Contemporary Artist Louis Choi
Contemporary Art & Cartoon Abstraction20
Contemporary Art & Cartoon Abstraction, Contemporary Artist Louis Choi Chul-joo's Treacherous contemporary art abstraction & Conceptual image installation of contemporary art [20] Performance: Contemporary Artist & Conceptual image installation artist Louis Choi Chul-joo <Bamboo Forest> 20200918, Minoo Media Art Museum
Louis' concept of Media Art design: the exploration of artistic sculpture is based on the design environment of sculpture and aims at human desire.
Louis' concept of Media Ar design: the exploration of artistic sculpture is based on the design environment of sculpture and aims at human desire. : Contemporary Artist & Conceptual image installation artist Louis Choi Chul-joo <Bamboo Forest> 20200918
When the sculpture is not a drawing or painting that is normalized by the elevation, the entire sculpture appears to be created in three dimensions at the intersection with a misaligned gaze. This is a perceptive image that appears to be light in a certain direction.
In the sculpture, the desire of the other lies in the light hidden in the sky, but the place where the light forms is on the fixed ground. If the sky and the earth without a shape are real in that place, the structure of desire is now an abstraction of the factual structure that existed in that place.
The representative of the abstract is <Choi Chul-joo's morning glory & Bamboo Forest>. This is a structure of desire created by reversible shades of light, which is not a fixed sculpture, but a realistic, non-real figure that makes the existence of a concept recognized. In order to see the same image and the pattern hidden in the shadow with the sculpture, the shape of the reality can be recognized as a being by illuminating in a real color through a reversible shade of light.(Louis Choi Chul-joo Painting and Sculpture Installation Performance Concept)
Contemporary Artist & Conceptual image installation artist Louis Choi Chuljoo <Bamboo
- Forest> 20200918, Minoo Media Art Museum
Media art embodies timeliness in shades in the process of painting, but this is only the influence of subjective intuition. Even a picture showing a stopped time with a panel cannot express the light of thought by stopping at objectivity without movement of subjective consciousness.
As a result, Choi Chul-joo, the head of the academic and artistic research department of the Minoo Media Art Museum, will move away from media art with photography motifs and introduce new media art with photography motifs.
The original images of media art held by the Minoo Media Art Museum are paintings and photographs. This is an image effect combined with the dismantling of photographs, but a photographic image is an image that makes use of the continuity of each photograph. The main elements of continuity in photography are images and light. The image is a series of linked movements, but the light superimposes the different lights of the images.
As a media art, Bae Bien-U's "Pine Tree" combined about 60 photos to match the similarity of illumination in the filming method to create pine trees in the early morning and in the dark afternoon. This provides spatiality and timeliness, as the pine forest is objectified, away from the fixed media format like a documentary video.
Photographs that reveal the spatiality and temporality of photographs as continuity of light are more like pictorial photography. These pictorial photographys are transforming into the pursuit of fantasy beauty of composition and formation, not pictorial imitation.
Louis Choi Chul-joo, Media-art; Bamboo Forest, Still-image(Bamboo Forest-301)
Therefore, at the Minoo Media Art Museum, modern image installation artist Dr. Louis Choi Chul-joo created "Bamboo Forest," which embodies composition as media art based on light and painting, which are the basic characteristics of photography.
This is a parody of existing bamboo photographs, and it is an inevitable formality that is conscious of the exact composition and light space calculated like Edgar Degas' photograph.
As a realistic encounter (遭遇), the image of rain and wind is drawn as it is, and the bamboo forest tailored to the aesthetic temporality and the photographic shape modeled after that time are shown together. Unlike the limited photographic frame of bamboo, this is a media art <Bamboo Forest> that illustrates the stylistic images of 249 bamboo forest photographs.
Louis Choi Chul-joo, Media-art; Bamboo Forest, Still-image(Bamboo Forest-25)
Louis Choi Chul-joo, Media-art; Bamboo Forest, Still-image(Bamboo Forest-54)
Louis Choi Chul-joo, Media-art; Bamboo Forest, Still-image(Bamboo Forest-112)
Louis Choi Chul-joo, Media-art; Bamboo Forest, Still-image(Bamboo Forest-136)
Louis Choi Chul-joo, Media-art; Bamboo Forest, Still-image(Bamboo Forest-181)
Louis Choi Chul-joo, Media-art; Bamboo Forest, Still-image(Bamboo Forest-230)
Louis Choi Chul-joo, Media-art; Bamboo Forest, Still-image(Bamboo Forest-297)
Louis Choi Chul-joo, Media-art; Bamboo Forest, Still-image(Bamboo Forest-345)
In media art, the meaning and effect of an image becomes the material of the space with different temporality due to the time when the image does not affect the space within the surface area.
The meaning and effect of the image that affects that space is the subject of the space in that temporality.
Therefore, the 'bamboo forest' is the desire image of the other copied from the photo image. As a result, the aesthetic value of the bamboo forest is media art <Bamboo Forest>, and the expression of the bamboo image reveals the connection between the non-formal form and temporal subject hidden in the image as a non-existent picture.
The temporal nature of "Bamboo Forest" is a photograph of a virtual image drawn by creating a virtual space for media users and repeating another temporal intervention, and the media art "Bamboo Forest" shows visual continuity.
This imprints the light and darkness of bamboo overlaid on the invisible bamboo forest, and objectifies the reality of bamboo paintings away from the picture.
Here, the impression represents the relationship between the object of the image and the symbolic expression of the photograph, and the structuralist form of bamboo as an object becomes an irrevocably stationary symbolic photograph.
The photo is a static symbolic impression of bamboo as a photographic structure. Here, the impression represents the relationship between the subject of the object and symbolic photo expression, and as the subject, the sound of the structuralist movement of bamboo is irreversibly stopped.
Choi Chul-joo said in a photo review of Kim Dae-soo's "Voice of the Bamboo", that the structure of bamboo sound "creates the vertical line and crosses the horizontal boundary of the photo frame at an appropriate angle." It is a photographic process with visual perception and auditory consciousness, and it is a structure that transforms sound into an image."
However, bamboo paintings change the meaning of bamboo photographs that are identified differently from the similarities they seem. This is because it is just an image of a picture and a picture that does not match existentially.
Therefore, an illustrated picture of a different form from the picture is taken and the same as the picture.
Louis Choi Chul-joo's "Bamboo Forest" picture, whose meaning is metaphorical, like the structure of language, is not the same as the shape of bamboo, so it structures the reality as a non-existent picture of rain and wind of another bamboo forest overlapping in form and image with different rain and wind as a reality of timeliness.
And he replaces the virtual image drawn by the lack of position created by the subject of the bamboo forest with other media art and embellishes the reality of the inner image of the bamboo forest. / Writing. Art critic Choi Chul-joo (Former the head of the academic and artistic research department of the Minoo Media Art Museum & Doctor of Design)
Contemporary Artist Louis Choi Chul-joo
media art bamboo forest by Louis chul-joo Choi
