현대미술작가 최철주｜Contemporary Artist

현대미술작가 최철주｜현대미술평론 현대미술작가평론 현대미술추상작품평론 15

현대미술작가 최철주｜현대미술평론, 현대미술작가평론, 현대미술추상작품평론 [15] Contemporary Artist Choi Chul-joo｜ Contemporary art artist criticism criticizes contemporary art, which Louis Choi Chul-joo examines the aesthetic values, processes, and artistry of photography, cartoons, art, and design, and approaches the meaning of works through visual art theory. Picture speaking language structure is a gaze reality image in which the image of abstract desire seems to be the meaning structure of the concept of desire. This approaches the aesthetic value, process, and artistry of contemporary art criticism along with contemporary art criticism as the concept of desire abstract design. And as a contemporary artist, as the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure, he criticizes the reality of the concept of desire for others as an aesthetic value of the artist: Louis Chul-joo Choi, A chick Abstracting Desire from Dinosaurs into Reality, 176X232cm, acrylic and composite materials on cloth, 2024 & 

Louis Chul-joo Choi, A chick Abstracting Desire from Dinosaurs into Reality, 176X232cm, acrylic and composite materials on cloth, 2024

현대미술작가 최철주는 현대미술을 그의 욕망 공식을 통해서 추상화를 디자인한다.

최철주의 욕망 공식은 I/I(이미지)와 D/d(디자인)를 기호로 사용하여 디자인 이미지의 개수와 사건 및 공연 이미지를 연결하여 다항식의 욕망 이미지를 생성하는 곱셈 공식이다. 기호로서의 이미지의 언어적 의미는 욕망의 추상적 개념을 식별하고자 하는 욕망 개념의 이미지(I/i)이다.

추상화가로서 최철주의 현대 개념미술은 타자의 욕망을 주제로 한 비실재로서 실제적 조형성의 흔적과 가역적 빛의 음영으로 개념을 추상하는 미술이다. 이것은 초기 개념미술의 개념으로 한 회화성의 복귀 즉 사실적 실재의 자리를 대리하는 타자의 욕망을 추상하는 추상화다.

최철주의 욕망 개념의 추상적 이미지를 도출하는 것은 빛의 가역적인 음영속에서 욕망 개념의 언어적 의미를 표현하는 이미지를 디자인하여서 이루어진다. 반예술적 형태와 달리, 이것은 욕망 개념의 언어적 의미와 동일한 사건과 공연의 이미지 형태로 그려진 추상적 욕망의 실제 이미지다. 따라서 개념미술로서 허무주의의 반미술적 미니멀 아트가 아닌 추상적 욕망 개념을 실재의 이미지로 적시한다. 즉 욕망 개념과 동일한 언어적 의미로서 사건과 공연 이미지를 지적하여 보인다. 이것은 추상적 욕망을 언어적 의미와 동일한 실재의 이미지를 미학적으로 디자인한 최철주의 현대개념추상화운동이다. 여기서 기존 개념미술에서 미술가의 관점으로 한 미적 가치보다는 타자의 욕망 개념에서 출현한 실재룰 추상화한 조형성을 추구한다.

공룡의 욕망을 현실로 추상화한 병아리

시간성에 따른 추상적 욕망 개념은 가역적 빛으로 생성한 공룡의 공간을 만들고 기어처럼 욕망의 존재를 현상적 실재에 멈추고 그 빛의 음영으로 변화를 작게하여서 의인화한 병아리가 닭으로 오인한 욕망 개념의 공간과 동일시한다. 

지각이 만들어지고 지질시대를 지나서 공룡 화석에서 부터 생존 욕망을 시작한 주체로서 인간 욕망이 생존을 넘어선다. 

유아로서 병아리가 닭으로 오인하는 결핍이 존재하여서 욕망과 대치(對治) 한다.

공룡은 시간성에 따라 욕망이 비존재함 즉 결핍과 대치하지 않는 빈 공간의 흔적이다. 

욕망의 배경이 되는 '나팔꽃'은 욕망의 주체로서 사건과 공연의 이미지를 중첩시켜 추상적 욕망의 개념을 실제 이미지로 대체하는 개념적 추상을 형성하고, '대나무 숲'은 빛의 시간성으로서 그늘을 형성하며, '연못'은 현실을 반영하는 거울로서 그늘을 형성한다. 

욕망의 주체와 배경은 언어적 의미 작용으로서 외적 욕망, 상징적 디자인, 주체의 개념을 연쇄시키고, 배경은 주체의 언어적 의미 작용을 통해 무의식적 이미지를 현실로 전이시킨다.

욕망 개념의 추상적 상징하는 기호의 주체는 기호의 의미가 상징하는 무의식적 욕구의 존재물로 운폐된 상태를 보인다.

무의식적 욕구는 시간성에서 은폐된 욕망의 상관물로서 공룡과 닭이 추상할 수 있는 욕망의 존재물을 반복해서 디자인한다.

무의식은 실제 구조에 맞춘 본능적 동기인 존재 주체가 결여된 대상을 의식적으로 표현하려고 시도하며, 자의식이 결여된 대상 의식을 자의식으로 대체한 존재 주체가 결여된 대상을 의식적으로 표현하려고 시도한다.

그 자의식이 무의식의 대상을 의식적으로 표현하기 위해서는 추상적 욕망의 대상이 결여된 대상을 의식적 움직임을 통해 언어적 의미로 인식하고, 본능적 욕망의 대상의 본질적 존재를 인식하고자 하는 욕망의 개념을 추상으로 명시한다.

이것은 욕망 개념의 언어적 의미를 결정짓는 디자인으로 이미지를 만들고, 기호 기호가 디자인된 현실의 구조 속에 욕망의 추상적 개념을 숨긴다. 디자인의 주체로서 욕망의 추상적 대상으로서 병아리는 추상적 대상을 반영하는 닭으로 거울에 나타나 언어적 의미를 통해 현실의 숨겨진 구조를 만들고, 현실의 거울상과 현실의 주체가 식별되는 공간을 만든다.

그 욕망 개념의 언어적 의미를 설계하여 이미지를 만들고, 추상적인 욕망 개념은 현실의 구조에 의해 은폐되어 언어적 의미를 통한 현실의 구조와 욕망 개념이 식별되어 의미를 유발하는 현실의 이미지를 형성한다.

따라서 욕망 개념이 언어적 의미구조로 표상된 추상 구조의 또 다른 실재가 하나의 단상으로서 자리에 조응된 미적 가치를 갖도록 욕망 주체의 무의식의 자리를 풍습에 어울리는 언어적 추상 구조에서 욕망의 주체가 실재 이미지의 색으로 대상을 꾸민다.

이렇게 욕망 개념은 실재 이미지와의 인과성를 전제하지 않고 추상적 개념에서 실재의 구조로 전이된 오인에서 벗어나려고 욕망의 대상을 특정하여서 '나팔꽃'을 욕망의 배경으로 한 존재의 자리를 개입하여서 즉 실제 이미지 간의 상관관계로서 욕망의 개념에 대한 추상적 실제 이미지를 도출한다. 즉 욕망의 존재성을 반대가 없는 욕망 개념의 대상을 실재 이미지의 상관 관계로서의 욕망 개념으로 추상한 실재 이미지로 귀결한다.

실재 이미지로 귀결된 욕망은 그 이미지가 욕망 개념으로 한 추상 디자인 프로세스를 통과함으로 반복하여서 원근법적 시각체계 공간에서 존재하지 않는 실재 즉 추상적 실재 이미지를 형성하는 새로운 결과를 취득할 수 있다.

그러나 그 추상 디자인 과정의 결여는 하나의 결과로 종결된 추상을 이루고 결핍된 욕망으로 멈춘다. 이것은 해석하기 어려운 욕망의 중단단계로서 회화적 추상 구조에서 선, 면과 색으로한 형성성을 담고있는 작은 조각이다. 여기서 낭만주의 화가들은 사진같은 이미지에 대한 회화적 결핍애서 조형성을 파괴한다. 그들은 현실을 추상적인 구조로 표현하기 위해 광학 원리와 기계적 구성으로 물체의 모양을 재구성했다.

화폭은 모니터 화소처럼 검정색 천위에 좌우상하가 대칭대는 작은 네모 점의 볼륨있는 무늬를 보인다.

캔버스에서 이미지 요소로 픽셀의 크기를 늘리려면 이미지의 크기를 선명하게 보이도록 늘리고, 캔버스에서 일정 거리에 초점을 맞추기 위해 가역적인 빛의 색광과 음영을 분리하고, 여러 부분을 비추며, 욕망 개념의 의식적 작용으로 여러 직관적 표현을 중첩합니다.

욕망 개념의 상관물로서 욕망의 표상적 이미지는 언어적 의미가 동일한 구조로 가역적 빛의 음영으로 무의식으로 직관된 욕망으로 전체 형상에서 생략된 이미지로 관념을 특정하여 표현된 추상화다.

최철주의 욕망 개념 추상화 디자인은 낭만주의 회화에서 추상으로 변모한 현대 추상의 개념을 실제 이미지로 구현하는 새로운 추상 미술 방법론으로서의 현대 미술 운동이다.

하나의 개념미술이 추상이 아니라 선택자의 욕망 개념으로 이중적 자리를 만들고 그 이중적 자리에서 추상적 개념미술을 추월해서 주체로서 선택지가 원하는 추상으로 결핍된 욕망 구조를 의미적 존재로서 실재를 반복해서 디자인한다.

욕망의 실재를 디자인한 형상에 대한 개념적 미학은 삶의 가치로 한 미적 경험이다.

경험적 욕망의 결핍을 객관적 실재를 디자인하는 형식에 따른 결과가 욕망의 결핍을 충족함으로 가치를 획득한다.

이것은 욕망 대상에 대한 결핍으로 경험적 의식 운동으로 의미적 상관관계를 이루는 타자의 욕망 개념이다.

따라서 욕망 개념의 결과로서 사건과 공연 이미지의 주체가 욕망 구조와 교합된 개념을 담고 있다.

그리고 촬영을 위해 조명과 배경을 움직인 피사체의 이미지와 마찬가지로 실제 이미지의 모양은 검은색 배경의 음영이므로 실제 이미지는 피사체와 일치하는 욕망의 개념으로 미적 가치를 갖도록 조정한다.

따라서 그 실재 이미지를 음영으로 크기를 생략하고 빛으로 보이는 범위로 자리하여서 실재 이미지가 하나의 단상으로서 자리에 조응된 미적 가치를 갖도록 그 자리를 풍습에 어울리는 피사체 실재의 구조과 배경을 필름에 옮겨진 피사체의 이미지처럼 검정색에 배치한다.

사건과 공연 이미지의 순간적 인상으로 사진에 담아서 인상적인 욕망개념의 추상을 조명한 욕망 개념을 언어적 의미를 이미지를 명확하게 실재화하고 그 개념을 귀납적으로 가역적 빛의 음영으로 조명한 욕망의 추상 이미지를 보편적 실재로 귀결한다.

이것은 실재적 현상이 추상적 개념을 구체화할 수 있도록 실재의 자리에 존재했던 가역적 빛의 음영 구조가 욕망 개념에 맞춘 현상에서 허용된 실재에 본질에 안착한다.

여기서 추상적 욕망 개념이 슬라이드 필름에 가역적 빛의 음영된 내거티브의 피사체 이미지를 검정 바탕에 포지티브로 인화한 것처럼 실재를 순간적으로 수용한다.

욕망 개념의 실재를 이미지로 표상하는 중간 단계에 욕망을 정확하게 추상적 욕망의 여러 가지 개념 가운데서 실재를 지각하여서 이미지로 가려내어서 욕망의 결핍과 치환한다.

감광된 이미지를 지각하는 것은 욕망 이미지를 왜곡된 형태로 순간적으로 인식한 이미지가 그 순간을 촬영한 필름을 인화한 것과 동일하기 때문이다.

욕망의 결핍에 따른 대상은 무의식에서 추상된 욕망의 불만족한 대상에서 언어적 의미와 동일한 차원의 실재 이미지를 불완전한 경험에서 현존하게 한다.

현존하지 못한 결핍이 남아 있는 자리에 소유하지 못한 존재가 욕망이다.

따라서 욕망 개념의 실재로서 공용에서 의인화한 병아리까지 결핍된 주체로서 욕망의 언어적 의미를 상징하는 존재를 추상한다. 즉 공룡이 상징하는 과거 또는 죽음과 존재로서 병아리가 욕망의 결핍으로 추상된 상징의 의미적 존재를 욕망 개념으로 현존하는 실재로 표상한다.

그 표상은 욕망의 개념을 검은색으로 빛의 그늘을 덮고 욕망의 개념을 경험적 욕망의 구조로 변환하여 경험적 욕망 구조로 분류하고, 욕망의 개념을 기존의 형태로 분류하여 추상적 디자인 시스템으로 분류한다.

그리고 추상 디자인 시스템에서는 욕망의 개념을 경험적 욕망 구조로 분류하여 형태를 분류한 후 기존 현실 형태로 변화하는 반사색광으로 나누어 형태를 현존하는 실재의 형상으로 바꾼다.

이것은 욕망 개념을 실재화하기 위한 사건과 공연을 주체로 한 이미지의 화소와 욕망 구조와의 의식운동으로 추상적 욕망 개념을 실재 이미지로 디자인하는 방법이다,

공룡의 현실을 욕망 개념의 현실로 의인화한 병아리 추상화는 욕망 사건의 현실에서 존재의 추상적 현실을 은폐한 존재가 욕망 동기를 유발한 결과로 실존의 실제 이미지를 식별한다.

여기서 실재에서 분리된 사실적 존재로서 사건의 원인을 은폐된 욕망 개념의 디자인 효과가 실재 이미지의 추상화다.

주체가 분열한 존재의 자리에 주체가 사라진 추상적 욕망이 욕망의 실재 이미지다. 그 욕망은 억압된 무의식에서 응시로써 실재를 만나기 위해 주체의 불충분함에서 실재를 드러냅니다. 그리고 주체의 불충분함에서 실재를 드러내려고 욕망과 추상적 실재의 이미지가 결합한다./ 글. 현대 개념 추상화가 최철주 (문화디자인박사)

Louis Chul-joo Choi, A chick Abstracting Desire from Dinosaurs into Reality, 176X232cm, acrylic and composite materials on cloth, 2024

Choi Chul-joo, a contemporary art artist, designs contemporary art abstractions through his desire formula. Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire.

As an abstract artist, Choi Chul-joo's contemporary conceptual art is an abstract art that abstracts the concept of real formability and reversible shadow of light as unrealistic beings according to the desires of others. This is an abstraction of the other's desire to replace the real place, that is, the other's desire to represent the real place.

A chick Abstracting Desire from Dinosaurs into Reality 

The derivation of abstract images of Choi Chul-joo's concept of desire is achieved by designing images that express the linguistic meaning of the concept of desire in the reversible shadow of light.

Unlike the anti-artistic form, this is a real image of abstract desire drawn in the form of the same image of events and performances as the linguistic meaning of the concept of desire. 

Therefore, as an existing conceptual art, the concept of abstract desire, not the anti-artistic minimal art of nihilism, is indicated as an image of reality. In other words, the image of events and performances is pointed out as the same linguistic meaning as the concept of desire. This is Choi Chul-joo's modern concept abstraction movement, which aesthetically designs abstract desire and the same image of reality as the linguistic meaning.

The concept of abstract desire according to temporality creates space for dinosaurs created by reversible light, stops the existence of desire in phenomenal reality in the connection of clock gears, and identifies it with the space of the concept of desire that chicks personified by reducing the change to the shade of light were mistaken for chickens.

Human desire goes beyond survival as a subject who began the desire for survival from dinosaur fossils after the earth's crust was created and the geological era passed. 

A chick, such as a baby, is mistaken for a chicken and confronts desire as a lack of desire exists.

Dinosaurs are traces of empty spaces where desire does not exist according to temporality, that is, empty spaces where deficiencies do not face. 

]As the background of desire, "morning glory" forms a conceptual abstraction that replaces the concept of abstract desire with a real image by overlapping the image of events and performances as the subject of desire, "Bamboo Forest" forms a shade as the temporality of light, and "Pond" as a mirror reflecting reality. 

The subject and background of desire chain the concept of extraneous desire, symbolic design, and the subject becomes real as a verbal semantic action, and the background transfers the unconscious image through the verbal semantic action of the subject to reality.

The subject of the symbol, which symbolizes the concept of abstract desire, shows a state concealed by the existence of unconscious desire symbolized by the meaning of the symbol.

Unconscious desire is a correlation of desire hidden in temporality, and repeatedly designs objects of desire that dinosaurs and chickens can abstract.

The unconscious attempts to consciously express an object lacking the subject of existence, which is an instinctive motive tailored to the actual structure, and consciously attempts to represent an object lacking the subject of existence that has replaced the object consciousness lacking self-consciousness with self-consciousness. 

In order for self-consciousness to consciously express the object of unconsciousness, the object lacking the object of abstract desire is recognized as a linguistic meaning through conscious movement, and the concept of desire to recognize the essential existence of the object of instinctive desire is specified as abstraction.

It creates an image with a design that determines the linguistic meaning of the concept of desire, and hides the abstract concept of desire in the structure of reality in which symbolic symbols are designed. As an abstract object of desire as the subject of design, chicks appear in a mirror as chicken reflecting abstract objects to create a hidden structure of reality through linguistic meaning, and create a space where the mirror image of reality and the subject of reality are identified.

An image is created by designing the linguistic meaning of the concept of desire, and the abstract concept of desire is concealed by the structure of reality, so that the structure of reality and the concept of desire through linguistic meaning are identified to form an image of reality that causes meaning. 

As a result, the subject of desire creates an object with the color of the actual image in a linguistic abstract structure that matches the custom so that another reality of the abstract structure represented by the concept of desire as a linguistic semantic structure has an aesthetic value in accordance with the position as a single image.

In this way, the concept of desire does not presuppose causality with the real image, but embodies the object of desire to escape from the misunderstanding that has shifted from the abstract concept to the structure of reality, and intervenes in the place of existence with 'morning glory' as the background of desire, resulting in an abstract real image of the concept of desire as a correlation between real images. In other words, the existence of desire results in a real image abstracted from the object of the concept of desire without opposition to the concept of desire as the correlation of the real image.

Desire resulting in a real image can acquire the result of a new reality that does not exist in the perspective visual system space, that is, an abstract real image, by repeatedly passing through the abstract design process as a concept of desire.

However, the absence of an abstract design process consequently achieves an abstract ending and stops with a lack of desire. This is a small piece containing a pictorial abstract structure of the formability of lines, planes, and colors as an interruption stage of desire that is difficult to interpret. Here, Romantic painters destroyed the form in a situation where paintings were lacking compared to photographic images. They reconstructed the shape of the object with optical principles and mechanical configurations to express reality as an abstract structure.

Like monitor pixels, the canvas shows a voluminous pattern of small square dots on a black cloth that are symmetrical to the left and right and symmetrical to the top and bottom.

To increase the size of pixels from the canvas to image elements, increase the size of the image to make it look clear, separate the color light and shade of reversible light to focus on a certain distance from the canvas, illuminate several parts, and superimpose multiple intuitive representations as a conscious action of the concept of desire.

An image that represents desire as a correlation of the concept of desire is an abstraction that expresses a concept by specifying it as an image that is unconsciously and intuitively omitted from the entire form as desire in the shade of reversible light with the same linguistic meaning.

Choi Chul-joo's Desire Concept Abstraction Design is a modern art movement as a new abstract art methodology that realizes the concept of modern abstraction, transformed from romantic painting to abstraction, as a real image.

One conceptual art creates a double place with the concept of the selector's desire, not abstract, and overtakes abstract conceptual art in that double place, and repeatedly designs reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as a subject.

The conceptual aesthetics of shapes that designed the reality of desire are aesthetic experiences as values of life.

The lack of empirical desire acquires value by satisfying the lack of desire as a result of the form of designing objective reality.

This is the concept of the other's desire to achieve semantic correlation through empirical consciousness movements due to the lack of objects of desire.

Therefore, as a result of the concept of desire, the subject of the event and action image contains the concept of occlusion with the desire structure.

And like the image of the subject who moved the lighting and background for shooting, the shape of the actual image is a shade of black background, so the actual image is adjusted to have aesthetic value with the concept of desire consistent with the subject.

Therefore, the actual image is omitted as a shade and placed in the range of light, so that the actual image has an aesthetic value that conforms to the custom, and the structure and background of the actual subject are placed in black like the image of the subject transferred to the film.

The concept of desire, which illuminates the abstraction of the concept of desire by putting it in a photo as a momentary impression of events and performance images, clearly realizes the linguistic meaning of the image, and inductively illuminates the concept in a reversible shade of light, resulting in a universal reality.

This settles into the essence of reality, where the reversible shaded structure of light that existed in the place of reality is tailored to the concept of desire so that the real phenomenon can embody the abstract concept.

Here, the concept of abstract desire momentarily embraces reality, as if printing an image of a shaded subject of reversible light on a slide film against a black background.

In the intermediate stage of representing the reality of the concept of desire as an image, desire is accurately perceived among various concepts of abstract desire, and it is distinguished as an image, replacing it with a lack of desire.

Recognizing sensitized images is because the image that immediately recognizes the desired image in a distorted form and the image of the film capturing the moment are the same.

Objects arising from the absence of desire allow real images of the same dimension as linguistic meaning to exist in imperfect experiences in objects of unsatisfactory desires abstracted from the unconscious.

Desire is a being who does not possess a place where non-existent deficiencies remain.

Therefore, as a subject lacking from dinosaurs to anthropomorphized chicks, beings that symbolize the linguistic meaning of desire are abstracted as the substance of the concept of desire. In other words, as a past or death and existence symbolized by dinosaurs, chicks represent the semantic existence of symbols abstracted by lack of desire as a concept of desire as an existing reality.

The representation classifies the concept of desire into an empirical desire structure by covering the shade of light with black and transforming the concept of desire into an empirical desire structure, and classifies the concept of desire into an abstract design system.

And, in the abstract design system, the concept of desire is classified into an empirical desire structure, classifying the form, and dividing it into reflective color light that changes to the existing reality form to change the form into the existing reality shape. 

This is a method of designing the abstract concept of desire in reality as a real image as a conscious movement between the pixels of the image and the structure of desire with events and performances as the subject.

The abstraction of chicks, which personified reality in dinosaurs as the reality of the concept of desire, identifies the real image of existence as a result of inducing desire motives by a being who made the abstract reality of a being concealed from the reality of a desire event.

Here, the design effect of the concept of desire concealing the cause of the event as a realistic being separated from reality is the abstraction of the real image.

The image of actual desire is an abstract desire in which the subject has disappeared instead of a being in which the subject is divided. The desire and the subject of abstract reality combine to stare at reality from the repressed unconsciousness and reveal reality from the subject's inadequacy to satisfy reality.

And in order to reveal reality from the subject's inadequacy, desire and abstract reality images combine./ Writing. Choi Chul-joo, abstract concept artist (Doctor of Cultural Design)

 

Louis Choi Chul-joo, Trump gets attacked during the campaign 4 , a hand-painted picture on a computer/ Cartoon review: cartoon designer Choi Chul-joo's Korean News Cartoon Culture Column in Cartoon Review [188] Trump gets attacked during the campaign, (2024-7-14)  / Reporter Choi Chul-joo’s Cartoon Review  

■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.

Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression. 

The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.

    

Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.

In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence. 

And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.     

The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.

Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.     

The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.

And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.

As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.     

The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.

The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.

Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.     

In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, morning glory p111-7: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Louis Chul-joo Choi, The special feeling of the body and mind is “Twice”, a hand-painted picture on a computer, 2024/  Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [7] ABU TV Song Festival: Twice ‘Feel Special’ : A line News of Choi Chul-joo’s Manwha Review (2019-12-29)/ Reporter Choi Chul-joo’s Cartoon Review

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, morning glory p111-2: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Louis Choi Chul-joo, Red Velvet Irene & Seulgi 7, a hand-painted picture on a computer/ Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's treacherous conceptual art - News manwha K-Pop Song illustratoin [17] Red Velvet Irene & Seulgi Reveals Teaser Image 

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, morning glory p111-3: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Louis Chul-joo Choi, be made up by a person who gives love, a hand-painted picture on a computer, 2024

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, morning glory p111-4: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Louis Choi Chul-joo, <Kim Yon-ja's bling bling 3>, a hand-painted picture on a computer/ newsmanwha K-Pop Song illustratoin [1] I want to be happier day by day like this, bling bling. (2020-4-26) / Reporter Choi Chul-joo’s Cartoon Review 

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, morning glory p111-5: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Louis Chul-joo Choi, the world of husband and wife 11, a hand-painted picture on a computer, 2020/ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [22] JTBC drama 'the world of husband and wife' (Kim Hee-ae and Park Hae-joon), TV ratings as high as empathy for the extramarital affairs of married men. (2020-04-04) / Reporter Choi Chul-joo’s Cartoon Review 

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, morning glory p111-6: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Louis Chul-joo Choi, The special feeling of the body and mind is “Twice”, a hand-painted picture on a computer, 2024/ Cartoon review of the concept [7] ABU TV Song Festival: Twice ‘Feel Special’ : A line News of Choi Chul-joo’s Manwha Review (2019-12-29) /Reporter Choi Chul-joo’s Cartoon Review

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, morning glory p111-1: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, morning glory p111-1-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Abstract design effect of "Louis Choi Chul-joo's morning glory p111-8" based on Choi Chul-joo's concept of desire as a linguistic meaning: 

 

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p128-2-pond, a hand-painted picture on a computer

The figurative meaning of the conceptual abstract 'morning glory' is that the color of meaning decorates the reality of customary universality facing the object with the color of light. The dark blank space is a shadow created in the area of the subject, which contrasts with the light of a decorated shape. Here, as a real object, color is a single-phase image of the desire custom seen through the gaze. This is a symbolic linguistic image of the background of desire, which symbolizes the concept of desire with imitated flowers. Here, the morning glory image is a piece as a meaning of desire symbolized in real space as a result of the desire image.

"morning glory" expresses the lack of the concept of desire that exists in reversible temporality as a phenomenal image, and expresses the structure of desire obscured by the shade of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract structure of color and plane.

Abstract design effect of "Louis Choi Chul-joo's morning glory p128-2-pond" based on Choi Chul-joo's concept of desire as a linguistic meaning: The beneficiary who experienced martial law as a desire for the other is passive, but the powerful person who can actively enforce it from the perspective of the perpetrator puts it into practice with the same desire as the sympathizer. When a powerful person provides the benefit of power or a sympathizer receives it, the sympathizer becomes the same desire and becomes the subject of martial law enforcement. Here, the desire of the other, which is obscured, generalizes martial law practiced by inappropriate powerful and sympathizers as another object of desire and acts like a victor of war.

However, when martial law as an act overshadowed by reversible light is not generalized as a public act, inappropriate power and sympathizers are antagonized by the desire of the other as a subject who implements it according to the general desire of the others.

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, morning glory p111-8: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

■ Abstract design effect of "Louis Choi Chul-joo's Morning Flower p111-8" based on Choi Chul-joo's concept of desire as a linguistic meaning: The beneficiary who experienced martial law as a desire for the other is passive, but the powerful person who can actively enforce it from the perspective of the perpetrator puts it into practice with the same desire as the sympathizer. When a powerful person provides the benefit of power or a sympathizer receives it, the sympathizer becomes the same desire and becomes the subject of martial law enforcement. Here, the desire of the other, which is obscured, generalizes martial law practiced by inappropriate powerful and sympathizers as another object of desire and acts like a victor of war.

However, when martial law as an act overshadowed by reversible light is not generalized as a public act, inappropriate power and sympathizers are antagonized by the desire of the other as a subject who implements it according to the general desire of the others.

Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, morning glory p111-8-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture. 

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p111-8-pond> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p111-8> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p111-8-pond> becomes a non-real abstraction of reality.

Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p111-8-pond" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.   

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

 

■ Choi Chul-joo's Concept of Desire Formul: In the concept of Choi Chul-joo's desire,  

mathematical desire as an axiom of logic in the concept of desire results in reality as a concrete phenomenon rather than based on the external structure of the linguistic meaning through abstract design. Therefore, the rendering of the desire structure revealed by abstract encounter with reality at the intersection of desire outside the window applies the mathematical desire concept abstract design, or the image of the desire concept, to the Choi Chul-joo desire formula, and on March 1, 2022, morning glory appears as a flat real image as the subject of desire as a reversible shade of light in the Flushing Town Hall (New York) exhibition./ Choi Chul-joo's Desire Formula is a multiplication formula that uses I/I (image) and D/d (design) as symbols to generate a polynomial desire image by connecting the number of design images with event and performance images. The linguistic meaning of an image as a symbol is an image (I/i) of the concept of desire to identify the abstract concept of desire./ The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). 

■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. 

■ The Design Results of Choi Chul-joo's Desire Abstract Concept: Choi Chul-joo Desire Abstract Concept Design's Linguistic Meaning Results: Although the object that is obsessed with the desire for others is passive, it is possible to actively practice one's desires through the sympathizer as the subject of desire, and the sympathizer who sympathizes with the desires of others as the subject can practice with the same desire. As a subject, a person who sympathizes with or accepts the desires of others becomes the same desire and becomes another subject of execution. Here, the sympathizer who sympathizes with the subject of the other's desire tries to generalize it as another object of desire that acts like a victor of war. However, when desire as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire and the sympathizer antagonize the subject who practiced it according to the other's general desire.

■ Effect of Abstract Design with the concept of Choi Chul-joo's Desire as a Linguistic Meaning: The beneficiary who experienced reality as a desire for the other party is passive, but the person in power who can actively execute it from the perspective of the perpetrator puts it into practice with the same desire as the sympathizer. The sympathizer becomes the same desire and becomes the subject of actual action when a powerful person provides the benefit of power or a sympathizer receives it. The other's desire, which is hidden here, generalizes the actual actions of inappropriate powerful people and sympathizers as another object of desire and acts like a victor of war.

However, when the actual effect as an act overshadowed by reversible light is not generalized as a public act, the subject of inappropriate desire is antagonized by the other's desire, away from the other's general desire for inappropriate power and sympathizers.

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p111, a hand-painted picture on a computer