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by 최철주 Feb 25. 2023

Modern Abstract Artists Works

Modern Abstract artist Choi Chul-joo 5

Modern Abstract Artists Works design of contemporary art [5/ 20~21] Abstract painter  Louis Choi Chuljoo Abstract art work: Modern abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory" and "Bamboo Forest." / Contemporary conceptual abstract artist Louis Choi Chul-joo's realistic abstraction of desire conceptual art and abstraction of modern art based on the concept of the desires of others: <Morning glory p45-3> 


개념 추상화 미술가 작품 Louis, morning glory p45-3, a hand-painted picture on a computer, 2022 / 만화뉴스 만평을 개념 미술가 작품으로 재해석한 현대미술 개념 추상화 최철주나팔꽃 p45-3



미술평론: 유명한 미술가, 추상 화가, 현대 화가, 현대미술가 & 한국 현대 미술 디자인평론가 최철주 현대미술 작품 팝아트 추상화 평론 / 신작읽기 The artwork posted on Facebook: 미디어 아티스트, 현대미술가, 개념미술가, 현대미술 작가, 팝 아티스트 , 현대 설치미술가 & 추상 화가

개념 추상화 미술가 작품 배경 이미지:Louis, morning glory p45, a hand-painted picture on a computer, 2022



 개념 추상화 <morning glory>는 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로써 배면이 비춰지는 교직된 천의 형태에 그리진 라캉의 오브제ɑ다 즉 루이 최철주 <morning glory>의 개념미술은 라캉의 미술이론에 귀속된 추상적 관념이다. 

추상화가 루이 최철주의 현대 개념미술은 타자의 욕망을 주제로 한 비실재로서 실제적 조형성의 흔적과 가역적 빛의 음영으로 개념을 추상하는 미술이다.  이것은 초기 개념미술의 개념으로 한 회화성의 복귀 즉 실재의 자리를 대리하는 타자의 욕망을 추상하는 추상화다.  

따라서 배반적 개념미술가로서 추상 화가 루이 최철주 <morning glory>는현대 회화를 개념 추상화로 한 디자인 컨셉으로 제작하여서 이것을 라캉적 의미 구조의 형상으로 추상 디자인한다 즉 회화의 개념 추상 이미지를 기호화하여서 그 회화를 디자인한 추상화다. (최철주추상화 <morning glory>에 관한 최철주 개념미술이론)


가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 2022 뉴욕 전시 포스터-45)는 병아리가 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 <Corona mutant viruses 6>를 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실재의 이미지로서 타자의 무의식적 욕망에서 드러낸 추상적 이미지의 순간적 왜곡된 상 오브제ɑ를 보인다.


개념미술가 최철주의 현대 개념 추상화 디자인은 초기 개념미술의 개념으로 한 회화성의 복귀다. 즉 회화 작품으로 생성하는 개념미술 디자인이다. 따라서 그의 현대 개념미술은 시사만평처럼 현상적 이미지를 비판하지만 회화성으로 디자인적 가치를 말한다.

미술품에서 Ready made 기성품이 회화성을 대신할 수 없고 Marcel Duchamp 뒤샹처럼 창조된 개념과 그의 동조자 Joseph Kosuth 조셉 코수스가 말한 철학에 따른 메시지를 말한다. 

반면에 라캉 미술이론에서의 유아적 상상계의 허상을 개념으로 한 최철주의 개념미술 추상화 디자인은 시사만평으로 개념의 의미를 라캉적 개념미술 추상화 이미지에 메시지를 담는다. 그것은 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 회화의 삶적 가치를 교합시킨다. 이것은 수학적 개념과 철학적으로 의미화한 언어적 해석을 넘어서 사건의 현장 사진을 만평으로 비판적 시각과 라캉적 개념미술 추상화 디자인을 통해서 삶적 가치를 교합시킨다. 

여기서 라캉적 개념미술 추상화 디자인은 임의적인 철학성보다는 타자의 욕망을 응시로서 순간적으로 이성적 지각할 수 있는 추상성 디자인을 말한다. (ACN ・ 2022. 10. 7. 2:33 최철주 개념미술 추상화 디자인 해석)


2022 루이 최철주 <나팔꽃> 뉴욕 전시/전시작품 & 현대미술 작품: 라캉의 오브제ɑ와 피카소의 아나몰포시스 이미지로 한 현대 추상화가 루이 최철주 개념 미술 추상화: <나팔꽃> 포스터45 



Louis Chul-joo Choi, morning glory 2022-h, 149X185cm, acrylic and composite materials on cloth, 2022



최철주나팔꽃으로 한 개념 추상화 디자인은 가역적 빛으로 생성된 공간에서 보이는 의미로 그려진 대상으로서 병아리가 타자의 욕망을 시간성에 감추어진 이미지를 가역적 빛의 음영으로 그 대상을 비추어서 다른 어떤 형상의 의미를 가리키며, 그 대상은 실제 가역할 수 있는 형상으로서 추상 공간을 정의하고 그 형상이 가역적 빛의 음영으로 실제 변화된 움직임에 의해 가려지는 개념 미술로서의 추상적 의미를 그린다.



배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 만화 리브 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 만화 리브 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. 

(*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

Louis Chul-joo Choi, <Corona mutant viruses 6>, a hand-painted picture on a computer




Louis Chul-joo Choi, morning glory p45-3, a hand-painted picture on a computer


 


상상계에서 개념 미술의 추상적 의미는 실재와의 동일시하여서 외형적으로 오브제의 이미지와 추상적 의미를 동일한 주체로써 오브제의 이미지와 동일시되면서 내적으로 주체는 변형된 추상적 의미를 형성한다여기서 형성된 추상적 의미는 거울 앞에 선 유아가 본 것으로서 실재의 결핍을 타자의 욕망으로 수립한 허상이면서 실재의 이미지와 개념 미술의 추상적 의미를 상징하는 등록소다. 여기서 의미를 상징하는 등록소는 결핍된 실재의 추상적 의미를 보이는 은유로서의 상상계는 거울에 비친 오브제를 봄으로써 실재의 오브제의 상과 병아리가 만족하는 이미지로서 은유되며 거울에 비친 실재의 상에서 은유로서의 실재의 이미지는 거울에 비친 실재의 상과 동일시 되면서 그 이미지와 또 다른 추상적 의미의 상이 된다.


그리고 육화된 추상된 닭과 최철주나팔꽃 배경속에 감추어진 타자의 욕망으로서의 작은 조각의 이미지는 그 형상의 실제로서 Covid-19로 바꾸는 기표적 의중 운동을 통해서 가역된 실제 공간을 개념 추상화로서 최철주나팔꽃 45-3으로 전이한다. 

이것은 최철주나팔꽃의 추상적 의미를 가리키며, 그 형상은 실제 가역할 수 없는 개념적 공간을 정의하고 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미를 가리킨다.  / 글. 디자인평론가 최철주 (추상 화가 & 문화디자인박사)


Modern Abstract Artist Louis Choi Chul-joo



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Modern Abstract Artists Works

Modern Abstract artist Choi Chul-joo 20


Modern Abstract Artists Works design of contemporary art [20] Abstract painter Louis Choi Chuljoo Abstract art work: Modern abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as desire conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary conceptual abstract artist Louis Choi Chul-joo's realistic abstraction of desire conceptual art and abstraction of modern art based on the concept of the desires of others: Media Art Display Installation: Contemporary artworks review: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [38] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art ReviewArt criticism : Contemporary art review & artist artwork criticism / Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art criticism [18] Contemporary Artwork Critic Louis Choi's art criticism: Art Criticism Pop Art Abstraction:  Korean Abstract Painting <Morning Glory 2022-d-bling bling> Cartoonist Painting Design Criticism & Culture Column and Visual Artist Abstract Painting Based on Visual Arts Criticism [17] Art Critic Choi Chul-joo's Visual Culture Column Based on Cartoon Criticism : We feel happy when I enjoy each day now




New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of desire's object and Picasso's Anamorphosis, 20220301~20220308 Flushing Town Hall, New York.



New York Exhibition: Louis Chul-joo Choi's "morning glory": Exhibition of Louis's "morning glory" with the image of desire's object and Picasso's Anamorphosis, 20220308~20220310 Yeomyeong Hall, New York.



As an abstraction of the concept of pop art, "morning glory" refers to the reality of morning glory as a concept of desire, and is an image object of desire reflected on the back by drawing an image made in a practical form. Therefore, it is an unrealistic abstraction of the concept of desire with realistic formative traces and reversible shades of light on the subject of the desire of others.

In addition, abstract painter Louis Choi Chul-joo "morning glory" produces design concepts based on the conceptual abstraction of contemporary art and designs them in the form of a semantic structure of desire. In other words, it is a contemporary art conceptual art abstraction that realistically symbolizes the abstract image of painting.


Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022



As a conceptual semantic structure, the shape image is an object of desire <morning glory 2022-d-bling bling> that designs the image as an object of the subject. The object is a real conceptual art image of morning glory 2020 p26-01 as a real desire object by repeating the drawing of the non-real conceptual art image <morning glory 2020 p26-01> in a reversible shade of light on the canvas. This means the morning glory 2022-d-bling bling transferred from Kim Yon-ja's bling bling 3 and is an object of desire drawn from the realistic image of non-real life as reversible light with an image of a structure that is out of shape.


The object's shape is an abstraction that represents the place of reality as a modern conceptual art work that repeats drawing by overlapping the shades of reversible light with the "morning glory" as a design concept of a modern art abstraction work, which has been converted into a desired semantic structure.


Louis Chul-joo Choi, morning glory 2022 p77-6, a hand-painted picture on a computer



In the shape of the subject in which the conceptual word (moi) as a symbolic image is drawn, the subject of the other realizes abstraction by indicating the place where the shape is revealed. And in that abstraction, the image of a conceptual word in a place represents the place, that is, reality.



The shape that instantly reveals the subject of the other in the shape of the subject in which the conceptual word (moi) as an image of the imagination world is drawn provides the cause of the shape that clarifies the position of the image and conceptualizes the desire of one other in the shade of reversible light.



Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022



Modern conceptual art by contemporary art critic & conceptual artist Choi Chul-joo is a return to painting as a concept of early conceptual art.

Painting here is a realistic conceptual art that displays a place of reality with a poster that creates abstract paintings representing a place of reality. 

Therefore, "morning glory 2022-d bling bling" criticizes his contemporary conceptual art as a phenomenal image like cartoon review, but it refers to the semantic value of the non-realistic image "morning glory 2020 p26-01" as a painter. It then transfers the non-realistic image of Kim Yon-ja's bling bling 3 to the non-realistic abstraction of "morning glory".

This goes beyond mathematical concepts and philosophically meaningful linguistic interpretations and combines critical perspective with the life value of desire images with a full review of the scene photos of events and performances. Here, the desire image refers to the painterly nature that can instantly perceive the desire of the other rather than the arbitrary philosophy. (ACN · April 20, 2022 / The desire of the other as an infant <morning glory> New York Exhibition New York Exhibition docent 1).


Therefore, in rational painting, the background desire of the morning glory shape is different from the objective reality and the representational conceptual art of objects so that the distorted flat background according to temporality can be experienced with the desire of others. This is because the object exists in the place of reality separated from reality transferred from the symbolic world.


Louis Choi Chul-joo, morning glory p77-10-bling bling, a hand-painted picture on a computer,  20220308~20220310 Yeomyeong Hall, New York.




Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p77-7-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 


By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.


Louis Choi Chul-joo, Poster: morning glory p77-7, a hand-painted picture on a computer 



As a poster for the 2022 New York exhibition <morning glory p77-7>, the visual system is concealed with a shadow image that reproduces an abstract representation image object, but it is an abstract object that shows the non-real shape revealed in the reversible light shade of a desire point of view revealed in the unconscious as a momentary gaze.

The object hidden in abstraction forms a dwarf image expressed through the desire to acquire artistry out of generality as a desire design and creates an object that creates the other's desire as a being, revealing the conceptual artistry of non-realistic abstraction with the momentary desire image of the other's desire as a semantic structure. 

The abstract meaning of conceptual art as a modern art poster abstraction work <morning glory p77-7> is the object of change in customs, and the painting of morning glory as an abstraction is another cross-sectional image of a cultural space that appears to be an object, revealing a infant's existence in which a chick hidden in the shade of morning glory is mistaken for a chicken. 


This is an object drawn as a small piece that is not visible in abstract space (Louis Choi Chul-joo 2022 New York Exhibition morning glory Abstraction), hiding the desire of others in the background of the morning glory, and in reality, objects are overlapped in the shade of the background of "Napal Flower".

Here, the object hidden in the background of "Napal Flower" is a small piece as the desire of the other. Abstracts the real space that is reversible through the thought movement of the image that the shape of the sculpture actually changes. 

Assuming that the space is a non-complete reproducible image formed in the shadow of reversible light, reality exists in space as an abstract and virtual image that actually reproduces reality.


Louis Choi Chul-joo, <Kim Yon-ja's bling bling 3>, a hand-painted picture on a computer  



Abstract image design is a conceptual semantic structure, which is an object of desire to design an image as an object. An object refers to the reality of a morning glory by designing a distorted flat image as an object of desire drawn on a cloth and reflecting it on the back.

The shape of the object is an abstract work of contemporary art related to Louis Choi Chul-joo's 2022 New York "morning glory" exhibition (Flushing Town Hall & Yeomyeong Hall), and images related to 100 posters produced with design concepts were designed. 


The exhibition poster image of the painting was symbolized as a semantic structure of desire, drawn repeatedly, and abstracted as a realistic conceptual art. Abstraction abstracts the meaning of desire because the more the difference in shape is distinguished, the more the shape is understood in one direction. It is a realistic abstraction with similar colors and sizes as a symbolic structure when the shape refers to the same meaning. In other words, an abstraction in which a realistic form with the same semantic structure as a realistic form is a conceptual semantic structure.


Louis Choi Chul-joo, morning glory p77-10, a hand-painted picture on a computer 



The realistic abstract object (Louis Choi Chul-joo 2022 New York Exhibition Abstraction morning glory), which depicts the meaning of the shape seen in the meaning space created by reversible light in the shape of non-real reality, means an abstract space that can be reversed into a real shape by structuring the meaning of the image that hides the desire of others in time in the shade of reversible light, and the meaning of conceptual abstraction that is hidden by the actual changed movement of the shape, the image in the mirror, shows an abstract image object in a virtual space that reveals the place of the unconscious desire of others as a virtual non-real image.


Conceptual artist Choi Chul-joo's abstract design, which abstracts the structure of desire, is a return to painting as a concept of early conceptual art. In other words, it is a realistic conceptual art design created by painting. Therefore, his contemporary conceptual art criticizes the phenomenal image of events and performances, like Sisa Manpyong, but speaks and abstracts design values as a realistic structure of desire with painterliness.

This is a realistic conceptual art that is treacherous to conceptual art that cannot replace painting, and it rejects the philosophical message of Joseph Kosuth, a concept born like Marcel Duchamp.


On the other hand, Choi Chul-joo's conceptual art abstraction design, which is based on the concept of the imaginary world, contains a message in the desire conceptual art abstraction image with current events. It combines the life value of critical perspective and desire painting with a full review of the scene photos of events and performances. This goes beyond mathematical concepts and philosophically meaningful linguistic interpretation and combines life values through critical perspective and desire conceptual art abstraction design with a picture of the scene of the event. 

Here, desire conceptual art abstraction design refers to an abstract design that can instantly perceive the desire of others as a gaze rather than arbitrary philosophy. (ACN · 2022. 10. 7. 2:33 Choi Chul-joo Conceptual Art Abstract Design Interpretation)


"morning glory p77-4-3" & "morning glory 2022-d-bling bling"

 


By repeatedly sketching the design "morning glory 100-2" and applying Choi Chul-joo's desire formula "D(I...D...D'i)i" to the conceptual image of desire, the desire image "morning glory p77-4-3" reveals the meaning of abstract desire "morning glory 2022-d-bling bling" by realizing realistic formability in the shade of reversible light at that moment.


In addition, by repeating the verbal metaphor image and re-applying Choi Chul-joo's desire formula, it appears to have a phenomenal position in another place in one space in the shade of reversible light. Louis Choi Chul-joo 2022 The morning glory poster image, designed as an abstract conceptual art with desire in the New York exhibition, actualizes the desire image object and transfers it to abstraction.

 

Louis chul joo Choi, morning glory 2022-d-bling bling, 131X166cm, acrylic and composite materials on cloth, 2022



The abstract area of painting, which has a specific effect that reveals the image of desire as a meaning of "morning glory-bling bling" in conceptual art, is an image that can momentarily see the desire of others functioning gazefully in a landscape as a background of desire. 

This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction in the same meaning as a conceptual semantic structure, but abstraction in the same meaning with different shapes is a real non-realistic being with different colors and sizes.

The existence defines an abstract space as a real reversible shape and refers to the abstraction meaning of conceptual art in which the shape is hidden by a movement that has actually been changed in the shade of reversible light.


A realistic desire that replaces the phenomenal place of abstraction meaning with a poster. Conceptual art abstraction can distinguish the place of the shape and conceives a different meaning to interpret the shape. The shape is abstracted as a realistic image of color and size similar to the meaning made as a conceptual structure to speak another meaning, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, outwardly identifying the image of the object and the abstract meaning with the image of the object as the same subject, and internally, the subject forms a transformed abstract meaning. This refers to the abstract meaning of shape, which defines an abstract space that can be actually reversible and refers to the meaning of the designed desire of an abstract shape in which the shape changed by the actual changed movement of the shape is covered in shades.

Its meaning is designed as "morning glory", abstracted as a symbolic language that symbolizes flowers that imitate the desires of others.


By designing a figure that represents the desire of the other in the abstract "morning glory", it reproduces it as an abstract object as an object of desire image (Louis Choi Chul-joo 2022 New York Exhibition morning glory  Abstraction). In the diagram of the perspective visual system, the object as a different momentary gaze is abstracted from the other's desire point of view revealed in the unconscious mind by creating a shadowed place with reversible light in which the visual system is concealed.


In this way, an object abstracted as a conceptual art of desire image forms a distorted flat image expressed through a desire revealed in the oppressed unconsciousness of others to acquire artistry out of generality, creates an object in the shadow of formability with the desire of others as beings, and exists as a meaning.

As a semantic entity, the object contains the formative value of the object as an autonomous choice of the other's desire by transforming the image of the object into a structure of meaning from the other's desire point of view.

And painterly, a small piece as the other's desire hidden in the background of morning glory and chicken shows a real abstract space that is reversible through the thought movement of the image that actually changes the shape. This is placed in an abstract space where the other's desire can be actually reversed as the meaning of the existence of an abstract object.


The desire of the other person shows a realistic form of non-realism that represents the meaning of the abstract landscape form that is hidden by the abstract desire of the other person. The shape is the intersection of the actual structure selected by the desire of the other created in abstract shades. This is an instantaneously abstracted shape at the intersection where the actual shape of the whole as a non-realistic realistic structure and the desire of the other designed in the shade of reversible light appear as a gaze.

In <Kim Yon-ja's bling bling 2>, the 'bling bling' of the perspective visual system is structured against the background of 'Napal Flower', and the subject in 'morning glory' disappears in the shade of reversible light that is distinct from reality. 

The abstracted shape of the morning glory 2022-d-bling bling appears to be an object as another abstraction of reality transferred from symbolism as a reality that is not revealed by revealing the reality of another object other than the same object in the mirror.


The abstract object is not clearly revealed as an object reflected in the mirror as an object due to the desire of the other, but is concealed in a reversible shade of light, and the reality of the viewer is absent by looking at another object exposed in the mirror. However, the person who paints the picture replaces the other.


Contemporary Art Critic Louis Choi Chul-joo



 


Culture Column and Visual Artist Abstract Painting Based on Visual Arts Criticism [17] Art Critic Choi Chul-joo's Visual Culture Column Based on Cartoon Criticism : We feel happy when I enjoy each day now. 

newsmanwha K-Pop Song illustratoin [1] I want to be happier day by day like this, bling bling. (2020-4-26) / Reporter Choi Chul-joo’s Cartoon Review

 


Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 



Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 


The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)


Louis Choi Chul-joo, Kim Yon-ja's bling bling 2, a hand-painted picture on a computer 



News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's Visual Culture Cartoon Column - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:

. I want to be happier day by day like this, bling bling

. Je veux être plus heureux jour après jour comme ça, bling bling 



■ Art Critic Choi Chul-joo's Visual Culture Column: To weave pink cloth in waves in a dark place as if it were your last life.

= The temporality of light brightened by overlapping light is real in a realistic structure that removes real images and expresses them as shadows.

In addition, Choi Chul-joo's theory of desire art, which interprets reality as a realistic abstract, is embodied in a shade covered with a bamboo forest depicting the subject of "morning glory" the background of desire.


Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 63-bling bling, a hand-painted picture on a computer/  Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work



Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest d63-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.



Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p106-10-63-bling bling: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 


By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.

 



Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 63, a hand-painted picture on a computer


 


Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest d63, a hand-painted picture on a computer




Background image of an artist's realistic Abstraction: Louis, Chul-joo Choi, a morning glory woman, 113X180 cm, acrylic and composite materials on cloth, 2023

 


Louis Choi chul-joo, bling bling 6 [The interpretation of words in a cartoon newsː l’interprétation du mot dans une nouvelle caricature] ■ Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's Review of newsmanwha K-Pop Song illustratoin [1] I want to be happier day by day like this, bling bling. (2020-4-26) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons.  Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).  Choi Chul-joo's Desire The design process of abstract concepts1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.  day by day _ Jour après jour



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Modern Abstract Artists Works  

Modern Abstract artist Choi Chul-joo 21


Modern Abstract Artists Works design of contemporary art [21] Abstract painter Louis Choi Chuljoo Abstract art work: Modern abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as desire conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary conceptual abstract artist Louis Choi Chul-joo's realistic abstraction of desire conceptual art and abstraction of modern art based on the concept of the desires of others: Media Art Display Installation: Contemporary visual painter &  artist artwork design [23] Contemporary art examples : A realistic abstract painting depicting the desires of others with treacherous conceptual art composed of modern art cartoons by contemporary artist Louis Choi Chul-joo / Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Contemporary Art Sketch Abstract Painting [38] Contemporary pop artist Louis Choi Chul-joo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Art Critic Choi Chul-joo's A line News of Manwha Review [174] Succession to eldest son after announcing retirement of Queen of Denmark (2024-1-16) / Reporter Choi Chul-joo’s Cartoon Review



Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 



Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 


The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)


Louis Chul-joo Choi, Succession to eldest son after announcing retirement of Queen of Denmark, a hand-painted picture on a computer, 2024



News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news

■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: [174] Succession to eldest son after announcing retirement of Queen of Denmark (2024-1-16) /Reporter Choi Chul-joo’s Cartoon Review

. Succession to eldest son after announcing retirement of Queen of Denmark

. Succession au fils aîné après l'annonce de la retraite de la Reine du Danemark

 

Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, bamboo forest 96-Succession to eldest son after announcing retirement of Queen of Denmark, a hand-painted picture on a computer/  Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work




Desire Concept Realistic Abstract Work: In front of the bamboo forest g96-Succession to eldest son after announcing retirement of Queen of Denmark: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.


Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p109-1-96-Succession to eldest son after announcing retirement of Queen of Denmark: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 


Desire Design Methodology in Abstract Art Theory on Painting Design,  Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <morning glory p109-1-Succession to eldest son after announcing retirement of Queen of Denmark> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory> becomes a non-real abstraction of reality.


■ Examples of non-realistic abstractions include: objects of desire (light gray trousers) are affected sequentially by subtle changes in reversible light and follow a complementary contrast of light.


 By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.


 Choi Chul-joo's Desire The design process of abstract concepts1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. 

 


Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 96, a hand-painted picture on a computer


 


Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest g96, a hand-painted picture on a computer

 


 "morning glory window 2024-1" creates an abstract effect in which a dancer who represents the conceptual image of desire hidden in the phenomenal image in the 2023 morning glory poster image overlaps bamboo forests with different backgrounds to give reversible time sensitivity.


2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p107-7>




2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p107-7-1>




Louis Chul-joo Choi, morning glory window 6-3, 241X223cm, acrylic and composite materials on cloth, 2023



Louis Choi Chul-joo's "morning glory window 6-3" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light.

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.


Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.


The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.


Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions. 

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space


It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.


Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.

It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.


Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.



2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p108>




2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p108-1>




2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p109>





2024 <morning glory window> Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p109-1>



 

 

Louis Chul-joo Choi, morning glory window 2024-1-back, 223X227cm, acrylic and composite materials on cloth, 2024 / Louis Choi chuljoo's Art movement Abstract painting "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 202401 



<morning glory window 2024-1-back> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.


Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2024-1-back> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure.  

 

The object <morning glory window 2024-1-back>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory". 

 

Therefore, the factual abstract image defines abstract space as a real reversible shape, and Choi Chul-joo's exhibition poster, whose shape is hidden by actual changed movements in the shade of reversible light, means the meaning of abstraction of conceptual art by creating a place of abstraction as a contemporary art abstract art movement.

 

Louis Chul-joo Choi, morning glory window 2024-1-back, 223X227cm, acrylic and composite materials on cloth, 2024



In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 2024-1-back> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.


 Abstract painting <morning glory window 2024-1-back> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In <morning glory window 2024-1-back>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.


Louis Chul-joo Choi, morning glory window 2024-1, 223X227cm, acrylic and composite materials on cloth, 2024



Louis Choi Chul-joo's "morning glory window 2024-1" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light. The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.


Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.


The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.


Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions. 

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space. It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.


Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time. It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between. 


In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality. 

In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.


As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image <morning glory> in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.


This is an abstract urban impression in which images of the concept of desire are developed at small intervals as reversible shades of light that exist momentarily, just as a dancer reflected in the background of the concept of desire implements an unrealistic surface image of the sky like a cloud as a surface image.

In this way, the fragments of urban images in modern visual culture are abstracted into the structure of desire in the realistic structure. / Writing. Art critic Choi Chul-joo (Abstract artist & Doctor of Cultural Design)


Abstract artist Louis Choi Chuljoo


 

이전 04화 Modern Abstract Artists Works
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