modern art pop abstract artist

Case of Modern Conceptual Abstract Art10

Feb 4. 2023

Modern art Pop Art and modern art pop abstract artist & Contemporary Conceptual Abstract Artist Louis Choi Chul-joo's Desire Concept Abstract Art Work Review & Concept Abstract Modern Art Criticism [10/ 38~40] Case of Contemporary Concept Abstract Art: Artworks Critique [5] Abstract Design <morning glory p48-3> & Louis Choi Chul-joo Abstract Art Review: Choi Chul-joo Desire Concept Abstract Art Theory Presented & Famous Contemporary Painter, Contemporary Artists, Abstract Artists, Contemporary Concept Abstract Artists Criticize Works/ Contemporary Concept Abstract Artist Louis Choi Chul-joo's Desire Concept Art Work 'Morning Glory' Abstract Design: Exhibition of Louis Choi chuljoo' "morning glory" with the image of Desire's object, 20220308~20220310 Yeomyeong Hall, New York.

New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory"with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20220308~20220310 Yeomyeong Hall, New York.

Conceptualization of Desire: Conceptualization of Desire Art is a visualization of progress and results as objects of imagination and existence, facing artistic ideas and portraying the desires of others as objects of imagination and existence. Louis Choi Chuljoo's Conceptual Abstract Art faces artistic ideas and visualizes progressive phenomena and consequences as objects of Desire's imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 Louis Choi Chul-joo' theory of abstract art)

Shape image as a conceptual semantic structure: It refers to another image of the background of a real concept that represents a real morning glory by repeating the color of the shadow on the object image of desire, and it is the object of the concept of desire that depicts the shadow structure created from non-real images with reversible light.

The object is abstraction as a contemporary desire concept artwork, which is repeated by symbolizing and overlapping the desires of others with reversible shades of light in "morning glory" the background design concept of contemporary desire concept artwork.

Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Louis' Conceptual Art Theory on Realistic Abstract Painting)

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.

As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background in which the shape disappeared as the whole is covered according to its shape time is summarized as contemporary light.

(Louis' Cultural Concept Theory of Realistic Abstract Painting with Treacherous Conceptual Art)

Louis Chul-joo Choi, morning glory p48-3, a hand-painted picture on a computer, 2022

Realistic structures are reflected in the shape of shadow colors by light. It's the contours and shadows that are determined by the reversible shades of light that reveal that shape. This is the concept of desire, the art of realistic abstraction, which actually forms an abstract image of the concept of desire.

개념적 의미 구조로서 형상 이미지 디자인: 이미지를 오브제로 디자인한 라캉의 오브제ɑ

<morning glory p48-3>은 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로 디자인한 배면이 비춰지는 교직된 천의 형태에 그리진 라캉의 오브제ɑ다.

그 오브제ɑ의 형상은 뉴욕(Flushing Town Hall & Yeomyeong Hall)에서 루이 <나팔꽃>개인전 관련 현대미술 추상화 작품으로서 디자인 컨셉으로 한 포스터<morning glory poster-48>를 제작하여서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 전시 이미지를 기호화하여서 연쇄한 현대 개념미술을 추상화했다.

Louis Chul-joo Choi, morning glory p48, a hand-painted picture on a computer, 2022

배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 만화 리브 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 만화 리브 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

Chul-joo Choi, <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 5>, a hand-painted picture on a computer

가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 뉴욕 전시 포스터-48)는 병아리가 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 6>을 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실재의 이미지로서 벨라스케스가 타자의 무의식적 욕망에서 드러낸 환상적 이미지 벨라스케스의 시녀들(Las Meninas)의 순간적 왜곡된 상 오브제ɑ를 말한다.

현대 미술평론가 & 개념미술가 최철주의 현대 개념 디자인은 초기 개념미술의 개념으로 한 회화성의 복귀다. 즉 회화 작품으로 생성하는 개념미술 디자인이다. 따라서 그의 현대 개념미술은 시사만평처럼 현상적 이미지를 비판하지만 회화성으로 디자인적 가치를 말한다.

미술품에서 Ready made 기성품이 회화성을 대신할 수 없고 Marcel Duchamp 뒤샹처럼 창조된 개념과 그의 동조자 Joseph Kosuth 조셉 코수스가 말한 철학에 따른 메시지를 말한다.

반면에 라캉 미술이론에서의 유아적 상상계의 허상을 개념으로 한 최철주의 개념미술 추상화 디자인은 시사만평으로 개념의 의미를 라캉적 개념미술 추상화 이미지에 메시지를 담는다. 그것은 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 이것은 수학적 개념과 철학적으로 의미화한 언어적 해석을 넘어서 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 개념미술 추상화 디자인을 통해서 삶적 가치를 교합시킨다.

여기서 라캉적 개념미술 추상화 디자인은 임의적인 철학성보다는 타자의 욕망을 응시로서 순간적으로 이성적 지각할 수 있는 추상성 디자인을 말한다. (ACN ・ 2022. 10. 7. 2:33 최철주 개념미술 추상화 디자인 해석)

라캉적 디자인방법론(Lacan's design methodology)으로 한 회화 디자인에 대한 라캉적 도슨트: 라캉적 디자이너, 디자인평론가 & 현대미술가 최철주 라캉적 디자인방법론: 현대미술 추상 한국화 작품으로서 <morning glory 2022-J>에 라캉의 환유공식 f(S...S')S=˜ S (-)s 적용하여서 가역적 빛으로 생성한 페인팅 <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 6>를 중첩한다. 그리고 언어적 은유 이미지를 연쇄하여서 라캉의 환유공식을 재적용하여서 가역적 빛의 음영으로 한 공간의 또 다른 자리에 <BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 6>의 현상적 자리를 정하여 <morning glory p48-3>으로 보인다. 이것은 루이 최철주 뉴욕 전시에서의 라캉적 개념미술로 디자인한 포스터가 라캉적 오브제를 실제화한 추상화임을 말한다.

Louis Chul-joo Choi, morning glory p48-3: 개념적 의미 구조로서 형상 이미지 오브제ɑ

라캉의 오브제ɑ<루이 최철주 뉴욕 전시 포스터-48>로서 추상적 오브제를 재현하는 원근법적 시각체계의 기학적 도식에서는 시각체계는 은폐하고 있으나, 무의식에서 드러난 욕망적 관점의 순간적인 응시로서의 오브제ɑ다.

회화로서 오브제ɑ<morning glory p48-3>은 일반성을 벗어나 예술성을 획득하고자 타자의 억압된 무의식에서 드러난 욕망을 통해 표출된 왜상적 이미지를 디자인으로 형성하고 존재로서 오브제ɑ를 생성하여서 타자의 무의식적 욕망에서 드러낸 환상적 이미지 벨라스케스의 시녀들(Las Meninas)의 순간적 왜곡된 이미지를 의미적 구조으로 한 예술성을 드러내는 것이다.

여기서의 오브제ɑ에서 출현한 예술성은 타자의 욕망적 관점에서 왜상적 이미지<BLACKPINK creates a new image in the mirror like the picture "Las Meninas·The Maids 5>로 오브제의 이미지를 의미의 구조로 변형<나팔꽃 포스터-48> 함으로써 오브제의 또 다른 존재로서의 오브제ɑ를 드러내어서 오브제ɑ가 창조성과 타자의 욕망의 자율성으로 한 예술적 의미를 담고 있다.

그리고 회화적으로 육화된 닭의 배경에 감추어진 타자의 욕망으로서의 작은 조각<morning glory p48-3>은 그 형상의 실제로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 추상적 공간<나팔꽃 추상화>를 보인다. 이것은 추상적 오브제의 의미를 가리키며, 그 오브제는 실제 가역할 수 있는 추상 공간을 말하며 형상의 실제가 추상된 타자의 욕망에 가려지는 추상적 풍경 형상의 의미를 비실재의 사실적 형상을 추상한다.

/ 글. 미술평론가 최철주 (추상 화가 & 문화디자인박사)

Modern Painter Louis Choi Chul-joo

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modern art pop abstract artist 38

Case of Modern Conceptual Abstract Art 38

Modern art Pop Art and modern art pop abstract artist & Contemporary Conceptual Abstract Artist Louis Choi Chul-joo's Desire Concept Abstract Art Work Review & Concept Abstract Modern Art Criticism [38] Case of Contemporary Concept Abstract Art: Artworks Critique, Abstract Design <morning glory p107> & Louis Choi Chul-joo Abstract Art Review: Choi Chul-joo Desire Concept Abstract Art Theory Presented & Famous Contemporary Painter, Contemporary Artists, Abstract Artists, Contemporary Concept Abstract Artists Criticize Works/ Contemporary Concept Abstract Artist Louis Choi Chul-joo's Desire Concept Art Work 'morning glory window 6-3' Abstract Design: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism example [23] Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism: <morning glory p107> & Louis Chul-joo Choi, morning glory window 6-3, 241X223cm, acrylic and composite materials on cloth, 2023

Planning. Former curator of the Seoul Museum of Art Choi Chul-joo (abstract artist & contemporary artist)

Louis, morning glory p107-7-1, a hand-painted picture on a computer, 2023 / Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

"morning glory window p107-7-1" is a treacherous conceptual art with cartoon review as the concept of an image created as an anamorphosis image, which means the reality of a morning glory, in the shade of reversible light, and is an abstraction of the concept of desire. This is a modern art movement that presents the methodology of realistic abstraction with the concept of modern desire.

Louis, morning glory p107-7, a hand-painted picture on a computer, 2023

In Busan (Haeundae-gu Office Gallery), a poster was produced as a contemporary art abstraction work related to the individual exhibition of Louis Choi Chul-ju <morning glory window> and this is a modern abstraction <morning glory window 2023-6-1>, which symbolizes the exhibition poster image of painting, as a structure of desire. The abstraction <morning glory (outside the) window 2023-6-3> appears by linking the conceptual image of desire through <morning glory (out the side) window 2023-6-2>, which consists of a desire image that appears to be a momentary gaze.

The object <morning glory outside the window 2023-6-3>, which depicts the meaning of the shape seen in the semantic space created with reversible light, is an abstract space that can be reversed into a real shape by structuring the meaning of the image that hides the desire of the other in the temporality in the shade of reversible light, and the meaning of the desire abstraction, which is hidden by the actual changed movement of the shape, is an abstraction that reveals the place of the other's unconscious desire in <morning glory> as a virtual real image of cartoon review.

Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

Choi Chul-joo's contemporary art movement, which presents a realistic abstraction methodology based on the concept of desire as contemporary art, is created in Busan (Haeundae-gu Office Gallery), an abstraction of the concept of desire through "Painting Installation Performance" that constitutes the abstract as another image of desire.

"morning glory 2023-6-2" as conceptual art is an abstract area of painting in which a specific effect that appears to be a gaze occurs in the concept of instantaneous desire. This is an image that can momentarily see the desire of the other who functions gaze in the landscape.

This is a planarity that seems to have a consistent meaning of a morning glory in painting. The morning glory is the same as the reflection of the mirror real(le Réel), but the shape of the background is not the same. This is because abstraction as the same meaning, which is a conceptual form and abstraction with a structure of the same meaning with the same meaning, is a non-realistic image as an abstract being of an ideological form with different colors and sizes.

Its existence is an abstraction of conceptual art applied to Lacan's "Four Directions of Interpretation," which defines an abstract space as a real reversible shape and refers to the abstraction of conceptual art as a realistic shape in which the shape is hidden by actual changed movements in the shade of reversible light.

Louis Chul-joo Choi, morning glory window 6-3, 241X223cm, acrylic and composite materials on cloth, 2023

Louis, morning glory p104-4-1, a hand-painted picture on a computer, 2023

<morning glory window p104-1-1> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.

In Busan (Haeundae-gu Office Gallery), Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2023-6-1> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure. In addition, the abstraction of the concept of desire <morning glory (outside the) window 2023-6-2> emerges through "Painting Installation Performance," which constitutes the abstraction as another desire image.

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

The object <morning glory window 2023-6-1>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".

Louis Chul-joo Choi, morning glory window 6-3, 241X223cm, acrylic and composite materials on cloth, 2023

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 6-2> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.

Abstract painting <morning glory window 6-2> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In <morning glory window 6-2>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

Louis Chul-joo Choi, morning glory window 6-3, 241X223cm, acrylic and composite materials on cloth, 2023

Louis Choi Chul-joo's "morning glory window 6-2" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light.

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space

It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.

It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p107-2-music performance>

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality.

In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image <morning glory> in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a real painting into a realistic image.

It realizes the surface image of the non-realistic sky just as the clouds reflected in the building are real as surface images. This is the impression of a city in which the desire concept image is developed at small intervals where it exists momentarily as a reversible shade of light.

The impression of a city is "morning glory window" as the desire of others in a consumption culture that develops at small intervals in which the image of the concept of desire exists instantaneously.

In this way, fragments of contemporary visual culture are abstracted with desire in the realistic structure. / Writing. Former curator of the Seoul Museum of Art Choi Chul-joo (Contemporary artist & Doctor of Cultural Design)

Choi Chul-joo, a curator

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modern art pop abstract artist 39

Case of Modern Conceptual Abstract Art 39

Modern art Pop Art and modern art pop abstract artist & Contemporary Conceptual Abstract Artist Louis Choi Chul-joo's Desire Concept Abstract Art Work Review & Concept Abstract Modern Art Criticism [39] Case of Contemporary Concept Abstract Art: Artworks Critique, Abstract Design <morning glory window 2024-3-cave painting> & Louis Choi Chul-joo Abstract Art Review: Choi Chul-joo Desire Concept Abstract Art Theory Presented & Famous Contemporary Painter, Contemporary Artists, Abstract Artists, Contemporary Concept Abstract Artists Criticize Works/ Contemporary Concept Abstract Artist Louis Choi Chul-joo's Desire Concept Art Work 'BTS New York Times Square Performance' Abstract Design: Contemporary artist Louis Choi Chul-joo's realistic abstract work of contemporary art as a conceptual art of treachery based on the concept of desire of others <morning glory window 2024-3-cave painting> & Cartoon review K-POP Star (20) BTS New York Times Square Performance

Concept of Desire Abstract Art Movement Planning. Former curator of the Seoul Museum of Art Louis Choi Cheol-joo (abstract artist and contemporary artist)

Louis Chul-joo Choi, morning glory window 2024-3-cave painting, 180X318cm, acrylic and composite materials on cloth, 2024

"morning glory 2024-3-Cave Painting" is the background of abstraction, which is a manual drawing of desire created as an atypical image, meaning the reality of morning glory. This is a realistic abstraction of "morning glory 2024-3-Cave Painting" which transforms cave images into shades reflected in reversible light as a representative object of the desire of anthropomorphic chickens.

Starting with 100 poster abstract paintings produced at the "morning glory" solo exhibition in New York in 2022, 712 abstract paintings of the concept of desire were completed in Busan (Haeundae-gu Office) in 2023. The abstraction of the concept of desire is "the abstract art movement of Choi Chul-joo," which abstracts images of events and performances with realistic painting design, and is being produced as a new abstraction by adding it as a background image of his cartoon desire concept.

Louis Chul-joo Choi, morning glory p111-4, a hand-painted picture on a computer, 2024

If the image is applied to the Lacan concept as an imaginary system ("E=jacques Marie Emile Lacan, Ecrites, Seuil, 1977, 53) without specifying the image in the place of the abstract space, the 'four directions' of interpretation is to interpret the picture by placing the line of image ('utre) and Language (moi) a and the line of interpretation (utre) and picture (Es) S at diagonal positions that intersect each other.

Here, conceptual art abstraction applying Lacan's "the four directions of Interpretation" begins with the imaginary world in which the infant identifies the symbolic image reflected in the mirror with the imaginary world imageⓐ While recognizing that the symbolic image is not himself as a subject, it transfers to abstraction interpreted (utre) as a symbolic system through the separaton of the symbolic image and reality of the signifier. The abstract image and reality meet with reality through division. As reality, the symbolic image is revealed as a crooked image, but as non-real, it is an encounter that is contrary to reality, that is, an abstraction. (Choi Chul-joo's interpretation of 'The Four Direction of Lacan Interpretation' on ACN.Oct. 14, 2022)

On the other hand, abstraction as an imaginary image in Choi Chul-joo's concept of desire repeats the concept of desire to hide the shadow image of another person's desire as a performative image and collects images of desire overlapping with the timeliness of reversible light.

In "morning glory window 2024-3-Cave painting", it is an abstract effect in which a person dancing against the backdrop of morning glory hides desire and gives reversible time sensitivity to events and performances, creating other people's desires, and overlapping them with reversible shades of light to establish a phenomenal position.

Just as a dancer reflected in the background of the concept of desire embodies an unrealistic image of the sky such as clouds on the surface, this becomes an abstract urban impression in which the image of the concept of desire is developed at small intervals in the instantaneous reversible shade of light, and the fragments of urban images in modern visual culture are abstracted into a structure of desire in a realistic structure.

Contemporary Art Designer Louis, morning glory p111, a hand-painted picture on a computer, 2023 / Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

Contemporary art designer Choi Chul-joo's contemporary art movement, which presents a realistic methodology of abstraction using the concept of desire as contemporary art as a symbolic symbol of contemporary art, will be created in Busan (Haeundae-gu Office Gallery) by "Painting Installation Performance Design", which composes the poster abstraction design as a conceptual image of desire, 20230703 Haeundae-gu Office Gallery, Busan.

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Chul-joo Choi, be made up by a person who gives love, a hand-painted picture on a computer, 2024

Cartoon review: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, K-POP Star (20) BTS New York Times Square Performance : A line News of Choi Chul-joo’s Manwha Review (2020.1.2.) / Reporter Choi Chul-joo’s Cartoon Review

. be made up by a person who gives love

. être fait par une personne qui donne de l'amour.

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 296-BTS New York Times Square Performance, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work

Desire Concept Realistic Abstract Work: In front of the bamboo forest h296-BTS New York Times Square Performance: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p111-4-BTS New York Times Square Performance: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

Desire Design Methodology in Abstract Art Theory on Painting Design, ■ Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p111-4-BTS New York Times Square Performance> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.

■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.

By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 296, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest h296, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p111, a hand-painted picture on a computer

Background image of an artist's artwork: Louis Chul-joo Choi, morning glory window 2024-3-cave painting, 180X318cm, acrylic and composite materials on cloth, 2024

Louis Choi Chul-joo's "morning glory window 2024-3-cave painting" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time. It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

This is an abstract urban impression in which images of the concept of desire are developed at small intervals as reversible shades of light that exist momentarily, just as a dancer reflected in the background of the concept of desire implements an unrealistic surface image of the sky like a cloud as a surface image.

In this way, the fragments of urban images in modern visual culture are abstracted into the structure of desire in the realistic structure.

Louis Chul-joo Choi, morning glory window 2024-3-cave painting, 180X318cm, acrylic and composite materials on cloth, 2024

<morning glory window 2024-3-cave painting> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.

Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2024-3-cave painting> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure.

The object <morning glory window 2024-3-cave painting>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".

Therefore, the factual abstract image defines abstract space as a real reversible shape, and Choi Chul-joo's exhibition poster, whose shape is hidden by actual changed movements in the shade of reversible light, means the meaning of abstraction of conceptual art by creating a place of abstraction as a contemporary art abstract art movement.

In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 2024-3-cave painting> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

Abstract painting <morning glory window 2024-3-cave painting> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In <morning glory window 2024-3-cave painting>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

This is like a mural in an abstract cave where the image of the concept of desire develops at small intervals in the shadow of reversible light that exists momentarily, just as a chicken in the past, which became a fossil reflected in the background of the concept of desire, becomes the desire of others and embodies the surface of an unrealistic sky such as clouds.

In this way, <morning glory window 2024-3-cave painting>, which is fragmented into the desires of others in modern visual culture, is abstracted into a structure of desire in a realistic structure, and the fragmented cave painting image of the concept of desire overlaps with <morning glory window 2024-3-cave painting> as an impressive cross-section of the city.

And the small piece as the desire of the other hidden in the background of the cave painting shows a real abstract space that is reversible through the movement of the concept of symbolic desire in a shape that actually changes it.

This refers to the meaning of an abstract object, and in a cave painting, the object is designed as an abstract space that can actually be reversible, so the substance of the shape is abstracted into the desire of the other / Writing. Former curator of the Seoul Museum of Art Choi Chul-joo (Contemporary artist & Doctor of Cultural Design)

Contemporary artist Louis Choi Chuljoo

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modern art pop abstract artist 40

Case of Modern Conceptual Abstract Art 40

Modern art Pop Art and modern art pop abstract artist & Contemporary Conceptual Abstract Artist Louis Choi Chul-joo's Desire Concept Abstract Art Work Review & Concept Abstract Modern Art Criticism [40] Case of Contemporary Concept Abstract Art: Artworks Critique, Abstract Design <Thread Painting: morning glory 2020-b> & Louis Choi Chul-joo Abstract Art Review: Choi Chul-joo Desire Concept Abstract Art Theory Presented & Famous Contemporary Painter, Contemporary Artists, Abstract Artists, Contemporary Concept Abstract Artists Criticize Works/ Contemporary Concept Abstract Artist Louis Choi Chul-joo's Desire Concept Art Work 'Media-art: "morning glory"' Abstract Design: Review of Contemporary painting Artwork & Modern Art criticism example [22] Contemporary Artwork Critic Louis Choi's art criticism: Contemporary artist review: Contemporary Art Critic Louis Choi Chul-joo's Art criticism of Contemporary painting Artwork & Modern Artist Artwork Design criticism: Contemporary Artwork Critic Louis Choi's art criticism published on Facebook: contemporary art abstract artist Louis Choi Chuljoo's Thread Painting: morning glory 2020-b & Media-art: "morning glory"

Concept of Desire Abstract Art Movement Planning. Former curator of the Seoul Museum of Art Louis Choi Cheol-joo (abstract artist and contemporary artist)

Media art at the Minoo Media Art Museum has cast doubt on the production process by showing the process of dismantling and combining the completed works. Accordingly, Chul-joo Choi, a doctor of design at the Museum of Minoo media art museum redesigned the media art work and its image in the process of creating media art. Chul-joo Choi's media art <the morning glory> designs the place of flowers and sets the place of leaves and stems that depend on the shape of the flowers. Unlike the media art Qí Báishí's <the morning glory> which shows the process of painting flowers in the structure of stems and leaves in the entire image, the media art that designed the rest of the structure, starting with the flower of the morning glory is <the morning glory> by Chul-joo Choi, a doctor of design. He designs a flower that relies on a set being as a coincidence that black ink spreads. This is realised in the media art form of a computer and painting without the perspective of space.

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Chul-joo Choi, Media-art; morning glory, Still-image (morning glory-4, -7, -15, -25, -35, -65, -75, -85, -95, -105)

contempopary art abstract artist Louis Choi Chuljoo Thread Painting "morning glory",

In the process of producing the original media art, which is mechanically reproduced here, the picture format is thread painting. This painting embroidery the volume of light in the process of facing objects and ideally depicts the shadow of objects. It is a linear art that emphasizes "one line" in a new painting process combining oriental embroidery and ink painting. In other words, the image of the line, which was stopped during the process of drawing the media art <morning glory> was drawn with thread and paint.

In Kim Hong-seok's <Open and Closed> art review, art critic Louis Chul-joo Choi said the definition of a thread painting is "a trace of paint and yarn equivalent to the time remaining in the fabric, and it is exposed parts and margins."

Also, the structure of the shape was called “a form of self-consciousness that embodies what he saw before he realized how to perceive things.”

and the aesthetic value was called “a form of self-consciousness that embodies what he saw before he realized how to perceive things. The color of the shape reveals a hidden aesthetic value by giving time, not by marking, but by being considered the structure of the discoloured body.” in Thread Painting.

This is different from the aesthetics of M-Duchamp conceptual art that does not decorate materials.

Thread painting is a form of self-consciousness that has been implemented before realizing how things are perceived. The color of the shape does not indicate the distance of time, but shows the hidden aesthetic value as seen by the faded original formative structure. And beyond the literary character of conceptual art, it raises the formalities as a painting, paints the colors left behind, and ties them together with threads in a new formative structure.

Construct a shape in which the color of the linear structure exists so that the shape as a knot that hides the color by inserting the structure of the color into the thread so that it can adapt to a particular color.

Therefore, "Thread Painting" is a painting of yarn and paint on a cloth seeking linear aesthetics that denies the excessive literary nature of conceptual art.

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Qí Báishí's Media-art/ morning glory, Still image(39sec)/ Chul-joo Choi, Media-art: morning glory,

Thread Painting; <the morning glory> is an image drawn on a cloth-like material of an object made by custom. <the morning glory> is a method of drawing an image that is reversed from left to right by constructing a shape that looks like an image of the Lacan's objet on a cloth-like material.

Therefore, his painting is a two-sided painting that does not distinguish the front and the back. To represent an image in terms of practical and cursory features to suit the subject. Here, painting as a object of change in customs is another image that appears to be a object. It disappears as a substance of a subject that is hidden and drawn in small pieces invisible from space.

A small object shows a space that can actually be reversed through the shape's thought movement. This refers to the meaning of a shape in which, a small object defines a space that can actually be reversible and refers to the meaning of a feature that is obscured by the actual changed movement of the feature.

Louis Chul-joo Choi, Media Art: morning glory, a hand-painted picture on a computer,
20201126-20201210, Minoo Media Art Museum

It is the color of light and the shape of a material such as cloth, and the inevitability of an impressionable space determines the position of a object. And by stopping the light and the object of the place, it forms a structure of conventional painting. This is a space where you can stay with the inevitability of a stopped structure. Thus, the meaning of the actual structure of the picture where the shape has stopped is formed by the reverse idea movement. Its conscious meaning as a structure is just a small piece of space that finds its place properties of matter. This small piece coexists as a properties of matter in numerous spaces when it is a similar object. The position is inserted into several spaces by the meaning of the thought movement, where one phenomenon and other meanings intersect. This is a thread painting, <the morning glory> which was created by repeating another space as an thought movement in the space of positioning.

The space here disappears and the morning glory turns into the color of light.

However, as a painting's meaning effect, it chooses a painting as the color of light on a fabric-like material or thread that has disappeared from the past space. Here, the painting distorts the image by changing the light into a line within a space that connects the surface of the morning glory with light.

Therefore, since the composition of the invisible preceding space cannot draw flowers, the beginning screen of the Media Art: <Qí Báishí, the morning glory> of Minoo Media Art Museum distinguishes the leading space by sketching stems and leaves and drawing flowers because the intro space is not the actual structure. Thread painting is a thread that depicts the shape of light that distinguishes objects in stationary media art. This is a thread painting limited to fabric in an empty space and the more you limit the habitual object to the shape, the more empty the space becomes, rather than the actual place, so it decorates the inner surface of the hidden cloth to find the meaning of the space as a small piece of artistic shape. As such, <the morning glory> is painted on cloth-like materials, forming an abstract spot with the inevitable spatiality of the object, thus gaining aesthetic value as a real habitual painting art.

morning glory-thread, 135X156cm, acrylic and composite materials on cloth, 2021.jpg

Louis Choi Chuljoo, thread painting <morning glory>, 135X156cm, acrylic and composite materials on cloth, 20201126-20201210, Minoo Media Art Museum

morning glory-thread-1, 135X156cm, acrylic and composite materials on cloth, 2021.jpg

morning glory-thread, 135X156cm, acrylic and composite materials on cloth, 2021

Louis Chul-joo Choi 's Process, Definition & Shape Meaning of Thread Painting

* The production process of thread painting designs an object that relies on a momentary coincidence, a presence determined by the smudging of a brush at a set object. This realizes media art and painting in the descriptionless space of the atmosphere.

Thread painting is a desire form drawn as a gaze of another person in the process of producing the mechanically reproduced original media art.

* Thread painting (Definition): Thread painting is a form in which images created by media art <morning glory> can be drawn (additional embroidered) on the shape of an overlapping cloth whose back space is illuminated by hand painting. In other words, it is a picture of a shape shaded in crossing thread and a painting with reflective light in a small hole in the cloth.

* The symbolic meaning of media art "morning glory" in thread painting is that the color of its meaning decorates the reality of the custom universality facing the object with the color of light. The dark blank space contrasted with the light of this decorated shape is a shadow created by traces. Here, color as an actual object is a monolithic image of an educated custom that appears to be a gaze. This is a symbolic language that symbolizes a flower that is imitated. Here, the 'morning glory' image is a piece of meaning symbolized in a non-real space as a result of the desire meaning.

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Louis Choi Chuljoo, thread painting: morning glory 2020-b, 135X156cm, acrylic and composite materials on cloth

Media art and painting without description of the perspective structure of the atmosphere are realized through thread painting. Here, in the process of producing the original media art that is mechanically reproduced by perspective description, the form drawn by the other's desireful gaze is thread painting "morning glory B-00-2-1".

The image as a result of the performance of thread painting is <morning glory B-00-2-2> in the form of a painting cloth that is reflected on the back by manually painting the generated image of action painting to Process Art. In other words, Choi Chul-joo's <morning glory B-00-2> was an action painting with an object of desire concept and a desire cencept image of desire cencept's <morning glory> exhibition on December 22, 2021 at Gwangan Gallery as a performance of contemporary image installation artist and contemporary art artist Choi Chul-joo.

Louis Choi Chuljoo, thread painting: morning glory 2020-b → bmorning glory B-00-2-2

The image and color of thread painting in that form show the aesthetic value of the other's desire structure in a hidden shape by forming an imaginary formative structure of a faded desire without marking it by giving a distance of time.

This is a conceptual art based on Choi Chul-joo's desire concept abstract art theory, and the formality as a painting beyond literature was drawn in the structure of thread painting as a new formulation by drawing the image of desire left after the emergence of the concept of desire. It is a picture that reconstructs the formulation in which the concept of desire exists with a linear structure so that the formulation can be adjusted to a specific color like a knot blocking the color by putting the structure of the color into the thread.

Therefore, the concept of "Thread Painting" in which the structure of the thread is added as a color is painted on the structure of color in the concept of cloth and desire that pursues linear aesthetics as artistry of desire.

Thread painting 'morning glory B-00-2-2' is an image of the desire of the other painted on a cloth-like material against the background of the desire of the chick to convey the custom of seeing it as an infant in Choi Chul-ju's concept of desire.

morning_glory_2022-c,_135X156cm,_acrylic_and_composite_materials_on_cloth,_2.jpg?type=w773

Louis Choi Chuljoo, thread painting: morning glory B-00-2-2 → morning glory 2022-c, 135X156cm, acrylic and composite materials on cloth

In "morning glory B-00-2-2", a shape in which an object is seen, such as a desire image, is composed of a material such as fabric to generate an image in which the left and right sides are reversed. Therefore, his picture is a two-sided picture that does not distinguish between the front and the back. Here, a new picture emerges when the image on the back is converted to the front. This is a thread painting in which the image of a desire object that appears to be reversible light that rejects the center of the image of desire, which omits the volume of the chicken and replaces the reality that rejects perspective description.

The back of "morning glory B-00-2-2", "morning glory 2022-c", is a painting that has actually transformed into a system of notation for semantic representation. The painting reduces the planar dimensionality of "morning glory B-00-2-2" to the essence of meaning. This is a dual object that simultaneously shows everyday livestock and a family in a symbolic sense through chickens and chicks. The shape of the picture emerges the aesthetic meaning of the image of a desire structure that realistically depicts the concept of desire in the visual system in the thread painting where the image is installed.

This is a pictorial desire act that defines the object in perspective as a limited area, and produces the meaning of actualizing the back of thread painting by drawing the structure of distorted desire in the original space on the canvas.

The image of the shape of the object is created by embroidery, and the image of the cloth is expanded to embroidery, or the shape of the embroidery is transformed to widen the position of the cloth by flat painting.

This is conceptual image installation artist Choi Chul-joo's painting. As an installation of images, it is realized in flat painting without adding embroidery in media art and painting without description of the atmosphere.

Here, the shape drawn in the shade of reversible light and the thread painting in the small hole of the cloth are a picture that expands the position of the desire illuminated with reflected light. / Writing. Former curator of the Seoul Museum of Art Louis Choi Chul-joo (Doctor of Cultural Design)

contemporary artist Louis Choi Chuljoo

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