Review of Contemporary Artist

Art Critic Choi Chul-joo Art Criticism 4

Mar 5. 2023

Critique of artist & Contemporary Art Criticism [4/ 20~22] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Abstract Painting Art Theory Presentation of the Concept of Desire [18] Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design: Louis's <morning glory 48-8>, 2022 New York Exhibition Abstract painting of contemporary art

Louis Chul-joo Choi, morning glory p48-7, a hand-painted picture on a computer

Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)

Shape image as a conceptual semantic structure: It refers to another image of the background of a real concept that represents a real morning glory by repeating the color of the shadow on the object image of desire, and it is the object of the concept of desire that depicts the shadow structure created from non-real images with reversible light.

The object is abstraction as a contemporary desire concept artwork, which is repeated by symbolizing and overlapping the desires of others with reversible shades of light in "morning glory" the background design concept of contemporary desire concept artwork.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Louis' Conceptual Art Theory on Realistic Abstract Painting)

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.

As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.

(Louis' Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)

Louis_Chul-joo_Choi,_morning_glory_2022-j,_87X114cm,_acrylic_and_composite_m.jpg

Louis Chul-joo Choi, morning glory 2022-j, 87X114cm, acrylic and composite materials on cloth, 2022

Realistic structures are reflected in the shape of shadow colors by light. It's the contours and shadows that are determined by the reversible shades of light that reveal that shape. This is the concept of desire, the art of realistic abstraction, which actually forms an abstract image of the concept of desire.

<morning glory 2022-j> is an object of a conceptual image of desire drawn in the form of a cloth in which the back side is illuminated, which is hand-designed with an image created as an anamorphosis image meaning the reality of morning glory.

The object's shape is a modern art abstraction work related to the individual exhibition of Louis "morning glory" in New York (Flushing Town Hall) and a poster <morning glory poster-48> with a design concept as a desire meaning structure, which symbolizes the design of the shape, that is, the exhibition image of the painting, and is a series of modern conceptual art abstractions <morning gloss p48-2>.

Louis Chul-joo Choi, morning glory p48-2, a hand-painted picture on a computer

An object that depicts the meaning of a shape seen in a semantic space created by reversible light is an object that structures the meaning of the image concealing the desires of others into a shade of reversible light, meaning an abstract space that can be reversible into a real shape, and refers to an object as an instantaneous distorted image as a conceptual abstract meaning hidden by the actual changed movement of the shape.

As a modern abstract painting, "Choi Chul-joo Morning glory" criticizes the phenomenal image like current affairs cartoon, but refers to design value in painting.

In art, ready-made ready-made products cannot replace painting, and they refer to concepts created like Marcel Duchamp and messages based on the philosophy of his sympathizer Joseph Kosuth.

On the other hand, Choi Chul-joo's conceptual art abstraction design, which conceptualized the illusion of the infantile imagination in Lacan art theory, contains a message in the Lacan conceptual art abstraction image of the meaning of the concept as a satirical cartoon. The critical perspective with the life value of Lacan paintings through the satirical photographs of the event. This occlusions the life value through the critical perspective and Lacan conceptual art abstraction design of the field photographs as satirical cartoons beyond mathematical concepts and philosophical interpretations.

Here, Lacan conceptual art abstraction design refers to an abstraction design that can momentarily and rationally perceive the desires of others rather than arbitrary philosophicality. (ACN · Oct. 7, 2022, 2:33 Choi Cheol-ju Conceptual Art abstraction design interpretation)

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Chul-joo Choi, morning glory p48-7, a hand-painted picture on a computer

As a modern abstraction work, <D(I...I')d=I(D'D'D'i)i> is applied to Choi Chul-joo's desire formula "D(I...I')d=I(D'D'D'i)i" to superimpose shades generated by reversible light. And by repeating the design of the verbal metaphor image and applied to the desire formula, it seems to determine and abstract the phenomenal position that another place in the space has as a reversible shade of light. This refers to the conversion of the morning glory poster designed as a conceptual art of desire by Louis Choi Chul-joo's 2022 exhibition in New York to the abstraction <morning glory p48-7>, which embodies the object of the conceptual image of desire.

Louis Chul-joo Choi, morning glory p48-7, a hand-painted picture on a computer

In the desire diagram of a perspective visual system that reproduces an abstract object as an object of desire image, the visual system is concealed, but it is an object as a momentary gaze of the desire perspective revealed in the unconscious.

As a painting, the object forms a skewed image expressed through the desire revealed in the suppressed unconscious of others through design and creates an object as a being to acquire artistry beyond generality, revealing artistry based on the momentary distorted desire image of Las Meninas of Velazquez as a semantic structure.

Louis Chul-joo Choi, morning glory p48-8, a hand-painted picture on a computer

The artistry that emerged from the object as a modern abstraction reveals the desire object as another being of the object by transforming the image of the object from the desire point of view of the other into a skewed image, and contains the artistic meaning of the object as creativity and the autonomy of the desires of the other.

In addition, Choi Chul-joo's "morning glory", a small piece of the other's desire hidden in the background of the desire of the painting personified chicken, is a modern abstraction as a reality that is reversible through the deliberative movement of the image of desire that actually changes the shape.

The Choi Chul-joo's abstraction is abstracted as a conceptual art of desire, so it has modern abstraction that can momentarily and rationally perceive the desires of others by staring at them rather than arbitrary philosophy and concepts. And referring to the meaning of an abstract object, the object refers to an abstract space that can actually be reversible, and abstracts the semantic reality of abstract landscape shape, in which the desires of others from which the reality of the shape is abstracted by modern abstraction. / Writing. Choi Chul-joo, an art critic (conceptual abstract painter and Doctor of Cultural Design)

contemporary abstract artist Louis Choi Chul-joo

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Review of Contemporary Artist

Art Critic Choi Chul-joo Art Criticism 20

Critique of artist & Contemporary Art Criticism [20] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Art Critique/ Louis Choi Chuljoo Docent Explained: Abstract Painting Art Theory Presentation of the Concept of Desire & Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory Woman' pop art abstraction design: Abstract contemporary art that designed modern art abstract painting [20] Abstract painter Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: Media Art Display Installation: Contemporary artworks review: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [38] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review: Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [18] Contemporary Artwork Critic Louis Choi's art criticism: Art Criticism Pop Art Abstraction: Korean Abstract Painting <Morning Glory 2022-d-bling bling> Cartoonist Painting Design Criticism & Culture Column and Visual Artist Abstract Painting Based on Visual Arts Criticism [17] Art Critic Choi Chul-joo's Visual Culture Column Based on Cartoon Criticism : We feel happy when I enjoy each day now

New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of desire's object and Picasso's Anamorphosis, 20220301~20220308 Flushing Town Hall, New York.

New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of desire's object and Picasso's Anamorphosis, 20220308~20220310 Yeomyeong Hall, New York.

As an abstraction of the concept of pop art, "morning glory" refers to the reality of morning glory as a concept of desire, and is an image object of desire reflected on the back by drawing an image made in a practical form. Therefore, it is an unrealistic abstraction of the concept of desire with realistic formative traces and reversible shades of light on the subject of the desire of others.

In addition, abstract painter Louis Choi Chul-joo "morning glory" produces design concepts based on the conceptual abstraction of contemporary art and designs them in the form of a semantic structure of desire. In other words, it is a contemporary art conceptual art abstraction that realistically symbolizes the abstract image of painting.

Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022

As a conceptual semantic structure, the shape image is an object of desire <morning glory 2022-d-bling bling> that designs the image as an object of the subject. The object is a real conceptual art image of morning glory 2020 p26-01 as a real desire object by repeating the drawing of the non-real conceptual art image <morning glory 2020 p26-01> in a reversible shade of light on the canvas. This means the morning glory 2022-d-bling bling transferred from Kim Yon-ja's bling bling 3 and is an object of desire drawn from the realistic image of non-real life as reversible light with an image of a structure that is out of shape.

The object's shape is an abstraction that represents the place of reality as a modern conceptual art work that repeats drawing by overlapping the shades of reversible light with the "morning glory" as a design concept of a modern art abstraction work, which has been converted into a desired semantic structure.

Louis Chul-joo Choi, morning glory 2022 p77-6, a hand-painted picture on a computer

In the shape of the subject in which the conceptual word (moi) as a symbolic image is drawn, the subject of the other realizes abstraction by indicating the place where the shape is revealed. And in that abstraction, the image of a conceptual word in a place represents the place, that is, reality.

The shape that instantly reveals the subject of the other in the shape of the subject in which the conceptual word (moi) as an image of the imagination world is drawn provides the cause of the shape that clarifies the position of the image and conceptualizes the desire of one other in the shade of reversible light.

Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022

Modern conceptual art by contemporary art critic & conceptual artist Choi Chul-joo is a return to painting as a concept of early conceptual art.

Painting here is a realistic conceptual art that displays a place of reality with a poster that creates abstract paintings representing a place of reality.

Therefore, "morning glory 2022-d bling bling" criticizes his contemporary conceptual art as a phenomenal image like cartoon review, but it refers to the semantic value of the non-realistic image "morning glory 2020 p26-01" as a painter. It then transfers the non-realistic image of Kim Yon-ja's bling bling 3 to the non-realistic abstraction of "morning glory".

This goes beyond mathematical concepts and philosophically meaningful linguistic interpretations and combines critical perspective with the life value of desire images with a full review of the scene photos of events and performances. Here, the desire image refers to the painterly nature that can instantly perceive the desire of the other rather than the arbitrary philosophy. (ACN · April 20, 2022 / The desire of the other as an infant <morning glory> New York Exhibition New York Exhibition docent 1).

Therefore, in rational painting, the background desire of the morning glory shape is different from the objective reality and the representational conceptual art of objects so that the distorted flat background according to temporality can be experienced with the desire of others. This is because the object exists in the place of reality separated from reality transferred from the symbolic world.

Louis Choi Chul-joo, morning glory p77-10-bling bling, a hand-painted picture on a computer, 20220308~20220310 Yeomyeong Hall, New York.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p77-7-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Louis Choi Chul-joo, Poster: morning glory p77-7, a hand-painted picture on a computer

As a poster for the 2022 New York exhibition <morning glory p77-7>, the visual system is concealed with a shadow image that reproduces an abstract representation image object, but it is an abstract object that shows the non-real shape revealed in the reversible light shade of a desire point of view revealed in the unconscious as a momentary gaze.

The object hidden in abstraction forms a dwarf image expressed through the desire to acquire artistry out of generality as a desire design and creates an object that creates the other's desire as a being, revealing the conceptual artistry of non-realistic abstraction with the momentary desire image of the other's desire as a semantic structure.

The abstract meaning of conceptual art as a modern art poster abstraction work <morning glory p77-7> is the object of change in customs, and the painting of morning glory as an abstraction is another cross-sectional image of a cultural space that appears to be an object, revealing a infant's existence in which a chick hidden in the shade of morning glory is mistaken for a chicken.

This is an object drawn as a small piece that is not visible in abstract space (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstraction), hiding the desire of others in the background of the morning glory, and in reality, objects are overlapped in the shade of the background of "Napal Flower".

Here, the object hidden in the background of "Napal Flower" is a small piece as the desire of the other. Abstracts the real space that is reversible through the thought movement of the image that the shape of the sculpture actually changes.

Assuming that the space is a non-complete reproducible image formed in the shadow of reversible light, reality exists in space as an abstract and virtual image that actually reproduces reality.

Louis Choi Chul-joo, <Kim Yon-ja's bling bling 3>, a hand-painted picture on a computer

Abstract image design is a conceptual semantic structure, which is an object of desire to design an image as an object. An object refers to the reality of a morning glory by designing a distorted flat image as an object of desire drawn on a cloth and reflecting it on the back.

The shape of the object is an abstract work of contemporary art related to Louis Choi Chul-joo's 2022 New York "morning glory" exhibition (Flushing Town Hall & Yeomyeong Hall), and images related to 100 posters produced with design concepts were designed.

The exhibition poster image of the painting was symbolized as a semantic structure of desire, drawn repeatedly, and abstracted as a realistic conceptual art. Abstraction abstracts the meaning of desire because the more the difference in shape is distinguished, the more the shape is understood in one direction. It is a realistic abstraction with similar colors and sizes as a symbolic structure when the shape refers to the same meaning. In other words, an abstraction in which a realistic form with the same semantic structure as a realistic form is a conceptual semantic structure.

Louis Choi Chul-joo, morning glory p77-10, a hand-painted picture on a computer

The realistic abstract object (Louis Choi Chul-joo 2022 New York Exhibition Abstraction morning glory), which depicts the meaning of the shape seen in the meaning space created by reversible light in the shape of non-real reality, means an abstract space that can be reversed into a real shape by structuring the meaning of the image that hides the desire of others in time in the shade of reversible light, and the meaning of conceptual abstraction that is hidden by the actual changed movement of the shape, the image in the mirror, shows an abstract image object in a virtual space that reveals the place of the unconscious desire of others as a virtual non-real image.

Conceptual artist Choi Chul-joo's abstract design, which abstracts the structure of desire, is a return to painting as a concept of early conceptual art. In other words, it is a realistic conceptual art design created by painting. Therefore, his contemporary conceptual art criticizes the phenomenal image of events and performances, like Sisa Manpyong, but speaks and abstracts design values as a realistic structure of desire with painterliness.

This is a realistic conceptual art that is treacherous to conceptual art that cannot replace painting, and it rejects the philosophical message of Joseph Kosuth, a concept born like Marcel Duchamp.

On the other hand, Choi Chul-joo's conceptual art abstraction design, which is based on the concept of the imaginary world, contains a message in the desire conceptual art abstraction image with current events. It combines the life value of critical perspective and desire painting with a full review of the scene photos of events and performances. This goes beyond mathematical concepts and philosophically meaningful linguistic interpretation and combines life values through critical perspective and desire conceptual art abstraction design with a picture of the scene of the event.

Here, desire conceptual art abstraction design refers to an abstract design that can instantly perceive the desire of others as a gaze rather than arbitrary philosophy. (ACN · 2022. 10. 7. 2:33 Choi Chul-joo Conceptual Art Abstract Design Interpretation)

"morning glory p77-4-3" & "morning glory 2022-d-bling bling"

By repeatedly sketching the design "morning glory 100-2" and applying Choi Chul-joo's desire formula "D(I...D...D'i)i" to the conceptual image of desire, the desire image "morning glory p77-4-3" reveals the meaning of abstract desire "morning glory 2022-d-bling bling" by realizing realistic formability in the shade of reversible light at that moment.

In addition, by repeating the verbal metaphor image and re-applying Choi Chul-joo's desire formula, it appears to have a phenomenal position in another place in one space in the shade of reversible light. Louis Choi Chul-joo 2022 The morning glory poster image, designed as an abstract conceptual art with desire in the New York exhibition, actualizes the desire image object and transfers it to abstraction.

Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022

The abstract area of painting, which has a specific effect that reveals the image of desire as a meaning of "morning glory-bling bling" in conceptual art, is an image that can momentarily see the desire of others functioning gazefully in a landscape as a background of desire.

This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction in the same meaning as a conceptual semantic structure, but abstraction in the same meaning with different shapes is a real non-realistic being with different colors and sizes.

The existence defines an abstract space as a real reversible shape and refers to the abstraction meaning of conceptual art in which the shape is hidden by a movement that has actually been changed in the shade of reversible light.

A realistic desire that replaces the phenomenal place of abstraction meaning with a poster. Conceptual art abstraction can distinguish the place of the shape and conceives a different meaning to interpret the shape. The shape is abstracted as a realistic image of color and size similar to the meaning made as a conceptual structure to speak another meaning, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, outwardly identifying the image of the object and the abstract meaning with the image of the object as the same subject, and internally, the subject forms a transformed abstract meaning. This refers to the abstract meaning of shape, which defines an abstract space that can be actually reversible and refers to the meaning of the designed desire of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.

Its meaning is designed as "morning glory", abstracted as a symbolic language that symbolizes flowers that imitate the desires of others.

By designing a figure that represents the desire of the other in the abstract "morning glory", it reproduces it as an abstract object as an object of desire image (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstraction). In the diagram of the perspective visual system, the object as a different momentary gaze is abstracted from the other's desire point of view revealed in the unconscious mind by creating a shadowed place with reversible light in which the visual system is concealed.

In this way, an object abstracted as a conceptual art of desire image forms a distorted flat image expressed through a desire revealed in the oppressed unconsciousness of others to acquire artistry out of generality, creates an object in the shadow of formability with the desire of others as beings, and exists as a meaning.

As a semantic entity, the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the image of the object into a structure of meaning from the other's desire point of view.

And painterly, a small piece as the other's desire hidden in the background of morning glory and chicken shows a real abstract space that is reversible through the thought movement of the image that actually changes the shape. This is placed in an abstract space where the other's desire can be actually reversed as the meaning of the existence of an abstract object.

The desire of the other person shows a realistic form of non-realism that represents the meaning of the abstract landscape form that is hidden by the abstract desire of the other person. The shape is the intersection of the actual structure selected by the desire of the other created in abstract shades. This is an instantaneously abstracted shape at the intersection where the actual shape of the whole as a non-realistic realistic structure and the desire of the other designed in the shade of reversible light appear as a gaze.

In <Kim Yon-ja's bling bling 2>, the 'bling bling' of the perspective visual system is structured against the background of 'Napal Flower', and the subject in 'morning glory' disappears in the shade of reversible light that is distinct from reality.

The abstracted shape of the morning glory 2022-d-bling bling appears to be an object as another abstraction of reality transferred from symbolism as a reality that is not revealed by revealing the reality of another object other than the same object in the mirror.

The abstract object is not clearly revealed as an object reflected in the mirror as an object due to the desire of the other, but is concealed in a reversible shade of light, and the reality of the viewer is absent by looking at another object exposed in the mirror. However, the person who paints the picture replaces the other.

Contemporary Art Critic Louis Choi Chul-joo

Culture Column and Visual Artist Abstract Painting Based on Visual Arts Criticism [17] Art Critic Choi Chul-joo's Visual Culture Column Based on Cartoon Criticism : We feel happy when I enjoy each day now.

newsmanwha K-Pop Song illustratoin [1] I want to be happier day by day like this, bling bling. (2020-4-26) / Reporter Choi Chul-joo’s Cartoon Review

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Choi Chul-joo, Kim Yon-ja's bling bling 2, a hand-painted picture on a computer

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's Visual Culture Cartoon Column - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. I want to be happier day by day like this, bling bling

. Je veux être plus heureux jour après jour comme ça, bling bling

■ Art Critic Choi Chul-joo's Visual Culture Column: To weave pink cloth in waves in a dark place as if it were your last life.

= The temporality of light brightened by overlapping light is real in a realistic structure that removes real images and expresses them as shadows.

In addition, Choi Chul-joo's theory of desire art, which interprets reality as a realistic abstract, is embodied in a shade covered with a bamboo forest depicting the subject of "morning glory" the background of desire.

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 63-bling bling, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest d63-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p106-10-63-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 63, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest d63, a hand-painted picture on a computer

Background image of an artist's realistic Abstraction: Louis, Chul-joo Choi, a morning glory woman, 113X180 cm, acrylic and composite materials on cloth, 2023

Louis Choi chul-joo, bling bling 6 [The interpretation of words in a cartoon newsː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of newsmanwha K-Pop Song illustratoin [1] I want to be happier day by day like this, bling bling. (2020-4-26) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ▶day by day _ Jour après jour

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Review of Contemporary Artist

Art Critic Choi Chul-joo Art Criticism 21

Critique of artist & Contemporary Art Criticism [21] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Art Critique/ Louis Choi Chuljoo Docent Explained: Abstract Painting Art Theory Presentation of the Concept of Desire & Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory Woman' pop art abstraction design: Art Review: Abstract Painting Design Methodology is a new art movement in abstract painting that approaches modern images of an event and performance as desire concept art as realistic abstract painting. & Contemporary Art Movement Now: A New Abstract Methodology for Drawing Abstracts from Uninterpretable Modern Abstracts to Images of Modern Events into Desire Concept = Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo Abstraction Art Work [18] contemporary abstract art movement examples: Contemporary Art Review with Visual Art of the Story of Contemporary Art Critic [30] A modern art review that examines the aesthetic value, process, and artistry of photography, cartoons, art, and design, and approaches the meaning of the work with the theory of visual art : Art Review News- Reading New Works: The artwork posted on Facebook = Louis Choi Chul-joo <morning glory outside the window 2023>

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Louis, morning glory p104-4-1, a hand-painted picture on a computer, 2023 / Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

Louis, morning glory p104-4-1, a hand-painted picture on a computer, 2023

<morning glory window p104-1-1> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.

In Busan (Haeundae-gu Office Gallery), Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2023-6-1> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure. In addition, the abstraction of the concept of desire <morning glory (outside the) window 2023-6-2> emerges through "Painting Installation Performance," which constitutes the abstraction as another desire image.

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

The object <morning glory window 2023-6-1>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".

Louis Chul-joo Choi, morning glory window 6-1, 241X223cm, acrylic and composite materials on cloth, 2023

2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p101-1-music performance>

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The abstract area of painting in which the specific effect of the desire abstract image occurs as an exhibition poster meaning of "morning glory p104-1-4" as conceptual art is an image that can momentarily see the desire of others functioning gazefully in the landscape.

This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure is an abstraction of non-realistic realistic form with the same meaning as a realistic structure, but abstraction as the same meaning with different shapes is a real non-realistic being with different colors and sizes..

Therefore, the factual abstract image defines abstract space as a real reversible shape, and Choi Chul-joo's exhibition poster, whose shape is hidden by actual changed movements in the shade of reversible light, means the meaning of abstraction of conceptual art by creating a place of abstraction as a contemporary art abstract art movement.

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Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 6-2> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.

Abstract painting <morning glory window 6-2> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In <morning glory window 6-2>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

Louis Choi Chul-joo's "morning glory window 6-2" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light.

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space

It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.

It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality.

In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image <morning glory> in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.

It realizes the surface image of the non-realistic sky just as the clouds reflected in the building are real as surface images. This is the impression of a city in which the desire concept image is developed at small intervals where it exists momentarily as a reversible shade of light.

In this way, fragments of contemporary visual culture are abstracted with desire in the realistic structure. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)

Contemporary Artist Louis Choi Chuljoo

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Review of Contemporary Artist

Art Critic Choi Chul-joo Art Criticism 22

Critique of artist & Contemporary Art Criticism [22] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Art Critique/ Louis Choi Chuljoo Docent Explained: Abstract Painting Art Theory Presentation of the Concept of Desire & Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory Woman' pop art abstraction design: Contemporary Art Critic Choi Chul-joo's Review of Contemporary Art Works on Facebook and Instagram: Contemporary Abstract Art Painter Criticism [10] Abstract contemporary art that designed modern art abstract painting & Abstract painter Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory" and "Bamboo Forest." / Art Review News- Reading New Works: The artwork posted on Facebook = Louis Choi chul-joo's Abstract painting <morning glory outside the window 2024-2-light>

Louis Chul-joo Choi, morning glory window 2024-2--light, 357X225cm, acrylic and composite materials on cloth, 2024

"morning glory window 2024-2-light" is an image created as a shade of reversible light with a desire background image meaning the reality of morning glory. This is Choi Cheol-joo's contemporary abstract art movement that presents the concept of desire as a methodology for realistic abstraction with cartoon review's event image as a concept.

In 2023 Busan (Haeundae-gu Office Gallery), the "morning glory window" series produced a poster <morning glory window p-110> in which Korean painters and abstract painters Louis Choi Cheol-ju <Napal Flower Window> is an abstract work of contemporary art related to individual exhibitions. It is a contemporary abstraction <morning glory window> that symbolizes the exhibition poster image of painting as a structure of desire. In addition, an abstraction <morning glory outside the window 2024-light>, which composes the abstraction into a desire image that appears as an instant gaze, appears.

Louis Choi Chuljoo, morning glory window p110

The object "morning glory window p110", which describes the meaning of the shape seen in the semantic space created by reversible light, is an abstraction drawn as a conceptual work of "Image Installation Performance", in which the image that conceals the desires of others in time is structured as a reversible shade of light. The meaning of abstraction of desire, that is, the image of desire reflected in the mirror, is a hypothetical non-realistic image of cartoon criticism, and contemporary artist Louis Choi Chul-joo describes the place of the other's unconscious desire with artistic movement in "morning glory", the background of the desire structure.

Louis Chul-joo Choi, morning glory window 2024-2--light, 357X225cm, acrylic and composite materials on cloth, 2024

Choi Chul-joo's comic abstraction as a treacherous conceptual art means the abstraction of the conceptual image of desire as a realistic structure in art. Since the conceptual meaning of desire that exists in place of a realistic form can be divided into a cartoon criticism image, abstraction is drawn through reversible contrast that interprets the image of events and performances as an image of others' abstract desires.

Choi Chul joo cartoon review, which uses contemporary art abstraction as a treacherous conceptual art, reinterprets the image of desire as a concept of cartoon.

Louis Chul-joo Choi, morning glory window 2024-2-light, 357X225cm, acrylic and composite materials on cloth, 2024.jpg

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Choi Chul-joo, <MONSTA X's "Let me be your fantasy" 5>, a hand-painted picture on a computer

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: K-pop song news [7] MONSTA X <FANTASIA> Online Live (local time 26th) (2020-5-27) /Reporter Choi Chul-joo’s Cartoon Review

. MONSTA X <FANTASIA> Online Live (local time 26th)

. MONSTA X <FANTASIA> En direct en ligne (heure locale 26th)

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 290-MONSTA X <FANTASIA> Online Live, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: In front of the bamboo forest e290-MONSTA X <FANTASIA> Online Live: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p110-5: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p110-5> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 290, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest e290, a hand-painted picture on a computer

"morning glory window 2024-2--light, 357X225cm, acrylic and composite materials on cloth, 2024" creates an abstract effect in which a dancer who represents the conceptual image of desire hidden in the phenomenal image in the 2023 morning glory poster image overlaps "morning glory" with different backgrounds to give reversible time sensitivity.

<morning glory window 2024-2--light> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.

Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2024-2--light> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure.

The object <morning glory window 2024-2--light>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".

In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 2024-2--light> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

Abstract painting <morning glory window 2024-2--light> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In <morning glory window 2024-2--light>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

Louis Chul-joo Choi, morning glory window 2024-2--light, 357X225cm, acrylic and composite materials on cloth, 2024

Louis Choi Chul-joo's <morning glory window 2024-2--light> absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time. It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

This is an abstract urban impression in which images of the concept of desire are developed at small intervals as reversible shades of light that exist momentarily, just as a dancer reflected in the background of the concept of desire implements an unrealistic surface image of the sky like a cloud as a surface image.

In this way, the fragments of urban images in modern visual culture are abstracted into the structure of desire in the realistic structure. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)

Contemporary artist Choi Chul-joo (Doctor of Cultural Design)

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