4. An argument about beauty

'타인의 고통' 의 저자 수잔 손택의 에세이집 "At the same time" 에 아름다움에 대한 내용이 흥미로워 일부 발췌를 해봤어요.

Unlike beauty, often fragile and impermanent, the capacity to be overwhelmed by the beautiful is astonishingly sturdy and survives amidst the harshest distractions. Even war, even the prospect of certain death, cannot expunge it.

The beauty of art is better, "higher", according to Hegel, than the beauty of nature because it is made by human beings and is the work of the spirit. But the discerning of beauty in nature is also the result of traditions of consciousness, and of culture-in Hegel's language, of spirit.

The responses to beauty in art and to beauty in nature are interdependent. As Wilde pointed out, art does more than school us on how and what to appreciate in nature. (He was thinking of poetry and painting. Today the standards of beauty in nature are largely set by photography.) What is beautiful reminds us of nature as such - of what lies beyond the human and the made - and the thereby stimulates and deepens our sense of the sheer spread and fullness of reality, inanimate as well as pulsing, that surrounds us all.

A happy by-product of this insight, if insight it is: beauty regains its solidity, its inevitability, as a judgment needed to make sense of a large portion of one's energies, affinities, and admirations; and the usurping notions appear ludicruos.

Imagine saying, "That the sunset is interesting".