제목 2
음악에서 제목
4. 이 정도는 약과입니다.
미국 음악인 피오나 애플(Fiona Apple)이 1999년 사고를 칩니다.
2집 앨범 제목입니다.
[When The Pawn Hits The Conflicts He Thinks like A King What He Knows Throws The Blows When He Goes To The Fight And He′ll Win the Whole Thing ′fore He Enters The Ring There′s No Body To Batter When Your Mind Is Your Might So When You Go Solo, You Hold Your Own Hand And Remember That Depth Is The Greatest Of Heights And If You Know Where You Stand, Then You Know Where To Land And If You Fall It Won′t Matter, Cuz You′ll Know That You′re Right].
피오나 애플의 자작시라고 알려져 있습니다.
그의 2012년 4집도 [The Idler Wheel Is Wiser Than The Driver Of The Screw And Whipping Cords Will Serve You More Than Ropes Will Ever Do]라는 제목을 갖고 있습니다.
역시 자작시에서 이름을 땄다고 합니다.
5. 피오나 애플의 앨범 제목 늘이기 실험에 동참한 사람들이 있었습니다.
벨기에 일렉트로니카(Electronica) 밴드 솔왁스(Soulwax)는 2007년 [Most Of The Remixes We′ve Made For Other People Over The Years Except For The One For Einstürzende Neubauten Because We Lost It And A Few We Didn′t Think Sounded Good Enough Or Just Didn′t Fit In Length-Wise, But Including Some That Are Hard To Find Because Either People Forgot About Them Or Simply Because They Haven′t Been Released Yet, A Few We Really Love, One We Think Is Just Ok, Some We Did For Free, Some We Did For Money, Some For Ourselves Without Permission And Some For Friends As Swaps But Never On Time And Always At Our Studio In Ghent]라는 리믹스 앨범을 발표합니다.
문자 개수로 따져 솔왁스의 승이었습니다.
피오나 애플보다 100자 정도 많았다고 합니다.
6. 부질없는 경쟁심이 또 다른 괴작을 탄생시켰습니다.
영국 락밴드 첨바왐바(Chumbawamba)가 2008년 세계 최고 기록을 세웁니다.
이들의 13집 [The Boy Bands Have Won, And All The Copyists And The Tribute Bands And The TV Talent Show Producers Have Won, If We Allow Our Culture To Be Shaped By Mimicry, Whether From Lack Of Ideas Or From Exaggerated Respect. You Should Never Try To Freeze Culture. What You Can Do Is Recycle That Culture. Take Your Older Brother′s Hand-Me-Down Jacket And Re-Style It, Re-Fashion It To The Point Where It Becomes Your Own. But Don′t Just Regurgitate Creative History, Or Hold Art And Music And Literature As Fixed, Untouchable And Kept Under Glass. The People Who Try To ‘Guard’ Any Particular Form Of Music Are, Like The Copyists And Manufactured Bands, Doing It The Worst Disservice, Because The Only Thing That You Can Do To Music That Will Damage It Is Not Change It, Not Make It Your Own. Because Then It Dies, Then It′s Over, Then It′s Done, And The Boy Bands Have Won]이 그 주인공입니다.
과연 제목을 외울 수 있는 사람이 있을지, 보면서 쓰라고 해도 못할 지경입니다.
