Jeongcho and Inwangsan Tiger, a hand-painted picture on a compute, 2022
Desireful conceptual art abstraction, which replaces the phenomenal place of abstract meaning with an exhibition poster, can distinguish the place of the shape and conceives the meaning of the image that interprets the shape. The shape is abstract in color and size similar to the meaning of an ideological structure to speak another meaning, but in the imagination, the abstract meaning of conceptual art is identified with reality, and the image and abstract meaning of the object are identified outwardly as the same subject, and the subject internally forms a transformed abstract meaning. This refers to the abstract meaning of a shape, which defines an abstract space that can be actually reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.
Its meaning is designed as "Choi Chul-joo morning glory poster 55-Jeongcho and Inwangsan Tiger", which is conceptually abstracted as a symbolic language symbolizing flowers that imitate the other's desire.
It is reproduced as an abstract object as an abstract object as an object of desire image by designing a shape that represents the desire of the other in the abstract "Choi Chul-joo's morning glory". In the perspective visual system, the object as a different momentary gaze is abstracted from the other's desire point of view, as the visual system creates a place of one shadow with a hidden reversible light.
In this way, objects abstracted as desire conceptual art form a dwarf image expressed through a desire revealed in the oppressed unconsciousness of others to acquire artistry beyond generality as a design, create objects in the shadow of conceptual formability with the desire of others as beings, and exist as a meaning.
As a semantic entity, the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the object's image into a meaning structure with a plane image that is distorted from the other's desire point of view.
And a small piece as the other's desire hidden in the chicken's background shows a real abstract space that is reversible through a representative movement that actually changes its shape. This is positioned by abstracting the other's desire in a space where the object can be actually reversed as the meaning of the existence of an abstract object.
Beyond mathematical concepts and philosophically meaningful linguistic interpretations, "Choi Chul-joo's morning glory" combines critical perspective with the life value of desire painting with a picture of the scene of the event. Here, desireful abstract painting refers to the painterly nature that can momentarily perceive the desires of others by staring at them rather than arbitrary philosophicality. (ACN · April 20, 2022 / the desire of the other as a toddler <morning glory> New York Exhibition docent 1)
The image is shaded and represented from the actual abstraction "Choi Chul-joo's morning glory p33-4" shape and the gaze shape to the surface area suitable for the theme of the pop art work "morning glory p33-4".
Here, drawing a picture as an object of change in custom is another image that seems to be an object. It is hidden and disappears as a material of an object drawn as a small piece that is invisible in space.
A small piece of the object shows a real space that is reversible through the thought movement of an image that is monochromated and actually transformed into the shape. It shows how an abstract object as another reality is revealed. In the abstract object, it appears as a desire image, that is, a distorted plane image that reverses perspective, along with an image that appears to be a perspective visual system.
In "morning glory poster 55", which is a conceptual art, the abstract area of painting in which a desired specific effect occurs as an exhibition poster meaning transfers the desire of the other who functions visually in the landscape to an image that can be seen momentarily. This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the reflection image of the mirror (le Réel), but the shape of the background is not the same.
This is because abstraction in the same meaning as a conceptual meaning structure with the same structure of meaning is an abstract form with a realistic form of the same meaning, but abstraction as the same meaning with different shapes is real as an ideological atypical entity with different colors and sizes.
There the existence defines an abstract space as an actual reversible shape and refers to the abstraction meaning of the exhibition poster concept art in which the shape is hidden by the actual changed movement in the shade of reversible light.
In the abstract meaning, a shape that represents the desire of the other is designed in the "morning glory window" and reproduced as an abstract object as an object of desire image. In the perspective visual system, the object as a different momentary gaze from the other's desire point of view revealed in the unconscious mind is abstracted by creating a place of one shade with reversible light in which the visual system is concealed.
In this way, objects abstracted as desire conceptual art form a dwarf image expressed through a desire revealed in the oppressed unconsciousness of others to acquire artistry beyond generality as a design, create objects in the shadow of conceptual formability with the desire of others as beings, and exist as a meaning.
As a semantic entity, the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the object's image into a meaning structure with a plane image that is distorted from the other's desire point of view.
And as a painting image, a small piece as the other's desire hidden in the chicken's background shows a real abstract space that is reversible through the thought movement of the image that actually changes the shape. This is positioned by abstracting the other's desire in a space where the object can be actually reversed as the meaning of the existence of an abstract object.
As a work of abstract Korean painting in contemporary art, the painting <morning glory window p55-3> created with reversible light is overlapped by applying Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to <morning glory window p55-3> as a work of abstraction of modern art. By repeating the linguistic metaphor image, the Choi Chul-joo desire formula is re-applied, and the phenomenal conceptual position reflected by the mirror in another place in one space in the shade of reversible light is determined and abstracted as <morning glory window p55-3>.
Louis Choi Chul-joo 2022 New York Exhibition As the object as a desire image is realized, the poster becomes a non-realistic modern abstraction of reality, not a poster.
Contemporary Art & Cartoon Abstraction artworks: Louis Choi Chul-joo, Choi Chul-joo morning glory p55-3-People in power regret if they force unreasonable corruption, a hand-painted picture on a computer
An object (Louis Choi Chul-joo, a morning glory outside a window), which depicts the meaning of a shape seen in a semantic space created by reversible light in the shape of a non-realistic reality, means an abstract space that can reverse the object into a real shape by structuring the image that hides the desire of the other in time in the shade of reversible light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape, or the image in the mirror, shows an object image of an abstract image that reveals the place of the other's unconscious desire as an image of a virtual non-realistic.
The object image depicts the meaning of the shape seen in the meaning space created by reversible light. The object <morning glory window> refers to an abstract space where a chick can structure the meaning of a certain shape hidden in the long fossilized time by sharing the desire of the other in the shadow of reversible light to reverse the object into a real shape. As a seat, the image of the reality where the sound has stopped is captured with the shadow of reversible light in which the reality of the exhibition poster shape has changed. The concept of the abstract painting <morning glory window>, which equates the current light that has formed the shape with another sound in the other's desired movement, is the object image (Abstract painter Louis Choi Chul-joo <morning glory window> Concept: Choi Chul-joo Modern Art Theory / ACN · 2023. 6. 19. 23:08)
The return of shape is a distorted plane image <morning glory p55-3-People in power unreasonable corruption> that connects the image and the structure of the image and applies it repeatedly, conceals the visual system with a shaded diagram that reproduces an abstract representation image object, but it is an abstract object that shows the realistic shape revealed in the reversible shade of light from a desire point of view revealed in the unconscious as a momentary gaze.
In rational painting as an abstract object, the frame of the morning glory shape is different from objective reality and representational conceptual art so that the dwarf background according to temporality can be experienced with the desire of the other. This is because the object is a real object separated from reality transferred from the symbolic world.
In symbolic reality, the illusion image reveals the object as another being of the object by transforming the image of the object from the other's desire point of view into a dwarf image, and contains the artistic meaning of the object with momentary creativity and autonomous abstraction.
Therefore, it is a fantastic realistic painting with a desire concept. As a signifier, which is a real form in imagination with abstraction, the substance of the artistic form disappears and is fixed as a non-realistic form with the meaning of an existential symbol as a result.
This is an abstraction that mimics the phenomenal abstraction that appears to be a momentary figure. Assuming that a phenomenal image is metaphorical in that abstraction, but it is a non-realistic image, reality exists in a phenomenal image that reproduces reality in a similar way.
Abstract painter Louis Choi Chul-joo 2022 New York Exhibition Poster 55 metaphorically expresses the meaning of life as reality, an area separated from the realm of the symbolic world. The actual meaning of human beings as a cover-up without showing the object to be expressed is compared to <morning glory poster55> and <Jeongcho and Inwangsan Tiger>. In other words, as a cover-up invisible through a speech bubble, "Is there a tiger who doesn't even know about Inwangsan Mountain?" Jeongcho realistically abstracts the meaning of abstracting the meaning of a tiger in Inwangsan Mountain, who replaces the existence, does not know the value of an object.
This is identified in the imagination world, and outwardly, the image of the object and the other are identified as the same subject, and internally, the subject forms the meaning of the transformed other. The meaning formed here is that the infant's imagination as seen by the infant in front of the mirror is an imaginary world that can be enjoyed in the realm of motherhood. The infant achieves its relationship with the visible object through a symbiotic relationship with the biological mother. The imaginary system as a visible metaphor is an image of an object in reality and an image that is satisfied as an infant by looking at the object in the mirror.
In this imaginary world, the image of reality as a metaphor is reflected in the image of reality reflected in the mirror by the desire that is satisfied with the infant, or the image of reality as a metaphor can be a tiger of Inwangsan Mountain in another sense. It presents the image of a pipe and is not a pipe, as shown in the painting <This is not a pipe> by René Magritte. The fact that the reality of a pipe cannot be reproduced is that it cannot be reproduced. In other words, since reality cannot be reproduced through a picture, the picture of a pipe and the desire image and sentence of 'not a pipe' in the picture are the whole picture.
Therefore, in the symbolic realm, the image of reality <Jeongcho and Inwangsan Tiger>, which is the realm of reality separated by the desire of others, is metaphorically expressed. The actual meaning of the object to be expressed in the shade of reversible light is compared to a tiger proverb easily seen in Inwangsan Mountain, and the concept of the desire, which compares the meaning, is abstracted as a realistic representation.
Here, through the division of the phenomenal image and reality, the concept of the desire image and reality are instantaneously encountered. The image as reality is revealed as a distorted flat image, but it is a contradictory encounter with conceptual abstraction as a non-real thing in the shade of reversible light
This perspective visual system, which reproduces abstract objects, conceals the image of desire, but instantly reveals the object as a gaze from a desire point of view revealed in the unconscious.
As an abstraction, the object image reveals the artistry of the semantic structure by forming a dwarf image expressed through the desire revealed in the suppressed unconscious mind of others to get out of generality and create an object as a being.
The autonomous artistry that emerged from the object erases the area of space and the manneristic form of real painting as it reveals the virtual image as a non-real thing.
The form that started in the imagination stems from imaginary recognition regardless of realistic experiences, just as an infant is satisfied with a reflection in a mirror. By not recognizing each signifier image in different forms, it creates a misconception due to imaginary recognition. This misconception suggests that the metaphor seen in the imagination as a realistic form is possible only through the similarity between the different signs. In the process of identifying each form of the signifier image of the realistic shape according to the difference between the signifiers, the infant begins to control himself in relation to others. In this way, "Napal Flower" abstracts the desire of others by repeatedly drawing the difference between realistic image images within an imitation method.
Additionally, by eliminating the volume and reversible shadow of light as an abstract structure, the physical structure is clarified, the image of desire is reproduced, and the recognized reality is summed up, and the image hidden in the long time when the desire of others is commonly fossilized is structured as an abstract cultural space that can reverse the object into a real form by structuring the meaning of a certain shape in the shadow of reversible light, and the sound "regret when a powerful person forcibly pulls unreasonable corruption like a tiger who does not know Inwangsan Mountain" is abstracted in the movement of light. / Writing. Art critic Louis Choi Chul-joo (Conceptual Abstract Painter & Doctor of Cultural Design)
Conceptual Abstract Artist Louis Choi Chul-joo