Modern and Contemporary Artist

Modern, Contemporary Artist Louis Choi18

Modern and Contemporary Artist [18] Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Artist & Contemporary artwork review : Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Contemporary Artist & abstract artist Louis Choi Chul-joo's "morning glory" Exhibition with the image of desire's object and Contemporary Artist, Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis.20220308~20220310 Yeomyeong Halll, New York. / Contemporary Art Culture Review: Young Voters Want To Watch Blackpink 'The Show' Rather Than Election Broadcasts On YouTube

Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)

Shape image as a conceptual semantic structure: It refers to another image of the background of a real concept that represents a real morning glory by repeating the color of the shadow on the object image of desire, and it is the object of the concept of desire that depicts the shadow structure created from non-real images with reversible light.

The object is abstraction as a contemporary desire concept artwork, which is repeated by symbolizing and overlapping the desires of others with reversible shades of light in "morning glory" the background design concept of contemporary desire concept artwork.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Louis' Conceptual Art Theory on Realistic Abstract Painting)

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.

As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.

(Louis' Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)

Realistic structures are reflected in the shape of shadow colors by light. It's the contours and shadows that are determined by the reversible shades of light that reveal that shape. This is the concept of desire, the art of realistic abstraction, which actually forms an abstract image of the concept of desire.

And The realistic outline determined by the reversible shadow of light and the desired shadow of the object form an abstraction as the shadow of the realistic image as the structure of the concept of desire.

A Cultural Review of Korean News Cartoon Criticism Applying Choi Chul-joo's Desire Concept Abstract Art Design Methodology 2 : Contemporary Art Culture Review: Young Voters Want To Watch Blackpink 'The Show' Rather Than Election Broadcasts On YouTube

Choi Chul-joo, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 8>, a hand-painted picture on a computer

Young Voters Want To Watch Blackpink 'The Show' Rather Than Election Broadcasts On YouTube

Choi Chul-joo's cartoon review, published as a current affairs review, [12] "Young Voters Want To Watch Blackpink 'The Show' Rather Than Election Broadcasts On YouTube," is the image of Velazquez's "The Las Meninas," which was viewed with a desire.

As an ideological and stereotypical image of absolute monarchy in the Baroque era in the 17th century, Diego Rodriguez de Silvay Velázquez painted Las Meninas 1656.

He visualizes the characters appearing as a screen composition of a gaze perspective to exclude symbolism from space and emphasize the realistic presence of the object as a substance, but it is against the temporality.

In other words, the king and queen in the space from a different point of view are identified so that they can be viewed on the screen.

In Choi Chul-joo's cartoon review No. 12, the king and queen transformed into candidates for the mayor of Seoul in 2021, forming a temporality converted from different perspectives in one space.

Choi Chul-joo, one's gaze in 'The Las Meninas'

It shows the contemporary phenomenon and human presence in the same way as the maidens in <The Las Meninas>. It emphasizes the presence as a subject of reality that young voters gaze at by visualizing the location of the Seoul mayoral candidates in place of the king and queen,

In "The Las Meninas", the object reflected in the mirror is a fantasy, but in the 12th issue of cartoon review, the fantasy object in the mirror shows real candidates for the mayor of Seoul.

The production of this fantasy is that the subject of the object reflected in the mirror is the object of the fantasy, and it is the cutting of the subject by the relationship between image and meaning.

The reality as an illusion forms an image reflected in a cyclical structure through the mirror with the candidates inserted in the non-real world reflected in the mirror and the fantasy object in black pink. Here, the meaning action takes on a neutral symbolism by accepting the virtual image as a new subject according to the relationship between the image and the meaning.

Choi Chul-joo, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 6-2>, a hand-painted picture on a computer

In this way, the relationship between image and meaning is cut to receive a new subject, and the mirror space in the cartoon is another space in the physical space revealed in the scene of "The Las Meninas", which is the upper body of candidates that cannot be seen at the time of viewing the entire scene of the cartoon as an image of a picture frame.

In order to insert the reality seen through this gaze, the artist's brush is put in and the subject reflected in the mirror is made to stare.

Like "The Las Meninas", cartoon review No. 12 actually reproduces the time and space of Blackpink and the candidates of the contemporary space Velazquez saw through the mirror.

The image reflected in the mirror is an invisible space, which is the image of the time Velazquez has seen in "The Las Meninas" It shows the reproducibility and gaze that symbolically reveals the situation of Black Pink and the candidates, as if the gaze of the other and the gaze of the other are identified and again reflected in the mirror as a king, queen, and princess.

In "The Las Meninas", Velazquez painted himself as an object reflected in a mirror. Another mirror in the painting is seen by Felipe IV and his wife, Maria Anna. This mirror reflects Velazquez and the king and queen outside the painting, but only the king and queen are reflected in the mirror in the painting. What cannot be interpreted with a perspective visual system is what the maids that exist in between are invisible.

An abstract painting drawn by the concept of desire formed by the relationship between image and meaning in cartoon criticism, Louis Choi Chul-joo, morning glory p34-4-1, a hand-painted picture on a computer, 2023

The images of the candidates and the faces of the two maids are drawn on images that do not exist in "The Las Meninas" to represent the fantastic image Velazquez revealed as the unconscious desire of others.

This is because it is a gaze that is not revealed in "The Las Meninas", and it is an image that is shown as non-real in a perspective visual system.

This reveals the reality of Velazquez by contrasting the subject, Princess Margarita, as the other, and the subject, the king and queen, as the absence. And the figure reflected in the mirror is not the image of the king and queen as an invisible 'grief' that deviates from the whole point of view, but rather a metaphorical image as an inner entity looking at Princess Margarita.

Therefore, the rest of the characters are virtual images as non-real. Revealing the meaningful image through this gaze is a real situation of the conceptual image, which refers to the erasure of the spatial domain and manneristic society of "The Show" and the Seoul mayoral candidate election. In other words, "Young voters try to watch Black Pink's "The Show" rather than election broadcasts on YouTube."

Choi Chul-joo, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 6>, a hand-painted picture on a computer

In "The Las Meninas", Velazquez represents himself as an object as an artist and reproduces the images of reality and non-real in the same space. Picasso interprets the skewed image that cannot be expressed on the same plane in his Cubist way. This sought to find a connection with the gaze image virtually reproduced by Velazquez, but Picasso combined the images seen from multiple eyes into the same image.

Therefore, in "The Las Meninas", the place revealed by the other's desired gaze is the position of the man standing at the door appearing at the vanishing point in the entire hypothetical image. Therefore, the man is an object, or reality, that Velazquez revealed by staring from the other's desire point of view. Velazquez reveals himself as an object in "The Las Meninas" as an artist, and says that the object as a subject cannot be a cognitive subject. However, in reproducing the image of reality and non-real in the same space, the image of non-real, which does not look like Picasso, is superimposed on one screen like an image reflected in a mirror.

This is an object as a desire image, an aesthetic result of desire as a skeletal image of desire to reveal reality. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)

Art critic Choi Chul-joo