추상화가 최철주｜Abstract Artist 22
추상미술가 최철주 현대추상미술평론 개념추상리얼리즘화가평론 추상현실주의평론
개념추상 현실주의 미술가 최철주 [22] 개념 추상 현실주의 미술 비평과 개념 추상 현실주의 디자인 과정: 최철주의 현대 개념 추상 현실주의 미술로서의 시각 예술 이론과 욕망에 대한 철학적 해석과 현대 개념 추상 현실주의 미술로서의 미적 가치의 예술성을 검토하고, 그의 작품 "나팔꽃"에서 설정된 추상적 욕망 개념의 언어적 의미 구조를 반영하여 문법적 시각 구조를 해석함으로써 그 결과로 추상적 욕망의 언어적 의미와 동일한 현실주의 이미지의 추상화로 귀결된다. Conceptual Abstract Realism Artiist Choi Chul-joo [22] Conceptual Abstract Realist Art Criticism and Conceptual Abstract Realism Design Process: Choi's Philosophical Interpretation of Visual Art Theory and Desire as Modern Concept Abstract Realist Art and by examining the artistry of aesthetic value as modern conceptual Abstract Realist Art, and interpreting the grammatical visual structure by reflecting the linguistic semantic structure of the concept of abstract desire set in his work "morning glory" it results in abstraction of realist images identical to the linguistic meaning of abstract desire,/ Abstract contemporary art that designed modern art abstract painting & Abstract artist Louis Choi Chul-joo Abstract art work: 현대미술 회화 디자인: 개념적 의미 구조로서 욕망 개념의 추상화 디자인 프로세스, The artwork posted on Facebook: Modern Art Artist Louis Choi Chul-joo Conceptual Abstract Work Criticism: Contemporary Art Critic Louis Choi Chul-joo's Contemporary Art - Conceptual Art, Abstract Art, Pop Art, Cartoon Criticism/ Louis Choi Chul-joo Abstract Art work ( https://opensea.io/Louisland ) review: 현대미술 회화 디자인: 개념적 의미 구조로서 욕망 개념의 추상화 디자인 프로세스, The artwork posted on Facebook: 루이 최철주의 욕망 이론과 시각 예술의 매력적인 교차점에서 현실적인 이미지가 등장합니다. 그의 욕망 이론과 개념적 추상 리얼리즘의 틀을 바탕으로 비현실적인 형태의 빛과 타인의 욕망을 바탕으로 가역적인 음영의 흔적으로 개념을 추상화한 예술입니다. 그러나 현실의 장소를 결코 온전히 파악할 수 없는 추상으로 표현하려는 타자의 욕망, 즉 초기 개념 예술의 개념으로서 회화성의 귀환을 설명하는 개념적 추상 리얼리즘의 추상화다.: Louis Chul-joo Choi, morning glory-A couple's world set in the 'morning glory' of Desire, 112X162cm, acrylic and composite materials on cloth, 2024
Louis Chul-joo Choi, morning glory-A couple's world set in the 'morning glory' of Desire, 112X162cm, acrylic and composite materials on cloth, 2024
욕망의 '나팔꽃'을 배경으로 한 부부의 세계
부부가 욕망의 상관관계에서 벗어나 또 다른 상관인과 욕망을 누릴때 부부는 사회성에 따른 대립 구조로서 부적절한 욕망의 주체가 직시하는 상관관계에서 존재적 유의미성을 드러낸다.
드라마에서 행위적 실체 모망하여서 욕망의 내러티브구조로 상관관계의 대립과 갈등을 보인다.
이것은 무의식적 언어구조의 의미를 상관물의 실재 이미지로 욕망의 배경인 나팔꽃에서 내적 욕망의 대립을 추상한다.
따라서 부부세계의 욕망을 추상하는 페인팅은 욕망을 상관물로 비유하지 않고 대립적 갈등으로 욕망을 대치하여서 실재화한다. 그 실재 이미지는 현상을 갈등 이미지로 치환하여서 대립적 욕망의 상관물로서 욕망과 대립하는 객관적 이미지를 생성한다.
욕망의 객관적 시선은 무의식적 욕망에 따른 존재로서의 상관관계를 구성하며, 현상적 공간에서 타인의 욕망이 직면하는 실존적 의미를 지닌 욕망의 실제 이미지로 해석하는 언어적 의미 구조에 맞춘 회화적 틀을 만든다.
이와 같이 언어적 의미 구조에 맞춘 욕망의 이미지는 현상적 공간에서 상대방의 욕망이 직면하는 실존적 의미를 가진 욕망의 실제 이미지로 해석되며, 욕망의 배경은 스푸마토 기법을 사용하여 시간적 흔적이 중첩되고 물체의 표면이 가역적인 빛의 흔적과 중첩되도록 먼 이미지처럼 구성된다.
다빈치의 모나리자처럼 겉으로 보이는 피부아래 면에서 경사되어 반사되어 보이는 색광을 배면이 비취는 천의 작은 구멍사이에서 만들고 욕망을 담고있는 여인의 실재 구조를 그려낸다.
이렇게 부부세계에서 갈등을 표출하는 여인의 추상적 무의식 구조를 현상적으로 관조할 수 있도록 실재 외적 구조의 객관성을 확보한다.
사회 현상과 욕망의 배경이 된 '욕망의 '나팔꽃'을 배경으로 한 부부의 세계에서 부부는 모순된 모습을 지향하지만, 의사 결정 관계를 부정하고 욕망의 현상을 정당화하려는 욕망을 위장하기 위한 것이다.
이는 부부의 세계가 이상적인 행복을 지향하기 때문에 부부의 경험적 현상에 대한 판단을 멈추고, 타인의 욕망을 비현실적인 현상으로 줄이고, 대립적 관계를 형성하려는 욕구를 자유롭게 찾는 현실과 동일시된다.
부부 세계에서 욕망과 현상은 무의식적인 욕망 구조로 결합되어 언어적 의미로서 공개 구조의 갈등을 숨기고 정렬되지 않은 욕망의 의미를 인식한다.
이는 가역적인 빛의 그늘로 나팔꽃을 어둡게 하고 욕망의 이미지를 언어적 의미로 반복적으로 디자인하여 욕망의 주체로서 대립 관계를 형성하는 추상적 부부의 현상을 현실의 구조로 드러나게 한다.
이렇게 드러난 실제 이미지는 욕망 개념의 영향을 받아 욕망이 아닌 갈등을 일으키는 대상으로부터 원하는 길을 얻으려는 욕망을 가능하게 한다.
여기서 추상적 현실 구조로서의 욕망 개념 설계는 최철주의 욕망 개념을 통해 욕망을 바라보는 추상적 틀을 욕망 개념의 추상적 설계 과정으로 전환하고, 추상적 구조를 실제 구조로 전이하여 욕망을 현실을 응시하게 하는 시선으로 볼 수 있도록 한다.
부부 세계의 추상적 욕망으로 은폐된 갈등은 욕망의 의미를 경험할 수 있는 실제 이미지를 드러내며, 대립적 갈등의 효과가 발생하는 추상적 선 공간을 구성합니다.
이는 실존적 차원에서 오해를 불러일으키는 추상적 실제 이미지로, 욕망의 배경이 되는 나팔꽃과 비교하여 분명한 장소를 설정한 추상적 그림이다./ 글. 추상개념예술가 최철주 (문화디자인박사)
Louis Chul-joo Choi, morning glory-A couple's world set in the 'morning glory' of Desire, 112X162cm, acrylic and composite materials on cloth, 2024
A couple's world set in the 'morning glory' of Desire
When a couple breaks away from the correlation of desire and enjoys desire with another boss, the couple reveals existential meaning in the correlation faced by the subject of inappropriate desire as a structure of confrontation according to sociality.
The behavioral reality in the play is destroyed, and the narrative structure of desire shows the confrontation and conflict of correlations.
This abstracts the confrontation of inner desires in the morning glory, which is the background of desire, as the meaning of unconscious language structure is the real image of the correlation.
Therefore, painting, which abstracts the desires of the couple's world, does not compare desire as a correlation, but replaces desire with confrontational conflict and realizes it. The real image replaces the phenomenon with a conflict image and creates an objective image that is opposed to desire as a correlation between opposing desires.
The objective gaze of desire constitutes a correlation as a being according to unconscious desire and creates a pictorial framework tailored to the linguistic semantic structure that interprets it as a real image of desire with existential significance faced by the desires of others in the phenomenal space.
In this way, the image of desire tailored to the linguistic meaning structure is interpreted as a real image of desire with an existential meaning faced by the other's desire in a phenomenal space, and the background of desire is composed like a distant image using spumato techniques so that traces of temporality overlap and the surface of the object overlaps with reversible traces of light.
Like Da Vinci's Mona Lisa, the color light reflected sloping from the underlying surface of the skin is produced between small holes on the back of the shaded fabric and depicts the real structure of a woman who contains desire.
In this way, the objectivity of the external structure is secured so that the abstract unconscious structure of women expressing conflict in the couple's world can be considered phenomenally.
In "A couple's world set in the 'morning glory' of Desire" the background of social phenomena and desires, the couple aims for a contradictory appearance, but it is intended to camouflage their desire to deny decision-making relationships and justify the phenomenon of desire.
This is identified with the reality of freely finding a desire to stop judging the couple's empirical phenomena, reduce the desires of others to unrealistic phenomena, and form confrontational relationships because the couple's world aims for ideal happiness.
In the marital world, desires and phenomena are combined into an unconscious desire structure to hide conflict in the disclosure structure as a linguistic meaning and recognize the meaning of desire that is out of alignment.
This darkens the morning glory with a reversible shade of light and repeatedly designs the image of desire as a linguistic meaning to reveal the phenomenon of an abstract couple that forms a confrontational relationship as the subject of desire as a structure of reality.
The actual image revealed in this way enables the desire to obtain the desired way from an object that causes conflict, not desire, under the influence of the concept of desire.
Here, the design of the concept of desire as an abstract reality structure transitions the abstract frame of looking at desire into the abstract design process of the concept of desire through Choi Chul-joo's concept of desire, and the abstract structure is transferred to the actual structure so that desire can be viewed as a gaze that makes you stare at reality.
Conflicts concealed by the abstract desires of the married couple's world reveal real images that can experience the meaning of desire, constructing an abstract line space in which the effect of confrontational conflict occurs.
This is an abstract real image that causes misunderstanding in the existential dimension, and it is an abstract painting that sets a clear place by comparing it with the morning glory, which is the background of desire./ Writing. Art critic Choi Chul-joo (conceptual abstract painter & Ph.D. in cultural design)
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Chul-joo Choi, 2019 SORIBADA BEST K-MUSIC AWARDS, a hand-painted picture on a computer, 2019
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. 2019 SORIBADA BEST K-MUSIC AWARDS
. 2019 SORIBADA Meilleur Corée-Musique de remise des prix
Louis Chul-joo Choi, 2019 SORIBADA BEST K-MUSIC AWARDS 7, a hand-painted picture on a computer, 2024
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, n front of the bamboo forest 206-2019 SORIBADA BEST K-MUSIC AWARDS: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light
Choi Chul-joo's concept of desire design process
"morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.
Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression.
The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.
Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.
In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence.
And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.
The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.
Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.
The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.
And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.
As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.
The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.
The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.
Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.
In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, n front of the bamboo forest 206-2019 SORIBADA BEST K-MUSIC AWARDS-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p123-2-2019 SORIBADA BEST K-MUSIC AWARDS: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <pond-2019 SORIBADA BEST K-MUSIC AWARDS> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p117-3-2019 SORIBADA BEST K-MUSIC AWARDS> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 120, a hand-painted picture on a computer
Background image of an artist's artwork:Louis Chul-joo Choi, Sketch: 2019 SORIBADA BEST K-MUSIC AWARDS, a hand-painted picture on a computer, 2019
Final image superimposed on the artist's work:Louis Chul-joo Choi, a missing pond, 112X249cm, acrylic and composite materials on cloth, 2024
Louis Choi chuljoo, 2019 SORIBADA BEST K-MUSIC AWARDS 7 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review of the concept [9] 2019 SORIBADA BEST K-MUSIC AWARDS : Chul-joo Choi & Kang's Korean Pop Star (2019-8-23) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's concept of desire, "morning glory," conflicts with linguistic concepts of meaning emphasized from a metaphysical philosophical point of view, creating dramatic event images to express the subject of insufficient desire, and illuminating the image in reversible shades of white light. He reflects the linguistic grammatical meaning of abstract desire concepts as images to form spaces of multiple event images that share superimposed temporality and reversible white light shades. This is interpreted as the subject of the absence of desire beyond the abstract self of the desire of others rather than physical perception, unlike the materialism of painting in the 18th century. The linguistic grammatical meaning of abstract desire concepts is a dualistic object that regards real images as events, equating the structure of insufficient desire with the principle of spatial composition. And as reversible light at the point of light over time, the material is made into a real image as an object. Thus, the concept of abstract desire in a pond that reflects the image of an event is expressed as a real image that reflects the desires of others in the real world. ■ Choi Chul-joo's Concept of Desire Formula: In the concept of Choi Chul-joo's desire, mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ■ The Design Results of Choi Chul-joo's Desire Abstract Concept: Choi Chul-joo Desire Abstract Concept Design's Linguistic Meaning Results: Although the object that is obsessed with the desire for others is passive, it is possible to actively practice one's desires through the sympathizer as the subject of desire, and the sympathizer who sympathizes with the desires of others as the subject can practice with the same desire. As a subject, a person who sympathizes with or accepts the desires of others becomes the same desire and becomes another subject of execution. Here, the sympathizer who sympathizes with the subject of the other's desire tries to generalize it as another object of desire that acts like a victor of war. However, when desire as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire and the sympathizer antagonize the subject who practiced it according to the other's general desire. ■ Object rendering of the concept of desire is 1. a pop art image that renders unconscious desire as an existential reality by dividing the same concept of desire as the event image into unconscious and real images as an object. Therefore, the subject who speaks linguistic meaning actually represents abstraction, the truth value of the concept of desire, which is an expressive aesthetic structure that specifies the viewing effect of colloquial language and event video broadcasting as an act of speech enunciation that depends on the news. 2. As the truth value of the concept of desire in visual images is an open system, and numerous visual images are transmitted to others through a pluralistic visual system. Abstract images, which are the true values of the concept of desire, attract attention because they have universality as real images expressed by the desires of others. In other words, the object exposed to the abstract desires of others functions as a desire to exchange the same aesthetic image as the concept of desire of others through the diachronic function of pop art applied as a work of art. 3. The truth value of the concept of desire in a linguistic sense in which the abstract image of the concept of desire and reality are the same, represents the structure of desire, and the reality of the abstract concept of desire is a real image, which is the causal structure of desire, and creates a structure of desire by forming a semantic relationship with contradictory desire. Like Kant, this is a dual structure up to modern art, and it encompasses mythical objects in the same structure as humans, and the antinomic desire structure as a single structure. 4. an object of the concept of desire rendered in abstraction: The object rendering of the concept of desire renders the object as an event image, which is the same rational object as the linguistic meaning of the desire structure through the gaze of the rational subject, is recognized as a real image that the subject cannot see. Additionally, other objects of desire are continuously represented by real images that attempt to fill the deficiency of desire. The pond, which reflects present desire as an object to abstract desire, presents a desire structure as a reality, which is an object to abstract desire, but it returns the cause of desire as a real image to an object as an event image, free from the imperfect abstraction that lacks desire that is subjugated to social visibility that has been concealed and deviated from lack through real images. In other words, the structure of deficiency and divided desire is hidden through real images of abstract desires, and contradictory desires subordinate to deviated social visibility become the cause of desire and become the objects of real images. In addition, object rendering of other desires is continuously expressed as a real image trying to fill the deficiency of desire. The rendering of an object that reflects the present desire as an object of abstract desire presents the structure of desire as reality, which is the object of abstract desire, but it returns the cause of desire as a real image to an object as an event image, away from the imperfect abstract lacking desire. In other words, the structure of deficiency and divided desire is hidden through the real image of abstract desire, and contradictory desires subordinate to deviated social visibility become the cause of desire, resulting in abstraction as a real image. ■ the abstract design process of conceptual abstract realism: 1. Conceptual Abstract Realism The current object is illuminated with reversible light so that the illuminated form can be repeatedly visually recognized according to the past temporality to actualize the subject's structure as a shaded structure of reversible light. And the design concept that constitutes conceptual abstract realism abstraction is determined as a philosophical result that can be expected with abstract causality so that the object is repeated as a design with the present gaze so that it appears to be a realistic image according to temporality. 2. The object of conceptual abstract realism is that the absence of desire as a non-verbal meaning is alienated from the symbolic world and loses its essence as the subject of desire. In the previous stage of linguistic meaning, according to grammar revealed as a symbolic image of existence, it was separated into a realist image recognized as an abstract desire concept and divided into a realist image, and the realist image as the subject of the desire structure is linguistically and diachronically meaningful. 3. The design of a realism image is an image that lacks the linguistic meaning of conceptual abstract realism, and the image in a linguistic sense is repeatedly designed as a post-effect of the desire structure being re-embodied, and a new conceptual abstract realism image is repeatedly designed. The direction and viewpoint of reversible light that make up the image along the chain of design are all stages of the perspective visual system according to temporality, and the line space of the visual structure, in which the image in the linguistic sense constitutes the desire structure, and the reversible light that constitutes the effect of the post-image produce a realism image at the intersection of the existential place with continuity. 4. Realistic abstraction creates a multi-loyal structural image of the linguistic meaning of unconscious structure composed of shadows at multiple points of reversible light separated from perspective, and girls are abstracted as divided subjects as talents that can be stared at momentarily while dismantled at a stereoscopic single point. 5. Conceptual Abstract Realism Abstractism Rendering is a conceptual abstract realism of wanting and linguistic desires that cannot be perceived at the level of expression consciousness, visualizing philosophical psychological structures and rendering them with linguistic meaning at the intersection of conceptual abstraction and unrealistic realism. As this becomes conceptual abstract realism abstraction, unconscious desires that represent the color tone and shape of desires invisible in the shade of reversible light become maps as conceptual abstract realism abstraction.
■ conceptual abstraction rendering process: 1. Integration of linguistic meaning and visual images: The abstract concept of desire is realized when the desire of others has an aesthetic meaning by facing the linguistic meaning in the image of an event as an object of a pictorial structure reflecting the present desire, and the image in the painting is closely connected to the linguistic meaning structure. As an object representing the concept of desire, the same concept of desire as the event image is divided into unconscious and real images, and an image modeling unconscious desire as an existential real image is sketched.
As for the sketch form of the current concept of desire, the concept of absolute desire is a symbolic metaphor shown in abstraction, and the concept of desire is abstracted as the desire of others, but it does not go beyond the scope of an imitative picture. Therefore, it is the modern conceptual abstract realism sketch that resulted in a real image through Choi Chul-joo's desire formula, which interpreted abstract concepts in a linguistic sense as the desire of others. This is a realism that interprets the concept of abstract desire as a real structure as a expressive image with a linguistic meaning in the real world, where pictorial event images are closely connected with linguistic semantic structures. Here, by applying existential semantics as an event and performance image, the object of the real structure is represented as a phenomenal image of the real world, and the abstract structure is identified with conceptual reality. 2. Visualization of Abstract Desire Concept: To accept the difference from the actual image in the concept of abstract desire as the meaning of the linguistic concept, and to embody the unconscious desire as an abstract image, the abstract image that constitutes the relationship structure with desire is painted and embodied in the actual structure created by the linguistic meaning of the conceptual reality of desire structure. This is an abstraction of Choi Chul-joo's conceptual abstract realism, which hides the formative reality of desire in pictures and abstracts event images based on real news, away from the social constraints (制約) acceptable in religious customs. Abstraction is a subjective concept that refers to linguistic meaning and expresses the viewing effect of colloquial enunciation and event video broadcasts in abstraction. This abstraction represents the true value of the concept of need and is an expressive aesthetic structure that embodies the elements that depend on the news.
The abstraction is represented as an abstraction which is a truth value of the concept of desire as an expressive aesthetic structure of one speech act that identifies the viewing effect of colloquial language and event video broadcasting as an enunciation. 3. The artistic experiment of reversible light and temporality: The experiment of conceptual abstract realism renders abstraction based on temporality in the linguistic sense that desire and reality are the same. Here, the structure of desire is abstracted by forming a semantic relationship between desire and reality according to temporality. In the abstraction, the abstract reality of desire is the causal structure of desire, that is, the antinomic equivalence represents the structure of desire by forming a semantic relationship with desire as a real image in which the reality of the abstract concept of desire is the causal structure of desire from an aphoria image. In abstraction composed of real images as the structure of desire, the morphological image of visible metaphor is transferred to abstract language meaning. Therefore, the real image as a result of exploring the existential realism according to temporality through the shadow of reversible artificial lighting is a metamorphic fixation as an abstract meaning in which the desire structure is obscured. In other words, in abstraction, the other's desire as an image of social events transforms into an additional form. As such, conceptual abstract realism rendering is raised by time and existence through the shadow of reversible lighting, repeatedly designing realistic images induced by social phenomena, creating a realism image with a desire formula, and the subject based on the event image repeatedly designing and rendering a realist image induced by social phenomena with a desire formula.
■ Conceptual Abstract realism Abstraction Design Process
Another abstraction that reveals the image as a reality as another structure of gaze that deviates from the visual system as an object that led to realism according to artistry is the image of realism. In realism abstraction design, a way to effectively convey the dual message of abstraction and reality is to realistically represent concepts and abstractions through contemporary conceptual abstract realism abstractions, such as contemporary media art images or abstractions. Thus, the process of designing conceptual abstrac realism abstractions in media art abstract design is as follows. 1. Realism Object Concept: An image formed from a virtual object by reproducing a realistic object is a virtual image that hides reality. A virtual image is recognized as a plane and looks like a realistic image. Here, it is hidden in a geometric plane image of a perspective visual system that reproduces realistic objects and is momentarily revealed as a gaze from the perspective of desire revealed by the unconscious. This defines the concept of a realist object with creativity and autonomy as an image in a linguistic sense as another existence of a conceptual abstract realism object through the unconsciousness suppressed by the desires of others. 2. Sketch Connecting Realism Images with Allegory: Abstract art and art are that matter is distinguished by its existence as a reality and the existence of objects formed from each other's abstract perspectives as virtual beings. The condition of a work of art is to reveal existence in the form of non-existent beings and imaginations as sketches that pass through an Allegory, which images objects and events as reality. It repeats the sketch to connect an anamorphosis image as another reality separated from an image of reality, that is, an existential image that seems to be the structure of gaze, to form an abstract language image into a sketch so that it can be re-formed into a conceptual abstract realism concept. 3. Abstract Realism Object Gaze: As an abstract realism object, the abstract object revealed as a point of light in the eyes of others makes Choi Chul-joo's aesthetic structure anamorphosis image revealed in the desire gaze system look like an abstract Realism object gaze as a philosophical device whose abstract meaning varies depending on the viewer's position and gaze. This image matches the perspective of realist space with the abstract linguistic meaning, and from the conceptual point of desire, abstract and invisible objects appear as gaze paths. As an object that implies the desires of others as a fictional element of human limited by causal relationship in the linguistic meaning of the conceptual abstract realism of images, it intersects with the image and is structured into the linguistic meaning of unconscious abstract realism. 4. Abstract Realism's Abstraction: Abstract realism's abstraction gets an abstract object specified in Choi Chul-joo's Desire Formula, and the desire image(i) design(d)s beyond the desires of others, which is an opportunity to verbally interpret the conditions under which the abstract object's image is realized(i/d) through grammatical interpretation of the linguistic meaning. And to reach <D(I...I')d=I(D...D'i)i> conceptual abstract realism abstraction as a reality by abstractly selecting a specific object that the subject of desire asks itself what abstract realism wants. This is a realism image that has stopped from the concept of abstract desire that has been realized by abstracting the abstract place that humans cannot experience in life as an object of desire in a linguistic meaning system. It is a conceptual abstract realism abstraction as a philosophical image that reproduces the essence of human existence and the limitations of perception as a metaphor by operating as Choi Chul-joo's conceptual abstraction as a device that transfers philosophical and linguistic meanings to images.
Conceptual Abstract Contemporary Artist Louis Choi Chul-joo