Modern Abstract Artists Works
Modern Abstract artist Choi Chul-joo 34
artwork of contemporary artists & Modern Abstract Artists Works design of contemporary art [34] Modern Abstract painter Louis Choi Chuljoo Abstract art work ( https://opensea.io/Louisland ): Louis Choi Chul-joo Contemporary Art Critic and Contemporary Art History Cartoonist Louis Choi Chul-joo Abstract Work Criticism on Contemporary Art = Contemporary Art Concept Cartoonist Louis Choi Chul-joo describes realistic pop art cartoons as conceptual art through the series "Bamboo Forest" of morning glory. And "The Missing Pond" / "The Desire Conceptual Abstract Design of Contemporary Art": abstract artist Louis Choi Chul-joo. A realistic abstraction of cartoon art and the conceptual abstract of contemporary desire based on the concept of desire of others: Contemporary artist Louis Choi Chul-joo's realistic abstraction of desire conceptual art and abstraction of modern art based on the concept of the desires of others: Louis Choi Chul-joo, morning glory 2021-i, 113X167cm, acrylic and composite materials on cloth, 2021 & cartoon designer Choi Chul-joo's Korean News Cartoon Culture Column in Cartoon Review [193] French movie star Alain Delon dies, (2024-8-18) / Reporter Choi Chul-joo’s Cartoon Review
A review of contemporary art works <morning glory> on the exhibition of contemporary art poster by contemporary art critic and contemporary artist Louis, 20220301~20220308 Flushing Town Hall, New York.
As a conceptual abstraction, "morning glory" outside the window is a conceptual image of desire drawn on a cloth with the back surface reflected by hand using a transformed image made of the actuality of the morning glory.
As a desirable structure of desire, the abstract poster of "morning glory" by Louis Choi Chul-joo, and related works of contemporary art desire are exhibited, which is a contemporary conceptual art abstract that symbolizes the design of desire, that is, the conceptual abstraction of painting, as a desirable desire structure.
Louis Choi Chul-joo, morning glory 2021-k-1, 136X168cm, acrylic and composite materials on cloth, 2021
An object (Louis Choi Chul-joo 2022 New York exhibition Morning glory 2021-k-1), which depicts the meaning of the figure in the semantic space created by the reversible light of non-realistic reality, structures the meaning of an abstract space that can reversibly transform the object into a real shape by concealing the other's desires in the shade of reversible light. The conceptual abstract meaning, or image in the mirror, is a virtual non-realistic image that reveals the place of the other's unconscious desires.
In response, Choi Chul-joo presents the design methodology of contemporary art.
This proceeds according to Choi Chul-joo's concept of desire formula. In other words, the image of desire applying Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory' is an image that creates a landscape by floating a morning glory in the sky, and connects the concept of desire with the background of 'morning glory'. In addition, in "morning glory", the formula of desire is substituted "D(I...I')d=I(D'D'i" and the connection effect between the concept of desire and 'morning glory' as an image of desire sets the object as the concept of the image of desire by 'morning glory' to shade the concept of desire in a reversible shadow structure. In other words, the image of desire (I) is the structure of desire because desire (D) is repeated in several images (D...D), and the image of artistic action or desire (I) appears as the concept of desire (I).
Choi Chul-joo's Desire Object is an object (morning glory 2021-k-1) that depicts the meaning of the shape seen in the meaning space created by reversible light. By abstracting the image hidden in the long time period where the desire of the other is shared, the chick structure the meaning of a certain shape in the place of desire reflected in the shadow of reversible light to mean an abstract space that can reversible the object into its actual shape, and Choi Chul-joo refers to the concept of desire, which is covered by actual changed movements, in the shape of 100 exhibition posters set as the place of desire in the abstract space at the 2020 New York exhibition.
This is a dwarf planarity that seems to have a consistent meaning of "morning glory" in painting. The "morning glory" is an abstract place of desire that is the same as the reality in the mirror, but the shape of the background of desire is not the same.
Abstraction as a conceptual semantic structure is abstraction as a conceptual semantic structure of a non-realistic form with the same meaning as a conceptual form, but abstraction as the same meaning with different shapes is an actual non-realistic being with different colors and sizes. However, Choi Chul-joo reconstructs the abstract structure of desire into a real image as a conceptual object.
Its existence defines abstract space as a real reversible shape and mentions the abstract meaning of conceptual art through Choi Chul-joo's "morning glory" exhibition poster, which is set in the hope that the shape will be covered by actual movement in the shade of reversible light.
Chul-joo Choi's "morning glory": Exhibition of Louis Chul-joo Choi's "morning glory" with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20.-22. Dec.2021 Gwangan Gallery in Busan.
The image that is out of line with reality as a desire object is consistent with the visualization of a photographic image in collage. This is because it is an image created by the desire of the other with a gaze area regardless of whether it is flat or three-dimensional. In "morning glory 2021-e-back", the morning glory in the lower center of the three morning glory as an object is a dwarf image, and the object of the structure of desire is seen as a gaze. Here, the morning glory refers to the existence of desire stopped by instantaneous gaze in the continuity of reversible time.
Louis Choi Chul-joo, morning glory 2021-k-1, 136X168cm, acrylic and composite materials on cloth, 2021/ Modern Abstract Artists Works: modern abstract artist Louis Choi Chul-joo, exhibition "morning glory" featuring images of the concept of desire, 20220301~20220308 Flushing Town Hall, New York.
The figurative meaning of the conceptual abstract 'morning glory' is that the color of meaning decorates the reality of customary universality facing the object with the color of light. The dark blank space is a shadow created in the area of the subject, which contrasts with the light of a decorated shape. Here, as a real object, color is a single-phase image of the desire custom seen through the gaze. This is a symbolic linguistic image of the background of desire, which symbolizes the concept of desire with imitated flowers. Here, the morning glory image is a piece as a meaning of desire symbolized in real space as a result of the desire image.
"morning glory" expresses the lack of the concept of desire that exists in reversible temporality as a phenomenal image, and expresses the structure of desire obscured by the shade of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract structure of color and plane.
The image in <morning glory 2021-k-1> shows the existence of reversible temporality by flattening the morning glory according to the perspective visual system margin and the reversible temporality, not the actual object.
However, although the existence of the morning glory is reproduced, the morning glory is confirmed by the background image, but it does not match the object of the desire structure. It is the semantic structure of a shadow created by reversible light whose image is different from that of a morning glory in terms of what existence is. It is an object as a being with a reversible temporality that is different from the non-existent shadow.
Therefore, the object is not an image as a subject, but as a being through the desire of others.
The morning glory at the bottom of the center connects reversible light to determine the place of existence and form the process of time and the space in which it exists. The morning glory formed at one light source point of view does not have good sense. Here, the morning glory is a partial fragmented image like a collage. In this way, each partial image exists in the space as the fragmented shape is exposed at the same time.
The flattened morning glory is the image of the subject created by the observer's gaze. It extracts the existence connected by a single color of reversible light through the morning glory that removes positive sensations, and contrasts the morning glory as an external image with the shadows of reversible light in the background from a perceptual point of view, showing a plane view transformed into a desire image.
The perspective of the concept of desire cannot be selected as a visible image that reproduces objects in reality and in reality depending on the viewpoint of view, and Choi Cheol-joo's photographic image that expresses the real image is identified as an image as in reality. Therefore, in an object, existence is a desire image as a reality similar to the object of the concept of desire.
Therefore, the desire gaze to see the shades created by reversible light reproduces the real and non-real objects according to the viewing point of view. The structure of the shade cannot be selected as a visible image, but it refers to the meaning of the concept by looking at the concept as an actual image that reverses the desires of others. And the concept of desire is identified as an image as a non-real world like a cartoon criticism. In other words, the existence of a desire object seems to be a sketch image similar to the reality of desire./ Writing. Choi Chul-joo, Contemporary Art Design Critic (Conceptual Abstract Painter & Doctor of Cultural Design)
Louis Choi Chul-joo, morning glory p100-19- French movie star Alain Delon dies, a hand-painted picture on a computer
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory', 'Bamboo forest' ' & 'pond' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Choi Chul-joo, French movie star Alain Delon dies, a hand-painted picture on a compute
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's Korean News Cartoon Culture Column in Cartoon Review [193] French movie star Alain Delon dies, (2024-8-18) / Reporter Choi Chul-joo’s Cartoon Review
. French movie star Alain Delon dies
. La star de cinéma française Alain Delon meurt
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Choi Chul-joo, Bamboo Forest Forest 215-French movie star Alain Delon dies: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest d215-French movie star Alain Delon dies: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Choi Chul-joo, Bamboo Forest Forest d215-French movie star Alain Delon dies-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.
Desire Concept Realistic Abstract Work: Louis Choi Chul-joo, Bamboo Forest Forest d215-French movie star Alain Delon dies-pond: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.
Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression.
The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.
Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.
In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence.
And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.
The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.
Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.
The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.
And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.
As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.
The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.
The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.
Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.
In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p100-19-French movie star Alain Delon dies: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory p100-19> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <French movie star Alain Delon dies> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory p100-19-French movie star Alain Delon dies > becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p100-19-French movie star Alain Delon dies" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory.
Therefore, conceptual abstract painter Louis Choi Chul-joo's "Bamboo Forest Forest d215-French movie star Alain Delon dies". Therefore, conceptual abstract painter Louis Choi Chul-joo's "morning glory p100-19-Bamboo Forest Forest d215-French movie star Alain Delon dies -pond" is a desire image of a real structure that is reconstructed into a reversible structure of light as an image of the concept of desire created from a transformed image meaning the reality of morning glory
Louis Choi chuljoo, French movie star Alain Delon dies 8 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Korean News Cartoon Culture Column in Cartoon Review [193] French movie star Alain Delon dies, (2024-8-18) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
