Art Critic Louis Choi Chul-joo
Contemporary Art Review by Louis Choi 44
Art Critic Louis Choi Chul-joo Criticism [44] Modern Art Critic Louis Choi Chul-joo's Criticism of Contemporary Art & Design Criticism of Contemporary Art = Contemporary Art Today Choi Chul-joo's Art Criticism, Contemporary Abstract Art Painter Criticism & Abstract contemporary art that designed modern art abstract painting: Contemporary artist Louis Choi Chul-joo's realistic abstract work criticism of antinomical contemporary art as a abstract conceptual art based on the concept of other people's desires of others and Contemporary Art Critic Choi Chul-joo's New Work Modern Art Reading: Contemporary Art Works Published on Facebook and Instagram: Louis Chul-joo Choi’s thread painting: morning glory B-06, 55X73cm, acrylic and composite materials on cloth, 2021
The Conceptual Stage of Art Criticism by Louis Choi Chul-joo: Choi Chul-joo's Desire Concept Abstract Art Design Process is rooted in the Lacan Concept as a psychoanalytic theory and the step in his design process is to design the Desire Concept.
1. Expression of Reality Symbols on the Concept of Abstract Desire: It begins with conceptualizing the subject of desire as a conceptual sign from the object of abstract desire as a real image. Here, desire is designed by imagining the concept of abstract desire as a visual form representing the subject's unconscious desire.
2. Realizing Desire Correlation in Reversible Shades of Light: To create a dynamic interaction between reality and abstract desire concepts in reversible shading of light, Choi Chul-joo's Desire Formula is applied to design the correlation between desire concept and correlation.
3.Presenting Desire Background as Abstract Space: Using the Desire Background as a series of "Morning Glory," "Bamboo Forest," and "Pond," design that represents the structure of unconscious desire and the reality reflected in reality between the visible desire correlation and the hidden desire background.
4.Composing the linguistic desire structure into a real image: To express the concept of abstract desire as a linguistic desire structure as a real image, the abstract linguistic concept of desire structure is repeatedly designed as a real image to reflect the symbolic reality of the linguistic desire structure.
5. Visualization of Desire Structures in Cultural Context: To create works of art that acquire aesthetic value from desire structures so that they can empathize with cultural backgrounds, colors, forms, and compositions are put into practice by design.
Louis Chul-joo Choi’s thread painting: morning glory B-06, 55X73cm, acrylic and composite materials on cloth, 2021(*Extended exhibition period: 2020.12.11- 2021.1.29)
the background of the concept of desire: morning glory B-06
The thread painting "morning glory B-06" is an image drawn on a cloth-like material of an object made by custom. "morning glory" is a method of drawing an image that is reversed from left to right by constructing an image of the concept of desire on a cloth-like material in a shape representing an object.
Therefore, his painting is a double-sided painting that does not distinguish between the front and the back. It is to express an image with practical and cursive characteristics that fit the subject. Here, painting as an object of change in wind speed is another image that appears to be an object. It disappears into the reality of the object being painted, hidden in small pieces that are invisible in space.
A small object as a central point of desire shows a space that can actually be flipped through the thought movement of the shape. This refers to the meaning of a shape that defines a space that a small object can actually flip, and a shape that is covered by the actual movement of the changed shape.
The position of the object is determined by the inevitability of the impressive space, and the small object broken in the concept of desire is the color of light and the form of material such as cloth. And it forms the structure of traditional painting by stopping the object of light and place. It is a space where you can stay with the inevitability of a stationary structure.
Thus, the meaning of the actual structure of the picture where the shape has stopped is formed by the reverse idea movement. Its conscious meaning as a structure is just a small piece of space that finds its place properties of matter. This small piece coexists as a properties of matter in numerous spaces when it is a similar object. The position is inserted into several spaces by the meaning of the thought movement, where one phenomenon and other meanings intersect. This is a thread painting, <the morning glory> which was created by repeating another space as an thought movement in the space of positioning.
The space as the background of the concept of desire disappears and the <morning glory B-06>turns into the color of light.
However, as a semantic effect of the painting, the painting is selected with the color of light on the fabric-like material or thread that has disappeared from the past space. Here, the painting distorts the image by turning the light into a line within the desire-concept space that connects the surface of the morning glory with the light.
Thus, since the composition of the invisible space of desire cannot draw flowers, the space separates the background space of the concept of desire by sketching stems and leaves on real structures and drawing flowers. However, the real picture of the concept of desire is an image of reality that depicts the shape of light by separating various sides of an object at rest.
This is a thread painting limited to fabric in an empty space and the more you limit the habitual object to the shape, the more empty the space becomes, rather than the actual place, so it decorates the inner surface of the hidden cloth to find the meaning of the space as a small piece of artistic shape. As such, <the morning glory> is painted on cloth-like materials, forming an abstract spot with the inevitable spatiality of the object, thus gaining aesthetic value as a real habitual painting art.
Louis Chul-joo Choi’s thread painting: morning glory B-06, 55X73cm, acrylic and composite materials on cloth, 2020
In addition, by having originality based on the image and shape of media art and process media art, the actual painting of the still image as a media art image according to its timeliness has another originality. This is because each still image is a real painting in the context shown on the monitor. It shows various abstract exhibition forms as a formative real painting that extends the still image of media art with the same artistic meaning as painting into a reversible light structure.
The timeliness reversible from physicality in the place of exhibition space creates a place as the color of light and is recognized as the color of light in that place.
The space of abstract light can give a glimpse into the structure of a material object, but the place becomes the margin of space in which the subject of the object follows the change of its temporality. The margin is an abstract space, but as the subject of painting is drawn in what it says is the color of reversible light, it creates a place for the object in the margin.
This is the object position determined by the inevitability of the symmetrical space so that the painting matches the image of the light of the space against the object. The space of the image tailored to the target is a structure of a painting that creates a separate space that connects the gap in the form of cloth-like material, and draws the color of light by stitching several empty spaces and margins. The image depends on the color and shape determined by the object location.
Thus, the image color, which is the background of the concept of desire, decorates the reality of the conventional universality of looking at an object through the color of light. In contrast to the light of this decorated shape, a dark space is a shadow that stops and looks at in one place. Here, the color as a real object is the fragmented desire of the enlightened custom seen through the gaze.
The image of the object that has been enlightened with the structure of desire stopped in a conventional place of life is repeatedly designed on a cloth-like material with a color of light, and a color of a reflective margin that is difficult to distinguish. Here, when a desire conceptual painting is enlightened by custom or found in place, it unravels the structure of desire as a real being in the form of that color.
However, the concept of desire in an empty space is an abstraction that cannot reproduce timeliness, so it seems to be a suitable color for the subject's material. Unlike the color of light, abstraction captures the familiarity of light with the inevitability of 'morning glory', a past space that depicts the structure of abstract desires such as desire. / Writing. Choi Chul-joo, Contemporary Art Critic (Conceptual Abstract Artist & Doctor of Cultural Design)
an abstract artist Louis Choi Chul-joo