Contemporary Artworks Review 8

Art Critique & Contemporary Art Review 8

Dec 29. 2022

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [8/ 46~50] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Pop Art Cartoon Abstract Painting & Art Review Modern Painter Work : Contemporary art review: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [8] Modern Painter Artworks Art Review : Contemporary Abstract Art Artist Louis Choi Chul-joo's "morning glory" Art Review/ 배반적 개념미술로 한 추상미술 아티스트 루이 최철주의 <나팔꽃>을 라캉 미술이론을 적용한 미술평론

한국화 디자인 평론 / 추상화 디자인 abstraction design: 개념미술 추상화 디자인12 <Morning glory p70-2> 유명 현대 개념 미술가, 현대미술 작가, 현대 추상미술 한국화가 작품 루이 최철주 뉴욕 전시 나팔꽃 포스터 팝아트 추상화 디자인 / Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design / Modern abstract artist Louis Chuljoo Choi's <Morning glory p70-2> Exhibition in New York

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life.

It's a work of art as a treacherous conceptual art called realistic abstraction, the cartoon news of modern art abstraction.

루이 최철주의 배반적 개념미술 추상화 ■ 구상 형태를 선과 색에 맞추는 개념미술에 배반적이다. ■ 최철주의 추상화 디자인 프로세스/ 추상화 <나팔꽃>에서 라캉의 미술 이론을 그 추상화에 연쇄하여서 기표 이미지를 기의 이미지로 전환하고자 라캉의 미술 이론을 형식화한다. 이것은 라캉의 상상계와 환유공식을 반복 적용하여서 타자의 욕망을 회화에 발현하는 의미를 가지며,

여기서 생성된 이미지는 피사체의 입면으로 정시되는 도면을 제외한 형태로 왜곡된 시선으로의 교차점에서 전체 피사체가 일정한 방향의 빛으로 보이는 하나의 형상이다. 그 형상에 라캉 미술이론을 적용한 결과로서 타자의 욕망을 조형미에 접근한다. 이것은 타자의 욕망이 하늘에 감춰진 빛에 있지만 피사체의 자리가 땅위에 있다. 따라서 형상이 없는 하늘과 땅이 실재라면 사실적 욕망의 구조는 지잔 시간에 존재했던 사건의 현장을 그린 존재적 추상이다. 그 추상의 대리자로서 가역적 빛의 음영으로 생성된 <나팔꽃>은 욕망의 구조로서 정해진 형태가 개념의 존재를 인식하게 만드는 사실적 비실재의 이미지로서 미적 가치를 얻는다.

■ 최철주 <나팔꽃 윈도우>는 주제의 대상이 아니고 타자의 욕망 공간적 배경이다. 가역적 빛의 셀재를 맞추고 그 빛의 실재를 감추는 흰색을 통해서 비실재의 구름을 만들고 실재의 음영을 가린다. 그 음영에 틀로서 윈도우는 음영에 숨긴 무늬를 볼 수 있도록 그림자를 통해서 실재의 색조를 조명하고 그 실재의 형상을 존재로서 인식하게 한다.

존재로서 형상을 보는 것은 하늘처럼 일관된 삶의 공간을 보는 것과 동일하다. 그 삶의 공간을 대리하는 만평과 연결하지만 비평하고 판단하지 않고, 사건의 사진으로 실재를 재현하여서 상징하는 대상의 실재를 배반적 개념미술로 구조화하여서 그 개념을 추상한다.

(배반적 개념미술 추상화 최철주미술이론 ACN ・ 2022. 12. 24. 17:11)

Louis, morning glory p70-3, a hand-painted picture on a computer, 2022

배반적 개념미술 추상화 루이 최철주 <나팔꽃> 미술 평론

라캉적 주체를 드러내는 것은 결여된 주체로서 오브제ɑ를 드러냄이다. 이것은 추상화 <나팔꽃>에서 타자의 욕망을 주체로 한 형상에서 재구성된 결여를 대리하는 피사체 다. 그 피사체에 음페된 결여를 상징하는 주체의 이미지를 드러내는 프레임을 구성하고 유아가 비존재에서 벗어나 주체로서 실재를 선택하려고 그 프레임 속에 가역적 빛의 음영으로 오브제ɑ를 생성한 것이 <나팔꽃 윈도우> 다.

이것은 사실적인 실재로 귀결한 욕망의 물리적 구조다. 그 구조는 입체적 형태에서 여러 개의 왜상적 단면을 갖고서 개념미술로 한 회화적 이미지를 하나의 개념에서의 오브제로서 의미 구조의 다면적 이미지로 추상한다. ( ACN ・ 2023. 6. 22. 23:13 <나팔꽃 윈도우> 주체 이미지: 최철주추상개념미술이론)

<morning glory p70-3-1>은 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로써 배면이 비춰지는 교직된 천의 형태에 그리진 라캉의 오브제ɑ다.

뉴욕(Flushing Town Hall & Yeomyeong Hall)에서 한국 화가 & 팝 아티스트 루이 <나팔꽃>개인전 관련 현대미술 추상화 작품으로서 디자인 컨셉으로 한 포스터를 제작하여서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 전시 포스터 이미지를 기호화한 현대 추상화다.

비사실적 실재의 형상을 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 2022 뉴욕 전시 나팔꽃 포스터 70-3-1)은 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실재의 이미지로서 타자의 무의식적 욕망의 자리를 드러낸 추상적 이미지의 오브제ɑ를 보인다.

그 오브제ɑ 는 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(나팔꽃 포스터 70-3-1)은 병아리가 타자의 욕망을 공용이 화석된 긴 시간성에 감추어진 이미지를 가역적 빛의 음영속에 어떤 형상의 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 전시 포스터 형상의 실제 변화된 움직임에 의해 가려지는 추상의 의미 즉 오브제ɑ를 말한다

개념 미술로 한 <나팔꽃 p 70-3>은 전시 포스터 의미로서의 라캉적 특정효과가 발생하는 회화의 추상적 영역은 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지다.

이것은 회화에서 나팔꽃이라는 일관된 의미로 보이게 있는 왜상적 평면성이다. 그 나팔꽃은 거울에 비친 실재(le réel)와 동일하지만 배경의 형상은 동일하지 않다. 이것은 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이지만 그 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사상적 비형상의 존재로서 실재하는 비사실적이기 때문이다.

그 존재는 실제 가역할 수 있는 형상으로서 추상 공간을 정의하고 그 형상이 가역적 빛의 음영으로 실제 변화된 움직임에 의해 가려지는 전시 포스터 개념 미술의 추상화 의미를 말한다

배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 만화 리브 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 만화 리브 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

Choi Chul-joo, <Baekhyun's "I just want to fit in with you" 4>, a hand-painted picture on a computer

추상화 의미의 현상적 자리를 전시 포스터로 대신한 라캉적 개념미술 추상화는 형상의 자리를 구별할 수 있어서 그 형상을 해석하는 이면(裏面)의 의미를 구상한다. 그 형상은 다른 의미를 말하려고 사상적 구조로 한 그 의미와 유사한 색깔과 크기의 추상하지만 상상계에서 개념 미술의 추상적 의미는 실재와의 동일시하여서 외형적으로 오브제의 이미지와 추상적 의미를 동일한 주체로써 오브제의 이미지와 동일시되면서 내적으로 주체는 변형된 추상적 의미를 형성한다. 이것은 형상의 추상적 의미를 가리키며, 그 형상은 실제 가역할 수 있는 추상적 공간을 정의하고 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미를 가리킨다.

그 의미는 타자의 욕망<Baekhyun's "I just want to fit in with you" 4> 을 모방한 꽃을 상징하는 기호적 언어로 추상된 <나팔꽃 p70-3-1>로 디자인된다.

Chul-joo Choi, morning glory-2020-l-0, 148X175cm, acrylic and composite materials on cloth, 2021

이 그림(나팔꽃2020-l-0)은 물체를 마주보는 과정에서 빛의 부피를 자수하고 물체의 그림자를 관념적으로 묘사하고 있다. 이것은 동양적 자수와 수묵화를 결합한 새로운 회화적 프로세스에서 '한 획'을 강조하는 선형예술이다. 즉 미디어아트 나팔꽃<morning glory> 이 그려지는 과정의 동영상에서의 정지된 ‘한 획’을 천에 실과 페인트로 그려낸 것과 같다. 그것의 미적 가치는 사물을 지각하는 방법을 그가 깨닫기 전에 구체화한 선관(先觀)적 자의식의 한 추상적 형태다.

그 조형의 색은 시간의 거리를 주어서 표식하지 않고 퇴색된 본디의 조형의 구조로 간주되어 보임으로서 숨겨져 있는 미적 가치를 드러낸다.”라고 했다. 이것은 M.뒤샹의 물질을 치장하지 않는 개념미술의 미학과는 다르다. 쓰레드 페인팅은 사물을 지각하는 방법을 깨닫기 전에 구체화한 선관(先觀)적 자의식의 한 형태다.

<morning glory> 의 형태 색은 시간의 거리를 주어서 표식하지 않고 퇴색된 본디의 조형 구조로 간주하여 보임으로서 숨겨져 있는 미적 가치를 보인다. 그리고 개념미술의 문학성을 넘어서 회화로서 조형성을 비등(沸騰)하고서 남겨진 색을 그려서 새로운 조형의 구조로서 실로 매듭한다. 그 색의 구조를 실에 넣어서 색을 가려 막는 매듭으로서의 조형을 특정한 색에 조응할 수 있도록 선형적 구조의 색이 존재한 조형을 구성한다. 따라서 ‘쓰레드 페인팅’은 개념미술의 지나친 문학성을 부정하는 선형적 미학을 추구하는 천에 라캉의 실재를 대리하는 실과 페인트를 칠한 그림이다.

쓰레드 페인팅 <나팔꽃>은 풍습에 의해 만들어진 대상의 천과 같은 재료에 그려진 라캉적 개념미술 이미지다. 그 <나팔꽃>은 라캉적 이미지처럼 대상이 보이는 형상을 천과 같은 재료에 구성하여 좌우가 역전된 이미지를 그리는 방식이다. 따라서 루이 최철주의 그림은 앞면과 뒷면을 구분하지 않는 양면의 그림이다.

현대미술 작품: 한국 화가 루이 최철주 2022 뉴욕 <나팔꽃> 전시 포스터 70-1

실제적 형상과 응시적 형상에서 주제에 어울리는 피상(皮相)적 면으로 이미지를 표상한다. 여기서 풍습의 변화 대상으로 그림을 그리는 것은 하나의 대상으로 보이는 또 다른 이미지다. 그것은 공간에서 보이지 않는 작은 조각으로 그려진 대상의 물질로 감추어지고 사라진다. 대상의 작은 조각은 단색화 하여서 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 공간을 보인다. 이것은 어떤 형상의 의미를 가리키며, 그 작은 대상은 실제 가역할 수 있는 공간을 정의하고 형상의 실제 변화된 움직임에 의해 가려지는 형상의 의미를 가리킨다. 그것은 천과 같은 재료에 주재(主材)된 형상과 빛의 색깔로서 인상적 공간의 필연성으로 한 대상의 자리를 정한다.

현대미술 작품: 한국 화가 루이 최철주 2022 뉴욕 <나팔꽃> 전시 포스터 70-2

추상된 <나팔꽃>에 타자의 욕망을 대리하는 형상을 디자인하여서 라캉의 오브제ɑ(루이 최철주 2022 뉴욕 전시 나팔꽃 추상화 포스터 70-2) 으로서 추상적 오브제로서의 재현한다. 그것은 원근법적 시각체계의 기학적 도식에서는 시각체계가 은폐된 가역적 빛으로 한 음영의 자리를 만들어냄으로서 무의식에서 드러난 타자의 욕망적 관점에서 각각이 다른 순간적인 응시로서의 오브제ɑ가 추상된다.

이렇게 라캉적 개념미술로 추상된 오브제ɑ는 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 타자의 욕망을 존재로 한 전시 포스터 조형성의 음영으로 오브제ɑ를 생성하고 의미로서 존재한다.

그 의미적 존재로서 오브제ɑ는 타자의 욕망적 관점에서 왜상적 이미지로 오브제의 이미지를 의미의 구조로 변형함으로써 오브제의 또 다른 존재로서의 오브제ɑ를 드러내어서 타자의 욕망의 자율적 선택으로 한 조형적 가치를 담고 있다.

그리고 회화적으로 닭의 배경에 감추어진 타자의 욕망으로서의 작은 조각은 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 추상적 공간을 보인다. 이것은 타자의 욕망을 추상적 오브제의 존재 의미로 그 오브제를 실제 가역할 수 있는 공간에 추상하여서 자리한다.

현대미술 회화 디자인: 의미 구조로서 형상 이미지를 기호화한 오브제 디자인 = Louis, morning glory p70-2, a hand-painted picture on a computer, 2022

추상 공간의 자리를 더 이상 포스터로 명시하지않고 라캉의 “해석의 네 방위(É=Jacques Marie Émile Lacan, Écrits, Seuil, 1977, 53)”에 적용한다면 상상계로서 이미지ⓐ ('utre)와 말(moi) a의 선과 상징계로서 해석A (utre)와 그림(Es) S의 선을 교차하는 대각선 위치에 둠으로써 회화 작품을 '해석의 네 방위(The quadruple)'로 해석한다.

여기서 라캉적 개념미술 추상화는 거울이론을 통해 실재를 드러내는 것은 유아가 거울에 비친 기표적 이미지를 상상계 이미지ⓐ와 동일시하게 상상계에서부터 시작된다. 주체로써 기표적 이미지가 자신이 아닌 것을 인지하면서 기표의 상징적 이미지와 실재와의 분리를 통해 상징계로서 해석A (utre)된 추상화로 전이한다. 그 추상화 이미지와 실재가 분열을 통해 실재와의 만남이 이루어진다. 실재로서 기표적 이미지는 왜상적 이미지로 드러나지만 비실재로서 실재와의 어긋난 만남 즉 추상화 다. (ACN. 2022.10.14 '라캉 해석의 네 방위'에 대한 최철주 해석)

비실재로서 개념만평 <Baekhyun's "I just want to fit in with you" 4>의 욕망적 형상이 실재와의 어긋난 만남으로 이루어진 형상의 실제가 추상된 타자의 욕망에 가려지는 추상적 풍경 형상의 의미를 대리하는 비실재의 사실적 형상을 보인다. 그 형상은 추상적 음영으로 생성된 타자의 욕망이 선택한 실제의 구조와의 교차점이다.

이것은 비실재의 사실적 구조로 한 전체의 실제 형상과 가역적 빛의 음영으로 디자인한 타자의 욕망이 응시로 보이는 교차점에 순간적으로 추상화된 형상이다.

그 응시로서 시니피앙은 새로운 주체를 받아드리기 위해 절단한다. 이렇게 절단된 주체는 표상하는 형상으로 고착된다. 회화 속에서 거울에 비친 공간은 가역적 빛으로 한 회화의 음영에서 드러난 물리적 공간 속에 또 하나의 공간 즉 회화의 전체 장면을 보는 시점에서 볼 수 없는 ‘응시’로써 보이는 실재이다. 이러한 응시로써 보이는 실재를 재현하기 위해 그림에 화가는 거울을 소재로 사용한다.

동일한 평면에서 표현할 수 없는 개념만평 <Baekhyun's "I just want to fit in with you" 4>의 왜상적 이미지를 가상적으로 재현한 응시적 이미지와 유사하거나 그 이미지와의 연관성으로 한 큐비즘으로 실재의 자리를 대리한 것처럼 추상적 전시 포스터의 가상성을 큐비즘적 이미지에 맞춘 조각들을 개념만평으로 구조화 한다. 타자의 욕망으로 한 개념만평 오브제는 분명히 거울에 비쳐진 오브제로 드러나지 않고 은폐되었으며 거울에 드러난 또 다른 오브제를 봄으로써 그림을 보는 자의 실재는 부재한다. 다만 그 그림을 그린 이가 타자를 대신한다.

타자를 대신하는 라캉의 응시로써 드러난 자리는 전체의 가상적 이미지에서의 소실점에 등장한 피사체의 위치 즉 atopia 다. 따라서 그 피사체의 주체가 타자의 욕망적 관점에서 응시로써 드러낸 오브제 즉 실재다.

따라서 <나팔꽃 p70-2>는 실재와 비실재의 이미지를 동일한 공간에서 개념을 추상한다.

피사체를 개념하는 큐비즘에서 입체적 공간으로써 물리적 실재를 드러내고자 함은 사실적인 실재로서 오브제를 ‘응시’하게 한다. 그리고 사실적인 실재를 분명한 물리적 구조에서 출현한다. 그 구조적 물리성은 입체적 형태에서 여러 개의 단면을 갖고서 개념적 회화에서 한 개의 단면과 두 개의 측면을 하나의 개념에서의 오브제로 형태적 구조의 다면적 개념성을 포치한다.

포치된 개념성의 빛과 대상을 형태적 자리에 멈추게 하여서 풍습 된 페인팅의 구조를 이룬다. 이것은 순간적으로 멈추어선 그 구조의 필연성으로 한 주재적 공간이다. 따라서 그림의 실제적 구조로서 형상이 멈추었던 자리에서의 의미가 가역적 사고 운동으로 형성된다. 이것의 구조로서 의식되는 의미가 공간의 자리를 찾아가는 작은 조각일 뿐이다. 그 작은 조각은 유사한 대상일 때 많은 공간의 자리에서 현상적 물성으로 공존한다. 그 자리 하나의 현상과 다른 의미가 교차하는 의중 운동으로 여러 개의 공간 속으로 그 자리가 끼워진다. 이것은 자리의 공간 안에서 의중 운동으로 또 다른 자리를 연쇄하여서 만들어낸 쓰레드 페인팅 <나팔꽃> 연작이다. 여기서 공간의 자리는 사라지고 그곳에 자리했던 나팔꽃은 빛의 색깔로 변신한다.

그러나 빛의 형상이 그림의 의미 효과로써 지난 공간에서 사라진 천과 같은 재료에 빛의 색깔로 그림 선택한다. 여기서 그림은 나팔꽃의 표면을 빛과 연결하는 공간 안에서 그 빛을 선으로 바꾸어 이미지를 왜곡시킨다. 따라서 보이지 않는 선 공간의 구성은 꽃을 그릴 수 없으므로, 2020년 미누현대미술관 미디어아트 루이 최철주 영상전에서의 <morning glory>의 시작 화면은 도입부 공간으로서의 실제 구조가 아니므로 줄기와 잎을 스케치하고 꽃을 그려가며 선 공간을 구별한다.

Louis Chul-joo Choi, Media-art: morning glory, Still image (morning glory-55)

정지된 미디어아트에서 대상을 구별하는 빛의 모양을 실로 그려낸 것이 쓰레드 페인팅이다. 이것은 풍습 된 대상을 구도로 한정할수록 공간을 이어주는 대상의 자리가 빈자리가 되기 때문에 스케치 위에 시침질 선으로 한정된 구조로서 자리에 숨겨진 천의 내면을 치장하여서 예술적 형상의 작은 조각으로 공간의 의미를 찾는다.

이렇게 <나팔꽃 p70-2>은 천과 같은 재료에 그린 그림으로써 대상의 필연적 공간성으로 한 추상적 자리를 개념만평 <Baekhyun's "I just want to fit in with you" 4> 로 구성함으로써 실제의 풍습 된 회화 예술로서의 미적 가치를 획득한다.

또한, 회화성에 기반을 둔 원본성과 프로세스 미디어아트의 형상성을 가지고 미디어아트 이미지로서의 스틸 영상을 시간성에 맞추어 그려내는 쓰레드 페인팅은 원작의 또 다른 독창성을 가진다. 이것은 모니터로 보이는 콘텍스트(con·text)로써 정지된 각각의 영상 이미지를 쓰레드 페인팅으로 그려낸 원화이기 때문이다. 그것은 페인팅과 같은 예술적 의미가 있는 조형적 쓰레드 이미지로서 미디어아트로 연쇄하여서 실재를 추상한다.

글. 미술평론가 최철주 (추상화가 & 문화디자인박사)

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Contemporary Artworks Review 46

Art Critique & Contemporary Art Review 46

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [46] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: Contemporary Art Criticism, Contemporary Art Design/Designer Criticism, Contemporary Art Cultural Design Criticism [1] Contemporary Art Cultural Design Designer Choi Chul-joo's Contemporary Art Cultural Design Criticism: Contemporary Art Sketch Abstract Painting [42] Contemporary pop artist Louis Choi Chul-joo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's A line News of Cartoon review of the concept [7] ABU TV Song Festival: Twice ‘Feel Special’ : A line News of Choi Chul-joo’s Manwha Review (2019-12-29) / Reporter Choi Chul-joo’s Cartoon Review

Contemporary Art Designer Louis, morning glory p111, a hand-painted picture on a computer, 2023 / Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

Contemporary art designer Choi Chul-joo's contemporary art movement, which presents a realistic methodology of abstraction using the concept of desire as contemporary art as a symbolic symbol of contemporary art, will be created in Busan (Haeundae-gu Office Gallery) by "Painting Installation Performance Design", which composes the poster abstraction design as a conceptual image of desire, 20230703 Haeundae-gu Office Gallery, Busan.

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Chul-joo Choi, The special feeling of the body and mind is “Twice”, a hand-painted picture on a computer, 2024

Cartoon review: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [7] ABU TV Song Festival: Twice ‘Feel Special’ : A line News of Choi Chul-joo’s Manwha Review (2019-12-29)

/Reporter Choi Chul-joo’s Cartoon Review

. The special feeling of the body and mind is “Twice”

. Le sentiment spécial du corps et de l’esprit est « Twice »

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 193-1-The special feeling of the body and mind, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: In front of the bamboo forest g193-1-The special feeling of the body and mind is “Twice”: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p111-The special feeling of the body and mind is “Twice”: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p111-The special feeling of the body and mind is “Twice”> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 193, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest g193, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory window 2024-3-cave painting, 180X318cm, acrylic and composite materials on cloth, 2024

Louis Choi Chul-joo's "morning glory window 2024-3-cave painting" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time. It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

This is an abstract urban impression in which images of the concept of desire are developed at small intervals as reversible shades of light that exist momentarily, just as a dancer reflected in the background of the concept of desire implements an unrealistic surface image of the sky like a cloud as a surface image.

In this way, the fragments of urban images in modern visual culture are abstracted into the structure of desire in the realistic structure.

Louis Chul-joo Choi, morning glory window 2024-3-cave painting, 180X318cm, acrylic and composite materials on cloth, 2024

<morning glory window 2024-3-cave painting> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.

Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2024-3-cave painting> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure.

The object <morning glory window 2024-3-cave painting>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".

Therefore, the factual abstract image defines abstract space as a real reversible shape, and Choi Chul-joo's exhibition poster, whose shape is hidden by actual changed movements in the shade of reversible light, means the meaning of abstraction of conceptual art by creating a place of abstraction as a contemporary art abstract art movement.

In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 2024-3-cave painting> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.

Abstract painting <morning glory window 2024-3-cave painting> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In <morning glory window 2024-3-cave painting>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

This is like a mural in an abstract cave where the image of the concept of desire develops at small intervals in the shadow of reversible light that exists momentarily, just as a chicken in the past, which became a fossil reflected in the background of the concept of desire, becomes the desire of others and embodies the surface of an unrealistic sky such as clouds.

In this way, <morning glory window 2024-3-cave painting>, which is fragmented into the desires of others in modern visual culture, is abstracted into a structure of desire in a realistic structure, and the fragmented cave painting image of the concept of desire overlaps with <morning glory window 2024-3-cave painting> as an impressive cross-section of the city.

And the small piece as the desire of the other hidden in the background of the cave painting shows a real abstract space that is reversible through the movement of the concept of symbolic desire in a shape that actually changes it.

This refers to the meaning of an abstract object, and in a cave painting, the object is designed as an abstract space that can actually be reversible, so the substance of the shape is abstracted into the desire of the other / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)

Louis Choi chuljoo, The special feeling of the body and mind is “Twice”-3 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Cartoon review of the concept [7] ABU TV Song Festival: Twice ‘Feel Special’ : A line News of Choi Chul-joo’s Manwha Review (2019-12-29)/ Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i) ▶The special feeling._ Le sentiment spécial

Louis Chul-joo Choi, morning glory window 6-1, 241X223cm, acrylic and composite materials on cloth, 2023

The abstract area of painting in which the specific effect of the desire abstract image occurs as an exhibition poster meaning of "morning glory 6-1" as conceptual art is an image that can momentarily see the desire of others functioning gazefully in the landscape.

This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure is an abstraction of non-realistic realistic form with the same meaning as a realistic structure, but abstraction as the same meaning with different shapes is a real non-realistic being with different colors and sizes..

2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p103-1-drama>

2023 Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p103-7-BREXIT>

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

In the mechanical diagram of a perspective visual system that reproduces abstract image as an object as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

Abstract painting repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In , there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

Louis Choi Chul-joo's "morning glory window 6-2" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light.

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space

It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.

It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Contemporary Art Designer Louis, morning glory p110-7, a hand-painted picture on a computer, 2023 / Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

It realizes the surface image of the non-realistic sky just as the clouds reflected in the building are real as surface images. This is the impression of a city in which the desire concept image is developed at small intervals where it exists momentarily as a reversible shade of light.

In this way, fragments of contemporary visual culture are abstracted with desire in the realistic structure. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)

Contemporary art designer Louis Choi Chuljoo

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Contemporary Artworks Review 47

Art Critique & Contemporary Art Review 47

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [47] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Artwork Criticism : Art Critic Louis Choi Chul-joo Criticism [31] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art <morning glory window 2024-3-cave painting> & Cartoon review: K-POP Star (1) TV SBS Popular Song: Kim Yon-ja 'Bling Bling'

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Chul-joo Choi, I want to be happier day by day like this, bling bling, a hand-painted picture on a computer, 2024

Cartoon review: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, K-POP Star (1) TV SBS Popular Song: Kim Yeon-ja 'Bling Bling' : A line News of Choi Chul-joo’s Manwha Review (2020.4.26.) / Reporter Choi Chul-joo’s Cartoon Review

. I want to be happier day by day like this, bling bling

. Je veux être plus heureux jour après jour comme ça, bling bling

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 293-I want to be happier day by day like this, bling bling, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: In front of the bamboo forest f293-I want to be happier day by day like this, bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p111-5-I want to be happier day by day like this, bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p111-5-I want to be happier day by day like this, bling bling> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light. By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 293, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest f293, a painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p111, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory window 2024-3-cave painting, 180X318cm, acrylic and composite materials on cloth, 2024

"morning glory" materializes the desire of the charater as a reversible shade of light in media art and painting without description of the atmosphere. Here, according to the identity of the theory(機械論的唯物論), abstraction that identifies with a substantive image is modified by conceptualizing the desire of others.

The abstraction mode, like a computer game, abstracts the desires of others into reversible shades of light by overlapping the events and performance images of news cartoons with <morning glory>, the background of abstraction.

The shading effect of reversible light forms a shading structure in the form of reflected light from a small hole in the drilled fabric where the back side is illuminated. The structure is drawn by thread painting.

Louis Chul-joo Choi, morning glory window 2024-3-cave painting, 180X318cm, acrylic and composite materials on cloth, 2024

Combined with images of reality with reversible light, including a desire for abstraction.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality. In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.

In this way, the fragments of urban images in modern visual culture are abstracted into the structure of desire in the realistic structure.

Louis Chul-joo Choi, morning glory window 2024-3-cave painting, 180X318cm, acrylic and composite materials on cloth, 2024

Its existence defines an abstract space as an actual reversible shape, and abstracts the image in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image. This is like a mural in an abstract cave where the image of the concept of desire develops at small intervals in the shadow of reversible light that exists momentarily, just as a chicken in the past, which became a fossil reflected in the background of the concept of desire, becomes the desire of others and embodies the surface of an unrealistic sky such as clouds.

Contemporary Art Critic Louis Choi Chul-joo

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Contemporary Artworks Review 48

Art Critique & Contemporary Art Review 48

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [48] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Artwork Criticism : Pop abstract Contemporary Art News Review [19] Modern painter & Cartoonist Louis Choi Chul-joo's Abstract News Ideas in Contemporary Art Work = Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Contemporary Art Sketch Abstract Painting:Let me be your fantasy in the window of desire newsmanwha K-Pop Song illustratoin [7] MONSTA X <Let me be your fantasy> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Choi Chul-joo, <MONSTA X's "Let me be your fantasy" 12>, a hand-painted picture on a computer

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's Visual Culture Cartoon Column - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. MONSTA X <FANTASIA-Let me be your fantasy> Online Live (local time 26th)

. MONSTA X <FANTASIA> Online Live (heure locale 26th)

■ Art Critic Choi Chul-joo's Visual Culture Column: To weave pink cloth in waves in a dark place as if it were your last life.

= The temporality of light brightened by overlapping light is real in a realistic structure that removes real images and expresses them as shadows.

In addition, Choi Chul-joo's theory of desire art, which interprets reality as a realistic abstract, is embodied in a shade covered with a bamboo forest depicting the subject of "morning glory" the background of desire.

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 164-Let me be your fantasy, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest h164-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p113-1-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 164, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest h164, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Choi Chul-joo, morning glory p113, a hand-painted picture on a computer, 2023

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory window 2024-5-MonaLisa, 17.5X24cm, acrylic and composite materials on cloth, 2024

Louis Choi chuljoo, Let me be your fantasy 18 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of K-Pop Song illustratoin [7] MONSTA X <FANTASIA> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶Online Live._ En direct en ligne.

Louis Choi Chul-joo's treacherous conceptual art abstraction ■ It is treacherous to conceptual art that fits the conceptual form to lines and colors. ■ In Choi Chul-joo's abstraction design process/abstract painting "morning glory", desire concept's art theory is formalized to convert the news cartoon image into the signified image by linking Choi Chul-joo's desire art theory to the abstraction.

This has the meaning of expressing the other's desires in painting by repeatedly applying the imaginary world and Choi Chul-joo's desire formula,

The image generated here is the shape of the desire concept image in which the entire subject appears as light in a certain direction at the intersection with a distorted gaze except for the drawing that is fixed to the subject's face.

As a result of applying the abstract art theory of the concept of Choi Chul-joo's desire to the shape, the desires of the other approach the formative beauty. This is because the other's desire is in the light hidden in the sky, but the subject's place is on the ground. Therefore, if the sky and the ground without a shape are real, the structure of realistic desire is an existential abstract that realistically depicts the scene of an event that existed in the past time.

"morning glory", created as a reversible shade of light as a representative of the abstraction, is a form of a background image determined as a structure of desire as an event scene and a art performance image in the time. It acquires aesthetic value as an abstract image of realistic non-realism that makes the image recognize the existence of the concept of desire.

■Choi Chul-joo "morning glory window" is not the subject of the object, but the spatial background of the desires of the other. It creates a non-real cloud and hides the shadow of reality through white without a color tone that matches the reality of reversible light and hides the reality of that light.

As a frame for the shadow, the window illuminates the hue of reality through a reversible shadow so that you can see the hidden pattern in the shadow and recognizes the shape of the reality as a being.

Looking at the form as a being is the same as looking at a consistent space of life like the sky. It connects with the cartoon review of the news that represents the space of life, but does not criticize and judge, but structures the reality of the object symbolizing reality through the picture of the event into a treacherous conceptual art, and abstracts the concept realistically like historical painting.

(The treacherous conceptual art theory of Choi Chul-joo's art abstraction / ACN · December 24, 2022, 17:11)

Modern art painting design: Modern art design works that symbolize shape images in semantic structure = Louis, morning glory p26-2-1, a hand-painted picture on a computer, 2022

Treacherous Conceptual Art Green Louis Choi Chul-joo <morning glory> Art Criticism

To reveal the subject of desire is to reveal the object of the concept of the image of desire as a deficient subject. This is a of structure of the visible object deficiency realistically reconstructed in the form of the other's desires in the abstraction "morning glory"

<morning glory window> constitutes a frame that reveals the image of the subject representing the lack of desire cencept in the subject, and creates an object in the shade of reversible light in the frame to choose reality as a subject away from non-existence.

This is the physical structure of desire that results in a realistic existence. The structure has each cross section in a three-dimensional form in several frames, and abstracts the pictorial image as a conceptual art of desire into a multi-faceted image of a semantic structure as an object in a single concept. (ACN, June 22, 2023, 23:13 <morning glory window> Subject Image: Choi Chul-joo's Abstract Conceptual Art Theory)

<morning glory p26-2-1> is an object of desire concept images drawn on the form of overlapping cloth with threads reflected on the back by manually creating images created as an anamorphosis image, which means the reality of morning glory.

In 2022 New York (Flushing Town Hall & Yeomyeong Hall), Korean painter & pop art abstract artist Louis's <morning glory> is a modern art abstraction that produces a poster with a contemporary art design concept as a desire cencept structure and symbolizes the design of the desire shape, that is, the exhibition poster image of the painting.

The object (26-2-1 Louis Choi Chul-joo 2022 New York Exhibition morning glory poster), which depicts the meaning of the shape seen in the semantic space created by reversible light, structures the meaning of the image that hides the desires of the other in time as a shade of reversible light, meaning an abstract space that can be reversible into a real shape, and the meaning of conceptual abstraction, that is, the image in the mirror, is a hypothetical non-real image and shows an abstract image that reveals the place of the other's unconscious desire.

The object (morning glory poster 26-2-1), which depicts the meaning of the shape seen in the meaning space created by reversible light, means the existence of the same abstract space that can reversibly form an object into a real shape by structuring the meaning of a certain desire shape in the shadow of reversible light, and shows an existential image of the concept of desire, that is, an abstract space obscured by the actual changed movement of the exhibition poster shape.

Louis, morning glory p26-2-4, a hand-painted picture on a computer, 2022

"morning glory p26-2-4", which is a desire conceptual art, is an abstract area of painting in which a specific effect occurs that reveals the conceptual image of desire as an exhibition poster. That area is an image that can momentarily see the desires of others who function gazely like a background in the landscape.

This is a crooked planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the reality in the mirror (le Réel), but the shape of the background is not the same. This is because although it is an real form, the realistic form of the non-real with the structure of the same meaning as the conceptual semantic structure is abstract, but abstraction with different shapes as the same meaning is non-realistic as an ideological atypical entity with different colors and sizes.

Its existence defines an abstract space as a shape that is actually reversible and refers to the abstraction meaning of the exhibition poster of desire concept art, in which the shape is obscured by the movement that has actually changed into the shade of reversible light.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image , that is, an image that emphasizes the hidden meaning of the cartoon)

Choi Chul-joo, <MONSTA X's "Let me be your fantasy" 5>, a hand-painted picture on a computer

Desire conceptual art abstraction, which replaced the phenomenal place of the meaning of abstraction with an exhibition poster, can distinguish the place of the shape, thus conceiving the meaning of another structural image that interprets the shape.

The shape is abstract in color and size similar to the meaning of the ideological structure to speak of a different meaning, but in the imagination, the abstract meaning of conceptual art is identified with reality, and the image of the object and the abstract meaning are identified externally as the same subject, and the subject forms a transformed abstract meaning internally

This refers to the abstract meaning of a shape, which defines an abstract space that can be actually reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is obscured in shades.

The meaning is designed as "morning glory", which is abstracted as a symbolic language symbolizing a desire flower that imitates the other's desire "MONSTA X's "Let me be your fantasy-5".

In the abstract conceptual image "morning glory", a shape representing the desires of the other is designed and reproduced as an abstract object as an object of desire (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstract Poster 26-2-4). The concept of desire image, which is invisible in the mechanical scheme of the perspective visual system, creates a place of shade while being hidden in reversible light, and abstracts the object of the concept of desire image as a momentary gaze different from the other's desire abstract perspective revealed in the unconscious.

In order to obtain artistry beyond generality, objects abstracted as desire conceptual art form a distorted image expressed through desire revealed in the suppressed unconsciousness of others into a design, create an object of desire conceptual image as a shade of exhibition poster formability with the desire of others as existence, and exist as meaning.

As a meaningful being, the object contains a formative value as an autonomous choice of the other's desire by revealing the object as another being by transforming the object's image into a structure of meaning into a crooked image from the other's desire perspective.

In addition, a small piece as the other's desire hidden in the background of a chicken shows a real abstract space that is reversed through a thought movement that creates an image that actually changes the shape. This is where the other's desire is abstracted and placed in a space where the object can be actually reversible in the meaning of the existence of an abstract object.

Conceptual art of realistic abstraction The realistic structure of art reflects the shape by being distorted by light. What reveals its shape are the outlines and shadows determined by the shadow of light. Realistic abstraction as treacherous conceptual art pays attention to this and embodies realistic concepts. (Choi Chul-joo conceptual art theory on realistic abstraction)

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Modern art painting design: Modern art design works that symbolize shape images in semantic structure = Louis Choi Chul-joo Choi, a morning glory outside the window, 151X178cm, acrylic and composite materials on cloth, 2022~2023

The realistic form of the desire concept cartoon "MONSTA X's "Let me be your fantasy" 5" shows a non-realistic form representing the meaning of an abstract landscape form that is hidden by the desires of others who are abstracted. The shape is the intersection with the actual structure selected by the desires of the other, created by abstract shades.

This is a non-realistic realistic structure, a shape that is momentarily abstracted at the intersection where the desire of the other is seen as a gaze, designed as a real figure of the whole and a shade of reversible light.

The image of desire is cut in order to accept the new subject as the gaze. The subject of this cut desire structure is fixed in the shape of representation. The space reflected in the mirror in the painting is another space in the physical space revealed in the shadow of one painting with reversible light, a reality that appears as an 'observation' that cannot be seen from the point of view of the entire scene of the painting. In order to reproduce the reality seen through such a gaze, the artist uses a mirror as a material in the painting.

Only the concept cartoon of desire that cannot be expressed on the same plane Structures the virtuality of abstract exhibition posters into conceptual desire, similar to the gaze image that virtually reproduces the crooked image of "MONSTA X's "Let me be your fantasy" 5", or as if representing the place of reality with cubism as a connection to the image.

Cartoon objects, the concept of desire created by the desire of the other, are concealed without being exposed as objects reflected in the mirror, and the reality of the viewer is absent by looking at another object exposed in the mirror. However, the person who drew the picture replaces the other.

The position revealed by staring at the image of the concept of desire in place of the other is atopia, which is the position of the subject that appeared at the vanishing point in the entire virtual image.

Therefore, it is the object, or reality, that the subject of the subject reveals as a gaze from the other's desire point of view.

Therefore, the abstraction of contemporary art pop art <morning glory p26-2-4> abstracts the concept of real and non-real images in the same space. In cubism that conceptualizes the subject, trying to reveal physical reality as a pop-art space makes the object 'look at' as a realistic reality. And realistic reality appears in a clear physical structure. Its structural physicality has several cross-sections in a three-dimensional form and captures the multifaceted conceptuality of a morphological structure with one cross-section and two sides in a conceptual painting as an object in one concept. / Writing. Contemporary Art Critic Choi Chul-joo (an abstract painter & Ph.D. in Cultural Design)

Choi Chul-joo, a contemporary abstract artist

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Contemporary Artworks Review 49

Art Critique & Contemporary Art Review 49

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [49] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: Example of contemporary artwork: Contemporary Art Sketch Abstract Painting:Let me be your fantasy in the window of desire newsmanwha K-Pop Song illustratoin [7] MONSTA X <Let me be your fantasy> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review & Contemporary artist Louis Choi Chul-joo's realistic abstract work of contemporary art as a conceptual art of treachery based on the concept of desire of others <morning glory window 2024-5-Mona Lisa>

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Choi Chul-joo, <MONSTA X's "Let me be your fantasy" 10-1>, a hand-painted picture on a computer

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's Visual Culture Cartoon Column - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. MONSTA X <FANTASIA-Let me be your fantasy> Online Live (local time 26th)

. MONSTA X <FANTASIA> Online Live (heure locale 26th)

■ Art Critic Choi Chul-joo's Visual Culture Column: To weave pink cloth in waves in a dark place as if it were your last life.

= The temporality of light brightened by overlapping light is real in a realistic structure that removes real images and expresses them as shadows.

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 166-Let me be your fantasy, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest b166-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p113-3-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 166, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b166, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Choi Chul-joo, morning glory p113, a hand-painted picture on a computer, 2023

Louis Choi chuljoo, Let me be your fantasy 19-2 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of K-Pop Song illustratoin [7] MONSTA X <FANTASIA> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶Online Live._ En direct en ligne.

Louis Chul-joo Choi, morning glory window 2024-5-MonaLisa, 17.5X24cm, acrylic and composite materials on cloth, 2024

morning glory window 2024-5-Mona Lisa

In Renaissance art, which opened up the image of contemporary art, "Mona Lisa" refers to the aesthetic desire that spread from aristocrats to merchants. This is where the desire of the other to monopolize the artistic value of contemporary art is established.

The concept of desire is humanism, which deviates from religious creativity.

"Morning glory Window Mona Lisa" abstracts the mysterious image saved by Da Vinci's sfumato technique as the outline of reality as an image beyond the mysterious atmospheric effect of the color of the morning glory, which is the background of desire.

Abstraction is established as an aesthetic effect of safe desire with two morning glory on the face of the Mona Lisa and two morning glory on the left.

From the letters, the image of desire mediated by morning glory and Mona Lisa is repeated, showing an abstract reverberation effect in the shadow of reversible light.

As a reverberation effect, blue and black tree trunks were properly placed behind the morning glory so that the gaze could lead from the morning glory to the Mona Lisa, the background of desire, and the gaze was focused on the morning glory and connected to the face of the Mona Lisa as the subject of desire.

And by creating a position facing the Mona Lisa in the morning glory, the gaze is directed to the Mona Lisa, the subject of desire.

The metaphor for the concept of desire The Mona Lisa is replaced with a desire image in the morning glory, and the morning glory is demarcated into the background of desire. Here, the gaze of desire focuses on the Mona Lisa with a red window structured into a frame.

As a Renaissance thinking, it has a desired meaning with the object of desire, <morning glory> as an allegory. The "morning glory" is an abstraction that shows the real world of desire as a subject by linking the image of desire with a sensus allegoricus that explains other meanings beyond the literal meaning, and the morning glory window interprets the demarcation problem between objects and desires as a symbolic metaphor in the meaning of the text.

Unlike the conceptual art of Dadaism, which transforms the image of the object as meaning, this materializes the object of desire and realizes the subject's desire structure in the shadow of reversible light.

As a reality, the desire structure is the subject, and the Mona Lisa becomes the object of the cause of creating the desire structure as an image symbolized in the morning glory through the relationship of symbolic expression made by the Mona Lisa as a morning glory.

The simultaneous function of the desire structure and the real image reveals the underlying image in which the meaning of the concept is integrated into the desire image as a retroactive effect, and the Mona Lisa, who metaphorized the image, hides in the desire concept.

As a fundamental image, the Mona Lisa is disclosed as the first concept of desire and reaches a symbolic image as a deliberate abstraction. / Writing. Art critic Choi Chul-joo (Doctor of Cultural Design)

Contemporary Art Critic Louis Choi Chul-joo

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Contemporary Artworks Review 50

Art Critique & Contemporary Art Review 50

Contemporary artist Louis Choi Chul-joo, Contemporary art work review examples [50] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Picture speaking language structure is a gaze reality image in which the image of abstract desire appears to be the semantic structure of the concept of desire. Modern art critic Louis Choi Chul-joo approaches the aesthetic value, process, and artistry of contemporary art criticism with his desire conceptual abstract design along with contemporary art criticism. His criticism is a visual art abstract art theory in which the artistry of photography, cartoons, art, and design approaches the meaning of the work in language structure and criticizes the reality of the concept of desire. Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: Contemporary Art Today Choi Chul-joo's Art Criticism, Example of contemporary artwork: Contemporary Artist Louis Choi Chul-joo's Art Review of Contemporary painting Artwork: Dr. Chul-joo Choi's editorial cartoon line news Review of Korean News Cartoon [12] freaking ! Academy Award. (2020.2.25.) / Reporter Choi Chul-joo’s Cartoon Review & "Louis Choi chuljoo, In front of the bamboo forest e155-Marilyn Monroe in the pond 2" generated from partial image of Cartoon review

Choi Chul-joo, Marilyn Monroe in the pond-4, a hand-painted picture on a computer

Famous contemporary artist, modern painter, abstract painter & contemporary abstract

artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Choi Chul-joo, freaking ! Academy Award : US President Trump says American films like 'Gone With the Wind' should win Academy Awards, a hand-painted picture on a computer

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Dr. Chul-joo Choi's editorial cartoon line news Review of Korean News Cartoon [12] freaking ! Academy Award. (2020.2.25.) / Reporter Choi Chul-joo’s Cartoon Review

. freaking ! Academy Award : US President Trump says American films like 'Gone With the Wind' should win Academy Awards

. satané ! Oscars Awards: Le président américain Trump estime que des films américains comme 'Gone With the Wind' devraient remporter des Oscars Awards

Choi Chul-joo, freaking ! Academy Award,US President Trump says American films like 'Gone With the Wind' should win Academy Awards-2, a hand-painted picture on a computer

Louis Choi Chuljoo, Marilyn Monroe as an actor, a hand-painted picture on a computer, 2024

Desire Concept Realistic Abstract Work: Choi Chul-joo's "Marilyn Monroe in the pond-2" : By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Choi Chul-joo, Marilyn Monroe in the pond-3, a hand-painted picture on a computer

Choi Chul-joo's "Marilyn Monroe in the pond" is not a philosophical ideal, but a cross-sectional shape of pop art.

Therefore, portrait images are valuable in expressing the aesthetic structure and series of semantic shapes of people who view people as ideological ideals stopped at the same time in their everyday place.

The image reveals the value of the portrait image in the form of meaning that the object is revealed beyond philosophy by the status of the contemporary object.

Portrait images representing philosophical ideals enjoy semantic phenomena and are formed as existential abstractions. This creates a semantic gap between the portrait and the same image, and projects the gap into phenomenal light. And it realizes the shape of existence perceived at the same time with the shade of reversible light.

Therefore, the portrait image formed as a pop art image appears to be a universal image that conveys a semantic entity to a specific shape in the shadow of existence and reversible light, and from a conceptual point of view, the image shows traces of contemporary aesthetic conditions and existential meaning. / Writing. Art critic Choi Cheol-joo

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Choi Chul-joo, "Marilyn Monroe in the pond", a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest155-Marilyn Monroe in the pond: US President Trump says American films like 'Gone With the Wind' should win Academy Awards, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest e155-Marilyn Monroe in the pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 155, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest h155, a hand-painted picture on a computer

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest h155-Marilyn Monroe in the pond 2: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <In front of the bamboo forest e155-Marilyn Monroe in the pond 2> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <freaking ! Academy Award, US President Trump says American films like 'Gone With the Wind' should win Academy Awards-2> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p54-6> becomes a non-real abstraction of reality.

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p54-6, a hand-painted picture on a computer

Louis Choi chuljoo, freaking ! Academy Award,US President Trump says American films like 'Gone With the Wind' should win Academy Awards-2 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Dr. Chul-joo Choi's editorial cartoon line news Review of Korean News Cartoon [12] freaking! Academy Award . (2020.2.25.)/ Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶Academy Award _ Oscars Awards.

■ Choi Chul-joo's Concept of Desire Formula: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.

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