Contemporary Artworks Review 3

Art Critique & Contemporary Art Review 3

by 최철주

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [3/ 21~25] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Contemporary art review: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [3] Modern Painter Artworks Art Review : Contemporary Abstract Art Artist Louis Choi Chul-joo'S <2022 Itaewon disaster> Art Review/ 배반적 개념미술로 한 현대 화가 루이 최철주 추상화 <2022 Itaewon disaster> 미술평론


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카툰 만평 Comic Review/ 시사만평: 개념 미술가 시사만평가 최철주 만평/ 2022년 10월 29일 이태원 참사 49일 추모제를 통해 고인의 명복을 빕니다.

We pray for the repose of the deceased through a memorial service on 49 days after the Itaewon disaster on October 29, 2022.


만평: 컬처 저널리스트 최철주 만평 & 현대 화가 만화가 최철주 현대미술 작품 팝아트 웹툰뉴스: Current affairs cartoon review/ newsmanwha – an editorial cartoon: 개념 미술가, 현대미술가, 만화가 & 컬처 저널리스트, 최철주 시사만평 뉴스 한줄 만화뉴스 Conceptual Artists, Cartoonist & Culture Journalist, Dr. Chul-joo Choi's editorial cartoon line manwha-news (2022-12-15)

- 현대미술 작품 팝아트 웹툰 뉴스를 그리는 현대미술 작가 & 현대 화가 최철주, 만화 디자인 뉴스 한줄 평론 Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design

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- 카툰 디자이너 최철주, 현대미술, 추상화 & 웹툰 디자인 작품 Cartoon designer Choi Chul-joo, Contemporary Art, abstract painting & Webtoon Design Art Works


Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life.

It's a work of art as a treacherous conceptual art called realistic abstraction, the cartoon news of modern art abstraction.


배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 만화 리브 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 만화 리브 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

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Louis Chul-joo Choi, October 29, 2022 Itaewon disaster, a hand-painted picture on a computer


사실적 비실재 추상화로서 드러나지 않는 은폐의 존재로서의 실재로서 개념 미술의 추상적 의미는

"병아리가 거울에 비친 기표적 이미지를 동일시하는 상상계에서부터 시작된다. 주체로써 기표적 이미지가 닭이 아닌 것을 인지하면서 기표의 상징적 이미지와 실재와의 분리를 통해 상징계로 전이한다. 여기서 상징적 이미지와 실재가 분열을 통해 실재와의 만남이 이루어진다. 실재로서 기표적 이미지는 왜상적 이미지로 드러나지만 가역적 빛으로 생성된 이미지는 비실재로서 의미와의 만남이다.( 유아로서 병아리가 닭이 되려는 욕망: ACN 2022.06.06)"

그 만남은 거울에 비친 비실재의 만남으로서 사실적 구조로서의 추상적 실재의 의미로서의 죽음과의 어긋난 만남이다.


사실적 추상화의 개념미술이란 사실적 구조는 빛의 왜곡을 받아서 형태를 반사한다. 그 형태를 드러내는 것은 빛의 음영으로 확정되는 윤곽과 그림자다. 배반적 개념미술로 한 사실적 추상화는 이것에 주목하여서 사실적 개념을 형상화한다. (사실적 추상화에 관한 최철주 개념미술이론)

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)


따라서 배반적 개념미술로 한 사실적 추상화는 일상의 사건에서 사실적 구조를 왜곡하는 빛의 음영으로 형상을 빛의 음영으로 그 형성을 확정하여서 사실적 개념을 추상화한다.

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.


[덧붙이는 글 & 그림]--------------------------------------

[시사만평 단어해석 ː the interpretation of words in a cartoon news (Current affairs cartoon review)ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoonist, Conceptual Artists & Culture Journalist, Dr. Chul-joo Choi's an editorial cartoon line news/ 만화가, 개념 미술가 & 문화 저널리스트, 최철주 문화디자인박사의 시사만평(시사적인 뉴스 사진을 한 칸 만화 형식으로 재구성한 카툰) 뉴스 한줄: 페인팅 & 웹툰 디자인 작품 A hand-painted picture by Chul-joo Choi on a computer & webtoon news cartoon design works by cartoon designer & media art painter Chul-joo Choi // 2022년 10월 29일 이태원 참사 49일 추모제를 통해 고인의 명복을 빕니다. = We pray for the repose of the deceased through a memorial service on 49 days after the Itaewon disaster on October 29, 2022.


문화의 배경으로서 형상은 사실적 구조의 개념을 추상화하고 빛의 가역적 음영에 의해 그 형상을 결정하지만, 형상 시간에 따라 전체가 가려지면서 그 형상이 사라진 배경은 동시대의 빛으로 정리된다.

As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.

(배반적 개념미술을 적용한 사실적 추상화에 대한 최철주문화개념이론 / Choi Chul-joo's Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)

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Louis Chul-joo Choi, October 29, 2022 Itaewon disaster-01, a hand-painted picture on a computer



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Contemporary Artworks Review 21

Art Critique & Contemporary Art Review 21


Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [21] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire./ Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Contemporary Art Sketch Abstract Painting [33] Contemporary pop artist Louis Choi Chul-joo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of Korean News Cartoon [167] U.S. benchmark interest rate at 5.25 to 5.50% freeze continues disadvantaged life. (2023-11-2) / Reporter Choi Chul-joo’s Cartoon Review


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Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News


Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.


Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)


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Louis Choi Chul-joo, U.S. benchmark interest rate at 5.25 to 5.50% freeze continues disadvantaged life, a hand-painted picture on a computer


News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. U.S. benchmark interest rate at 5.25 to 5.50% freeze continues disadvantaged life.

. Le taux d'intérêt de référence américain, compris entre 5,25 et 5,50 %, continue d'être désavantagé.


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Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 295-U.S. benchmark interest rate at 5.25 to 5.50% freeze continues disadvantaged life, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work


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Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest b295-U.S. benchmark interest rate at 5.25 to 5.50% freeze continues disadvantaged life : By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.


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Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p104-1-2-U.S. benchmark interest rate at 5.25 to 5.50% freeze continues disadvantaged life: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.


By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.


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Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 295, a hand-painted picture on a computer


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Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b 295, a hand-painted picture on a computer


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Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p104-1-1, a hand-painted picture on a computer


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Louis Choi chuljoo, U.S. benchmark interest rate at 5.25 to 5.50% freeze continues disadvantaged life 4 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of Korean News Cartoon [167] U.S. benchmark interest rate at 5.25 to 5.50% freeze continues disadvantaged life / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶U.S. benchmark interest rate._ Taux d'intérêt de référence des États-Unis.



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Contemporary Artworks Review 22

Art Critique & Contemporary Art Review 22


Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [22] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire./ Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Contemporary Art Sketch Abstract Painting [32] Contemporary pop artist Louis Choi Chul-joo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's newsmanwha Korean Pop Star [16] Released movie "Kim Ji-young Born in 1982“. (2019-10-22) / Reporter Choi Chul-joo’s Cartoon Revie


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Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News


Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.


The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.


Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

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Louis Choi Chul-joo, Kim Ji-young Born in 1982. -1, a hand-painted picture on a computer


News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. Released movie "Kim Ji-young Born in 1982“

. sortie d'un film "Kim Ji-young Born in 1982"


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Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 77-The Most Normal Love, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work


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Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest 77-Kim Ji-young Born in 1982 : By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.


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Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p106-6-1-Kim Ji-young Born in 1982: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.


Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Kim Ji-young Born in 1982> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory 106-6-1> becomes a non-real abstraction of reality.


By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.


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Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 77, a hand-painted picture on a computer


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Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b77, a hand-painted picture on a computer


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Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p106-6, a hand-painted picture on a computer


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Louis Choi chuljoo, Kim Ji-young Born in 1982. -5 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's newsmanwha Korean Pop Star [10] The Most Normal Love. / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶Released._ sortie.



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Contemporary Artworks Review 23

Art Critique & Contemporary Art Review 23


Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [23] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire./ Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Famous Contemporary Artist Contemporary Painter Abstract Artist Pop Artist & Abstract Design = Art Review: Abstract Painting Design Methodology is a new art movement in abstract painting that approaches modern images of an event and performance as desire concept art as realistic abstract painting. & Contemporary Art Movement Now: A New Abstract Methodology for Drawing Abstracts from Uninterpretable Modern Abstracts to Images of Modern Events into Desire Concept [13] Louis Choi Chul-joo's Thread Painting = Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo Abstraction Art Work [13] contemporary abstract art movement examples / The Story of Contemporary Art: Contemporary Art movement Review: Modern Art Works Desireful Concepts Art Abstraction: Louis Choi Chul-joo's 2022 New York ExhibitionPoster Abstraction 100/ Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction Poster design


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Louis Choi Chul-joo's "morning glory" is painted on a cloth that reflects the image on the back as an image generated from a crooked image that means the substance of the morning glory.

Louis Choi Chul-joo <morning glory> is an abstract thread painting depicting the concept of desire drawn on a fabric whose back side is reflected by hand using images created as anamorphosis, which means the reality of morning glory.


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On March 1, 2022, at Flushing Town Hall in New York and at Yeomyeong Hall in New York on March 8, 2022, Louis Choi Chul-joo's "morning glory" exhibition in New York completed 100 posters of New York by visualizing the progress and results of depicting the imagination of other people's desires and objects of existence while facing the artistic notion of desire conceptual art in preparation, and the final abstract work "morning glory 2022 p-100" is displayed in the New York exhibition.

Here, by producing painting and poster abstraction of contemporary art works using the same conceptual art, Louis Choi Chul-joo's solo exhibition works were presented as modern art abstract paintings symbolizing the exhibition image of paintings. In other words, it referred to the concept of posters as modern art abstract painting as immaterial visual effects. This is the same conceptual art abstraction as <morning glory> by visualizing another painting and poster in the place after setting a place for one exhibition space.


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A review of contemporary art works <morning glory> on the exhibition of contemporary art poster by contemporary art critic and contemporary artist Louis, 20220301~20220308 Flushing Town Hall, New York.


Painting docent as Lacan conceptual art: Lacan conceptual art faces artistic ideas. It visualizes the phenomenon of progressive phenomenon and results as painting objects of Lacan's an imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 라캉적 도슨트/ 루이 최철주)


As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.

(Choi Chul-joo's Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)


Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.


Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)


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Conceptual art poster related to the 2022 New York <morning glory p100-4-2> Exhibition:


Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p100-4-2, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work


Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory 100-4-2, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p42-10-What's the point of playing!: By repeatedly applying the concpept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.


The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.


Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 100-4-2> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Louis Chul-joo Choi, morning glory p133-1-37-Time goes by, and Only the mind is urgent, a hand-painted picture on a computer, 2025> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <Louis Chul-joo Choi, morning glory p133-1-38, a hand-painted picture on a computer, 2025> becomes a non-real abstraction of reality.

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By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.


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Louis Chul-joo Choi, morning glory p133-1-38, a hand-painted picture on a computer, 2025


By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.


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Conceptual art poster related to the 2022 New York <morning glory> Exhibition: morning glory poster 100-5-1


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Louis Choi Chul-joo, Conceptual art poster related to the 2022 New York <morning glory> Exhibition: abstraction <morning glory poster 100-6-2> : ■ news cartoon of Choi Chul-joo’s cartoon news/ A hand-painted picture by Choi Chul-joo on a computer & webtoon news cartoon design works by cartoon designer Choi Chul-joo ■ In <Choi Chul-joo's Morning glory>, Lacan's art theory is formalized by connecting images with abstract paintings and converting them into meanings. This means that other people's desires are expressed in paintings by repeatedly applying Lacan's imagination and formula, and as a result of applying Lacan art theory to paintings, other people's desires for abstract formative beauty gain the value to approach. ■ <Choi Chul-joo's Morning glory> is the spatial background of the desires of others, not the subject. It is the same as a space of life as consistent as the sky. It is connected to cartoon review and Pop Art, which represent the space of life but do not criticize and judge, and reproduces reality as news with pictures of events. In addition, the effect of conceptualizing the reality of the symbolized object as the desire of others is structured in the shade of reversible light and exemplified as a realistic abstraction of treacherous conceptual art. ■ Louis Choi Chul-joo's Process, Definition & Shape Meaning of Thread Painting: The process of creating a thread is to design a set presence in a place where paint spreads from a set object, an object that relies on instantaneous agreement, to embroider the image into a thread, to enlarge the place of the cloth by drawing a picture of a combined image or flat shape. The morning glory is the location where the flower blooms, where leaves and stems are formed according to their shape, and where the stem is aligned with the flower as a composition of the flower.

This is realized without an explanation of the atmosphere in media art and painting, where a real picture is created in the process of producing the mechanically reproduced prototype of media art in response to the needs of others. In addition, he said in thread painting, "The structure of the form is a structure of pictorial thread painting in which the formative meaning is retroactive as a series of threads become a formative structure without explaining the object of the thread that formed the shape." The color of the structure gives a distance of time, so that it is regarded as a formative structure of a faded original structure without marking it, showing the aesthetic value hidden as seen.


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Louis Choi Chul-joo, Conceptual art poster related to the <morning glory p100>: morning glory poster 100-9-3


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Louis Choi Chul-joo, Conceptual art poster related to the <morning glory p100>: morning glory poster 100-10


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Louis Choi Chul-joo, Conceptual art poster related to the <morning glory p100>: morning glory poster 100-11


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Louis Choi Chul-joo, Conceptual art poster related to the <morning glory p100>: : abstraction <morning glory poster 100-12>


The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.


Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Corona mutant viruses 6> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory 45-03> becomes a non-real abstraction of reality.


By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.


Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i)


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Contemporary art works Media Art<morning glory> on the exhibition of contemporary art poster by contemporary art and contemporary artist Louis Choi Chuljoo, 20220301~20220308 Flushing Town Hall, New York.


Contemporary artwork review: Contemporary art works Media Art<morning glory postre 100>


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Louis Chul-joo Choi, morning glory 2021-k-1, 136X168cm, acrylic and composite materials on cloth, 2021


Modern Art Critic and Conceptual Artist Choi Chul-joo's Modern Conceptual Art is the concept of early conceptual art and is the return of painting. In other words, because it is a conceptual art created by a painting work, his contemporary conceptual art criticizes phenomenal images such as current events and mentions the meaningful value of painting.


This combines the life value of critical perspective and cartoonization with scene photography of events, which goes beyond mathematical and philosophically meaningful linguistic interpretations, and combines the life value of critical perspective and desire with satirical photo image of events. Here, desire abstraction means a conversational personality that can immediately recognize the rational perception of the other person's desire rather than an arbitrary philosophy.


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Louis Choi Chul-joo <morning glory> Conceptual Art Abstract Painting in 2022 New York Exhibition: abstraction <morning glory poster 100>


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Louis Choi Chul-joo, morning glory-2022 p100, a hand-painted picture on a computer

= Concept of Desire's Art work: abstraction of modern art posters reinterpreting the concept of desire as the background


Shape image as a conceptual semantic structure: An object of desire designed with an image as an object, <morning glory poster 100>, is a real conceptual art image of "morning glory" as a being repeated in the color of reversible light on a non-real conceptual art image.

This means "morning glory" transferred by overlapping as <> in reversible shades on <morning glory 2022-p100>, and it is a desire object drawn as a distorted image of a non-realistic realistic image as reversible light.

* <>: Unknown reversible light shape structure


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현대 개념미술 추상화 작품: 루이 최철주 뉴욕 전시 나팔꽃 포스터 100


The shape of the object is abstracted into "morning glory 2022 p100" by overlapping "morning glory 2022 p100" with "morning glory 2021 k-1" as the design concept of the object, which is a semantic structure that applies Choi Chul-joo's abstract art theory. It is abstracted into "morning glory 2022 p100" by overlapping unknown reversible light on "morning glory 2021 k-1" reflected through a mirror that transfers to abstraction as an exhibition poster image of painting.

It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a real image.

Like clouds reflected in a building, the image realizes the realistic sky in the same way it actually does with a screen image.


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This is the impression of a city in which the image of the concept of desire creates a small gap that exists momentarily in the shadow of reversible light and is developed in that span.

In this way, the image of the concept of desire contains desire in the realistic structure as a fragment of the contemporary visual culture.


Therefore, the concept of desire art abstraction is concealed in the diagram of the perspective visual system, and is momentarily revealed as a gaze from a desire perspective revealed in the unconscious.

This is because it distinguished and abstracted images in which the object of the desire stopped so that it could momentarily stare at the distorted image expressed through the other's suppressed unconscious desire to escape reality and acquire abstraction. / Writing. Art critic Choi Chul-joo (abstract painter & Doctor of Cultural Design)


Louis Choi Chul joo's morning glory 2022 New York exhibition poster: morning glory p99


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Contemporary Artworks Review 24

Art Critique & Contemporary Art Review 24


Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [24] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire./ Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Art Review: Art Critic Choi Chul-joo's Abstract Review & Contemporary Artist Shaded Structure Treacherous Conceptual Art Abstract Design [11] Modern abstract artist Louis Chuljoo Choi's <최철주섬계방대도 Choi Chul-joo, Island Gyebangdaedo>


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Famous contemporary artist, modern painter, abstract painter, Korean painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Korean painting' traditional landscape painting abstract design


Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)


Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.

A shape abstracts the concept of a realistic structure and determines its shape by a reversible shade of light, but as the entire shape is obscured, the shape is summed up in monotone.


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Louis Chul-joo Choi, 최철주섬계방대도(崔徹柱剡溪訪戴圖), 6X6cm, acrylic and composite materials on vinyl, 2021


<Choi Chul-joo, Island Gyebangdaedo>, which became a landscape as a meaning of an old story

Choi Chul-joo's Island Gyebangdaedo is a landscape painting composed of paintings of the ancient Chinese Yuan Dynasty, and is the same as the Island Gyebangdaedo. The realistic structure is abstracted into hues by inserting reversible shades of light into the island's atmosphere.

Therefore, images are abstractions that match shapes and concepts with contrasting light that illuminates the place of the shade with shades.

Rather than an aesthetic structure that forms the value of an image in a phenomenal concept, it is a literary painting that speaks of life experiences in accordance with abstract concepts and the meaning of death. It looks like a Time landscape from the past time when I saw it as a discipline, not distinguished from images.


Hwang Gong-mang's Island Gyebangdaedo (剡溪訪戴圖) drawing forms linearly and determines perspective treatment as a joke of ink, but Choi Chul-joo Island Gyebangdaedo darkens the shadow of the object with reversible light with pointillism, overlapping the experience and timeliness of the impression with color points.

It refers to an island by exaggerating the small stream of water in the valley in contact with the landscape with its color tone and the structure of the shade treated with reversible light.


Wang Ja-yu, who visited his friend there by boat, was excited and went there, but after God disappeared, he described mountains and water, saying, "Do I have to meet you?" (何必見戴), but it is the same as Choi Chul-joo's "Island Gyebangdaedo" and "morning glory", which represents desire.

The "morning glory" conceptual abstraction by mirroring the unrealistic desires and unrealistic objects of desire.

As an imaginary world, Choi Chul-joo's "Island Gyebangdaedo" calculates the difference between the mountain and the river's landscape facing the desires of others by the color of the river.

This was adapted to the subject of the concept of artistic desire by representing the romantic historical events with the desires of others.

Like the consultative mise-en-scène of ancient history, desire and valleys are equipped with color dots as visual materials.

From the water surface of the valley to the outline of the mountain, the surface of the mountain, which is overlapped with the maple color according to time, is composed of very short color dots.


Composition conveys the meaning of old stories and combines perspective and color to form an inseparable volume.

By fixing the perspective shape with color dots, the volume is formed with a color tone simply treated with color sensitivity.

This is a formative effect that embodies the meaning of an old story, but it does not reveal reality like a pictorial photograph, but expresses formative reality through literary recognition. In other words, it is a beautifully abstract painting with the meaning of the previous story as an abstract landscape


By stopping repetitive temporality in abstract space, the picture is fixed in abstraction as an image of an object without an object.

This is a physical shading structure in which reversible light is added to the color tone, unlike the picture of the Hwang Gong-mang's painting, which sweeps the contour into a shading structure. The structure abstracts the concept of referring to an object in which realistic outlines and abstracts are non-realistically overlapped, such as the 'Choi Chul-joo morning glory'.


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Louis Chul-joo Choi, 최철주섬계방대도(崔徹柱剡溪訪戴圖), 6X6cm, acrylic and composite materials on vinyl, 2021


The conceptual art of "Choi Chul-joo morning glory" is an abstract idea attributed to the art theory of the concept of desire. As a result, the concept is abstracted into traces of practical formality and reversible shades of light as a non-realist with the theme of the desire of others.

This place where abstractions are illuminated forms a stream of abstract concepts where the realistic structure is omitted.

The creek is positioned by irregular dots that extend to the middle of the mountain and its shape structure reflected in the stopped waves. This forms the aesthetic needs of the literary old story where the life seen as a dot has settled, and shows linguistic sensitivity by illuminating the value of life in the stream with the imaginary mountain as a reversible color point of light. And it makes a mountainous landscape appear as a reversible light with a volume of a dot about a life hidden in a stream. This refers to the value of life as the cognitive structure of desire hidden in timeliness time. It is an abstraction of the non-real structure as a conceptual form as a structure of the same meaning.


"Choi Chul-joo Island Gyebangdaedo" is a modern conceptual art that abstracts the meaning of an old story in the process of realizing the concept.

This creates a life pattern according to the symbolic landscape of the story and abstracts it in abstract shades.

The Island Gyebangdaedo, where one meaning that does not distinguish the genre of the image has become a conceptual landscape, faces the gaze from an abstract perspective. / Writing. Art critic Choi Chul-joo (abstract painter & Doctor of Cultural Design)


7e97c10013c79f87c988eda174c0f42b9013683a contemporary abstract artist Louis Choi Chul-joo



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Contemporary Artworks Review 25

Art Critique & Contemporary Art Review 25


Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [25] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire./ Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Contemporary Art Critic Louis Choi's Desire Art Theory Review : Famous Contemporary Artist Contemporary Painter Abstract Artist Pop Artist & Abstract Design = Abstract contemporary art that designed modern art abstract painting [11] Abstract Artist Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory" and "Bamboo Forest." / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: abstract artist Louis Choi Chuljoo "morning glory" & thread painting: morning glory B-06. 20201126-20201210, Minoo Media Art Museum


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Louis Chuljoo, Thread Painting: morning glory 2022-c, 135X156cm, acrylic and composite materials on cloth, 2022 = Back of "thread painting: morning glory 2020-b"


Art Review: Media Art's Qí Báishí's "morning glory" and Media Art's Thread Painting; Contemporary artist Louis Chul-joo Choi’s "morning glory", 2020, Museum of Minoo media art museum

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Qí Báishí's Media-art "morning glory", Still image(4, 10, 23, 30, 39sec), Collection of Minoo Media Art Museum,


Qí Báishí's "morning glory" is a simple, linear form that aligns the bright shade of light with the leaves and stems. He collects aesthetic results that affect humans so that the morning glory does not deviate from its actual shape. His paintings, "morning glory" consists of the effect of ink-and-washy tea, which sets flowers straight to the top of the stem. He gives a humorous touch to the difference in brightness, allowing the morning glory to be distinguished as a living object. He added the movements of the flowers in an anomalous way to his painting of the morning glory. His painting of the morning glory is arranged with leaves, and the stem forms the entire composition. He equates the leaves and stems with the appearance of the morning glory tailored to the flowers, thus establishing a position that humans can understand. The joint of the stem falls into black ink and the stem connected to it is thin and cloudy, and overlaps with the space as an impression effect of black ink with no boundary line with the morning glory. And the shape of the leaves drawn by the difference in brightness of black ink is shaped and structured so that humans can rely on the shape of the morning glory.


Media art at the Minoo Media Art Museum has cast doubt on the production process by showing the process of dismantling and combining the completed works. Accordingly, Chul-joo Choi, a doctor of design at the Museum of Minoo media art museum redesigned the media art work and its image in the process of creating media art. Chul-joo Choi's media art <the morning glory> designs the place of flowers and sets the place of leaves and stems that depend on the shape of the flowers. Unlike the media art Qí Báishí's <the morning glory> which shows the process of painting flowers in the structure of stems and leaves in the entire image, the media art that designed the rest of the structure, starting with the flower of the morning glory is <the morning glory> by Chul-joo Choi, a doctor of design. He designs a flower that relies on a set being as a coincidence that black ink spreads. This is realised in the media art form of a computer and painting without the perspective of space.


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Chul-joo Choi, Media-art; morning glory, Still-image (morning glory-4, -7, -15, -25, -35, -65, -75, -85, -95, -105)


abstract artist Louis Choi Chuljoo "morning glory", 2020.

In the process of producing the original media art, which is mechanically reproduced here, the picture format is thread painting. This painting embroidery the volume of light in the process of facing objects and ideally depicts the shadow of objects. It is a linear art that emphasizes "one line" in a new painting process combining oriental embroidery and ink painting. In other words, the image of the line, which was stopped during the process of drawing the media art <morning glory> was drawn with thread and paint.


In Kim Hong-seok's <Open and Closed> art review, art critic Louis Chul-joo Choi said the definition of a thread painting is "a trace of paint and yarn equivalent to the time remaining in the fabric, and it is exposed parts and margins."

Also, the structure of the shape was called “a form of self-consciousness that embodies what he saw before he realized how to perceive things.”

and the aesthetic value was called “a form of self-consciousness that embodies what he saw before he realized how to perceive things. The color of the shape reveals a hidden aesthetic value by giving time, not by marking, but by being considered the structure of the discoloured body.” in Thread Painting.

This is different from the aesthetics of M-Duchamp conceptual art that does not decorate materials.


Thread painting is a form of self-consciousness that has been implemented before realizing how things are perceived. The color of the shape does not indicate the distance of time, but shows the hidden aesthetic value as seen by the faded original formative structure. And beyond the literary character of conceptual art, it raises the formalities as a painting, paints the colors left behind, and ties them together with threads in a new formative structure.

Construct a shape in which the color of the linear structure exists so that the shape as a knot that hides the color by inserting the structure of the color into the thread so that it can adapt to a particular color.

Therefore, "Thread Painting" is a painting of yarn and paint on a cloth seeking linear aesthetics that denies the excessive literary nature of conceptual art.


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Qí Báishí's Media-art/ morning glory, Still image(39sec)/ Chul-joo Choi, Media-art: morning glory,


Thread Painting; <the morning glory> is an image drawn on a cloth-like material of an object made by custom. <the morning glory> is a method of drawing an image that is reversed from left to right by constructing a shape that looks like an image of the Lacan's objet on a cloth-like material.


Therefore, his painting is a two-sided painting that does not distinguish the front and the back. To represent an image in terms of practical and cursory features to suit the subject. Here, painting as a object of change in customs is another image that appears to be a object. It disappears as a substance of a subject that is hidden and drawn in small pieces invisible from space.


A small object shows a space that can actually be reversed through the shape's thought movement. This refers to the meaning of a shape in which, a small object defines a space that can actually be reversible and refers to the meaning of a feature that is obscured by the actual changed movement of the feature.


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Louis Chul-joo Choi, Media Art: morning glory, a hand-painted picture on a computer,
20201126-20201210, Minoo Media Art Museum


It is the color of light and the shape of a material such as cloth, and the inevitability of an impressionable space determines the position of a object. And by stopping the light and the object of the place, it forms a structure of conventional painting. This is a space where you can stay with the inevitability of a stopped structure. Thus, the meaning of the actual structure of the picture where the shape has stopped is formed by the reverse idea movement. Its conscious meaning as a structure is just a small piece of space that finds its place properties of matter. This small piece coexists as a properties of matter in numerous spaces when it is a similar object. The position is inserted into several spaces by the meaning of the thought movement, where one phenomenon and other meanings intersect. This is a thread painting, <the morning glory> which was created by repeating another space as an thought movement in the space of positioning.


The space here disappears and the morning glory turns into the color of light.


However, as a painting's meaning effect, it chooses a painting as the color of light on a fabric-like material or thread that has disappeared from the past space. Here, the painting distorts the image by changing the light into a line within a space that connects the surface of the morning glory with light.


Therefore, since the composition of the invisible preceding space cannot draw flowers, the beginning screen of the Media Art: <Qí Báishí, the morning glory> of Minoo Media Art Museum distinguishes the leading space by sketching stems and leaves and drawing flowers because the intro space is not the actual structure. Thread painting is a thread that depicts the shape of light that distinguishes objects in stationary media art. This is a thread painting limited to fabric in an empty space and the more you limit the habitual object to the shape, the more empty the space becomes, rather than the actual place, so it decorates the inner surface of the hidden cloth to find the meaning of the space as a small piece of artistic shape. As such, <the morning glory> is painted on cloth-like materials, forming an abstract spot with the inevitable spatiality of the object, thus gaining aesthetic value as a real habitual painting art.


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Louis Choi Chuljoo, thread painting <morning glory>, 135X156cm, acrylic and composite materials on cloth, 20201126-20201210, Minoo Media Art Museum


Louis Chul-joo Choi 's Process, Definition & Shape Meaning of Thread Painting

* The production process of thread painting designs an object that relies on a momentary coincidence, a presence determined by the smudging of a brush at a set object. This realizes media art and painting in the descriptionless space of the atmosphere.

Thread painting is a desire form drawn as a gaze of another person in the process of producing the mechanically reproduced original media art.


* Thread painting (Definition): Thread painting is a form in which images created by media art <morning glory> can be drawn (additional embroidered) on the shape of an overlapping cloth whose back space is illuminated by hand painting. In other words, it is a picture of a shape shaded in crossing thread and a painting with reflective light in a small hole in the cloth.


* The symbolic meaning of media art "morning glory" in thread painting is that the color of its meaning decorates the reality of the custom universality facing the object with the color of light. The dark blank space contrasted with the light of this decorated shape is a shadow created by traces. Here, color as an actual object is a monolithic image of an educated custom that appears to be a gaze. This is a symbolic language that symbolizes a flower that is imitated. Here, the 'morning glory' image is a piece of meaning symbolized in a non-real space as a result of the desire meaning.


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Louis Choi Chuljoo, thread painting: morning glory 2020-b, 135X156cm, acrylic and composite materials on cloth


The image of the shape of the object is created by embroidery, and the image of the cloth is expanded to embroidery, or the shape of the embroidery is transformed to widen the position of the cloth by flat painting.

This is conceptual image installation artist Choi Chul-joo's painting. As an installation of images, it is realized in flat painting without adding embroidery in media art and painting without description of the atmosphere.


Here, the shape drawn in the shade of reversible light and the thread painting in the small hole of the cloth are a picture that expands the position of the desire illuminated with reflected light.


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Louis Chul-joo Choi’s thread painting: morning glory B-06, 55X73cm, acrylic and composite materials on cloth, 2021/ *Extended exhibition period: 2020.12.11- 2021.1.29, Museum of Minoo media art museum


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Louis Chul-joo Choi’s thread painting: morning glory B-06, 55X73cm, acrylic and composite materials on cloth, 2020


Louis Chul-joo Choi’s thread painting: morning glory B-06

In addition, thread painting, in which still images as media art images are drawn according to timeliness by having originality based on image of media art and the shape of process media art, has another originality of the original work. This is because it is a context that is shown on the monitor and is a circle drawn with thread painting each image that has been stopped. It is a formative thread image with the same artistic meaning as painting, showing various exhibition formats.

The timeliness reversible from physicality in the place of exhibition space creates a place as the color of light and is recognized as the color of light in that place.


The space of abstract light can give a glimpse into the structure of a material object, but the place becomes the margin of space in which the subject of the object follows the change of its temporality. The margin is an abstract space, but as the subject of painting is drawn in what it says is the color of reversible light, it creates a place for the object in the margin. This is the object position determined by the inevitability of the symmetrical space so that the painting matches the image of the light of the space against the object. The space of the image tailored to the target is a structure of a painting that creates a separate space that connects the gap in the form of cloth-like material, and draws the color of light by stitching several empty spaces and margins. The image depends on the color and shape determined by the object location. Thus, the color of the image embellishes the reality of conventional universality facing the object with the color of light. The dark space in contrast to the light in this decorated shape is a shadow that was stopped in one place and looked at. Here, as the real object, color is a fragmented figure of the enlightened custom seen as a gaze.


A painting was made by repeating a picture of the image of a enlightened object, which stopped in a customary place of life, as a color of light, and the color of the reflective margin, which is difficult to distinguish, on a cloth-like material. Color-painted paintings here unravel the existence of reality as the shape of the color when enlightened by custom or found in place.

However, the empty space in the margin cannot reproduce the timeliness, so it seems to be a color that suits the subject of the object. In contrast to the color of light, <the morning glory> which depicts the shape of a cloth-like thread, captures the familiarity of the customs as the inevitability of the past space. / Writing. Louis Chul-joo Choi, head of the Academic and Arts Research Division at the Museum of Minoo media art museum (Contemporary artist & media art painter)


165542305b941fbfadeff4e933c0818a203360bf Art Critic Louis Choi Chul-joo



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