Review of Contemporary Artist

Art Critic Choi Chul-joo Art Criticism 3

Mar 2. 2023

Critique of artist & Contemporary Art Criticism [3/ 17~19] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Abstract Painting Art Theory Presentation of the Concept of Desire [17] Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design: Louis's <morning glory 36-10-2>, 2022 New York Exhibition Abstract painting of contemporary art

Chul-joo Choi, morning glory 36-10-1, a hand-painted picture on a computer

Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)

Shape image as a conceptual semantic structure: It refers to another image of the background of a real concept that represents a real morning glory by repeating the color of the shadow on the object image of desire, and it is the object of the concept of desire that depicts the shadow structure created from non-real images with reversible light.

The object is abstraction as a contemporary desire concept artwork, which is repeated by symbolizing and overlapping the desires of others with reversible shades of light in "morning glory" the background design concept of contemporary desire concept artwork.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Louis' Conceptual Art Theory on Realistic Abstract Painting)

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.

As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.

(Louis' Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)

Louis Choi Chul-joo, morning glory p36-10, a hand-painted picture on a computer

Realistic structures are reflected in the shape of shadow colors by light. It's the contours and shadows that are determined by the reversible shades of light that reveal that shape. This is the concept of desire, the art of realistic abstraction, which actually forms an abstract image of the concept of desire.

현대 추상화 최철주나팔꽃의 현대 개념 디자인은 초기 개념미술의 개념으로 한 회화성의 복귀다. 즉 회화 작품으로 생성하는 개념미술 디자인이다. 따라서 그의 현대 개념미술은 시사만평처럼 현상적 이미지를 비판하지만 회화성으로 디자인적 가치를 말한다.

미술품에서 Ready made 기성품이 회화성을 대신할 수 없고 Marcel Duchamp 뒤샹처럼 창조된 개념과 그의 동조자 Joseph Kosuth 조셉 코수스가 말한 철학에 따른 메시지를 말한다.

반면에 라캉 미술이론에서의 유아적 상상계의 허상을 개념으로 한 최철주의 개념미술 추상화 디자인은 시사만평으로 개념의 의미를 라캉적 개념미술 추상화 이미지에 메시지를 담는다. 그것은 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 이것은 수학적 개념과 철학적으로 의미화한 언어적 해석을 넘어서 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 개념미술 추상화 디자인을 통해서 삶적 가치를 교합시킨다.

여기서 라캉적 개념미술 추상화 디자인은 임의적인 철학성보다는 타자의 욕망을 응시로서 순간적으로 이성적 지각할 수 있는 추상성 디자인을 말한다. (ACN ・ 2022. 10. 7. 2:33 최철주 개념미술 추상화 디자인 해석)

라캉적 디자인방법론(Lacan's design methodology)으로 한 회화 디자인에 대한 라캉적 도슨트: 라캉적 디자이너, 디자인평론가 & 현대미술가 최철주 라캉적 디자인방법론: 현대미술 추상 한국화 작품으로서 <morning glory 2022 p-36-10>에 라캉의 환유공식 f(S...S')S=˜ S (-)s 적용하여서 가역적 빛으로 생성한 페인팅 <Red Velvet Irene & Seulgi 7>을 중첩한다. 그리고 언어적 은유 이미지를 연쇄하여서 라캉의 환유공식을 재적용하여서 가역적 빛의 음영으로 한 공간의 또 다른 자리에 <Red Velvet Irene & Seulgi 7>의 현상적 자리를 정하여 <Choi chuljoo morning glory p36-10-1>으로 보인다. 이것은 루이 최철주 뉴욕 전시에서의 라캉적 개념미술로 디자인한 포스터가 라캉적 오브제를 실제화한 현대 추상화임을 말한다.

사실적 추상화의 개념미술이란 사실적 구조는 빛의 왜곡을 받아서 형태를 반사한다. 그 형태를 드러내는 것은 빛의 음영으로 확정되는 윤곽과 그림자다. 배반적 개념미술로 한 사실적 추상화는 이것에 주목하여서 사실적 개념을 형상화한다. (사실적 추상화에 관한 최철주 개념미술이론)

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

루이 최철주 <나팔꽃> 2022 뉴욕 전시 포스터 36-10/ 루이 최철주“나팔꽃” 개인전: 라캉의 오브제ɑ와 피카소의 아나몰포시스 이미지로 한 현대 추상화가 루이 <나팔꽃> 뉴욕 개인전/ NewYork Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20220301~20220308 Flushing Town Hall, New York.

라캉의 오브제ɑ<루이 최철주 2022 뉴욕 개인전 포스터-36-10>으로서 추상적 오브제를 재현하는 원근법적 시각체계의 기학적 도식에서는 시각체계는 은폐하고 있으나, 무의식에서 드러난 욕망적 관점의 순간적인 응시로서의 오브제ɑ다.

회화로서 오브제ɑ<Red Velvet Irene & Seulgi 7>는 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 존재로서 오브제ɑ를 생성하여서 타자의 무의식적 욕망에서 드러낸 추상적 이미지의 순간적 왜곡된 이미지를 의미적 구조으로 한 개념성을 드러내는 것이다.

여기서의 오브제ɑ에서 출현한 개념적 예술성은 타자의 욕망적 관점에서 왜상적 이미지<Red Velvet Irene & Seulgi 7>로 오브제의 이미지를 의미의 구조로 변형<나팔꽃 포스터 36-10> 함으로서 오브제의 또 다른 존재로서의 오브제ɑ를 드러내어서 오브제ɑ가 창조성과 타자의 욕망의 자율성으로 한 예술적 의미를 담고 있다.

그리고 회화적으로 육화된 닭의 배경에 감추어진 타자의 욕망으로서의 작은 조각<Red Velvet Irene & Seulgi 7>는 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 추상적 공간<나팔꽃 포스터 36-10>을 보인다. 이것은 추상적 오브제의 의미를 가리키며, 그 오브제는 실제 가역할 수 있는 추상 공간을 말하며 형상의 실제가 추상된 타자의 욕망에 가려지는 추상적 풍경 형상의 의미를 비실재의 사실적 형상을 추상한다.

Louis Choi Chul-joo, <Red Velvet Irene & Seulgi 7>, a hand-painted picture on a computer

추상화 루이 <최철주나팔꽃> 추상화 디자인 은 드러나지 않는 은폐의 존재로서의 실재로서 개념 미술의 추상적 의미 다. 이것은 "병아리가 거울에 비친 기표적 이미지를 동일시하는 상상계에서부터 시작된다. 주체로써 기표적 이미지가 닭이 아닌 것을 인지하면서 기표의 상징적 이미지와 실재와의 분리를 통해 상징계로 전이한다. 여기서 상징적 이미지와 실재가 분열을 통해 실재와의 만남이 이루어진다. 실재로서 기표적 이미지는 왜상적 이미지로 드러나지만 가역적 빛으로 생성된 이미지는 비실재로서 의미와의 만남이다.( 유아로서 병아리가 닭이 되려는 욕망: ACN 2022.06.06)"

현대 미술평론가 & 개념미술가 최철주의 현대 개념미술은 초기 개념미술의 개념으로 한 회화성의 복귀다.

즉 회화 작품으로 생성하는 개념미술이다. 따라서 그의 현대 개념미술은 개념만평처럼 현상적 이미지를 비판하지만 회화성으로 의미적 가치를 말한다.

미술품에서 Ready made 기성품이 회화성을 대신할 수 없고 Marcel Duchamp 뒤샹처럼 창조된 개념과 그의 동조자 Joseph Kosuth 조셉 코수스가 말한 철학에 따른 메시지를 말한다. 반면에 라캉 미술이론에서의 유아적 상상계의 허상을 개념으로서 최철주나팔꽃의 개념미술은 개념만평으로 개념의 의미를 라캉적 회화속에 메시지를 담는다. 그것은 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 이것은 수학적 개념과 철학적으로 의미화한 언어적 해석을 넘어서 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 여기서 라캉적 회화는 임의적인 철학성보다는 타자의 욕망을 응시로서 순간적으로 이성적 지각할 수 있는 회화성 즉 추상화를 말한다.

라캉적 디자인방법론(Lacan's design methodology)으로 한 회화 디자인에 대한 라캉적 도슨트: 라캉적 디자이너, 디자인평론가 & 현대미술가 최철주 라캉적 디자인방법론: 현대미술 추상 한국화 작품으로서 <morning glory p-36-10>에 라캉의 환유공식 f(S...S')S=˜ S (-)s 적용하여서 가역적 빛으로 생성한 페인팅 <Red Velvet Irene & Seulgi 7>를 중첩한다. 그리고 언어적 은유 이미지를 연쇄하여서 라캉의 환유공식을 재적용하여서 가역적 빛의 음영으로 한 공간의 또 다른 자리에 <Red Velvet Irene & Seulgi 7>의 현상적 자리를 정하여 <Choi chuljoo morning glory p36-10-1>으로 보인다.

최철주나팔꽃 P36-0-1 은 라캉적 페인팅 디자이너 루이 최철주, 라캉의 미술이론을 스토리보드로 포스터를 형상화하여서 페인팅 디자인한 현대 추상화 다 / Painting designer, Louis Choi Chul-joo (Doctor of Modern Painter & Culture Design), a Lacan designer, designs the image of the painting by shaping Lacan's art theory as a storyboard.

현대 추상화 작품: Louis , Choi chuljoo morning glory p-36-10-1, a hand-painted picture on a computer, 2023

라캉적 실재는 사건의 실재와 은폐된 존재의 실재와는 다르다. 상징계로서 <Red Velvet Irene & Seulgi 7>에서 전이된 존재에서 분리된 드러나지 않는 진실을 은폐한 실재다. 마네가 <풀밭위의 점심식사>에서 누드의 여인을 통해 드러나지 않는 은폐를 도출한 것처럼 <Red Velvet Irene & Seulgi 7>는 사회성을 실체화한 실재다.

이러한 공시적 영역의 실재는 사건에 은폐된 곳에서 사건의 주체가 출현한다.

마네가 사유에 의한 실재로서 <풀밭위에 점심식사>에서 주체의 존재를 드러내는 행위로서 누드의 여인과 정장한 남자를 동시에 보임으로써 환영적 비실재를 없애고 사유를 통한 실재를 그려낸다.

상징계에서의 <Red Velvet Irene & Seulgi 7>은 음악적 행위로 한 상징적 존재의 이미지다. 여기서의 존재는 라캉의 초월적 기표(Signifiant)다.

마네는 동시대에서는 수용될 수 없는 상징계의 영역에서 분리된 영역인 실재를 <풀밭위의 점심식사>에 그렸지만 그 실재의 누드를 <풀밭위의 점심식사>에 그려서 신화의 여신으로써 누드화의 절대적 의미를 부정하고 어색하고 낯선 실재 여인의 누드화라는 의미가 실재다.

현대 추상화 작품: Louis , Choi chuljoo morning glory p-36-10-2, a hand-painted picture on a computer, 2023

반면에 <최철주나팔꽃 p36-10-2>는 타자의 욕망을 대신하는 은유적인 상징성의 존재를 보여줌으로서 그림을 보는 이에게 라캉적 상상계에서의 허상에 만족하지 않고 자신의 욕망을 음악적 행위를 통해서 타자를 통해 보여줌으로써 상징계에서 탈출을 시도한 실재다.

이렇게 <최철주나팔꽃 p36-10-2>는 동시대의 실존적 이미지를 보임으로써 상징계에서 오브제의 은유적 주체를 보이는 이미지로 주채의 실체적 의미와 형상이 출현한다. 즉 보이는 은폐는 상징으로써 의미와 허상의 형상은 소거한다.

개념적 실재로서 <최철주나팔꽃 p36-10-2>는 회화에서 또 다른 실재로서의 문화적 욕망을 상징하는 상징성을 드러낸다.

실재 비사실적 추상화로서 <최철주나팔꽃 p36-10-2>에서 문자로 한 언어적 표현도 은유성을 띠지만 그것이 비재현적 이미지라고 가정할 때 실재는 상사적으로 실재를 재현한 가상적 이미지에서 존재를 추상한다.

라캉의 거울이론을 통해 실재를 드러내는 것은 유아가 거울에 비친 기표적 이미지를 동일시하는 상상계에서부터 시작된다.

음악적 퍼포먼스에서 주체로서 타자의 욕망이 실재가 아닌 것을 인지하면서 기표의 상징적 이미지와 실재와의 분리를 통해 상징계로 전이한다.

여기서 상징적 실재가 분열을 통해 실재와의 만남이 <Choi choljoo morning glory>에서 이루어진다.

그 실재로서 문화성의 음악적 행위 이미지는 가역적 빛의 왜상적 음영으로 드러난 비실재로서 실재와의 어긋난 만남을 이루고 추상한다. / 글. 미술평론가 최철주 (추상 화가 & 문화디자인박사)

contemporary abstract artist Louis Choi Chul-joo

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Review of Contemporary Artist

Art Critic Choi Chul-joo Art Criticism 17

Critique of artist & Contemporary Art Criticism [17] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Art Critique/ Louis Choi Chuljoo Docent Explained: Abstract Painting Art Theory Presentation of the Concept of Desire & Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory Woman' pop art abstraction design: Contemporary Art Review with Visual Art of the Story of Contemporary Art Critic [30] A modern art review that examines the aesthetic value, process, and artistry of photography, cartoons, art, and design, and approaches the meaning of the work with the theory of visual art : Art Review News- Reading New Works: The artwork posted on Facebook = Louis Choi Chul-joo <morning glory outside the window 2023-6-2>

Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

Louis, morning glory p104-4-1, a hand-painted picture on a computer, 2023

<morning glory window p104-1-1> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.

In Busan (Haeundae-gu Office Gallery), Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2023-6-1> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure. In addition, the abstraction of the concept of desire <morning glory (outside the) window 2023-6-2> emerges through "Painting Installation Performance," which constitutes the abstraction as another desire image.

Louis Chul-joo Choi, morning glory window 6-1, 241X223cm, acrylic and composite materials on cloth, 2023

The object <morning glory window 2023-6-1>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".

Louis Choi Chul-joo's contemporary art movement, which presents a methodology of realistic abstraction using the concept of desire as a modern art for abstraction, creates abstraction of the concept of desire through a "picture installation performance" that composes abstraction as an image of desire as another image of desire at Haeundae-gu Office Gallery in Busan.

Abstract artist Louis Choi Chul-joo

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

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2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p104-1-4>

<morning glory p104-1-4> The abstract area of painting, which has a desire effect as a meaning of an exhibition poster, is an image that allows you to see the desire of others who function gazing in the landscape.

This is a perverse planarity that looks like a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same.

Although abstraction has a conceptual semantic structure of a non-realistic shape with the same meaning as a realistic shape, abstraction with the same meaning as a different shape is a conceptual non-realistic being of different color and size.

Therefore, abstraction as a realistic image can be abstracted into conceptual art only by specifying the place of existence.

Its existence refers to the abstract meaning of realistic concept art by defining abstract space as a real reversible shape and specifying on the exhibition poster the place of the concept that the shape is covered by the actual change in the shadow of reversible light.

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By repeatedly applying the concept of the imaginary world and desire and Choi Chul-joo's desire formula to the image, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.

This is an abstract image of linguistic desire that realistically embodies the other person's desire in momentary events and performance images, and is a conceptual art with "morning glory" as the background of desire.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p26-2-9-desire: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p26-2-9-desire> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory window> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 6-2> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, trade, desire and performance as a semantic structure.

Abstract painting <morning glory window 6-2> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In <morning glory window 6-2>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

Louis Choi Chul-joo's "morning glory window 6-2" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light.

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space

It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.

It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality.

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image <morning glory> in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.

It realizes the surface image of the non-realistic sky just as the clouds reflected in the building are real as surface images. This is the impression of a city in which the desire concept image is developed at small intervals where it exists momentarily as a reversible shade of light.

In this way, fragments of contemporary visual culture are abstracted with desire in the realistic structure. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)

Contemporary Art Critic Louis Choi Chuljoo

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Review of Contemporary Artist

Art Critic Choi Chul-joo Art Criticism 18

Critique of artist & Contemporary Art Criticism [18] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Art Critique/ Louis Choi Chuljoo Docent Explained: Abstract Painting Art Theory Presentation of the Concept of Desire & Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory Woman' pop art abstraction design: Contemporary Art Review with Visual Art of the Story of Contemporary Art Critic [31] A modern art review that examines the aesthetic value, process, and artistry of photography, cartoons, art, and design, and approaches the meaning of the work with the theory of visual art : Art criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [17] Contemporary Artwork Critic Louis Choi's art criticism: Modern Artist Artwork Design criticism [12] Design Review of Realistic Abstract Painting Using Abstract Artist Louis Choi Chul-joo's Treacherous Conceptual Art / Conceptual Cartoon Review & Artist Pop Art Conceptual Art Abstract painting / Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design: Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Contemporary Art Sketch Abstract Painting [15] Contemporary pop artist Louis Choi Chuljoo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's treacherous conceptual art - News manwha K-Pop Song illustratoin [17] Red Velvet Irene & Seulgi Reveals Teaser Image

Abstract Review: Contemporary Art Lacan Concept Abstract Works = Modern abstract artist Louis Choi Chuljoo's <Morning glory window 2023-2>

Louis Choi chuljoo's "morning glory woman" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230704~20230714 Haeundae-gu Office Gallery, Busan.

Modern abstract artist Louis Chuljoo Choi's an abstract poster <Morning glory window 2023-2>

Louis Chuljoo Choi, abstract poster <a morning glory p36-6>, In New York (Flushing Town Hall).

Louis, Chul-joo Choi, a morning glory outside the window 2023-2, 151X179~177cm, acrylic acrylic and composite materials on cloth

Louis Choi Chul-joo Abstract Painting morning glory Window Concept:

This is a reversible light outside the window that reveals the instantaneous shape in which one image moves away from another image in the object ɑ's deficient subject shape and passes through the other's subject, causing the structure of one shade to conceptualize the other's desire that alienates the subject's shape.

(ACN · 23. 9. 17:41 Desire image Interpretation of the concept of Choi Chul-joo's "morning glory window" according to the "Lacan's Four Direction of Interpretation")

It is an image reflected in the mirror from the missing subject shape as the morning glory abstraction spreads to the back of the object shaded with reversible light, and is shadowed by a thread painting drawn on a cloth where the "Choi Chul-joo morning glory window 2023-2 morning glory outside the window" mirrors the image of the morning glory abstraction in the other's desire space and reveals the momentary image passing through the other's subject outside the window.

<Choi chuljoo morning glory window 2023-2> is a modern abstraction in which the object of a desire-colored chicken drawn in the form of a closing cloth reflected on the back by hand, which means the reality of morning glory, is transformed into a shade with reversible light as a semantic structure of modern art painting.

In New York (Flushing Town Hall & Yeomyeong Hall), Louis Choi Chul-joo <morning glory> produced 100 abstract paintings in the form of posters and objects as abstract works of contemporary art related to the first and second solo exhibition "Choi Chul-joo morning glory" symbolizes this as a desire semantic structure as a painting design of shape, that is, an exhibition image of abstraction.

The object "Choi Chul-joo morning glory", which depicts the meaning of the shape seen in the semantic space created by a shadow structure with reversible light, represents the meaning of modern abstraction, that is, desire object, that is, hidden by the actual changed movement of the shape by structuring the image of the other's desire hidden in time in the shadow of reversible light.

The artistry that emerged from the object of desire here reveals the conceptual desire object as another being of the object by transforming the image of the object into a painting structure of meaning with a distorted flat image from the point of view of the desire of the other, and shows the meaning of the concept of artistic desire as creativity and autonomy of the desire of the other.

And a small piece as the other's desire hidden in the background of a painterly anthropomorphic chicken represents a real abstract space that is reversible through an image-based movement of desire that actually changes its shape. This refers to the concept of an abstract object, which forms an abstract space that can actually be reversible, and refers to the concept as an abstract form in an abstract landscape in which the reality of the shape is abstracted in the shade of reversible light.

Louis, Chul-joo Choi, a morning glory outside the window 2023-2, 151X178cm, 151X179~177cm, acrylic and composite materials on cloth

Painting docent as desire conceptual art: Lacan conceptual art faces artistic ideas. It visualizes the phenomenon of progressive phenomenon and results as painting objects of Lacan's an imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Docent on Lacan art theory)

Louis Choi Chul-joo, Red Velvet Irene & Seulgi 1, a hand-painted picture on a computer

Shape image as a conceptual semantic structure: The object of desire designed as an object <morning glory window 2023-2> is a real conceptual art image of a real morning glory by linking it with a dark blue on the canvas of a non-real conceptual art image. This means the Choi chuljoo morning glory window 2023-2 transferred from the Choi chuloo morning glory window, and is a desire object manually drawn as an anamorphosis image with a reversible light.

The shape of the object of desire is an abstraction as a modern conceptual art work in which the desire of the other is superimposed in a reversible shade of light in "Choi chuljoo morning glory window 2023-2", which is the design concept of a contemporary art abstraction work, and this is symbolized and imaged.

In New York (Yeomyeong Hall Gym), abstract painter and image installation artist Louis Choi Chul-joo produced a poster with a design concept as an abstract work of contemporary art related to the individual exhibition of "morning glory", and installed a desire image with a fabric structure of a modern abstraction symbolizing an exhibition poster image of a painting as a desire meaning structure.

Another exhibition venue is Yeomyeong Hall Gym, which has a basketball stand in New York. On the spot, he exhibited "morning glory" and image installation art with several chairs as a realistic reality against the background of walls, entrances and basketball stands.

<morning glory outside the window 2023-2> is a desire object drawn in the form of a cloth that reflects the back by manually creating an image generated by a distorted realistic plane image that means the reality of a morning glory.

The object of desire abstracts the image of desire as a realistic concept through sketches approaching abstraction in modern art.

Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Contemporary Art Sketch Abstract Painting [15] Contemporary pop artist Louis Choi Chuljoo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's treacherous conceptual art - News manwha K-Pop Song illustratoin [17] Red Velvet Irene & Seulgi Reveals Teaser Image

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life. It's a treacherous conceptual art called realistic abstraction, the cartoon news of Contemporary Art Sketch Abstract Painting.

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Choi Chul-joo, Red Velvet Irene & Seulgi 4, a hand-painted picture on a computer

News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. Red Velvet Irene & Seulgi Reveals Teaser Image

. Red Velvet Irene & Seulgi dévoile l'image de Teaser

LouisChoi Chul-joo, Red Velvet Irene & Seulgi 2, a hand-painted picture on a computer

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest-Red Velvet1, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: Choi chuljoo, In front of the bamboo forest-Red Velvet2: desire's imaginary world and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i>... By repeatedly applying D(I...I')d=I(D...D'i)i, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p36-2-Red Velvet: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Louis Choi Chul-joo, Red Velvet Irene & Seulgi 7, a hand-painted picture on a computer [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature]

■ Cartoon review Korea News Cartoon Review - News manwha K Pop Song illustratoin [17] Red Velvet Irene & Seulgi Reveals Teaser Image ACN ・ 2020. 6. 30./ Choi Chul-joo, an art critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶Teaser _ Teaser

Abstraction, which uses images of desire as a realistic concept through sketches and abstractions approaching cartoon criticism, is formed in the shadow of reversible light as an object.

An object (Louis Choi Chul-joo, morning glory outside a window), which depicts the meaning of a shape seen in a semantic space created by reversible light, is an abstract space that can be reversed into a real shape by structuring an image that hides the desire of others in time in the shade of reversible light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape, or the image in the mirror, is an image of a virtual non-realistic and shows an abstract image that reveals the place of the other's unconscious desire.

The object, which depicts the meaning of the desire shape seen in the meaning space created by reversible light (morning glory outside the window), refers to an abstract space where a chick can structure the meaning of a certain shape in the shadow of reversible light by structuring the meaning of a certain shape hidden in the long time when the desire of the other is fossilized, and then setting the shape with an exhibition poster and concealing it by the actual changed movement on the spot.

Louis, Choi chuljoo, morning glory outside the window p36-15, a hand-painted picture on a computer, 2023

Revealing the desire subject reveals the image of desire as a missing subject as a realistic object. In the abstract painting "morning glory", this is a subject that represents a lack reconstructed from a shape with the desire of the other as the subject. "morning glory window" constitutes a frame that reveals an image of a subject symbolizing a shady lack of the subject and creates a desire image object in the frame in a reversible shade of light to choose reality as a subject away from non-existence.

This is the real structure of desire that image in reality. The structure has several distorted planar cross-sections in a three-dimensional form, and abstracts a pictorial image as a conceptual art as a multi-faceted image of a semantic structure as an object in one concept. (ACN · June 22, 2023 23:13 <morning glory window> Subject Image: Choi Chul-joo's Abstract Concept Art Theory)

Repeatedly, "morning glory outside the window 2023-2" intersects an object of desire drawn in the form of a cloth that reflects the back by manually creating an image generated by a distorted plane image that means the reality of a morning glory.

As the shape of the cloth becomes a reality, "Choi Chul-joo morning glory" as a modern abstraction is a return to painting as a concept of early conceptual art. In other words, it is a contemporary conceptual art in which a shadow structure with reversible light that reveals the instantaneous shape passing through "morning glory" as a subject creates an abstraction of the concept of the desire of others as a realistic work. This is a conceptual art belonging to Choi Chul-joo's desire abstract art theory, which is different from art that shows a process with real art, and is a structure of desire that results in reality.

The structure has several distorted plane cross-sections in a three-dimensional form, and abstracts a pictorial image with conceptual art as an object in one concept into a multi-faceted image of a semantic structure, showing several three-dimensional cross-sections at the intersection of the crooked point of view without marking the object as an elevation

The abstract area of painting in which the desire specific effect occurs as a meaning of "morning glory outside the window 2023-2" as a conceptual art is an image that can momentarily see the desire of others who function visually in the landscape.

This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is a realistic form and abstracts the realistic form of non-realism with the same structure of meaning as a conceptual semantic structure. And because abstract images drawn as realistic desire images with the same meaning are abstractions of existing concepts drawn as realistic desire images with similar colors and sizes.

The existence defines an abstract space as a real reversible realistic shape and refers to the meaning of abstraction as an exhibition poster in which the shape is hidden by actual changed movements in the shade of reversible light.

It distinguishes the place of abstraction of the abstraction of the desire conceptual art instead of the phenomenal place of the abstract meaning as an exhibition poster.

By conceiving the meaning of the face that interprets the shape, the shape abstracts the concept with a color and size similar to the meaning of a realistic structure to say another meaning. And in the imaginary world, the abstract meaning of conceptual art identifies with reality, outwardly identifying the image of the object and the abstract meaning with the image of the object as the same subject, and the inner subject realistically forms a transformed abstract meaning. This refers to the abstract meaning of shape, which defines an abstract space that can actually be reversible and refers to the designed desire meaning of an abstract shape in which the realistic shape changed by the actual changed movement of the shape is covered in shades.

In the abstract "Choi Chul-joo morning glory", a shape representing the desire of the other is designed and reproduced as an abstract object as an object of desire (a morning glory outside the window 2023-2). In the perspective and scheme, several objects as different instantaneous gaze are abstracted from the other's desire point of view revealed in the unconscious mind by creating a shaded place with a reversible light in which the perspective visual system of perspective is concealed.

This abstract object exists as an exhibition poster meaning that forms a distorted flat image expressed through a desire revealed in the other's suppressed unconsciousness to acquire artistry out of generality and uses the other's desire as a existence. As that semantic being, the object reveals the object as another being and contains the formative value of the autonomous choice of the desire of the other.

And it creates a real abstract space that is reversible through thought movements that make up an image that transforms the desire of the other hidden in the background painterly. This is a place where the other's desire is abstracted into a realistic structure in a space where the object can be actually reversed as the meaning of the existence of an abstract object.

The virtuality of abstract exhibition posters is structured as a conceptual review, similar to a gaze image that virtually reproduces a distorted plane image that cannot be expressed on the same plane or as representing a real place with cubism in connection with that image.

The composition of the other's desire is clearly concealed without being revealed as an object reflected in the mirror, and the reality of the viewer is absent by seeing another object exposed in the mirror as reversible light.

However, the person who paints the picture replaces the other. It is a place revealed by staring at the image of desire. It transitions to the location of the subject that appeared at the vanishing point in the entire virtual image, that is, the abstract space. It is the reality as a desire object, that is, a being, that the subject of the subject position is revealed through gaze from the other's desire point of view.

The structural physics of reality has several cross-sections in a three-dimensional form, and in conceptual painting, one cross-section and two sides are used as objects in one concept to capture the multifaceted desire conceptuality of a morphological structure.

■ In "Choi Chul-joo's morning glory window", Choi Cheol-joo's theory of desire abstract art is repeated in abstraction to formalize the art theory of desire to convert images into meaning. This has the meaning of expressing the desire of others in painting by repeatedly applying the imagination system and the desire formula, and as a result of applying the desire art theory to painting, it gains the value of approaching the desire of others to the beauty of form.

■ "Choi Chul-joo's morning glory" is not the desire of the theme, but the spatial background of the other's desires. It is the same as a space of life that is consistent like the sky. It connects with Cartoon Review and Pop Art, which represent the space of life, but does not criticize and judge, but reproduces reality as news with photos of events. And the effect of conceptualizing the reality of the symbol object as the desire of others abstracts the realistic concept by structuring it in the shade of reversible light.

Conceptual artist Choi Chul-joo's Desireful Concept Abstraction Design is a return to painting as a realistic concept. In other words, it is a conceptual art design that is created as a painting work. Therefore, his contemporary conceptual art abstraction criticizes phenomenal images like current affairs commentary, but it refers to design value with painting.

In art, ready-made ready-made products cannot replace painterliness, and they refer to concepts created like Marcel Duchamp Duchamp, and messages according to philosophy that his sympathizer Joseph Kosuth Joseph Kosus said.

On the other hand, Choi Chul-joo's conceptual art abstrac design, which is based on the concept of the desire of the infant imagination in desire art theory, contains a message in the realistic conceptual art abstraction image with current events. It sums up the life value of critical cartoon and abstract painting with a picture of the scene of the event. This goes beyond mathematical concepts and philosophically meaningful linguistic interpretations and combines life values through critical perspective and desire conceptual art abstraction design with a full review of the scene photo of the event.

Here, desire conceptual art abstraction design refers to an abstract design that can instantly perceive the desire of others as a gaze rather than arbitrary philosophy. (ACN · 2022. 10. 7. 2:33 Choi Chul-joo Conceptual Art Abstract Design Interpretation)

Louis, Chul-joo Choi, a morning glory outside the window 2023-2, 151X179~177cm, acrylic and composite materials on cloth

Desireful modern abstraction, which replaces phenomenal positions with posters, can distinguish the positions of the figures and envisions the meaning behind interpreting the figures. The shape is abstract in color and size similar to the meaning of a conceptual structure to say another meaning, but in the imagination, the abstract meaning of conceptual art is identified with reality, and the image and abstract meaning of the object are identified as the same subject, and the subject internally forms a modified abstract meaning.

This refers to the abstract meaning of shape, which defines an abstract space that can actually be reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.

Its meaning is designed as "morning glory outside the window", abstracted in symbolic language that symbolizes flowers that imitate the desires of others.

In the abstraction <Choi Chul-joo morning glory>, a figure representing the desire of the other is designed and reproduced as an abstract object as an object of desire (Louis Choi Chul-joo 2022 New York Exhibition Poster morning glory p36-6). In the perspective diagram, the object is abstracted as a different momentary gaze from the other's desire point of view revealed in the unconscious mind by creating a shaded place with reversible light in which the visual system is concealed.

Desire objects abstracted as conceptual art are transferred to "morning glory (outside the) window", forming a distorted flat image expressed through desire revealed in the oppressed unconsciousness of others to acquire artistry outside of generality as a design, creating objects in the shadow of formability with the desire of others as beings, and abstraction with a semantic existence structure.

The artistry that emerged from the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the object's image into a meaning structure with a distorted flat image from the other's desire point of view.

And the small sculpture as the other's desire hidden in the background of the morning glory painterly shows a real abstract space that is reversible through the thought movement of the desire image that actually changes the shape. This is positioned as an abstract space where the other's desire can be actually reversed in the meaning of the existence of an abstract object.

On the spot, it goes beyond the dimension of the non-realistic visual image of painting as a multifaceted object that matches the Picasso image. Therefore, the desire as a field of gaze, regardless of whether it is flat or solid, is abstracted into an image created by the desire of others in the art theory system.

This is an image transferred from a real subject to a new image and concept. Since its image is virtual, it is perceived as different from the real image through comparison with the real image. At this time, it makes us realize that the virtual image is an subject as reality, that is, an object as reality seen as a desire gaze separated from the subject of "morning glory window". /Writing. Art critic Choi Chul-joo (contemporary abstract painter & Doctor of Cultural Design)

contemporary abstract painter Louis Choi Chuljoo

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Review of Contemporary Artist

Art Critic Choi Chul-joo Art Criticism 19

Critique of artist & Contemporary Art Criticism [19] Contemporary Art Critic Louis Choi Chul-joo Design of Contemporary Art : Desire Conceptual Abstract Art Design & Art Critic Louis Choi Chul-joo Abstract Art Theory of Conceptual Abstract Painting, Concept Abstract Art Installation & Contemporary Artist Louis Choi Chul-joo Abstract Art Design Criticism: Art Critique/ Louis Choi Chuljoo Docent Explained: Abstract Painting Art Theory Presentation of the Concept of Desire & Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory Woman' pop art abstraction design: Contemporary Art Critic Choi Chul-joo's Review of Contemporary Art Works on Facebook and Instagram: Media Artist, Contemporary Artist, Pop Art Artist, Contemporary Installation Artist, Modern painter & Abstract Artist

Louis, Chul-joo Choi, morning glory p106-12-Jeongcho and Inwangsan Tiger, a hand-painted picture on a computer

Desire Concept Abstraction ■ Design Process/ Abstraction In <Choi Chul-joo morning glory>, Choi Chul-joo's theory of abstract art is formalized to convert the object image of desire into meaning by repeating the theory of desire to the abstraction. This has the meaning of expressing the desire of others in painting by repeatedly applying the desire formula of the imagination world and Choi Cheol-joo, and as a result of applying the theory of desire art to painting, the value of approaching the beauty of formality of the desire of others is obtained.

The concept of desire

■ "Choi Chul-joo morning glory" is not the object of the subject, but the spatial background of the other's desire. It is the same as a space of life that is consistent like the sky. It connects with cartoon review and pop art that represent the space of life, but does not criticize and judge, but reproduces reality as cartoon review with photographic images of events and performances. The effect of conceptualizing the reality of the symbol object as the desire of the other is structured in the shade of reversible light to form the concept as a realistic conceptual art.

The desire for others as chickens that the chick imagines is an abstract painting that hides the inconsistency of the chick's imagination in the shadow of reversible light with the background of the desire for the 'morning glory' as the image of 'Choi Chul-joo's Morning glory'.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p34-7-1-The average lifetime has been extended to extend the work period: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. * Choi Chul-joo's Concept of Desire Abstract Art Theory

현대 추상화 작품: Louis, Chul-joo Choi, morning glory p55-3-People in power regret if they force unreasonable corruption, a hand-painted picture on a computer

The desire abstract design method consists of a revolutionary form of painting that deviates from perspective by drawing images with different meanings at different points in time and gathering them on one screen. This is a new attempt to reject the mannerism of the romantic painters in their paintings. In other words, it pursues a new style of contemporary art by breaking away from modern art with the abstract painting of "morning glory" in the shade of reversible light in which the subject of light projected in romantic paintings is the place of existence. / Contemporary art <morning glory> Abstract painting Choi Chul-joo Analysis

An object (Louis Choi Chul-joo, a morning glory outside a window), which depicts the meaning of a shape seen in a semantic space created by reversible light, is an abstract space that can be reversed into a real shape by structuring an image that hides the desire of others in time in the shade of reversible light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape, or the image in the mirror, is an image of a virtual non-realistic and shows an abstract image that reveals the place of the other's unconscious desire.

The object depicts the meaning of the shape seen in the meaning space created by reversible light. The object <morning glory window> means an abstract space where a chick can structure the meaning of a certain shape in the shadow of reversible light and reverse the object into a real shape by structuring the meaning of a certain shape hidden in the long time when the desire of the other is fossilized. As a seat, the actual shape is completed in the shadow of reversible light in which the reality of the exhibition poster shape is changed. It is the concept of the abstract painting <morning glory window> that obscures sound from the movement of light that formed the shape. (Abstract painter Louis Choi Chul-joo <morning glory window> Concept: Choi Chul-joo Modern Art Theory)

Concept of Desire <morning glory p55-3-People in power regret if the force unreasonable corruption> as art is an image that can momentarily see the desires of others functioning gazefully in the landscape.

This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the real(le Réel) reflected in the mirror, but the shape of the background is not the same.

Artistic discourse on reality and non-real continues according to the viewpoint. Real and non-real objects cannot be selected as visible images that reproduce objects, and pictorial images that express real images were identified as non-real images. Therefore, the way to find reality in an object is to reveal it through the abstraction of "morning glory" as a distorted planar image in the shade of reversible light similar to the object of desire.

This is because abstraction in the same meaning as a conceptual form, which is a realistic form of non-realism with the same structure of meaning, is an abstract as a conceptual structure, but abstraction as the same meaning with different shapes is a real non-realistic being as an ideological atypical being with different colors and sizes. The existence defines an abstract space as a real reversible shape and is an image that is hidden by a movement in which the shape is actually changed in a reversible shade of light, and is an image of the exhibition poster image of "morning glory". This abstracts the cultural concept of desire into installation art.

Louis hoi Chul-joo, morning glory poster 55, a hand-painted picture on a compute, 2022

Cartoonist as a conceptual artist Choi Chul-joo, Jeongcho and Inwangsan Tiger, Marker on Paper, 2010

The image is shaded and represented in a surface area suitable for the theme of "Jeongcho and Inwangsan Tiger", a pop art concept, in the actual shape and gaze shape of "Choi Chul-joo's morning glory P55".

Here, drawing a picture as an object of change in custom is another image that seems to be an object. It is hidden and disappeared as a material of the object drawn as a small piece that is not visible in space. A small piece of the object shows a real space that is reversible through image thinking movement that monochromates and actually changes the shape. It shows how the object as another reality is revealed. In the abstraction, it appears to be a desire image, a distorted plane image that reverses perspective, along with an image that appears to be a perspective visual system.

If the place of Choi Chul-joo's morning glory P55 in the abstract space is no longer specified as a poster and applied to Lacan's "Four Directional of Interpretation (Eé=Jacques Marie Émile Lacan, Écrites, Seuil, 1977, 53)", the painting work is interpreted as "Four Directional of Interpretation" by placing the line of 'utre' and the line of the horse (moi) a and the line of interpretation (utre) and painting (Es) S in a diagonal position where they intersect as a symbolic system.

Here, Lacan conceptual art abstraction begins with the imagination world, where the infant reveals reality through mirror theory identifies the representative image reflected in the mirror with the imaginary image. Recognizing that the representative image is not himself as a subject, it transitions to an abstraction interpreted as a symbolic system through the separation of the symbolic image of the sign and reality. The abstract image and reality meet with reality through division. As reality, the representative image is revealed as a dwarf image, but as non-realistic, it is an encounter, that is, abstraction, that is, a contradiction with reality. (ACN. 2022.10.14 Choi Chul-joo's interpretation of the 'Four Directional of Interpretation of Lacan')

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Louis hoi Chul-joo, morning glory poster55-Jeongcho and Inwangsan Tiger, a hand-painted picture on a compute, 2022

Desireful conceptual art abstraction, which replaces the phenomenal place of abstract meaning with an exhibition poster, can distinguish the place of the shape and conceives the meaning of the image that interprets the shape. The shape is abstract in color and size similar to the meaning of an ideological structure to speak another meaning, but in the imagination, the abstract meaning of conceptual art is identified with reality, and the image and abstract meaning of the object are identified outwardly as the same subject, and the subject internally forms a transformed abstract meaning. This refers to the abstract meaning of a shape, which defines an abstract space that can be actually reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.

Its meaning is designed as "Choi Chul-joo morning glory poster 55-Jeongcho and Inwangsan Tiger", which is conceptually abstracted as a symbolic language symbolizing flowers that imitate the other's desire.

It is reproduced as an abstract object as an abstract object as an object of desire image by designing a shape that represents the desire of the other in the abstract "Choi Chul-joo's morning glory". In the perspective visual system, the object as a different momentary gaze is abstracted from the other's desire point of view, as the visual system creates a place of one shadow with a hidden reversible light.

In this way, objects abstracted as desire conceptual art form a dwarf image expressed through a desire revealed in the oppressed unconsciousness of others to acquire artistry beyond generality as a design, create objects in the shadow of conceptual formability with the desire of others as beings, and exist as a meaning.

As a semantic entity, the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the object's image into a meaning structure with a plane image that is distorted from the other's desire point of view.

And a small piece as the other's desire hidden in the chicken's background shows a real abstract space that is reversible through a representative movement that actually changes its shape. This is positioned by abstracting the other's desire in a space where the object can be actually reversed as the meaning of the existence of an abstract object.

Beyond mathematical concepts and philosophically meaningful linguistic interpretations, "Choi Chul-joo's morning glory" combines critical perspective with the life value of desire painting with a picture of the scene of the event. Here, desireful abstract painting refers to the painterly nature that can momentarily perceive the desires of others by staring at them rather than arbitrary philosophicality. (ACN · April 20, 2022 / the desire of the other as a toddler <morning glory> New York Exhibition docent 1)

The image is shaded and represented from the actual abstraction "Choi Chul-joo's morning glory p33-4" shape and the gaze shape to the surface area suitable for the theme of the pop art work "morning glory p33-4".

Here, drawing a picture as an object of change in custom is another image that seems to be an object. It is hidden and disappears as a material of an object drawn as a small piece that is invisible in space.

A small piece of the object shows a real space that is reversible through the thought movement of an image that is monochromated and actually transformed into the shape. It shows how an abstract object as another reality is revealed. In the abstract object, it appears as a desire image, that is, a distorted plane image that reverses perspective, along with an image that appears to be a perspective visual system.

In "morning glory poster 55", which is a conceptual art, the abstract area of painting in which a desired specific effect occurs as an exhibition poster meaning transfers the desire of the other who functions visually in the landscape to an image that can be seen momentarily. This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the reflection image of the mirror (le Réel), but the shape of the background is not the same.

This is because abstraction in the same meaning as a conceptual meaning structure with the same structure of meaning is an abstract form with a realistic form of the same meaning, but abstraction as the same meaning with different shapes is real as an ideological atypical entity with different colors and sizes.

There the existence defines an abstract space as an actual reversible shape and refers to the abstraction meaning of the exhibition poster concept art in which the shape is hidden by the actual changed movement in the shade of reversible light.

In the abstract meaning, a shape that represents the desire of the other is designed in the "morning glory window" and reproduced as an abstract object as an object of desire image. In the perspective visual system, the object as a different momentary gaze from the other's desire point of view revealed in the unconscious mind is abstracted by creating a place of one shade with reversible light in which the visual system is concealed.

And as a painting image, a small piece as the other's desire hidden in the chicken's background shows a real abstract space that is reversible through the thought movement of the image that actually changes the shape. This is positioned by abstracting the other's desire in a space where the object can be actually reversed as the meaning of the existence of an abstract object.

As a work of abstract Korean painting in contemporary art, the painting <morning glory window p55-3> created with reversible light is overlapped by applying Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to <morning glory window p55-3> as a work of abstraction of modern art. By repeating the linguistic metaphor image, the Choi Chul-joo desire formula is re-applied, and the phenomenal conceptual position reflected by the mirror in another place in one space in the shade of reversible light is determined and abstracted as <morning glory window p55-3>.

Louis Choi Chul-joo 2022 New York Exhibition As the object as a desire image is realized, the poster becomes a non-realistic modern abstraction of reality, not a poster.

Contemporary Art & Cartoon Abstraction artworks: Louis Choi Chul-joo, Choi Chul-joo morning glory p55-3-People in power regret if they force unreasonable corruption, a hand-painted picture on a computer

An object (Louis Choi Chul-joo, a morning glory outside a window), which depicts the meaning of a shape seen in a semantic space created by reversible light in the shape of a non-realistic reality, means an abstract space that can reverse the object into a real shape by structuring the image that hides the desire of the other in time in the shade of reversible light, and the meaning of conceptual abstraction hidden by the actual changed movement of the shape, or the image in the mirror, shows an object image of an abstract image that reveals the place of the other's unconscious desire as an image of a virtual non-realistic.

The object image depicts the meaning of the shape seen in the meaning space created by reversible light. The object <morning glory window> refers to an abstract space where a chick can structure the meaning of a certain shape hidden in the long fossilized time by sharing the desire of the other in the shadow of reversible light to reverse the object into a real shape. As a seat, the image of the reality where the sound has stopped is captured with the shadow of reversible light in which the reality of the exhibition poster shape has changed. The concept of the abstract painting <morning glory window>, which equates the current light that has formed the shape with another sound in the other's desired movement, is the object image (Abstract painter Louis Choi Chul-joo <morning glory window> Concept: Choi Chul-joo Modern Art Theory / ACN · 2023. 6. 19. 23:08)

The return of shape is a distorted plane image <morning glory p55-3-People in power unreasonable corruption> that connects the image and the structure of the image and applies it repeatedly, conceals the visual system with a shaded diagram that reproduces an abstract representation image object, but it is an abstract object that shows the realistic shape revealed in the reversible shade of light from a desire point of view revealed in the unconscious as a momentary gaze.

In rational painting as an abstract object, the frame of the morning glory shape is different from objective reality and representational conceptual art so that the dwarf background according to temporality can be experienced with the desire of the other. This is because the object is a real object separated from reality transferred from the symbolic world.

In symbolic reality, the illusion image reveals the object as another being of the object by transforming the image of the object from the other's desire point of view into a dwarf image, and contains the artistic meaning of the object with momentary creativity and autonomous abstraction.

Therefore, it is a fantastic realistic painting with a desire concept. As a signifier, which is a real form in imagination with abstraction, the substance of the artistic form disappears and is fixed as a non-realistic form with the meaning of an existential symbol as a result.

This is an abstraction that mimics the phenomenal abstraction that appears to be a momentary figure. Assuming that a phenomenal image is metaphorical in that abstraction, but it is a non-realistic image, reality exists in a phenomenal image that reproduces reality in a similar way.

Abstract painter Louis Choi Chul-joo 2022 New York Exhibition Poster 55 metaphorically expresses the meaning of life as reality, an area separated from the realm of the symbolic world. The actual meaning of human beings as a cover-up without showing the object to be expressed is compared to <morning glory poster55> and <Jeongcho and Inwangsan Tiger>. In other words, as a cover-up invisible through a speech bubble, "Is there a tiger who doesn't even know about Inwangsan Mountain?" Jeongcho realistically abstracts the meaning of abstracting the meaning of a tiger in Inwangsan Mountain, who replaces the existence, does not know the value of an object.

This is identified in the imagination world, and outwardly, the image of the object and the other are identified as the same subject, and internally, the subject forms the meaning of the transformed other. The meaning formed here is that the infant's imagination as seen by the infant in front of the mirror is an imaginary world that can be enjoyed in the realm of motherhood. The infant achieves its relationship with the visible object through a symbiotic relationship with the biological mother. The imaginary system as a visible metaphor is an image of an object in reality and an image that is satisfied as an infant by looking at the object in the mirror.

In this imaginary world, the image of reality as a metaphor is reflected in the image of reality reflected in the mirror by the desire that is satisfied with the infant, or the image of reality as a metaphor can be a tiger of Inwangsan Mountain in another sense. It presents the image of a pipe and is not a pipe, as shown in the painting <This is not a pipe> by René Magritte. The fact that the reality of a pipe cannot be reproduced is that it cannot be reproduced. In other words, since reality cannot be reproduced through a picture, the picture of a pipe and the desire image and sentence of 'not a pipe' in the picture are the whole picture.

Therefore, in the symbolic realm, the image of reality <Jeongcho and Inwangsan Tiger>, which is the realm of reality separated by the desire of others, is metaphorically expressed. The actual meaning of the object to be expressed in the shade of reversible light is compared to a tiger proverb easily seen in Inwangsan Mountain, and the concept of the desire, which compares the meaning, is abstracted as a realistic representation.

Here, through the division of the phenomenal image and reality, the concept of the desire image and reality are instantaneously encountered. The image as reality is revealed as a distorted flat image, but it is a contradictory encounter with conceptual abstraction as a non-real thing in the shade of reversible light

This perspective visual system, which reproduces abstract objects, conceals the image of desire, but instantly reveals the object as a gaze from a desire point of view revealed in the unconscious.

As an abstraction, the object image reveals the artistry of the semantic structure by forming a dwarf image expressed through the desire revealed in the suppressed unconscious mind of others to get out of generality and create an object as a being.

The autonomous artistry that emerged from the object erases the area of space and the manneristic form of real painting as it reveals the virtual image as a non-real thing.

The form that started in the imagination stems from imaginary recognition regardless of realistic experiences, just as an infant is satisfied with a reflection in a mirror. By not recognizing each signifier image in different forms, it creates a misconception due to imaginary recognition. This misconception suggests that the metaphor seen in the imagination as a realistic form is possible only through the similarity between the different signs. In the process of identifying each form of the signifier image of the realistic shape according to the difference between the signifiers, the infant begins to control himself in relation to others. In this way, "Napal Flower" abstracts the desire of others by repeatedly drawing the difference between realistic image images within an imitation method.

Additionally, by eliminating the volume and reversible shadow of light as an abstract structure, the physical structure is clarified, the image of desire is reproduced, and the recognized reality is summed up, and the image hidden in the long time when the desire of others is commonly fossilized is structured as an abstract cultural space that can reverse the object into a real form by structuring the meaning of a certain shape in the shadow of reversible light, and the sound "regret when a powerful person forcibly pulls unreasonable corruption like a tiger who does not know Inwangsan Mountain" is abstracted in the movement of light. / Writing. Art critic Choi Chul-joo (Abstract Painter & Doctor of Cultural Design)

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, Desire Concept Realistic Abstract Work: Louis Choi chuljoo, When desire arises, you observe through the window and lie as an opportunity to covet.: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p55-3-People in power regret if they force unreasonable corruption: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i)

Cartoon Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, bamboo forest-114-People in power regret if they force unreasonable corruption: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest-114-People in power regret if they force unreasonable corruption: Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <People in power regret if they force unreasonable corruption> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 114, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest b114, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p55, a hand-painted picture on a computer

Background image of an artist's realistic Abstraction: Louis, Chul-joo Choi, morning glory p4, a hand-painted picture on a computer

Background image of an artist's realistic Abstraction: Louis, Chul-joo Choi, morning glory p106, a hand-painted picture on a computer

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