Review of Contemporary Artist
Art Critic Choi Chul-joo Art Criticism 6
Critique of artist & Contemporary Art Criticism [6/ 26~28] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Abstract Painting Art Theory Presentation of the Concept of Desire [20] Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design: Louis's <morning glory p36-12>, 2022 New York Exhibition Abstract painting of contemporary art
Louis Chul-joo Choi, morning glory p36-11, a hand-painted picture on a computer
Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)
Shape image as a conceptual semantic structure: It refers to another image of the background of a real concept that represents a real morning glory by repeating the color of the shadow on the object image of desire, and it is the object of the concept of desire that depicts the shadow structure created from non-real images with reversible light.
The object is abstraction as a contemporary desire concept artwork, which is repeated by symbolizing and overlapping the desires of others with reversible shades of light in "morning glory" the background design concept of contemporary desire concept artwork.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Louis' Conceptual Art Theory on Realistic Abstract Painting)
Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.
As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.
(Louis' Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)
Louis Choi Chul-joo 2022 New York Exhibition Poster: Louis Chul-joo Choi, morning glory p36-6, a hand-painted picture on a computer
Realistic structures are reflected in the shape of shadow colors by light. It's the contours and shadows that are determined by the reversible shades of light that reveal that shape. This is the concept of desire, the art of realistic abstraction, which actually forms an abstract image of the concept of desire.
라캉의 오브제ɑ<루이 최철주 2022 뉴욕 전시 포스터 36-6> 로서 추상적 표상 이미지 오브제를 재현하는 음영적 도식으로 시각체계는 은폐하고 있으나, 무의식에서 드러난 욕망적 관점의 가역적 빛의 음영에서 드러난 비사실적 형상을 순간적인 응시로서 보이는 추상화 오브제ɑ다.
루이 2022 뉴욕 전시 포스터 36-6 은 상징계의 영역에서 분리된 영역인 실재로서 삶의 의미를 은유적으로 표현한다. 그 표현하려는 오브제를 보이지 않고 은폐로서의 인간의 실제적 의미를 중첩한다. 즉 두 개의 상에서 주체가 어느 것인지를 구분되지 않는다. 그러나 이 두 개의 상을 보이는 오브제로 동일시한다. 여기서 실재의 상과 다른 이미지의 상을 실재성을 보고 타자의 나팔꽃이 환호성을 지른다. 환호성을 지르는 나팔꽃은 실재와 다른 상에 만족해하기 때문에 가역적 빛의 음영속에 감추어진다.
타자의 나팔꽃이 만족하는 것은 거울에 비친 실재의 상인 기표(signifier)와 다른 이미지의 상을 동일한 기표로 동일화하여 보이는 또 다른 나팔꽃으로 한 타자의 욕망과 그 욕망을 전시 포스터로 은유하여서 의미를 전달한다. 그 의미는 라캉적 의미작용의 시각적 문화로서의 특정효과가 발생하는 회화의 영역 즉 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지 다.
그 이미지는 무의식과 언어를 동일한 형상을 그려낸 하나의 추상화다. 여기서 응시로 보이는 최철주나팔꽃은 하나의 색깔로 평면화된 왜상적 구조다. 이것은 회화에서 나팔꽃이라는 일관된 의미로 보이게 있는 왜상적 평면성이다.
그 나팔꽃은 거울에 비친 실재(le réel)와 동일하지만 배경의 형상은 동일하지 않는 개념미술로 본 거울 이미지다.
현대미술 작품 <나팔꽃 p36-6>으로서 개념 미술의 추상적 의미는 풍습의 변화 대상으로 나팔꽃을 추상화로 그리는 것은 하나의 대상으로 보이는 또 다른 문화 공간의 단면적 이미지로서 한 병아리의 유아적 존재를 드러낸다. 이것은 추상적 공간에서 보이지 않는 작은 조각으로 그려진 대상으로서 타자의 욕망을 나팔꽃 배경에 감추고 실재는 배경의 음영속에 중첩된다.
여기서 나팔꽃의 배경에 감추어진 타자의 욕망으로서의 작은 조각은 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 공간을 추상한다. 그 공간은 가역적 빛으로 동일한 공간에 중첩된 음영으로 이미지에서 언어적 표현처럼 은유성을 띠지만 그것이 비재현적 이미지라고 가정할 때 실재는 상사적으로 실재를 재현한 가상적 이미지로 존재한다.
Louis, morning glory p36, a hand-painted picture on a computer, 2020
뉴욕(Flushing Town Hall & Yeomyeong Hall)에서 루이 2022년 <나팔꽃>개인전 관련 현대미술 추상화 작품으로서 디자인 컨셉으로 한 포스터<morning glory poster>를 제작하여서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 전시 이미지를 기호화하여서 연쇄한 현대 추상화 다.
그 추상화는 형상을 보고서 차이를 구별할수록 한쪽 방향으로 그 형상을 이해하기 때문에 이면(裏面)의 의미를 구상한다. 그 형상이 달라도 동일한 의미를 말할때 그것은 기호적 구조로서 유사한 색깔과 크기의 추상이다. 즉 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이다.
따라서 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사상적 비형상의 존재로서 실재하는 비사실적이다.
비사실적 실재의 형상을 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 2022 뉴욕 전시 포스터-36-6)은 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영을 의미로 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실재의 이미지로서 타자의 무의식적 욕망의 자리를 드러낸 추상적 이미지의 오브제ɑ를 보인다.
라캉적 디자인방법론(Lacan's design methodology)으로 한 회화 디자인에 대한 라캉적 도슨트: 라캉적 디자이너, 디자인평론가 & 현대미술가 최철주 라캉적 디자인방법론: 현대미술 추상 한국화 작품으로서 <morning glory p36-6>에 라캉의 환유공식 f(S...S')S=˜ S (-)s 적용하여서 가역적 빛으로 생성한 음영을 중첩한다. 그리고 언어적 은유 이미지를 연쇄하여서 라캉의 환유공식을 재적용하여서 가역적 빛의 음영으로 한 공간의 또 다른 자리에 현상적 자리를 정하여 <Choi chuljoo morning glory p36-11>로 보인다. 이것은 루이 최철주 2022 뉴욕 전시에서의 라캉적 개념미술로 디자인한 포스터가 라캉적 오브제를 실제화한 추상화의 출현을 말한다.
이것은 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이지만 그 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사상적 비형상의 존재로서 실재하는 비사실적이기 때문이다.
그 존재 <최철주나팔꽃 p36-11>은 실제 가역할 수 있는 형상으로서 추상 공간을 정의하고 그 형상이 가역적 빛의 음영으로 실제 변화된 움직임에 의해 가려지는 개념 미술의 추상화 의미를 말한다.
Louis, morning glory p36-11, a hand-painted picture on a computer, 2023
개념미술가 최철주의 라캉적 개념 추상화 디자인은 개념으로 한 회화성의 복귀다. 즉 회화 작품으로 생성하는 개념미술 디자인이다. 따라서 그의 현대 개념미술로 한 추상화는 시사만평처럼 현상적 이미지를 비판하지만 회화성으로 디자인적 가치를 말한다.
미술품에서 Ready made 기성품이 회화성을 대신할 수 없고 Marcel Duchamp 뒤샹처럼 창조된 개념과 그의 동조자 Joseph Kosuth 조셉 코수스가 말한 철학에 따른 메시지를 말한다.
반면에 라캉 미술이론에서의 유아적 상상계의 허상을 개념으로 한 최철주의 개념미술 추상화 디자인은 시사만평으로 개념의 의미를 라캉적 개념미술 추상화 이미지에 메시지를 담는다. 그것은 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 이것은 수학적 개념과 철학적으로 의미화한 언어적 해석을 넘어서 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 개념미술 추상화 디자인을 통해서 삶적 가치를 교합시킨다.
여기서 라캉적 개념미술 추상화 디자인은 임의적인 철학성보다는 타자의 욕망을 응시로서 순간적으로 이성적 지각할 수 있는 추상성 디자인을 말한다. (ACN ・ 2022. 10. 7. 2:33 최철주 개념미술 추상화 디자인 해석)
사실적 추상화의 개념미술이란 사실적 구조는 빛의 왜곡을 받아서 형태를 반사한다. 그 형태를 드러내는 것은 빛의 음영으로 확정되는 윤곽과 그림자다. 배반적 개념미술로 한 사실적 추상화는 이것에 주목하여서 사실적 개념을 형상화한다. (사실적 추상화에 관한 최철주 개념미술이론)
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis, Choi chuljoo morning glory p36-11, a hand-painted picture on a computer, 2023
현상적 자리를 포스터로 대신한 라캉적 현대 추상화는 형상의 자리를 구별할 수 있어서 그 형상을 해석하는 이면(裏面)의 의미를 구상한다. 그 형상은 다른 의미를 말하려고 사상적 구조로 한 그 의미와 유사한 색깔과 크기의 추상하지만 상상계에서 개념 미술의 추상적 의미는 실재와의 동일시하여서 외형적으로 오브제의 이미지와 추상적 의미를 동일한 주체로써 오브제의 이미지와 동일시되면서 내적으로 주체는 변형된 추상적 의미를 형성한다.
이것은 형상의 추상적 의미를 가리키며, 그 형상은 실제 가역할 수 있는 추상적 공간을 정의하고 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미를 가리킨다.
그 의미는 타자의 욕망을 모방한 꽃을 상징하는 기호적 언어로 추상된 <최철주나팔꽃>으로 디자인된다.
추상된 <최철주나팔꽃>에 타자의 욕망을 대리하는 형상을 디자인하여서 라캉의 오브제ɑ(루이 최철주 2022 뉴욕 전시 포스터 나팔꽃 p36-6) 으로서 추상적 오브제로서의 재현한다. 그것은 원근법적 시각체계의 기학적 도식에서는 시각체계가 은폐된 가역적 빛으로 한 음영의 자리를 만들어냄으로서 무의식에서 드러난 타자의 욕망적 관점에서 각각이 다른 순간적인 응시로서의 오브제ɑ가 추상된다.
개념미술 추상된 오브제ɑ 는 <Choi chuljoo morning glory 36-11>로 전이 되어서 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 타자의 욕망을 존재로 한 조형성의 음영으로 오브제ɑ를 생성하고 의미적 존재 구조의 예다.
그 오브제ɑ에서 출현한 예술성은 타자의 욕망적 관점에서 왜상적 이미지로 오브제의 이미지를 의미의 구조로 변형함으로써 오브제의 또 다른 존재로서의 오브제ɑ를 드러내어서 타자의 욕망의 자율적 선택으로 한 조형적 가치를 담고 있다.
그리고 회화적으로 닭의 배경에 감추어진 타자의 욕망으로서의 작은 조각은 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 추상적 공간을 보인다. 이것은 타자의 욕망을 추상적 오브제의 존재 의미로 그 오브제를 실제 가역할 수 있는 추상 공간으로 자리한다.
그리고 형상의 실제가 추상된 타자의 욕망에 가려지는 추상적 풍경 형상의 의미를 대리하는 비실재의 사실적 형상을 보인다.
행위자의 샐행에 따른 그 형상은 가역적 빛으로 한 타자의 욕망을 추상하는 음영으로 그 형상안에 감추어진 존재적 실재의 가치를 응시로의 보임이 라캉적 현대 추상화의 조형적 가치다,
여기서 추상적 음영으로 생성된 타자의 욕망적 선택은 실제의 구조와의 교차점이다. 이것은 비실재의 사실적 구조로 한 전체의 실제 형상과 가역적 빛의 음영으로 디자인한 타자의 욕망이 응시로 보이는 교차점의 순간적 형상으로 추상된다. / 글. 미술평론가 최철주 (추상 화가 & 문화디자인박사)
contemporary abstract artist Louis Choi Chul-joo------------------------------------------------------------
Review of Contemporary Artist
Art Critic Choi Chul-joo Art Criticism 26
Critique of artist & Contemporary Art Criticism [26] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Art Critique/ Renowned Contemporary Artist, Contemporary Painter, Abstract Artist Art Criticism & Contemporary Abstract Artist Louis Choi Chul-joo's Desire Concept Art Abstract Painting 'morning glory' Design Criticism: Contemporary Art Sketch Abstract Painting [46] Contemporary Art Sketch Abstract Painting:Let me be your fantasy in the window of desire newsmanwha K-Pop Song illustratoin [7] MONSTA X <Let me be your fantasy> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review & Contemporary artist Louis Choi Chul-joo's realistic abstract work of contemporary art as a conceptual art of treachery based on the concept of desire of others <morning glory-Let me be your fantasy >
Louis Chul-joo Choi, morning glory window 2024-6-gaze, 154X112cm, acrylic and composite materials on cloth, 2024
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Choi Chul-joo, morning glory-Let me be your fantasy, a hand-painted picture on a computer
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's Visual Culture Cartoon Column - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. MONSTA X <FANTASIA-Let me be your fantasy> Online Live (local time 26th)
. MONSTA X <FANTASIA> Online Live (heure locale 26th)
■ Art Critic Choi Chul-joo's Visual Culture Column: To weave pink cloth in waves in a dark place as if it were your last life.
= The temporality of light brightened by overlapping light is real in a realistic structure that removes real images and expresses them as shadows.
In addition, Choi Chul-joo's theory of desire art, which interprets reality as a realistic abstract, is embodied in a shade covered with a bamboo forest depicting the subject of "morning glory" the background of desire.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 108-Let me be your fantasy, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest b108-Let me be your fantasy-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p114-1-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 108, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b108, a hand-painted picture on a computer
Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p113-3-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p113-1-Let me be your fantasy: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Louis, Choi Chul-joo, morning glory p114-2, hand-painted picture on a computer
Louis, Choi Chul-joo, morning glory p114-3, hand-painted picture on a computer
Louis, Choi Chul-joo, morning glory p114-4, hand-painted picture on a computer / Desire Concept Abstraction ■ Design Process/ Abstraction In <Choi Chul-joo morning glory>, Choi Chul-joo's theory of abstract art is formalized to convert the object image of desire into meaning by repeating the theory of desire to the abstraction. This has the meaning of expressing the desire of others in painting by repeatedly applying the desire formula of the imagination world and Choi Chul-joo, and as a result of applying the theory of desire art to painting, the value of approaching the beauty of formality of the desire of others is obtained.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p110-9-The special feeling of the body and mind is “Twice”: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p110-8-2-MORE & MORE: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Background image of an artist's artwork: Louis Choi Chul-joo, morning glory p114, a hand-painted picture on a computer, 2023
Louis Choi chuljoo, morning glory-Let me be your fantasy [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of K-Pop Song illustratoin [7] MONSTA X <FANTASIA> Online Live. (2020-5-27) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶Online Live._ En direct en ligne.
The concept of desire design ■ "Choi Chul-joo morning glory" is not the object of the subject, but the spatial background of the other's desire. It is the same as a space of life that is consistent like the sky. It connects with cartoon review and pop art that represent the space of life, but does not criticize and judge, but reproduces reality as cartoon review with photographic images of events and performances. The effect of conceptualizing the reality of the symbol object as the desire of the other is structured in the shade of reversible light to form the concept as a realistic conceptual art.
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Review of Contemporary Artist
Art Critic Choi Chul-joo Art Criticism 27
Critique of artist & Contemporary Art Criticism [27] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Art Critique/ Renowned Contemporary Artist, Contemporary Painter, Abstract Artist Art Criticism & Contemporary Abstract Artist Louis Choi Chul-joo's Desire Concept Art Abstract Painting 'morning glory' Design Criticism: Art Design Review of Contemporary Art works [12] Abstract Artist Louis Choi Chuljoo Treacherous Conceptual Art Abstract Painting <Morning glory> Art Review / contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning glory 2022-l' pop art abstraction design: Louis's <morning glory p15-11>, 2022 New York Exhibition Abstract painting of contemporary art
Louis Choi Chul-joo, Choi Chul-joo morning glory p15-11, a hand-painted picture on a computer
Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)
Design review: the New York Contemporary Art Exhibition of "Morning glory" abstract painting(Poster: Youn Yuh-jung won the Oscar for Best Supporting Actress): an exhibition of the desires of others seen by a chick as an infant." a contemporary art work that applies artist Louis Chul-joo Choi's Lacan art theory. 20220301~20220308 Flushing Town Hall, New York.
<morning glory p15-11> creates a red monotone that superimposes the desire structure of the other, created by overlapping the concept of desire with <morning glory> as the background of desire.
At 2022 New York Flushing Town Hall, abstract painter Louis Choi Chul-joo's "morning glory" is produced as a design concept based on the concept of desire, and this is the design of the shape as the semantic structure of the concept of desire, that is, the poster abstraction "morning glory".
Desire Concept Abstraction ■ Design Process / Abstraction <morning glory> forms the image into an art theory of Choi Chul-joo's concept of desire to convert the image into a desire meaning by repeating the abstraction of the concept of desire. This means that the desire is expressed in painting by repeatedly applying the desire formula to the desire of others revealed in the unconscious, and as a result of applying the formula of Choi Chul-joo's desire concept to painting, the desire structure gains value in approaching formative beauty.
■ The concept of desire/ <morning glory> is not the subject of the subject, but the spatial background of the desire of others. It is the same as a consistent space of life like the sky. Cartoon review representing the space of life and performance scenes connect to pop art images, but do not criticize and judge, but reproduce reality as news with photos of events and images of performance scenes. In addition, the effect of conceptualizing the reality of the symbolized object as the desire of others is structured into reversible shades of light to paint the concept.
■ By substituting Choi Chul-joo's desire formula into the abstract painting <morning glory> created by abstraction of the concept of desire, the desire of one other is seen as a reversible structure of light, which reaches the morning glory of the desire background along with the satisfaction of pleasure and sexual impulse(Jouissance) and conceals the inconsistency imagined by the chick in the visual system.
Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory 2021-l', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky.
In addition, in <morning glory 2021-l>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).
Choi Chul-joo, morning glory-2021-l, 148X175cm, acrylic and composite materials on cloth, 2021
Louis Choi Chul-joo 2022 New York Exhibition Poster / 'morning glory p15-11' is a virtual non-real that structures the meaning of abstract space that can turn things into real images by constructing images that hide the desires of others in the temporal shadow of light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape reveals the place of the unconscious desire of others.
The image "morning glory p15-11," which depicts the meaning of the shape seen in the space of the meaning created by reversible light, refers to the concept of abstract meaning, which means an abstract space where the desires of others become common fossils and an abstract space that can compose the meaning of a shape hidden by long-term nature into a real shape that reverses things, and creates an image on one screen by drawing an image with a different meaning with reversible light hidden by the movement of the actual changed shape.
Here, drawing images with different meanings from different perspectives and gathering them on one screen is an abstract design of the concept of desire, which is a new attempt to reject the romantic painter's style. In other words, it is an abstract painting that revived the structure of desire, "morning glory" by using the material of light projected in romantic paintings as a place of existence to explore a new style of modern art.
It is the conceptual abstract design method of desire that draws images with different meanings from different perspectives and gathers them on one screen to form a revolutionary picture that deviates from perspective. This is a new attempt to reject the mannerisms of the way Romantic painters painted. In other words, in romantic paintings, a reversible shade of light with the subject of light projected as the place of existence pursues a new style of modern art by breaking away from Romantic painter's modern art with realistic <morning glory> abstract painting. / Choi Chul-joo's concept of desire <morning glory> Abstract painting interpretation
Louis Choi Chul-joo, morning glory p15-11, a hand-painted picture on a computer
<morning glory p15-11> based on the concept of desire is an image that allows you to see the desire of others who function gazing visually in the landscape in the abstract area of painting where certain effects occur. This is a perverse planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. It is an artistic discourse on reality and non-realism depending on the viewpoint of view. Reality and non-realism cannot be selected as visible images that reproduce objects, and the pictorial image that expresses the real image has been identified as an image as non-realism. Therefore, the way to find reality in an object is to reveal the abstraction of <morning glory> as a distorted image in a shade of reversible light similar to the concept of desire.
This is because abstraction as a conceptual semantic structure with a non-real shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-realistic as an ideological non-formal existence with different colors and sizes. Its existence is an image that defines abstract space as a real reversible shape and whose shape is obscured by actual changes in the shadow of reversible light, which is an exhibition poster image of "morning glory". This is an abstraction of the image of the concept of desire into installation art.
To reveal physical reality as an abstraction is a realistic reality that makes the object 'steady look' and the realistic reality comes from a clear abstracted physical structure. The structural physicality of the abstract has several cross sections in its three-dimensional form. Like Picasso, several perspective shades of reversible light, such as painting a woman in multiple perspectives at the same time, realistically drawing an object from one perspective.
This forms a non-real space with a realistic structure and shows the multifaceted complexity of an abstracted morphological structure.
Here, the abstracted form is an object that the other sees in a conscious space, and an object that appears to be a distorted image that appears to be a gaze to the other due to a desire. As an existential object that passes through the concept of desire in the entire image is formed, an image with the same meaning as the other's unconsciousness and desire is concealed in the reversible shade of light in the entire image.
A shape with "morning glory" as the background of desire and a shape image tailored to the desire gaze are expressed as an abstraction with a concept of desire tailored to the conceptual cartoon theme by processing the concept of desire with a shade of reversible light.
Here, painting as an object of change in customs is another image that seems to be an object. It is concealed and disappeared as a material of objects drawn in small pieces that are not visible in space.
A small piece of the object is monochromated and shows a reversible real space through a symbolic art movement that actually changes the shape. And it shows how the object as another reality is revealed. In the abstraction, it appears to be an image that appears to be a perspective visual system and a distorted image that reverses the concept of desire, that is, perspective.
Louis Choi Chul-joo, Choi Chul-joo morning glory p5-10, a hand-painted picture on a computer
Louis Choi Chul-joo, Choi Chul-joo morning glory p15-3, a hand-painted picture on a computer
Louis Choi Chul-joo, Choi Chul-joo morning glory p15-6, a hand-painted picture on a computer
Louis Choi Chul-joo, Choi Chul-joo morning glory p15-13, a hand-painted picture on a computer
The desire image of an image different from reality is hidden in the shadow of reversible light because it is the difference between reality and the desire of others. This metaphorically conveys the meaning of reality to the imaginary world by abstracting the desires of others that appear by equating the image of reality (symbol) in the mirror with the same symbol.
It's an imaginary world as a visible metaphor. However, it is not known which subjects are in the two phases. These two images are identified as images showing objects. Here, the other person sees the desire image as a different image from the real image and shows the desire. Real and non-real images cannot be selected as visible images that reproduce objects, and images that differ from phase are found to be non-real images. Therefore, the way to find reality in objects is to reveal the image of desire that projects the object of desire and the place where the desires of others existed as a reversible shadow of light.
Louis Choi Chul-joo, Choi Chul-joo morning glory p15-11, a hand-painted picture on a computer
The pictorial meaning is abstracted and transferred to the symbolic world through separation from the symbolic image of the sign and reality, recognizing that the symbolic image as a subject is not itself. Here, symbolic images and reality as abstract paintings meet reality through division.
Abstract images as reality are revealed as deviated images, but as non-real images, they are deviated from real images.
In the abstract painting achieved by the misinterpretation of real and non-real, the desire image forms a momentary image by serializing the sign image from the instantaneous staring image.
Dsire's object is expressed through identification with the other's gaze and the desire image revealed in the other's unconsciousness. At this time, the images combine meaning in abstraction as a separate whole image.
This equates the image of non-realism as an being revealed by the unconscious desire of the other and the image of the "morning glory" abstraction of reality revealed by the unconscious desire of the other as an abstraction of the concept of desire.
The abstraction here reveals the object as another being of the object by transforming the image of the object into an image that deviates from the other's desire perspective, and contains the meaning of formative desire that the object has with creativity and autonomy. / Writing. Art critic Choi Chul-joo (abstract painter & Doctor of Cultural Design)
Conceptual Artist Louis Choi Chuljoo
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Review of Contemporary Artist
Art Critic Choi Chul-joo Art Criticism 28
Critique of artist & Contemporary Art Criticism [28] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Art Critique/ Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Conceptual Abstract artist Louis Choi Chuljoo's <Morning glory outside the window 2023-2>
Louis Chuljoo Choi, a morning glory p34-4-1, a hand-painted picture on a computer
Louis Choi Chul-joo Abstract Painting 'Morning glory Window' Concept:
This is reversible light outside the window that reveals the instantaneous shape of one image moving away from the other's subject and passing through the other's subject from the lacking subject shape of the object, causing the one-shaded structure to conceptualize the desire of the other that alienates the subject's shape.
(ACN · Interpretation of the concept of Choi Chuljoo's "Morning glory Window" according to Lacan's "Four Direction of Interpretation" on March 9, 2023) 17:41
Louis Chuljoo Choi, a morning glory p34-4-1, a hand-painted picture on a computer
Choi Chul-joo's "Morning glory poser" is reflected in a mirror that lacks the shape of the subject as it spreads to the back of the shaded object with reversible light.
Reversible light is shaded to marginalize the shape of the morning glory abstract subject and to conceptualize the desires of others by shading a finely drilled cloth into a real picture.
"Choi Chul-joo's morning glory pster 34-4-1" is a modern conceptual abstraction that transforms the structure of desire into a shade with reversible light by utilizing images made of crooked images that mean the reality of morning glory.
In New York (Flushing Town Hall & Yeomyeong Hall), Louis "morning glory" is a contemporary art abstraction work related to the second individual exhibition, and produced 120 poster abstract paintings and object abstractions with contemporary art painting design concepts. It is Choi Chul-joo's "morning glory" that symbolizes this as an exhibition image of a painting design of shape as a desired semantic structure, that is, abstraction.
The object <morning glory>, which depicts the meaning of the shape seen in the semantic space created by the structure of one shade with reversible light, represents a contemporary abstract conceptual desire, that is, a modern abstract concept that is obscured by the actual changed movement of the shape by structuring the meaning of the shadow of the image that the chick hides the desire of the other in the temporality in the shadow of the reversible light.
The artistry that emerged in the desire object here reveals the conceptual object as another being of the object by transforming the image of the object into a skewed image from the other's desire point of view, and shows the artistic conceptual meaning of the object as creativity and the autonomy of the other's desire.
Additionally, the other's desire hidden in the painting personified chicken's background represents the actual abstract space that is reversible through the thought movement of the image that actually changes the shape. This refers to the concept of an abstract object, and the object constitutes an abstract space that is actually reversible and refers to the desire concept as an abstract shape in an abstract landscape where the desire of the other from which the reality of the shape is abstracted is concealed by a shade of reversible light.
Louis Chuljoo Choi, a morning glory p34-5, a hand-painted picture on a computer
The object (morning glory p34-5), which depicts the meaning of the shape visible in the meaning space created by reversible light from the shape of non-realistic reality, structures the meaning of the image that hides the desires of others in the shadow of reversible light, meaning an abstract space that can be reversible into a real shape, and the image in the mirror shows an object of abstract image that reveals the place of the unconscious desire of others as a virtual non-real image.
An object is an object that describes the meaning of the shape seen in the meaning space created by "Morning glory poter" reflected in reversible light. It is an object that describes the meaning of a shape hidden in a long period of time when a chick's desire for the other is fossilized in the shadow of reversible light. It means an abstract space that can be reversible into a real shape, and an object hidden by the actual changed movement of the exhibition abstract poster shape.
In Lacan art theory, revealing the subject is revealing the object ɑ as a lacking subject. In the abstract painting "morning glory", this is a subject that represents a lack reconstructed from a shape with the desires of others as the subject. It is Choi Chul-joo's "morning glory poter" that constitutes a frame that reveals the image of the subject representing the lack of the subject, and creates an object ɑ in the shadow of reversible light in the frame in order for the child to escape from non-existence of the desire and choose reality as a subject.
This is the physical structure of desire that resulted in a realistic reality. The structure has several skewed cross-sections in a three-dimensional form and abstracts a pictorial image as conceptual art into a multi-faceted image of a semantic structure as an object in one concept. (ACN · 2023. 6. 22. 23:13 <Morning glory> Subject Image: Choi Chul-joo Abstract Conceptual Art Theory)
As an abstraction, it is a flatness that seems to have a consistent meaning of morning glory. The morning glory is the same as the reality reflected in the mirror, but the shape of the background is not the same. This is because, as a conceptual form, a realistic form of a real thing with the same meaning structure is abstract as a conceptual semantic structure, but abstraction with the same meaning with different shapes is non-realistic as ideological atypical beings with different colors and sizes.
Its existence refers to abstraction as an exhibition poster that defines abstract space as a shape that can actually be reversible for objects that do not currently exist and whose shape is obscured by movements that have actually changed in the shade of reversible light.
Louis Choi Chul-joo, morning glory p116-4, a hand-painted picture on a computer / Modern Art Pop Art Concept Abstract Design: Louis Choi Chul-joo's Exhibition Posters On 100 New York 2022 Exhibition posters, it symbolizes the image of shape as a conceptual semantic structure of abstraction of desire newly drawn from computer images.
In New York (Flushing Town Hall & Yeomyeong Hall), a poster <morning glory poster-48> was created in New York (Flushing Town Hall) that designed the concept of desire as an abstract work of contemporary art related to the individual exhibition of Louis <Napal Flower> and repeatedly designed the concept of desire by symbolizing it as a design of a shape as a representative image of a painting.
The object (Louis Choi Chul-joo, New York Exhibition Poster), which depicts the meaning of the shape visible in the meaning space generated by reversible light, structures the meaning of <BLACKPINK creations a new image in the mirror like the picture "Las Meninas·The Maids 6" as a shade of reversible light to structure the meaning of the abstract space that can revers the object into a real shape and is hidden by the actual changed movement of the shape. The image in the mirror refers to the momentary distorted image of the desire object of Las Meninas of Velazquez, a fantastic image revealed by Velazquez from the unconscious desire of others.
The conceptual design of contemporary desire by contemporary art critic and conceptual artist Choi Chul-joo is a return to painting as a symbolic concept of early conceptual art. In other words, the conceptual art of desire created through painting designs the abstract concept of desire as a practical image. Therefore, his conceptual abstract art of contemporary desire conceptualizes abstract values through painting while criticizing the phenomenal image of events or performances such as current affairs cartoons.
Although his paintings cannot replace those of Dadaism, they equate concepts such as the philosophy of Marcel Duchamp and his sympathizer Joseph Kosuth with paintings of conceptual desire.
On the other hand, Choi Chul-joo's conceptual art abstraction design, which conceptualized the illusion of the infantile imagination in Lacan art theory, contains the meaning of the concept as current affairs satirical cartoons and the message of the concept of desire in the abstract image of the concept of desire. It occluses critical perspective and the life value of desire conceptual painting with satirical cartoons of on-site photographs of events and performances.
This increases the value of life from a critical perspective based on the satirical image and abstract design of events through the Choi Chul-joo's abstract art movement beyond mathematical concept and philosophical interpretation.
Here, Choi Chul-joo's Lacan conceptual art abstraction design refers to an abstraction design that can momentarily and rationally perceive the desires of others rather than arbitrary philosophicality. (ACN ・ Oct. 7, 2022, 2:33 Choi Chul-joo Conceptual Art abstraction design interpretation)
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Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Reali
Choi Chul-joo, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 9>, a hand-painted picture on a computer
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's newsmanwha K-Pop Song illustratoin [4] Young voters want to watch BLACKPINK's "The Show" rather than election broadcasts on YouTube, ACN ・ 2021. 2. 11. 15:47 / Reporter Choi Chul-joo’s Cartoon Review
. Young voters want to watch BLACKPINK's "The Show" rather than election broadcasts on YouTube.
. Les jeunes électeurs veulent regarder « The Show » de BLACKPINK plutôt que des émissions électorales sur YouTube.
Choi Chul-joo, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 12-15>, a hand-painted picture on a computer
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 173-BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids.", a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest d173-BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids.", a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest d173-BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids."-pond : By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p116-4-BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids." 12, US President Trump says American films like 'Gone With the Wind' should win Academy Awards: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p116-4> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <pond-Bankers sent home as Deutsche starts slashing jobs> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p116-4> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 173, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest d173, a hand-painted picture on a computer
Final image superimposed on the artist's work: Louis Choi Chul-joo, pond s3, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p116, a hand-painted picture on a computer
Installing an image of a firm desire
The installation of the desire image is to reveal a significant painting image in the mind through an error in the subjective abstract image of an object that does not exist by realizing the representation of a linguistic object.
It simulates (模寫) the concept of linguistic desire as a painting and displays the representation perceived as desire as a real image. In other words, displaying linguistic desire as a painting image embodies desire as an actual painting image with an objective correlation, like T. S Eliot. In other words, it abstracts the linguistic image as a concept of desire, but metaphorically as a real image of the concept.
The real image manages and abstractly defines the object as the meaning of existence.
Therefore, in linguistic abstraction, the meaning of existence is taken as a real image. By showing existence as an image rather than an object as reality, it becomes a reality in abstraction that transcends the subject of the object. In this way, existence generalizes the object as a firm subject with a phenomenal gaze.
The installation of an image of firm desire is the installation of an image as a subject of firm existence, which is viewed through the gaze of the desire for existence.
Even if the actual object's light is bright, it does not reach the light in the sky, and the cloud divides the space according to the installation of the image of existence. Therefore, by rejecting metaphysics that do not affect the object of desire with reversible light, the existence of an object is recognized as an image through the shadow of light.
Here, imaginary desire is a linguistic impression concept, and the image of meaning is repeatedly designed to reconstruct the abstract formative color into a real image, and the outer surface of reality is developed as an objective correlation.
Louis Chul-joo Choi, morning glory window 2024-8-Installing an image of a firm desire, 150X112cm, acrylic and composite materials on cloth, 2024
The design process of Choi Chul-joo's concept of desire abstract art is to install such a firm gaze image as the outer surface of reality and abstract the outer surface of reality as a correlation of reality as a concept of desire.
Since this is reversely abstracted as a correlation of a phenomenal real image, the image design of the concept of desire is repeated to show the correlated real image of the concept of interpreting desire as a cartoon cartoon only as an event or performance image, and the real image as an event and performance image is drawn as a phenomenal perception and installed as a correlated image in the thought intended by the action of the image.
It acts as a coincidence to reduce the non-visual image derived from this to a linguistic abstraction cartoon review. Image correlation, which replaces the symbolic phenomenon of an image with a reality that symbolizes the meaning of the image, does not presuppose a causal relationship with a single meaning, but results in an image that is connected to the concept of desire as a correlation between an abstract concept that deviates from the structure of non-realism and reality.
Image is a concept of desire without abstract meaning and spatial constraints and grasps the desires of others as subjects related to reality.
In the aesthetic structure concealed by the subject, the sky divided by clouds is the shaded light of the object and stops the abstract concept in real life. And the size of the image of a correlated reality as a shade is omitted and it is positioned as a range that appears to be light. This is a place where reality has an aesthetic value adapted to the place as an image, and decorates the place with the colors of universal reality that fit the custom. This is Choi Chul-joo's concept of installing an image of desire.
The object of reality is a shape that has remained as a color in the linguistic sense that existed conventionally, and is composed of a single image of the desire of the other in contrast to the light of the past. The image shows the image of reality that existed in the original place of the image with a shape stopped by desire.
When an image is a desire image, it is not affected by the subject of the shape and is visually abstracted as a subject according to the desires of others. Therefore, the abstract effect reproduced by the desire gaze is reduced to abstraction from the actual image in which the desire image is superimposed as the gaze image of a firm desire is installed. / Writing. Art critic Choi Chul-joo (conceptual abstract painter & Ph.D. in cultural design)
Louis Choi chuljoo, Black Pink creates a new image reflected in the mirror like the painting Las Meninas 3 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle cricature] ■ Choi Chul-joo's Cartoonist newsmanwha–an editorial cartoon [12] Black Pink creates a new image reflected in the mirror like the painting Las Meninas. ACN ・ 2021. 2. 11. 15:47 / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶Labour Force Reduction _ Réduction de la population active.
