modern art pop abstract artist
Case of Modern Conceptual Abstract Art 9
Modern art Pop Art and modern art pop abstract artist & Contemporary Conceptual Abstract Artist Louis Choi Chul-joo's Desire Concept Abstract Art Work Review & Concept Abstract Modern Art Criticism [9/ 35~37] Case of Contemporary Concept Abstract Art: Artworks Criticism: Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire [8] Abstract Design <morning glory 2022-d-bling bling> & Louis Choi Chul-joo Abstract Art Review: Choi Chul-joo Desire Concept Abstract Art Theory Presented & Famous Contemporary Painter, Contemporary Artists, Abstract Artists, Contemporary Concept Abstract Artists Criticize Works/ Contemporary Concept Abstract Artist Louis Choi Chul-joo's Desire Concept Art Work 'Morning Glory' Abstract Design: Exhibition of Louis Choi chuljoo' "morning glory" with the image of Desire's object, 20220308~20220310 Yeomyeong Hall, 2022 New York.
Planning. Former curator of the Seoul Museum of Art Choi Chul-joo (abstract design artist & contemporary artist)
New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of Lacan's objectɑ and Picasso's Anamorphosis, 20220308~20220310 Yeomyeong Hall, New York.
Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)
Shape image as a conceptual semantic structure: It refers to another image of the background of a real concept that represents a real morning glory by repeating the color of the shadow on the object image of desire, and it is the object of the concept of desire that depicts the shadow structure created from non-real images with reversible light.
The object is abstraction as a contemporary desire concept artwork, which is repeated by symbolizing and overlapping the desires of others with reversible shades of light in "morning glory" the background design concept of contemporary desire concept artwork.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Louis' Conceptual Art Theory on Realistic Abstract Painting)
Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.
As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.
(Louis' Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)
<morning glory 2022-d-bling bling> Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022
Realistic structures are reflected in the shape of shadow colors by light. It's the contours and shadows that are determined by the reversible shades of light that reveal that shape. This is the concept of desire, the art of realistic abstraction, which actually forms an abstract image of the concept of desire.
개념적 의미 구조로서 형상 이미지: 이미지를 오브제로 디자인한 라캉의 오브제ɑ<morning glory 2022-d-bling bling>는 비실재의 개념미술 이미지 <morning glory 2020 p26-01> 화폭에 가역적 빛의 음영으로 연쇄하여서 실재 나팔꽃의 실재 개념미술 이미지다. 이것은 < Kim Yon-ja's bling bling 3>에서 전이한 <morning glory 2022-d-bling bling>을 의미하며 비실재의 사실적 이미지를 가역적 빛으로서 왜상(anamorphosis)적 이미지로 수작업으로 그리진 라캉적 오브제ɑ다.
그 오브제ɑ의 형상은 현대미술 추상화 작품의 디자인 컨셉으로 한 <morning glory>에 가역적 빛의 음영을 중첩해 그려서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 추상화 이미지로서 < morning glory 2022-d-bling bling>으로 기호화하여서 연쇄한 현대 개념미술 작품으로서 실재의 자리를 대리하는 추상화 다.
Louis Chul-joo Choi, morning glory 2022 p77-6, a hand-painted picture on a computer
morning glory 2022-d-bling bling = Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022
현대 미술평론가 & 개념미술가 최철주의 현대 개념미술은 초기 개념미술의 개념으로 한 회화성의 복귀다.
여기서의 회화성은 실재의 자리를 대리하는 추상화를 생성하는 개념미술이다.
따라서 <morning glory 2022-d bling bling>은 그의 현대 개념미술은 시사만평처럼 현상적 이미지를 비판하지만 회화성으로 비실재적 이미지<morning glory 2020 p26-01>의 의미적 가치를 말한다. 그리고 비실재의 사실적 이미지<Kim Yon-ja's bling bling 3>을 개념미술로 한 실재의 비사실적 이미지 추상화 <morning glory>로 전이한다.
이것은 수학적 개념과 철학적으로 의미화한 언어적 해석을 넘어서 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 여기서 라캉적 회화는 임의적인 철학성보다는 타자의 욕망을 응시로서 순간적으로 이성적 지각할 수 있는 회화성을 말한다. (ACN ・ 2022. 4. 20. / 유아로서 병아리가 본 타자의 욕망 <나팔꽃> New York Exhibition 뉴욕 전시 도슨트1)
따라서 이성적 회화성에서 시간성에 따른 왜상적 배경을 타자의 욕망으로 경험할 수 있도록 나팔꽃 형상의 틀을 객관적 실재와 표상적 개념미술과는 차이가 있다. 그 오브제는 상징계에서 전이된 실재에서 분리된 오브제ɑ를 실재의 자리로 하고 있기 때문이다.
사실적 추상화의 개념미술이란 사실적 구조는 빛의 왜곡을 받아서 형태를 반사한다. 그 형태를 드러내는 것은 빛의 음영으로 확정되는 윤곽과 그림자다. 배반적 개념미술로 한 사실적 추상화는 이것에 주목하여서 사실적 개념을 형상화한다. (사실적 추상화에 관한 최철주 개념미술이론)
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
따라서 배반적 개념미술로 한 사실적 추상화는 일상의 사건에서 사실적 구조를 왜곡하는 빛의 음영으로 형상을 빛의 음영으로 그 형성을 확정하여서 사실적 개념을 추상화한다.
Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.
형상은 현실적인 구조의 개념을 추상화하고 가역적인 빛의 음영에 의해 그 형상을 결정하지만, 전체 형상이 가려짐에 따라 형상은 모노톤으로 요약된다.
A shape abstracts the concept of a realistic structure and determines its shape by a reversible shade of light, but as the entire shape is obscured, the shape is summed up in monotone.
루이 최철주 <나팔꽃> 뉴욕 전시에 그려진 실재의 개념미술 추상화 : 개념미술 미술가 작품 :Louis Choi Chul-joo, morning glory p77-7, a hand-painted picture on a computer / 만화뉴스 만평을 개념 미술가 작품으로 재해석한 현대미술 추상화 개념만평
라캉의 오브제ɑ<루이 최철주 뉴욕 전시 나팔꽃 추상화 p77-7>로서 추상적 표상 이미지 오브제를 재현하는 음영적 도식으로 시각체계는 은폐하고 있으나, 무의식에서 드러난 욕망적 관점의 가역적 빛의 음영에서 드러난 비사실적 형상을 순간적인 응시로서 보이는 추상화 오브제ɑ다.
추상화에 감춰진 오브제ɑ는 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 라캉적 디자인으로 형성하고 타자의 욕망을 존재로서의 오브제ɑ를 생성하여서 타자의 무의식적 욕망에서 드러낸 비사실적 이미지가 순간적 왜곡된 타자의 욕망적 이미지를 의미적 구조으로 실재의 비사실적 추상화의 개념 미술성을 드러낸다.
이것은 루이 최철주 뉴욕 전시에서 포스터 이미지에 의미가 미출현하는 라캉의 환상공식(＄◇ɑ)의 소쉬르 연산식에 대입하여서 <나팔꽃>이 상상하는 타자의 욕망을 쾌락과 성적충동의 만족(Jouissance)과 함께 배경의 또 다른 나팔꽃을 잡으려는 빗금친 기의(s(ɑ/))에서 분열된 주체(＄◇D)는 거세(castration)에 도달한다. 이것은 시각체계에서 보이는 나팔꽃이 상상하는 비일관성을 음영으로 은폐한 나팔꽃을 스크린으로 한 이미지를 보인다.(ACN ・ 2021. 12. 29. 0:01 라캉의 환상공식(＄◇ɑ)
현대미술 추상화 작품<나팔꽃 추상화 p77-7>로서 개념 미술의 추상적 의미는 풍습의 변화 대상으로 나팔꽃을 추상화로 그리는 것은 하나의 대상으로 보이는 또 다른 문화 공간의 단면적 이미지로서 나팔꽃 음영에 감춰진 병아리가 닭으로 오인한 유아적 존재를 드러낸다.
이것은 추상적 공간에서 보이지 않는 작은 조각으로 그려진 대상(루이 최철주 2022 뉴욕 전시 나팔꽃 추상화)로서 타자의 욕망을 나팔꽃 배경에 감추고 실재는 <나팔꽃> 배경의 음영속에 오브제가 중첩된다.
여기서 <나팔꽃>의 배경에 감추어진 오브제는 타자의 욕망으로서의 작은 조각이다. 그 조각의 형상이 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 공간을 추상한다.
그 공간은 가역적 빛의 음영으로 형성된 비재현적 이미지라고 가정할 때 실재는 상사적으로 실재를 재현한 추상적이고 가상적 이미지로 존재한다.
라캉적 디자인방법론(Lacan's design methodology)으로 한 회화 디자인에 대한 라캉적 도슨트: 라캉적 디자이너, 디자인평론가 & 현대미술가 최철주 라캉적 디자인방법론: 현대미술 추상 한국화 작품으로서 <morning glory 2020 p26-01> 이미지에 라캉의 환유공식 f(S...S')S=˜ S (-)s 적용하여서 가역적 빛으로 생성한 페인팅 <Kim Yon-ja's bling bling 3>을 중첩한다. 그리고 언어적 은유 이미지를 연쇄하여서 라캉의 환유공식을 재적용하여서 가역적 빛의 음영으로 한 공간의 또 다른 자리에 현상적 개념적 자리를 정하여 추상화 한다.
이것은 루이 최철주 뉴욕 전시에서의 최초의 비사실적 추상화 포스터로 전이 하여서 라캉적 오브제를 실재화 한다. 그 이미지<morning glory 2022-d bling bling>는 가역적 빛의 음영으로 한 <morning glory p77-7>로 전이되어서 실재의 비사실적 추상화가 된다.
배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 만화 리브 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 만화 리브 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)
Louis Choi Chul-joo, <Kim Yon-ja's bling bling 3>, a hand-painted picture on a computer / 현대미술 회화 디자인: 개념적 의미 구조로서 형상 이미지를 기호화한 오브제 디자인 (개념만평 만화뉴스 기사등록: ACN ・ 2020. 5. 20. 1:37 )
개념적 의미 구조로서 추상 이미지 디자인: 이미지를 오브제로 디자인한 라캉의 오브제ɑ<morning glory>는 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로 디자인한 배면이 비춰지는 교직된 천의 형태에 그리진 라캉의 오브제ɑ다.
그 오브제ɑ의 형상은 뉴욕(Flushing Town Hall & Yeomyeong Hall)에서 루이 2022년 <나팔꽃>개인전 관련 현대미술 추상화 작품으로서 디자인 컨셉으로 한 100개의 포스터<morning glory poster>와 연관된 이미지를 디자인하여서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 전시 이미지를 기호화하여서 연쇄한 현대 개념미술으로 추상화했다. 그 추상화들은 형상을 보고서 차이를 구별할수록 한쪽 방향으로 그 형상들을 이해하기 때문에 이면(裏面)의 의미를 구상한다. 그 형상들이 달라도 동일한 의미를 말할때 그것은 기호적 구조로서 유사한 색깔과 크기의 추상이다. 즉 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상 화다.
따라서 형상이 다른 동일한 의미로서의 추상 화는 유사한 색깔과 크기가 다른 사상적 비형상의 존재로서 실재하는 비사실다.
개념미술 나팔꽃 추상화 작품 : Choi Chul-joo, <Kim Yon-ja's bling bling 1>, a hand-painted picture on a computer, 2021/ 라캉적 개념미술로서 현상적 자리를 타자의 욕망이 선택한 실제의 구조로서의 현대미술 추상화
비사실적 실재의 형상을 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 2022 뉴욕 전시 나팔꽃 추상화 블링블링)은 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실재의 이미지로서 타자의 무의식적 욕망의 자리를 드러낸 추상적 이미지의 오브제ɑ를 보인다.
라캉적 개념미술가 최철주의 추상화 디자인은 초기 개념미술의 개념으로 한 회화성의 복귀다. 즉 회화 작품으로 생성하는 개념미술 디자인이다. 따라서 그의 현대 개념미술은 시사만평처럼 현상적 이미지를 비판하지021만 회화성으로 디자인적 가치를 말하고 추상한다.
미술품에서 Ready made 기성품이 회화성을 대신할 수 없고 Marcel Duchamp 뒤샹처럼 창조된 개념과 그의 동조자 Joseph Kosuth 조셉 코수스가 말한 철학에 따른 메시지를 말한다.
반면에 라캉 미술이론에서의 유아적 상상계의 허상을 개념으로 한 최철주의 개념미술 추상화 디자인은 시사만평으로 개념의 의미를 라캉적 개념미술 추상화 이미지에 메시지를 담는다. 그것은 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 이것은 수학적 개념과 철학적으로 의미화한 언어적 해석을 넘어서 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 개념미술 추상화 디자인을 통해서 삶적 가치를 교합시킨다.
여기서 라캉적 개념미술 추상화 디자인은 임의적인 철학성보다는 타자의 욕망을 응시로서 순간적으로 이성적 지각할 수 있는 추상성 디자인을 말한다. (ACN ・ 2022. 10. 7. 2:33 최철주 개념미술 추상화 디자인 해석)
라캉적 디자인방법론(Lacan's design methodology)으로 한 회화 디자인에 대한 라캉적 도슨트: 라캉적 디자이너, 디자인평론가 & 현대미술가 최철주 라캉적 디자인방법론: 현대미술 추상 한국화 작품으로서 <morning glory 100-2>에 라캉의 환유공식 f(S...S')S=˜ S (-)s 적용하여서 가역적 빛으로 생성한 음영을 중첩한다. 그리고 언어적 은유 이미지를 연쇄하여서 라캉의 환유공식을 재적용하여서 가역적 빛의 음영으로 한 공간의 또 다른 자리에 현상적 자리를 정하여 보인다. 이것은 루이 최철주2022 뉴욕 전시 에서의 라캉적 개념미술로 디자인한 나팔꽃 포스터 이미지가 라캉적 오브제를 실제화한 추상화로 전이한다.
2022 <나팔꽃> 뉴욕 전시/전시작품 & 현대미술 작품: 라캉의 오브제ɑ와 피카소의 아나몰포시스 이미지로 한 현대 추상화가 루이 최철주 개념 미술 추상화: <morning glory 2022-d-bling bling>
개념 미술의 나팔꽃 블링 블링 의미로서의 라캉적 특정효과가 발생하는 회화의 추상적 영역은 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지다.
이것은 회화에서 나팔꽃이라는 일관된 의미로 보이게 있는 왜상적 평면성이다. 그 나팔꽃은 거울에 비친 실재(le réel)와 동일하지만 배경의 형상은 동일하지 않다. 이것은 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이지만 그 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사상적 비형상의 존재로서 실재하는 비사실적이기 때문이다.
그 존재는 실제 가역할 수 있는 형상으로서 추상 공간을 정의하고 그 형상이 가역적 빛의 음영으로 실제 변화된 움직임에 의해 가려지는 개념 미술의 추상화 의미를 말한다.
추상화 의미의 현상적 자리를 포스터로 대신한 라캉적 개념미술 추상화는 형상의 자리를 구별할 수 있어서 그 형상을 해석하는 이면(裏面)의 의미를 구상한다. 그 형상은 다른 의미를 말하려고 사상적 구조로 한 그 의미와 유사한 색깔과 크기의 추상하지만 상상계에서 개념 미술의 추상적 의미는 실재와의 동일시하여서 외형적으로 오브제의 이미지와 추상적 의미를 동일한 주체로써 오브제의 이미지와 동일시되면서 내적으로 주체는 변형된 추상적 의미를 형성한다. 이것은 형상의 추상적 의미를 가리키며, 그 형상은 실제 가역할 수 있는 추상적 공간을 정의하고 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미를 가리킨다.
그 의미는 타자의 욕망을 모방한 꽃을 상징하는 기호적 언어로 추상된 <나팔꽃>으로 디자인된다.
추상된 <나팔꽃>에 타자의 욕망을 대리하는 형상을 디자인하여서 라캉의 오브제ɑ(루이 최철주 2022 뉴욕 전시 나팔꽃 추상화 블링 블링)으로서 추상적 오브제로서의 재현한다. 그것은 원근법적 시각체계의 기학적 도식에서는 시각체계가 은폐된 가역적 빛으로 한 음영의 자리를 만들어냄으로서 무의식에서 드러난 타자의 욕망적 관점에서 각각이 다른 순간적인 응시로서의 오브제ɑ가 추상된다.
이렇게 라캉적 개념미술로 추상된 오브제ɑ는 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 타자의 욕망을 존재로 한 조형성의 음영으로 오브제ɑ를 생성하고 의미로서 존재한다.
그 의미적 존재로서 오브제ɑ는 타자의 욕망적 관점에서 왜상적 이미지로 오브제의 이미지를 의미의 구조로 변형함으로써 오브제의 또 다른 존재로서의 오브제ɑ를 드러내어서 타자의 욕망의 자율적 선택으로 한 조형적 가치를 담고 있다.
그리고 회화적으로 닭의 배경에 감추어진 타자의 욕망으로서의 작은 조각은 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 추상적 공간을 보인다. 이것은 타자의 욕망을 추상적 오브제의 존재 의미로 그 오브제를 실제 가역할 수 있는 추상 공간으로 자리한다.
타자의 욕망적 형상이 실재와의 어긋난 만남으로 이루어진 형상의 실제가 추상된 타자의 욕망에 가려지는 추상적 풍경 형상의 의미를 대리하는 비실재의 사실적 형상을 보인다. 그 형상은 추상적 음영으로 생성된 타자의 욕망이 선택한 실제의 구조와의 교차점이다. 이것은 비실재의 사실적 구조로 한 전체의 실제 형상과 가역적 빛의 음영으로 디자인한 타자의 욕망이 응시로 보이는 교차점에 순간적으로 추상화된 형상이다.
<Kim Yon-ja's bling bling 2>는 원근법적 시각체계의 '블링 블링'이 '나팔꽃'을 배경으로 구조화되어서 '나팔꽃'에서의 주체가 실재과 구별된 가역적 빛의 음영에 사라진다.
그 추상화된 <morning glory 2022-d-bling bling> 형상은 거울에 비친 동일한 오브제가 아닌 다른 오브제의 실재를 드러냄으로써 드러나지 않는 실재로서 상징성에서 전이되어진 실재의 또 다른 추상화로서의 오브제로 보인다.
추상된 그 오브제는 타자의 욕망으로 한 오브제로서 분명히 거울에 비쳐진 오브제로 드러나지 않고 가역적 빛의 음영으로 은폐되었으며 거울에 드러난 또 다른 오브제를 봄으로써 그림을 보는 자의 실재는 부재한다. 다만 그 그림을 그린 이가 타자를 대신한다. / 글. 미술평론가 최철주 (추상 화가 & 문화디자인박사)
Choi Chul-joo, a curator------------------------------------------------------------
modern art pop abstract artist 35
Case of Modern Conceptual Abstract Art 35
Modern art Pop Art and modern art pop abstract artist & Contemporary Conceptual Abstract Artist Louis Choi Chul-joo's Desire Concept Abstract Art Work Review & Concept Abstract Modern Art Criticism [35] Case of Contemporary Concept Abstract Art: Artworks Critique: Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire./ Abstract Design <morning glory window 2024-4-memories> & Louis Choi Chul-joo Abstract Art Review: Choi Chul-joo Desire Concept Abstract Art Theory Presented & Famous Contemporary Painter, Contemporary Artists, Abstract Artists, Contemporary Concept Abstract Artists Criticize Works/ Contemporary Concept Abstract Artist Louis Choi Chul-joo's Desire Concept Art Work 'Succession to eldest son after announcing retirement of Queen of Denmark' Abstract Design: Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [174] Succession to eldest son after announcing retirement of Queen of Denmark (ACN・2024.1.16. 20) /Reporter Choi Chul-joo’s Cartoon Review & Louis Chul-joo Choi, morning glory window 2024-4-memories, 148X146cm, acrylic and composite materials on cloth, 2024
Concept of Desire Abstract Art Movement Planning. Former curator of the Seoul Museum of Art Louis Choi Cheol-joo (abstract artist and contemporary artist)
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Chul-joo Choi, Succession to eldest son after announcing retirement of Queen of Denmark, a hand-painted picture on a computer, 2024.
Cartoon review: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [174] Succession to eldest son after announcing retirement of Queen of Denmark (ACN・2024.1.16. 20) /Reporter Choi Chul-joo’s Cartoon Review
. Succession to eldest son after announcing retirement of Queen of Denmark
. Succession au fils aîné après l'annonce de la retraite de la Reine du Danemark
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 66-Succession to eldest son after announcing retirement of Queen of Denmark, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: In front of the bamboo forest h66-Succession to eldest son after announcing retirement of Queen of Denmark: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p112-3-Succession to eldest son after announcing retirement of Queen of Denmark: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p112-3-Succession to eldest son after announcing retirement of Queen of Denmark> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.
■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Louis Chul-joo Choi, morning glory window 2024-4-memories, 148X146cm, acrylic and composite materials on cloth, 2024
Louis Choi Chul-joo's "morning glory window 2024-4-Memories" absorbs time light and removes symbolic representations on the surface of the image to create images of chicks, chickens, women and dancers as realistic desires, and hides the conceptual image of memory desires in the shadow of reversible light.
The image of morning glory and dancers recognizes the reality subordinated to the gap as a concept of desire and abstracts chicks, chickens, and women into realistic images objectified by the moment of memory desire.
Combined with images of reality with reversible light, including a desire for abstraction.
The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.
The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.
Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.
Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.
It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.
In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space
It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.
It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.
Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.
It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.
Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.
2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p112>
As a conceptual form, a non-realistic form with the same meaning structure is abstract as a conceptual semantic structure, but a memory form with the same meaning with different shapes is a non-realistic existence with different colors and sizes.
Its existence defines the abstract space by remembering the actual reversible shape, and abstracts the image "Napalflower" in which the shape of the window in front of the morning glory is hidden by the movement actually changed by the shade of reversible light as an installation art of a memory image outside the window. It is the desire in the picture, that is, the image of an empty space without an atmosphere reflected in the mirror. This is an abstraction remembered as a being abstracted into a realistic image in non-realization.
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This is an abstract urban impression in which the image of the concept of desire develops at small intervals in reversible light shades of an instantaneously remembered existing object, just as a dancer reflected in the background of the concept of desire embodies an unrealistic image of the sky such as clouds on the surface.
As such, fragments of urban images in modern visual culture are abstractions installed as cartoon images of desire in realistic structures./ Writing. Former curator of the Seoul Museum of Art Choi Chul-joo (Image Installation cartoonist & Doctor of Cultural Design)
Pop Art Cartoon Artist Louis ChoiChuljoo------------------------------------------------------------
modern art pop abstract artist 36
Case of Modern Conceptual Abstract Art 36
Modern art Pop Art and modern art pop abstract artist & Contemporary Conceptual Abstract Artist Louis Choi Chul-joo's Desire Concept Abstract Art Work Review & Concept Abstract Modern Art Criticism [36] Case of Contemporary Concept Abstract Art: Artworks Critique, Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire/ Abstract Design <morning glory window outside the window 2024-2-light & Shadow> & Louis Choi Chul-joo Abstract Art Review: Choi Chul-joo Desire Concept Abstract Art Theory Presented & Famous Contemporary Painter, Contemporary Artists, Abstract Artists, Contemporary Concept Abstract Artists Criticize Works/ Contemporary Concept Abstract Artist Louis Choi Chul-joo's Desire Concept Art Work 'Twice ‘Feel Special’' Abstract Design: Contemporary Art Critic Choi Chul-joo's A line News of Cartoon review of the concept [7] ABU TV Song Festival: Twice ‘Feel Special’ : A line News of Choi Chul-joo’s Manwha Review & Louis Choi chuljoo, <morning glory outside the window 2024-2-light & Shadow>
Concept of Desire Abstract Art Movement Planning. Former curator of the Seoul Museum of Art Louis Choi Cheol-joo (abstract artist and contemporary artist)
Choi Chul-joo's comic abstraction as a treacherous conceptual art means the abstraction of the conceptual image of desire as a realistic structure in art. Since the conceptual meaning of desire that exists in place of a realistic form can be divided into a cartoon criticism image, abstraction is drawn through reversible contrast that interprets the image of events and performances as an image of others' abstract desires.
Choi Chul joo cartoon review, which uses contemporary art abstraction as a treacherous conceptual art, reinterprets the image of desire as a concept of cartoon.
Louis Chul-joo Choi, morning glory window 2024-2--light, 357X225cm, acrylic and composite materials on cloth, 2024
The object "morning glory window 2024-light", which describes the meaning of the shape seen in the semantic space created by reversible light, is an abstraction drawn as a conceptual work of " Image Installation Performance", in which the image that conceals the desires of others in time is structured as a reversible shade of light. The meaning of abstraction of desire, that is, the image of desire reflected in the mirror, is a hypothetical non-realistic image of cartoon criticism, and contemporary artist Louis Choi Chul-joo describes the place of the other's unconscious desire with artistic movement in "morning glory", the background of the desire structure.
Louis Chul-joo Choi, morning glory window 2024-2--light, 357X225cm, acrylic and composite materials on cloth, 2024
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Chul-joo Choi, The special feeling of the body and mind is “Twice”, a hand-painted picture on a computer, 2024
Cartoon review: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: 카툰 만평 [7] ABU TV Song Festival: Twice ‘Feel Special’ : A line News of Choi Chul-joo’s Manwha Review (2019-12-29)
/Reporter Choi Chul-joo’s Cartoon Review
. The special feeling of the body and mind is “Twice”
. Le sentiment spécial du corps et de l’esprit est « Twice »
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 300-The special feeling of the body and mind, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: In front of the bamboo forest g300-The special feeling of the body and mind is “Twice”: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p110-9-The special feeling of the body and mind is “Twice”: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p110-9-The special feeling of the body and mind is “Twice”> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.
■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 300, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest g300, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p110-7, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory window 2024-2-shadow, 357X225cm, acrylic and composite materials on cloth, 2024
Louis Choi Chul-joo's "morning glory window 2024-2-shadow" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.
Combined with images of reality with reversible light, including a desire for abstraction.
The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.
The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.
Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.
Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.
It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.
In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.
It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.
Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time. It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.
Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.
In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality.
In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.
As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.
Its existence defines an abstract space as an actual reversible shape, and abstracts the image <morning glory> in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.
This is an abstract urban impression in which images of the concept of desire are developed at small intervals as reversible shades of light that exist momentarily, just as a dancer reflected in the background of the concept of desire implements an unrealistic surface image of the sky like a cloud as a surface image.
In this way, the fragments of urban images in modern visual culture are abstracted into the structure of desire in the realistic structure.
Louis Chul-joo Choi, morning glory window 2024-2-shadow, 357X225cm, acrylic and composite materials on cloth, 2024
<morning glory window 2024-2-shadow> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.
Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2024-2-shadow> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure.
The object <morning glory window 2024-2-shadow>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".
Therefore, the factual abstract image defines abstract space as a real reversible shape, and Choi Chul-joo's exhibition poster, whose shape is hidden by actual changed movements in the shade of reversible light, means the meaning of abstraction of conceptual art by creating a place of abstraction as a contemporary art abstract art movement.
In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 2024-2-shadow> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.
As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.
Abstract painting <morning glory window 2024-2-shadow> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.
In <morning glory window 2024-2-shadow>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.
Louis Chul-joo Choi, morning glory window 2024-2-shadow, 357X225cm, acrylic and composite materials on cloth, 2024: Image installation overlaps with the impression of the city as a fragmented installation image of the concept of desire by abstracting the image as the concept of desire as a structure of desire in a realistic structure.
Louis Choi Chul-joo's <morning glory window 2024-2-shadow> absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.
Combined with images of reality with reversible light, including a desire for abstraction.
The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.
The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.
Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.
Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.
It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.
In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.
It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.
Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time. It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.
Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.
In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality.
In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.
As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.
Its existence defines an abstract space as an actual reversible shape, and abstracts the image <morning glory> in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.
This is an abstract urban impression in which images of the concept of desire are developed at small intervals as reversible shades of light that exist momentarily, just as a dancer reflected in the background of the concept of desire implements an unrealistic surface image of the sky like a cloud as a surface image.
In visual culture as contemporary art, the fragmented image installation of urban images overlaps with the impression of the city as a fragmented installation image of the concept of desire by abstracting the image into the concept of desire as a structure of desire in a realistic structure. / Writing. Former curator of the Seoul Museum of Art Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)
Contemporary artist Louis Choi Chuljoo------------------------------------------------------------
modern art pop abstract artist 37
Case of Modern Conceptual Abstract Art 37
Modern art Pop Art and modern art pop abstract artist & Contemporary Conceptual Abstract Artist Louis Choi Chul-joo's Desire Concept Abstract Art Work Review & Concept Abstract Modern Art Criticism [37] Case of Contemporary Concept Abstract Art: Artworks Critique, Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire/ Abstract Design <Louis Choi Chul-joo's 2022 New York Exhibition Poster Abstraction 100> & Louis Choi Chul-joo Abstract Art Review: Choi Chul-joo Desire Concept Abstract Art Theory Presented & Famous Contemporary Painter, Contemporary Artists, Abstract Artists, Contemporary Concept Abstract Artists Criticize Works/ Contemporary Concept Abstract Artist Louis Choi Chul-joo's Desire Concept Art Work 'morning glory 2021-k-1’' Abstract Design: Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo Abstraction Art Work [13] contemporary abstract art movement examples / The Story of Contemporary Art: Contemporary Art movement Review: Modern Art Works Desireful Concepts Art Abstraction: Louis Choi Chul-joo's 2022 New York Exhibition Poster Abstraction 100 & morning glory 2021-k-1
Planning. Former curator of the Seoul Museum of Art Choi Chul-joo (abstract artist & contemporary artist)
Louis Choi Chul-joo's "morning glory" is painted on a cloth that reflects the image on the back as an image generated from a crooked image that means the substance of the morning glory.
Louis Choi Chul-joo <morning glory> is an abstract thread painting depicting the concept of desire drawn on a fabric whose back side is reflected by hand using images created as anamorphosis, which means the reality of morning glory.
On March 1, 2022, at Flushing Town Hall in New York and at Yeomyeong Hall in New York on March 8, 2022, Louis Choi Chul-joo's "morning glory" exhibition in New York completed 100 posters of New York by visualizing the progress and results of depicting the imagination of other people's desires and objects of existence while facing the artistic notion of desire conceptual art in preparation, and the final abstract work "morning glory 2022 p-100" is displayed in the New York exhibition.
Here, by producing painting and poster abstraction of contemporary art works using the same conceptual art, Louis Choi Chul-joo's solo exhibition works were presented as modern art abstract paintings symbolizing the exhibition image of paintings. In other words, it referred to the concept of posters as modern art abstract painting as immaterial visual effects. This is the same conceptual art abstraction as <morning glory> by visualizing another painting and poster in the place after setting a place for one exhibition space.
A review of contemporary art works <morning glory> on the exhibition of contemporary art poster by contemporary art critic and contemporary artist Louis, 20220301~20220308 Flushing Town Hall, New York.
Painting docent as Lacan conceptual art: Lacan conceptual art faces artistic ideas. It visualizes the phenomenon of progressive phenomenon and results as painting objects of Lacan's an imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 라캉적 도슨트/ 루이 최철주)
As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.
(Choi Chul-joo's Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)
Louis Choi Chul-joo <morning glory> Conceptual Art Abstract Painting in 2022 New York Exhibition: abstraction <morning glory poster 100-12> : ■ news cartoon of Choi Chul-joo’s cartoon news/ A hand-painted picture by Choi Chul-joo on a computer & webtoon news cartoon design works by cartoon designer Choi Chul-joo ■ In <Choi Chul-joo's Morning glory>, Choi Chul-joo's desire's art theory is formalized by connecting images with abstract paintings and converting them into meanings. This means that other people's desires are expressed in paintings by repeatedly applying desire's imagination and formula, and as a result of applying Choi Chul-joo's desire art theory to paintings, other people's desires for abstract formative beauty gain the value to approach. ■ <Choi Chul-joo's Morning glory> is the spatial background of the desires of others, not the subject. It is the same as a space of life as consistent as the sky. It is connected to cartoon review and Pop Art, which represent the space of life but do not criticize and judge, and reproduces reality as news with pictures of events. In addition, the effect of conceptualizing the reality of the symbolized object as the desire of others is structured in the shade of reversible light and exemplified as a realistic abstraction of treacherous conceptual art. ■ Louis Choi Chul-joo's Process, Definition & Shape Meaning of Thread Painting: The process of creating a thread is to design a set presence in a place where paint spreads from a set object, an object that relies on instantaneous agreement, to embroider the image into a thread, to enlarge the place of the cloth by drawing a picture of a combined image or flat shape. The morning glory is the location where the flower blooms, where leaves and stems are formed according to their shape, and where the stem is aligned with the flower as a composition of the flower.
This is realized without an explanation of the atmosphere in media art and painting, where a real picture is created in the process of producing the mechanically reproduced prototype of media art in response to the needs of others. In addition, he said in thread painting, "The structure of the form is a structure of pictorial thread painting in which the formative meaning is retroactive as a series of threads become a formative structure without explaining the object of the thread that formed the shape." The color of the structure gives a distance of time, so that it is regarded as a formative structure of a faded original structure without marking it, showing the aesthetic value hidden as seen.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p110-8-MORE & MORE> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.
■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Contemporary art works Media Art<morning glory> on the exhibition of contemporary art poster by contemporary art and contemporary artist Louis Choi Chuljoo, 20220301~20220308 Flushing Town Hall, New York.
Louis Chul-joo Choi, morning glory 2021-k-1, 136X168cm, acrylic and composite materials on cloth, 2021
Modern Art Critic and Conceptual Artist Choi Chul-joo's Modern Conceptual Art is the concept of early conceptual art and is the return of painting. In other words, because it is a conceptual art created by a painting work, his contemporary conceptual art criticizes phenomenal images such as current events and mentions the meaningful value of painting.
This combines the life value of critical perspective and cartoonization with scene photography of events, which goes beyond mathematical and philosophically meaningful linguistic interpretations, and combines the life value of critical perspective and desire with satirical photo image of events. Here, desire abstraction means a conversational personality that can immediately recognize the rational perception of the other person's desire rather than an arbitrary philosophy. / Writing. Former curator of the Seoul Museum of Art Choi Chul-joo (Contemporary artist & Doctor of Cultural Design)
Louis Choi Chul-joo <morning glory> Conceptual Art Abstract Painting in 2022 New York Exhibition: abstraction <morning glory poster 100>
Contemporary Artist Louis Choi Chul-joo 2022 New York Exhibition Poster Abstract Painting 99
Louis Choi Chul-joo morning glory New York exhibition poster abstract painting100
Poster Abstraction 100: Korean Painter & Abstract Artist Louis Choi Chul-joo's <morning glory> 2022 New York Exhibition Poster Abstraction 100 Media Art, which visualizes the progress and results of depicting the imagination of desire and the object of existence while facing the artistic notion of desire conceptual art.
Contemporary artworks: Conceptual Abstraction, morning glory poster 1~100
Modern Art Designer Louis Choi Chul-joo's Poster Abstract Design of the morning glory
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