Visual Culture Cartoon Column

Culture Column Based on Art Criticism 3

May 23. 2023

Culture Column and Visual Artist Abstract Painting Based on Visual Arts Criticism [3] Art Critic Choi Chul-joo's Visual Culture Column Based on Cartoon Criticism : Review of Korean News Cartoon [83] a summit meeting aimed at achieving the goals of American politics and North Korea's economy. (2019.2.28.) / Reporter Choi Chul-joo’s Cartoon Review

- 만화평론가로서 최철주는 현대미술 팝아트 작품과 웹툰 만화 뉴스에서 한국 만화 뉴스를 그리는 만화 평론: 정경회담·政經會談: 트럼프-김정은 2차 북미정상회담 결렬 즉 미국 정치와 북한 경제의 목적을 이루려는 정상회담. As a cartoon critic, Choi Chul-joo is a cartoonist who draws Korean cartoon news in contemporary art works and webtoons.

- 한국 화가, 개념미술가, 현대미술가, 추상화가, 미디어 아티스트, 팝 아티스트, 만화가 & 만화평론가 최철주 Conceptual artist, contemporary artist, abstract painter, media artist, pop artist, cartoonist & cartoon critic Choi Chul-joo cartoonist, pop artist, contemporary art work, pop artist who draws webtoon news, contemporary artist, concept artist, cartoon critic Choi Chul-joo.

- 만화디자이너 최철주 현대 만화 미술 역사화가 & 현대 개념 이미지 설치미술가 작품 Cartoon designer Choi Chul-joo, contemporary cartoon art historical painter & contemporary concept image installation artist's work

시사 카툰만평 / 한국 뉴스 만화평론 Review of Korean News Cartoon [83] 정경회담·政經會談: 트럼프-김정은 2차 북미정상회담 결렬 즉 미국 정치와 북한 경제의 목적을 이루려는 정상회담 (2019.2.28.)/ 최철주 기자(Reporter Choi Chul-joo’s Cartoon Review)

웹툰 카툰니스트 최철주 카툰 만평 [83] 정경회담·政經會談: 트럼프-김정은 2차 북미정상회담 결렬 즉 미국 정치와 북한 경제의 목적을 이루려는 정상회담

. 미국 정치와 북한 경제의 목적을 이루려는 정상회담.

. a summit meeting aimed at achieving the goals of American politics and North Korea's economy.

. une réunion du sommet visant à atteindre les objectifs de la politique américaine et de l'économie de la Corée du Nord.

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[덧붙이는 글]

시사 카툰만평/ 아트문화뉴스 한국 뉴스 만화평론 Review of Korean News Cartoon [83] 전용열차·專用列車: 김정은 베트남 하노이행 전용열차 즉 하노이로 가는 전용열차 (2019.2.28.)/ 시사만평가 & 카툰니스트 최철주 시사만화평론, 팝아트만화뉴스, 만화평론, 개념만화평론 Comics critic & cartoonist Choi Chul-joo, current affairs cartoon review, pop art cartoon news, cartoon review, and conceptual cartoon review. 시사 평론가 최철주는 뉴스부산 인터넷신문 문화기자했고, 그는 현대 미술 작품과 웹툰에서 시사 만평 뉴스와 추상화를 그리는 문화평론과 디자인평론가인 추상 화가입니다. Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶北核(북핵)_ North Korea's nuclear weapons program_ Programme d'armes nucléaires de la Corée du Nord, ▶會談(회담/ 정상회담)_Summit_ Sommet, ▶정경(政經): 정치와 경제_ American politics and North Korea's economy_ la politique américaine et de l'économie de la Corée du Nord. ▶트럼프-김정은 2차 북미정상회담, 결렬!._ Trump-Kim Jong-un's Second North Korea & American Summit, Break down!._ Deuxième Sommet Corée du Nord et États-Unis de Trump-Kim Jong-un, Ruperture!. ▶북미정상의 북핵문제 토의._ Discussion with North Korea and the United States Top of Page North Korea Nuclear Issues._ Discussion avec la Corée du Nord et les États-Unis Haut de la page Questions nucléaires de la Corée du Nord.

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Visual Culture Cartoon Column 21

Culture Column Based on Art Criticism 21

Culture Column and Visual Artist Abstract Painting Based on Visual Arts Criticism [21] Art Critic Choi Chul-joo's Visual Culture Column Based on Cartoon Criticism : UK Brexit No!: UK about to leave EU.

Contemporary pop artist Louis Choi Chul-joo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review: A line News of Choi Chul-joo’s Manwha Review [91] UK Brexit No!: UK about to leave EU. (2019-3-25) / Reporter Choi Chul-joo’s Cartoon Review

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Contemporary Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Choi Chul-joo, UK Brexit No!: UK about to leave EU, a hand-painted picture on a computer

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. Britain is about to leave the European Union.

. La Grande-Bretagne est sur le point de quitter l'Union européenne.

■ Art Critic Choi Chul-joo's Visual Culture Column: UK Brexit No!: UK about to leave EU.

■ Art critic Choi Chul-joo's visual culture column: Like a tiger who does not know Inwangsan Mountain, that is, a man in power without expertise, when he or she forces unreasonable corruption, the shadow is revealed and he or she regrets it.

= The temporality of light brightened by overlapping light is realistic in a realistic structure that removes real images and expresses them as shadows.

In addition, Choi Chul-joo's theory of desire art, which interprets reality as a reversible shadow of light as a realistic abstraction, is embodied in a shade covered with a bamboo forest depicting the subject of "morning glory" which is the background of desire.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the morning glory p103-7-UK Brexit No!: UK about to leave EU: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p103-7> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <UK Brexit No!: UK about to leave EU> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2023 Busan Exhibition to actualize the Desire Object.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest-72-UK Brexit No!: UK about to leave EU: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest-h72-UK Brexit No!: UK about to leave EU: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 72, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest h72, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo_Choi, morning glory p103, a hand-painted picture on a computer

Background image of an artist's realistic Abstraction: Louis Choi Chuljoo, a morning glory outside the window-back 2023-1, 151X178cm, acrylic

Louis Choi chuljoo, UK Brexit No!: UK about to leave EU 2 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ A line News of Choi Chul-joo’s Manwha Review [91] UK Brexit No!: UK about to leave EU. (2019-3-25) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶Brexit(UK leaving the European Union)._ Brexit(Le Royaume-Uni quitte l'Union européenne), ▶A million people who have gathered in London oppose Brexit._ Un million de personnes qui se sont rassemblées à Londres s'opposent à Brexit.

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Visual Culture Cartoon Column 22

Culture Column Based on Art Criticism 22

Culture Column and Visual Artist Abstract Painting Based on Visual Arts Criticism [22] Art Critic Choi Chul-joo's Visual Culture Column Based on Cartoon Criticism : Contemporary Art Sketch Pop Art [72] Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Abstract Art Work = Contemporary Art Today contemporary artworks contemporary artist Choi Chul-joo's Art Works ( https://opensea.io/Louisland ) Criticism: Louis Choi Chul-joo, morning glory p110-7-window shadow-pond-2, a hand-painted picture on a computer & Cartoon review of the concept [18] Release Lovelyz's mini album 'Lovelyz8' : Chul-joo Choi's Korean Pop Star (2019-10-4) /Reporter Choi Chul-joo’s Cartoon Review

Louis Choi Chul-joo, morning glory p110-7-window shadow-pond-2, a hand-painted picture on a computer

an image of the desire projected by thought reflected in a pond

The image of desire projected by thoughts reflected in the pond is like a geometric cross-section of the pond beyond the boundary of desire that gathers like water on the surface of the water.

The missing pond is a structure of light that deviates from the concept of instantaneous desire as a reversible shade of light, and perspective objectivity distorts the range of the sky and the size of the perspective cross-sectional area with reversible light on objects overlaid on the surface of the water.

This notion of distorted desire is abstracted to fit into a pond of realistic morphemes with reversible shades of light.

The abstraction is the same as Choi Cheol-joo's desire design process. It creates a visual expression that explores the concept of desire through abstract forms and abstract conceptual structures,

Here, the conceptual foundation begins with a deep exploration of the concept of abstract desire in the process of designing desire. This not only understands abstract desire as an emotion as a real image, but also interprets the concept of desire of others as a complex interaction of psychological, social, and philosophical elements.

Choi Chul-joo's concept of desire in the disappeared pond does not presuppose causality with the real image, but rather symbolizes the object of desire as a conceptual subject from an abstract concept in which an abstract real image appears as a real correlation by dividing desire alienated by unconsciousness into design.

Therefore, the abstract expression of the concept of desire is characterized by symbolizing the desires of others in various aspects by dividing the cross-sectional form into abstract forms and abstract fluidity into reversible shades of light.

Here, the use of reversible contrast creates the depth of the shadow of desire with light according to temporality and emphasizes the abstract form. This helps viewers access the reality of the concept of desire by visualizing the abstract aspect of desire with a pictorial technique.

From linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence. The image is a morpheme that conveys a connection with the concept of cultural and universal desire.

And the gaze on the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is an abstract real image according to Choi Chul-joo's concept of desire design process 1.

The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.

The symbolic structure represented in this way adds a texture reflected by several cross-sectional layers and reversible shades of light to create the complexity and depth of the concept of desire, projecting the complex nature and real image of the other's desire.

The aesthetic value of the image of desire of the actual structure according to Choi Chul-joo's concept of desire design process 2 is to decorate the object with a universal color of reality so that the reality of the symbol structure projected in this way has an aesthetic value corresponding to the place as a single stage.

The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.

And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.

This is an interactive element of unconscious abstraction, objectifying the desires of others through the design process of the concept of desire.

In addition, as an abstract image, an image that combines lines and colors as an unconscious structure, but is not conscious, is an interactive act with the unconscious, and it is the design of unconscious desire according to the desire concept design process 3 by repeatedly designing desire as an image of reality.

Louis Choi Chul-joo, morning glory p110-7-window shadow-pond-3, a hand-painted picture on a computer

The concept of unconsciously abstracting desire is an image of reality that does not see the object of reality as a shadow of light that can be overturned, and shows another aspect of reality by concealing reality with shadows.

The image of desire is an unconscious mind maintained by the image of reality and the imagination desired by the subject of desire, and it is an idea that cannot be recognized by that image.

This is a storytelling for thinking that enhances the depth of the concept of desire by giving a narrative and context verbally.

Therefore, the spatial composition of desire, a flat monochromatic painting carved into reality, is a desire conceptual design process 4 that combines the image of thought into a reversible structure of light through conscious movement and designs the space of desire by combining the image of thought into a reversible structure of light.

Desire concept The image of desire that has passed the design process is a form of desire reflected in the mirror.

It is an image of existence seen on the surface of a pond that has disappeared according to temporality, reflecting a conceptual image that abstracts the unconscious needs of social morphemes according to the linguistic correlation of desire.

The gaze at the image of its existence is the external surface of reality, and the concept of desire is a reversible light, and the real image is concealed by the object of abstraction as a correlation of reality with the concept of unconscious desire.

Unconscious desire is a correlation between desires concealed in temporality, and Choi Chul-joo's conceptual design of desire is a repetitive design of objects that can be abstracted.

This creates a picture structure in which the object of desire appears as an image, using the subject of design as the other.

In a universal abstract structure suitable for customs, the subject of desire decorates the object with the color of reality so that the reality of the abstract structure represented by the structure of the picture has an aesthetic value corresponding to the place as a single image.

Therefore, the background of desire is the subject of reality in the realm of abstraction, and the existence correlation and the protagonist of the event and performance are determined as an abstract image that satisfies the cause of desire.

As an abstract image, an image that combines lines and colors as an unconscious structure is repeatedly designed as an unconscious act, and the desire is recognized as a thought image.

The thought image is designed so that the other becomes aware by combining the flat monochromatic paintings carved from reality into a reversible structure of light through conscious movement.

This is an existential reality in which desire is reflected in a mirror as an object that fits the temporality in which the subject existed in order to abstractly appear contemporary events and performance images.

The real image is presented as a concept of desire, and the linguistic meaning is represented as a structure of desire.

Desire and the reflection in the mirror are visually sympathized with each other as a structural form of desire as a real image, and are understood as a correlation with desire identified with the real image.

The image of desire reflected in the pond is an abstract concept suitable for the form of desire, and like a mirror of desire designed as a structure of reality, the pond is a form of verbal desire.

/ Writing. Art critic Choi Chul-joo (conceptual abstract painter & Ph.D. in cultural design)

Choi Chul-joo's comic abstraction as a treacherous conceptual art means the abstraction of the conceptual image of desire as a realistic structure in art. Since the conceptual meaning of desire that exists in place of a realistic form can be divided into a cartoon criticism image, abstraction is drawn through reversible contrast that interprets the image of events and performances as an image of others' abstract desires.

Choi Chul joo cartoon review, which uses contemporary art abstraction as a treacherous conceptual art, reinterprets the image of desire as a concept of cartoon.

Louis Chul-joo Choi, morning glory window 2024-2--light, 357X225cm, acrylic and composite materials on cloth, 2024

The object "morning glory window 2024-light", which describes the meaning of the shape seen in the semantic space created by reversible light, is an abstraction drawn as a conceptual work of " Image Installation Performance", in which the image that conceals the desires of others in time is structured as a reversible shade of light. The meaning of abstraction of desire, that is, the image of desire reflected in the mirror, is a hypothetical non-realistic image of cartoon criticism, and contemporary artist Louis Choi Chul-joo describes the place of the other's unconscious desire with artistic movement in "morning glory", the background of the desire structure.

The figurative meaning of the conceptual abstract 'morning glory' is that the color of meaning decorates the reality of customary universality facing the object with the color of light. The dark blank space is a shadow created in the area of the subject, which contrasts with the light of a decorated shape. Here, as a real object, color is a single-phase image of the desire custom seen through the gaze. This is a symbolic linguistic image of the background of desire, which symbolizes the concept of desire with imitated flowers. Here, the morning glory image is a piece as a meaning of desire symbolized in real space as a result of the desire image.

"morning glory" expresses the lack of the concept of desire that exists in reversible temporality as a phenomenal image, and expresses the structure of desire obscured by the shade of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract structure of color and plane.

And by expressing the absence of the concept of desire in reversible temporality as a phenomenal image, "morning glory" expresses the mirror image reflected in the "pond" to abstract the structure of reality from the desire hidden in the shade of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract color and planar structure.

Louis Chul-joo Choi, Release Lovelyz's mini album 'Lovelyz', a hand-painted picture on a computer, 2019

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. Release Lovelyz's mini album 'Lovelyz'

. vente du mini album de Lovelyz 'Lovelyz

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 172-Release Lovelyz's mini album 'Lovelyz', a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: In front of the bamboo forest h172-Release Lovelyz's mini album 'Lovelyz',: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: In front of the bamboo forest h172-Release Lovelyz's mini album 'Lovelyz'-pond,: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.

■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.

Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression.

The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.

Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.

In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence.

And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.

Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.

And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.

As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.

The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.

The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.

Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.

In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.

■ The Design Results of Choi Chul-joo's Desire Abstract Concept: Choi Chul-joo Desire Abstract Concept Design's Linguistic Meaning Results: Although the object that is obsessed with the desire for others is passive, it is possible to actively practice one's desires through the sympathizer as the subject of desire, and the sympathizer who sympathizes with the desires of others as the subject can practice with the same desire. As a subject, a person who sympathizes with or accepts the desires of others becomes the same desire and becomes another subject of execution. Here, the sympathizer who sympathizes with the subject of the other's desire tries to generalize it as another object of desire that acts like a victor of war. However, when desire as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire and the sympathizer antagonize the subject who practiced it according to the other's general desire.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p110-9-The special feeling of the body and mind is “Twice”: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p112-4-3-Release Lovelyz's mini album 'Lovelyz'> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

Louis Choi Chul-joo, morning glory p131-1-Release Lovelyz's mini album 'Lovelyz', a hand-painted picture on a computer, 2024

■ Emples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.