brunch

You can make anything
by writing

C.S.Lewis

by esther kim Aug 20. 2020

“Arriving somewhere”

The Reader - Bernhard Schlink

p. 102

It was like being a prisoner in the death camps who survives month after month and becomes accustomed to the life, while he registers with an objective eye the horror of the new arrivals: registers it with the same numbness that he brings to the murders and deaths themselves. All survivor literature talks about this numbness, in which life's fuctions are reduced to the minimim, behavior becomes completely selfish and indifferent to others, and gassing and burning are everyday occurrences. In the rare accounts by perpetrators, too, the gas chambers and ovens become ordinary scenery, the perpetratos reduced to their few functions and exhibiting a mental paralysis and indifference, a dullness that makes them seem drugged or drunk. The defendants seemed to me to be trapped still, and forever, in this drugged state, in a sense petrified in it.


p. 131

I have rediscovered the place in the woods where Hanna’s secret became clear to me. There is nothing special about it now, nor was there anything special then, no strangely shaped tree or cliff, no unusual view startling associasions. In thinking about Hanna, going round and round in the same tracks week after week, one thought had split off, taken another direction, and finally produced its own conclusion. When it did so, it was done - it could have been anywhere, or at least anywhere the familiarity of the surroundings and the scenery allowed what was truly surprising, what didn’t come like a bolt from the blue, but had been growing inside myself, to be recognized and accepted.It happend on a path that climbed steeply up the mountain, crossed the road, passed a spring, and then wound under old, tall, dark trees and out into light underbrush.


p. 169

Sometimes I think that dealing with the Nazi past was not the reason for the generational conflict that drove the student movement, but merely the form it took. Parental expectations, from which every generation must free itself, were nullified by the fact that these parents had failed to measure up during the Third Reich, or after it ended. How could those who had committed Nazi crimes or watched them happen or looked away while they were happening or tolerated the criminals among them after 1945 or even accepted them - how could they have anything to say to their children? But on the other hand, the Nazi past was an issue even for children who couldn’t accuse their parents of anything, or didn’t want to. For them, coming to grips with the Nazi past was not merely the form taken by a generational conflict, it was the issue itself.


p. 180

Now escape involves not just running away, but arriving somewhere. And the past I arrived in as a legal historian was no less alive than the present. It is also not true, as outsiders might assume, that one can merely observe the richness of life in the past, whereas one can participate in the present.


p. 181

In this one it still has a purpose, but the goal it finally attains, after countless disruptions, confusions, and delusions, is the beginning, its own original starting point, which once reached must be set off from again.


p. 182

Odysseus does not return home to stay, but set off again.


p. 193

Precisely because she was both close and removed in such an easy way, I didn’t want to visit her. I had the feeling she could only be what she was to me at an actual distance.


p. 217

I’ve made peace with it. And it came back, detail by detail and in such a fully rounded fashion, with its own direction and its own sense of completion, that it no longer makes me sad. What a sad story, I thought for so long. Not that I now think it was happy. But I think it is true, and thus the question of whether it is sad or happy has no meaning whatever.

매거진의 이전글 "미루는 삶은 끝났다. 사랑한다고 말해야 한다."

작품 선택

키워드 선택 0 / 3 0

댓글여부

afliean
브런치는 최신 브라우저에 최적화 되어있습니다. IE chrome safari