AAP 최철주 웹소설《검과 도자기: 피의 에도》 2화

Ai Aided Plot 소설가 최철주《검과 도자기: 피의 에도》2화

AAP (Ai Aided Plot) novelist Choi Chul-joo Web Short Novel "Sword and Pottery: Bloody Edo" [2] AAP 소설가 최철주 웹 단편 소설: 문화 디자인 박사 최철주의 개념을 담은 AAP (Ai Aid Plot) 단편 소설 " 검과 도자기: 피의 에도". AAP Artist Choi Chul-joo Web Short Story: AAP (Ai Aid Plot) Short Story " Sword and Pottery: Bloody Edo" with the concept of Choi Chul-joo, a Ph.D. in Culture Design [2] 해적단의 공격 the Pirates attacks / 웹 소설가로서 개념 추상 현실주의 화가이자 현대 개념 팝 아티스트, 만화 평론가, 그리고 현대 미술 평론가인 최철주는 페이스북과 인터넷에 최철주의 AAP 단편 소설을 연재하고 있습니다. As a web novelist, Choi Chul-joo, a conceptual abstract realist painter, contemporary conceptual pop artist, cartoon critic, and contemporary art critic, is publishing Choi Chul-joo's AAP short story on Facebook and the Internet.

최철주의 AAP 소설 정의는 인간 인식의 초기 단계에서 추상 이미지로 인지된 대상을 개념 이전의 언어적 이미지와 결합하여 실재적 이야기로 총합하고, 이를 다시 분해·재조합하여 서사로 형상화하는 과정을 통해, AI에 기록된 플롯을 문화의 프리즘을 통해 시간성과 양식으로 굴절시켜 회귀·재구성함으로써, 이야기란 존재의 시간적 흔적이자 문화적 굴절의 결과물이라는 점을 드러내며, 결국 AAP는 예술과 철학의 경계를 넘나들며 기억과 구조, 이미지와 서사 사이의 미학적 장치를 구현하는 존재론적 이야기 생성 방식으로 해석된다.

따라서 “최철주의 AAP 소설 정의는 AI에 기록된 플롯을 문화의 프리즘으로 굴절시켜 시간성과 양식에 어울리는 이야기로 회귀·재구성한 서사적 존재 구조이다.”

Choi Chul-joo's AAP novel definition combines an object recognized as an abstract image in the early stages of human recognition with a pre-concept linguistic image to synthesize it into a real story, and decomposes and recombines it into a narrative. By refracting the AI-recorded plot into temporality and style through the prism of culture, regression and reconstruction, the story reveals that it is a temporal trace of existence and a result of cultural refraction. In the end, AAP is interpreted as an ontological story generation method that crosses the boundaries of art and philosophy and implements an aesthetic device between memory and structure and image and narrative.

Therefore, "The definition of Choi Chul-joo AAP novel is a narrative existence structure that refracts plots recorded in AI with a cultural prism and regresses and reconstructs them into stories that fit temporality and style."

브런치와 같은 플랫폼을 포함한 온라인 연재물인 이 이야기는 도자기 사업을 운영하며 선술집을 운영하는 에도의 주인공이 인신매매와 지정학적 갈등이라는 잔인한 현실에 직면하는 삶을 탐구합니다.에도 시대 일본, 조선, 청나라 사이에 문화적 긴장이 고조된 시기를 배경으로 합니다. 주요 줄거리는 주인공이 인신매매에 가담한 해적들과 도덕적, 육체적 싸움을 벌이고, 한국 여성들을 착취로부터 보호하기 위해 노력한다는 것입니다. 이 소설은 개념적 팝아트와 추상적 리얼리즘, 스토리텔링이 결합된 광범위한 AI 기반 창작물이라는 점에서 예술적 가치가 있습니다. Serial online, including platforms like Brunch, the story explores the life of a protagonist in Edo who runs a pottery business and manages a tavern while confronting the brutal reality of human trafficking and geopolitical conflict. The setting is a period of heightened cultural tensions between Japan, Joseon, and the Qing Dynasty during the Edo period. The main plot line is that the protagonist faces a moral and physical fight against pirates who participated in human trafficking, and strives to protect Korean women from exploitation. Its artistic value is that this novel is an extensive AI-based creation that combines conceptual pop art with abstract realism with storytelling.

AAP 웹 소설 [2] 해적단의 공격 the Pirates attacks: 에도 항구는 오늘날에도 여전히 존재했습니다. 하지만 검은 깃발 아래 사람들은 돈이 아닌 '인간'에게 짐을 실었습니다. 사람을 도자기 상자에 넣고 검은 배에 실었습니다. 죽은 자의 검이 항구에 떨어졌습니다. 리젠의 첫 번째 검이 당겨지면서 청나라 해적과 첫 번째 충돌을 일으키는 액션 클라이맥스입니다. 사요는 탈출을 시도합니다. Edo Harbor was still today. But under the black flag, people loaded 'human beings' with not money. They put a person in a porcelain box, and load it on a black ship. The sword of the dead has landed on the harbor. It is the action climax when Regen's first sword is pulled, making his first clash with a Qing pirate. Sayo attempts to escape.

최철주 AI 웹소설《검과 도자기: 피의 에도》[1] 제1화 망국의 검, 불타는 도자기: p-8

2화 콘티: 청나라 해적단의 공격

컷 1

배경: 에도 앞바다, 청나라 해적선이 어둠 속에서 다가오는 모습

구도: 와이드 샷, 긴장감 넘치는 분위기

내레이션(오버랩):

“청나라 해적단이 에도로 접근한다. 조선과 일본을 위협하는 검은 그림자.”

컷 2

배경: 리겐과 사요가 술집에서 긴장한 표정으로 바다를 바라보는 장면

구도: 중거리 샷

대사(리겐):

“해적들이 움직이고 있다. 우리도 대비해야 한다.”

대사(사요):

“그들의 배후엔 청나라 세력이 있다.”

컷 3

배경: 해적단 선장 리우청이 전투를 지휘하는 모습

구도: 클로즈업, 냉혹한 표정

대사(리우청):

“이번엔 반드시 조선 여인들을 빼내야 한다. 실패는 없다.”

컷 4

배경: 에도의 조선인 거주지, 주민들이 불안해하는 모습

구도: 중거리 샷

내레이션(오버랩):

“조선인들은 점점 다가오는 위기를 느끼고 있었다.”

컷 5

배경: 리겐과 사요가 함께 전투 준비를 하는 장면

구도: 클로즈업, 결연한 표정

대사(리겐):

“우리가 지켜야 한다. 조국과 동료들을.”

대사(사요):

“함께라면 두렵지 않아.”

최철주 AI 웹소설《검과 도자기: 피의 에도》[1] 제1화 망국의 검, 불타는 도자기: p-9

The looming crisis in Edo village is tense

This sentimental night! Ligen and Sayo are the pirates

We received news of a large-scale attack on.

"It may be all over soon."

Regen said lowly.

Sayo decided, "We're going to have to fight this fight

You can't stop."

My eyes were unwavering. "Not even in my past,

My whole thing is up for grabs here!"

Deep in the sea, the pirate fleet of the Qing Dynasty

It came like a black cloud. Liucheong's line

I ordered in a cold voice from Du.

"Tonight, let's sprinkle Joseon's blood in the sea."

I live with Regen, and my colleagues are preparing

He went in. "You have to hold out until the end."

Regen holds his sword in his hand and pulls himself together

All right. Sayo quietly looked out the window

It reminded me of my childhood. The pain of that time

Betrayal and hope crossed.

최철주 AI 웹소설《검과 도자기: 피의 에도》[1] 제1화 망국의 검, 불타는 도자기: p-10

A storm begins. Lightning strikes in the night sky

The high winds are getting stronger. The ships of the pirate squad

One by one, they appear off the coast of Edo

I put it out."The fight is from now on."

Before the storm, the fight is not over yet

C.Blood and pottery, sword and love are intertwined

The war is getting deeper and deeper.

Dark Edo Village View, Eating in the Night Sky

The clouds are coming in. It's tense

Night, a crisis is approaching."

It may be all over soon."

Say: "I can't stop this fight. My

Everything is hanging here."

The image of the pirate fleet in the deep sea coming in like clouds

The way Liu Cheng ordered from the front

I can see it."Tonight, the blood of Joseon in the sea

Let's sprinkle."I can feel the urgency.

Regen: "You have to hang in there until the end."

Sayo in the bar looked out the window

It reminds me of my childhood.

최철주 AI 웹소설《검과 도자기: 피의 에도》[1] 제1화 망국의 검, 불타는 도자기: p-11

The battle on the sea has begun. In front of Edo

the ships of the sea, the marines and the regents

The black wave approached each other

There was a sense of war as we bumped into each other."

"We must survive." Lien's

A determined voice came out in the wind

Sword and spear in this first encounter

It's flash and crash. Sayo is sleek

He moved and overpowered the enemy. Back off

There is no place to stand." Her eyes were even more

It was sharp. With Liu Cheng's harsh orders

I shouted encouraging the soldiers from the front.

"Don't allow an inch of space!

Don't let them cross the land of Joseon!" They

The sacrifices and determination of the battle intensified

Go, one of Regen's colleagues was injured

He's wearing it. "Are you okay?" Lien is in a hurry

Helped the ruler.

"We should be able to win. All of us."

최철주 AI 웹소설《검과 도자기: 피의 에도》[1] 제1화 망국의 검, 불타는 도자기: p-12

Sayo is captured by memories of the past for a moment

When I was a child, I lost my family

This fight came to mind."

It's not just me."

Sayo came back to reality and decided.

"You have to be stronger. For Regen and for your country

Do it"

The war on the sea is getting fiercer,

The sacrifices continue, but their will

There's no breaking. Off the coast of Edo, pirates

The fleet and the ships of Regen's party

It's coming! The atmosphere is full of tension

"The black waves hit and the war clouds were incarcerated."

"Ligen's determined look at the sword

I'm on my way. I'm sure I'll survive this fight

You must be hurt." Sayo whirls the sword sharply

He's fighting the enemy. Back off

"There is no place to stand," said Liu Cheng, the head of the pirate squad

Encouraging the soldiers, but with a cold look on his face

sense defeat.

최철주 AI 웹소설《검과 도자기: 피의 에도》[1] 제1화 망국의 검, 불타는 도자기: p-13

Ten years ago, flames burned the sky.

The knife disappeared from your hand

He left, and blood flowed like a river.

From that day on, he was no longer the "general of Joseon."

It wasn't, the crime of running away alive.

a disgrace for not keeping what is to be kept

And it's still like a fire that doesn't burn

Guilt. The ruined man said, "Baking pottery."

A bowl that crumbles like a living person

Inside he was still asking something

"My shoulders have been heavy since this morning."

Sayo held out a teacup. The teacup was made in Joseon

White porcelain. It was a bowl as clear and thin as snow.

There are a lot of bar deliveries today, right? When I come back

Let's have a drink." Her smile was clear

But somewhere I was cautious, Lien said

He took the cup. It's not a potter's hand

It's too rough to be a swordsman's hand

It was quiet. "Nothing better than a burning dawn ten years ago."

Sayo glanced for a moment at his words

I haven't forgotten the war yet..