Artworks Review [2]: 16~20
Art Critique & Contemporary Art Review 2
Contemporary artwork review [2] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Media Artist Louis Chul-joo Choi's Individual Exhibition Painting & Media Art Video Exhibition: Contemporary artist Louis Chul-joo Choi's <Morning glory by Louis Chul-joo Choi>, 20201126-20210129, Minoo Media Art Museum
Contemporary artist Louis Chul-joo Choi's <Morning glory by Louis Chul-joo Choi>, 20201126-20210129, Minoo Media Art Museum=Contemporary Artist Louis Choi Chul-joo Art Performance/ Contemporary Art Seongnam Exhibition - Painting Installation Performance Art Review / Contemporary Installation Artist Louis Choi Chul-joo Image Installation: Process Art Performance Louis Choi Chul-joo Painting Image Installation
Media art at the Minoo Media Art Museum has cast doubt on the production process by showing the process of dismantling and combining the completed works. Accordingly, Chul-joo Choi, a doctor of design at the Museum of Minoo media art museum redesigned the media art work and its image in the process of creating media art. Chul-joo Choi's media art <the morning glory> designs the place of flowers and sets the place of leaves and stems that depend on the shape of the flowers. Unlike the media art Qí Báishí's <the morning glory> which shows the process of painting flowers in the structure of stems and leaves in the entire image, the media art that designed the rest of the structure, starting with the flower of the morning glory is <the morning glory> by Chul-joo Choi, a doctor of design. He designs a flower that relies on a set being as a coincidence that black ink spreads. This is realised in the media art form of a computer and painting without the perspective of space.
Chul-joo Choi, Media-art; morning glory, Still-image (morning glory-4, -7, -15, -25, -35, -65, -75, -85, -95, -105)
In the process of producing the original media art, which is mechanically reproduced here, the picture format is thread painting. This painting embroidery the volume of light in the process of facing objects and ideally depicts the shadow of objects. It is a linear art that emphasizes "one line" in a new painting process combining oriental embroidery and ink painting. In other words, the image of the line, which was stopped during the process of drawing the media art <morning glory> was drawn with thread and paint.
In Kim Hong-seok's <Open and Closed> art review, art critic Louis Chul-joo Choi said the definition of a thread painting is "a trace of paint and yarn equivalent to the time remaining in the fabric, and it is exposed parts and margins."
Also, the structure of the shape was called “a form of self-consciousness that embodies what he saw before he realized how to perceive things.”
and the aesthetic value was called “a form of self-consciousness that embodies what he saw before he realized how to perceive things. The color of the shape reveals a hidden aesthetic value by giving time, not by marking, but by being considered the structure of the discoloured body.” in Thread Painting.
This is different from the aesthetics of M-Duchamp conceptual art that does not decorate materials.
Thread painting is a form of self-consciousness that has been implemented before realizing how things are perceived. The color of the shape does not indicate the distance of time, but shows the hidden aesthetic value as seen by the faded original formative structure. And beyond the literary character of conceptual art, it raises the formalities as a painting, paints the colors left behind, and ties them together with threads in a new formative structure.
Construct a shape in which the color of the linear structure exists so that the shape as a knot that hides the color by inserting the structure of the color into the thread so that it can adapt to a particular color.
Therefore, "Thread Painting" is a painting of yarn and paint on a cloth seeking linear aesthetics that denies the excessive literary nature of conceptual art.
Thread Painting; <the morning glory> is an image drawn on a cloth-like material of an object made by custom. <the morning glory> is a method of drawing an image that is reversed from left to right by constructing a shape that looks like an image of the Lacan's objet on a cloth-like material.
Therefore, his painting is a two-sided painting that does not distinguish the front and the back. To represent an image in terms of practical and cursory features to suit the subject. Here, painting as a object of change in customs is another image that appears to be a object. It disappears as a substance of a subject that is hidden and drawn in small pieces invisible from space.
A small object shows a space that can actually be reversed through the shape's thought movement. This refers to the meaning of a shape in which, a small object defines a space that can actually be reversible and refers to the meaning of a feature that is obscured by the actual changed movement of the feature.
Louis Chul-joo Choi’s thread painting: morning glory, 135X156cm, acrylic and composite materials on cloth, 2022
It is the color of light and the shape of a material such as cloth, and the inevitability of an impressionable space determines the position of a object. And by stopping the light and the object of the place, it forms a structure of conventional painting. This is a space where you can stay with the inevitability of a stopped structure. Thus, the meaning of the actual structure of the picture where the shape has stopped is formed by the reverse idea movement. Its conscious meaning as a structure is just a small piece of space that finds its place properties of matter. This small piece coexists as a properties of matter in numerous spaces when it is a similar object. The position is inserted into several spaces by the meaning of the thought movement, where one phenomenon and other meanings intersect. This is a thread painting, <the morning glory> which was created by repeating another space as an thought movement in the space of positioning.
The space here disappears and the morning glory turns into the color of light.
However, as a painting's meaning effect, it chooses a painting as the color of light on a fabric-like material or thread that has disappeared from the past space. Here, the painting distorts the image by changing the light into a line within a space that connects the surface of the morning glory with light.
Therefore, since the composition of the invisible preceding space cannot draw flowers, the beginning screen of the Media Art: <Qí Báishí, the morning glory> of Minoo Media Art Museum distinguishes the leading space by sketching stems and leaves and drawing flowers because the intro space is not the actual structure. Thread painting is a thread that depicts the shape of light that distinguishes objects in stationary media art. This is a thread painting limited to fabric in an empty space and the more you limit the habitual object to the shape, the more empty the space becomes, rather than the actual place, so it decorates the inner surface of the hidden cloth to find the meaning of the space as a small piece of artistic shape. As such, <the morning glory> is painted on cloth-like materials, forming an abstract spot with the inevitable spatiality of the object, thus gaining aesthetic value as a real habitual painting art.
Media art <morning glory> exhibition scene drawn with the motif of Choi Chul-joo's thread painting "morning glory"
In addition, thread painting, in which still images as media art images are drawn according to timeliness by having originality based on image of media art and the shape of process media art, has another originality of the original work. This is because it is a context that is shown on the monitor and is a circle drawn with thread painting each image that has been stopped. It is a formative thread image with the same artistic meaning as painting, showing various exhibition formats.
The timeliness reversible from physicality in the place of exhibition space creates a place as the color of light and is recognized as the color of light in that place.
The space of abstract light can give a glimpse into the structure of a material object, but the place becomes the margin of space in which the subject of the object follows the change of its temporality. The margin is an abstract space, but as the subject of painting is drawn in what it says is the color of reversible light, it creates a place for the object in the margin. This is the object position determined by the inevitability of the symmetrical space so that the painting matches the image of the light of the space against the object. The space of the image tailored to the target is a structure of a painting that creates a separate space that connects the gap in the form of cloth-like material, and draws the color of light by stitching several empty spaces and margins. The image depends on the color and shape determined by the object location. Thus, the color of the image embellishes the reality of conventional universality facing the object with the color of light. The dark space in contrast to the light in this decorated shape is a shadow that was stopped in one place and looked at. Here, as the real object, color is a fragmented figure of the enlightened custom seen as a gaze.
A painting was made by repeating a picture of the image of a enlightened object, which stopped in a customary place of life, as a color of light, and the color of the reflective margin, which is difficult to distinguish, on a cloth-like material. Color-painted paintings here unravel the existence of reality as the shape of the color when enlightened by custom or found in place.
However, the empty space in the margin cannot reproduce the timeliness, so it seems to be a color that suits the subject of the object. In contrast to the color of light, <the morning glory> which depicts the shape of a cloth-like thread, captures the familiarity of the customs as the inevitability of the past space.
Writing. Louis Choi Chul-joo, former head of the Department of Arts and Arts at the Minoo Media Art Museum (Contemporary Artist & Doctor of Cultural Design)
Contemporary artist Louis Chul-joo Choi-------------------------------------------------------------
Contemporary Artworks Review 16
Art Critique & Contemporary Art Review 16
Contemporary artwork review [16] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting / Contemporary Art Pop Art Cartoon Abstract & Art Review Modern Painter Work / Contemporary art examples : Contemporary Abstract Art Artist Louis Choi Chul-joo's "morning glory" Art Review: Review of Korean Contemporary Artist Louis Choi Chul-joo's Art Works / Media Artist Louis Chul-joo Choi's Individual Exhibition
Painting & Media Art Video Exhibition <“Song·Ha·Sun·In·Chui·Saeng·Do” by Louis Choi Chul-joo> : (*Extended exhibition period 2020.12.11- 2021.1.29)
Contemporary artist Louis Chul-joo Choi's <“Song·Ha·Sun·In·Chui·Saeng·Do” by Louis Choi Chul-joo>, 20201126-20210129, Minoo Media Art Museum
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Contemporary artist Louis Chul-joo Choi's <“Song·Ha·Sun·In·Chui·Saeng·Do” by Louis Choi Chul-joo>, 20201126-20210129, Minoo Media Art Museum
Exhibition-related painting performance: Painting '<“Song·Ha·Sun·In·Chui·Saeng·Do” by Louis Choi Chul-joo>' Demonstration, Minoo Media Art Museum
Painting Performance: A painting performance related to media art exhibition and exhibition from November 26, 2020 to November 27, 2020 (picture 'Song·Ha·Sun·In·Chui·Saeng·Do” by Louis Choi Chul-joo' demonstration), and a painting work produced by head of the academic research department of research at the Minoo Media Art Museum
The meaning of the <"Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do"=“Song·Ha·Sun·In·-Chui·Saeng·Do” by Louis Chul-joo Choi>, painted by Chul-joo Choi, is metaphorical, such as the structure of language, so it is not the same as the shape of <"Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do"=“Song·Ha·Sun·In·Chui·Saeng·Do” by Louis Choi Chul-joo>.
As a reality that owns instantaneous time, it is an unexistent painting that overlaps wind with other forms and images.
And he replaces the virtual image drawn by the lack of self-created location of the true form of the <“Song·Ha·Sun·In·-Chui·Saeng·Do” by Louis Choi Chul-joo> with other modern painting and decorates the actuality of the inner image of the <“Song·Ha·Sun·In·-Chui·Saeng·Do” by Louis Choi Chul-joo>
Louis Chul-joo Choi, Media-art "Song·Ha·Sun·In·Chui·Saeng·Do by Chul-joo Choi", Still image, 2020
Media art "Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" is a cartoon image of a cartoonist Louis Choi Chul-joo, who reconstructed Shin Yun-bok's folk painting after seeing Kim Hong-do's “Song·Ha·Sun·In·Chui·Saeng·Do”
Therefore, another proposition of Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" is "Song·Ha·Sun·In·Chui·Saeng·Do".
This is a general reflection of the scene where men and women secretly go out to meet to express their love on windy days. Here, the cartoon image expresses affection, but the cartoon images are not involved in the symbolic image.
Thus, the boat play and bath scenes were reconstructed into cartoons that express the affection between men and women in the same way as the original painting by Shin Yun-bok, which depicts the daily lives of women in the Joseon Dynasty.
Considering the fact that Shin Yun-bok's paintings, which satirizes daily life, is similar to that of a cartoon, the cartoon composition of "Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" was partially drawn and matched with a close-up scene like the one-cut series of "Roy Lichtenstein.“
Thus, as a cartoon media art of popular art, "Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" is seen as a series of cartoon cuts aimed at satirizing the status quo of Joseon Dynasty society with cartoon images.
In line with the scene of boat play and bathing by the river as a cartoon image, the sound is the Vivaldi's "summer" of the four seasons, giving a glimpse of the positive contemporary image.
As such, cartoon media art is carried out in a popular art way rather than in a media that reveals social problems.
In the middle of the summer, boat play, gisaeng, men who peeked at women bathing by the river, and boats were drawn in several cartoons to move boats playing in the river. The surrounding figures harmoniously reconstructed the relaxed light and shadow of the gisaeng, men, and landscape.
"Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" is shown in the media space as a media with cartoon images of the realistic representation of social mannerism, such as Manet's "The Luncheon on the Grass".
It balances the real customs with media art reproduced in animated images. Although the appearance of a woman in the Joseon Dynasty, where Shin Yun-bok bathes, shows sociality, but "Shin•Yun•Bok•Poong•Ju•Mil•Hoe•Do" which were reborn as unrealistic cartoons, focus on the pictorial cartoon characteristics of painting style.
The Manwha painting style of the Joseon Dynasty, which emphasizes media art by moving the cartoon image, was seen as a cartoon so as not to deviate from the relationship between the real landscape and the characters.
And to express the characteristics of media art, Sin Yun-bok's paintings were reconstructed to create a series of cartoon images based on the play culture of the Joseon.
Writing. Louis Choi Chul-joo, former head of the academic research department of research at the Minoo Media Art Museum (Contemporary Artist & Doctor of Cultural Design)
Contemporary Artist Louis Choi Chul-joo
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Contemporary Artworks Review 17
Art Critique & Contemporary Art Review 17
Contemporary artwork review [17] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary Art Pop Art Cartoon Abstract / Conceptual Artist Choi Chul-joo Cartoon News Manwha review Art Review Modern Painter Work / Contemporary art examples : Contemporary Abstract Art Artist Louis Choi Chul-joo's "morning glory window" Art Review: Art Review of Contemporary art examples / Aaction painting - Artistic act: Contemporary image installation artist & contemporary abstract painter Louis Choi Chuljoo's process art installation Aaction painting, Haeundae-gu Office Gallery 20230703
Abstract painting <Morning glory Window> painting installation performance with treacherous conceptual art as Lacan's object, July 3rd, 2023 Haeundae-gu Office Gallery in Busan.
The Meaning of Louis Choi Chul-joo's Abstract Painting of Treacherous Conceptual Art: As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.
Its existence refers to abstraction as a treacherous conceptual art with a realistic structure because it defines abstract space as an actual reversible form and the window shape in front of the morning glory can be abstracted by actual changed movements by the shade of reversible light.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.
Louis Chul-joo Choi, morning glory 2022-i, 147.5X183.5cm, acrylic and composite materials on cloth, 2022
The entire sculpture appears to be created in three dimensions at the intersection of distorted gaze when it is not a drawing or painting that is fixed on the elevation. This is one perspective indicator image that appears to be light in a certain direction.
In the sculpture, the other's desire is in the light hidden in the sky, but the place where the light forms is on the designated land. If the sky and earth without shapes are real in the place, the structure of desire is the realistic structure that existed in the place is now abstract.
This is a structure of desire created by the shadow of reversible light, and it is not a designated sculpture, but it is a realistic non-realistic shape that makes the existence of the concept recognized. By distorting the image hidden in the shade of the same image and sculpture and illuminating it with a real color through the shade of reversible light so that the image can be seen, the actual shape can be recognized as being.
(Louis Choi Chul-joo Painting and Sculpture Installation Performance Concept)
Louis Choi Chul-joo, <Morning glory Window> Installation Aaction painting, Haeundae-gu Office Gallery, 2023.7.3.
Louis Chul-joo Choi, morning glory window 5, 147.5X183.5cm, acrylic and composite materials on cloth, 2023
The image created by Louis Choi Chul-joo's painting acting in line with the performance of "Morning Glory" is "Morning Glory Window."
In other words, Choi Chul-joo's <Morning glory Window> is a painting that expands the place of non-real paintings with reversible light reflected from a small hole in a cloth made of crossed threads and an image of Lacan.
On July 3, 2023, The day before the exhibition of "Morning glory Window" Haeundae-gu Office Gallery, modern image installation artist & abstract painter Louis Choi Chul-joo installed an action painting.
Louis Chul-joo Choi, morning glory 2022-i, 147.5X183.5cm, acrylic and composite materials on cloth, 2022
As a painting, morning glory 2022-i reveals the artistry of a semantic structure by forming an image expressed through the desire revealed in the other's suppressed unconsciousness in design and creating an object as a being to acquire artistry beyond generality.
The artistry that emerged in the object here reveals the object as another being by transforming the image of the object into a meaningful structure from the perspective of other people's desires, thereby containing the artistic meaning of the object as creativity and autonomy of others' desires.
And the small piece as the desire of the other hidden in the background of the painting shows a reversible real abstract space through the target intention movement that actually changes the shape.
This refers to the meaning of an abstract object, and the object refers to the meaning of an abstract landscape shape in which the actual reality of the shape is hidden by the desire of the other person, showing an abstract space that can be actually reversible.
Louis Choi Chul-joo, <Morning glory Window> Installation Aaction painting, Haeundae-gu Office Gallery, 2023.7.3.
Louis Chul-joo Choi, morning glory window 4, 148X179cm, acrylic and composite materials on cloth, 2023
As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.
Its existence defines an abstract space as an actual reversible shape, and abstracts the image <morning glory> in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. / Writing. Art critic Choi Chul-joo (Installation artist & Doctor of Cultural Design)
Contemporary Artist Louis Choi Chul-joo-------------------------------------------------------------
Contemporary Artworks Review 18
Art Critique & Contemporary Art Review 18
Contemporary artwork review [18] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary art examples : Contemporary Abstract Art Artist Louis Choi Chul-joo's "morning glory" Art Review: Review of Korean Contemporary Artist Louis Choi Chul-joo's Art Works = Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction exhibition 'Morning Glory', 20.-22. December 2021: Thread painting 'Morning Glory' Picture Action Performance, 23.-25. December 2021: Exhibition of 'Morning Glory' at Gwangan Gallery, Busan.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.
Louis Chul-joo Choi’s thread painting: morning glory e-002, 55X73cm, acrylic and composite materials on cloth, 2021
Like Cezanne's landscape painting, the color of light reflected in a concise form that matches the background, skylight, and hue is an imitative form of non-realism that distinguishes the color of skylight from the form of pictorial skylight with the entire space as one space.
Like Cezanne, "<morning glory e-002>" is a picture that harmoniously expresses the imitative form of non-realism as a shade color by distinguishing the color of the lighting staring at the sky from the color illuminated on the object.
Chul-joo Choi, morning glory(2021-a-1), 148X175cm, acrylic and composite materials on cloth, 2021
Louis Chul-joo Choi, morning glory-2021-l, 148X175cm, acrylic and composite materials on cloth, 2021
The object to which Lacan's art theory is applied is Louis Chul-joo Choi's morning glory. The object's real is hidden in the margins of the non-real space, depending on the time.
In this way, the reality of the morning glory as a lacan's object becomes the blank space of the non-real space according to the change in time. The trumpet flowers painted there match the image of the light of the space as the target, and the target is set according to the inevitability of the symmetrical unreal space reflected in the mirror, equating the symmetrical real space with the non-real place. This is the space of the image tailored to the object. It is a space of fabric that repeatedly connects one gap and blank, and one picture structure overlaps the color drawn on the fabric with several blanks, square threads.
The image depends on the color and shape determined by the place of the object.
Therefore, the meaning of the image as an object in <morning glory-2021-l> made of thread painting is the color of its meaning, and the reality of the customs universality facing the object is decorated with the color of light.
The dark space in contrast to this decorated light is a shadow created by staying in one place. The object that exists here has a cross-sectional shape that has changed its shape due to the appearance of a staring color and familiarity with customs.
The meaning of "morning glory 2021-l" is an aesthetic structure in which the shape of a realized object stopped in a place of everyday life is shaped as the color of light, and the color of the reflective margin that is difficult to distinguish is repeatedly drawn on a fabric-like material.
Here, the colored picture unravels the value of reality in the shape of color when enlightened by customs or when in place.
However, the material hidden in the margins of the object in the picture is tailored to the color suitable for the object of the time because it cannot reproduce its timeliness.
And "morning glory-2021-l" which sets the outline of the shape on a cloth-like thread as a color line contrasting its color, captures the familiarity of customs with the inevitability of the past space.
This indicates the meaning of the symbolic action that characterizes the design that repeatedly combines pieces of distorted morning glory image in the pictorial imitation process.
The meaning is a symbolic language that symbolizes imitated flowers. Here, the morning glory image is a sculpture of meaning symbolized in non-real space as a result of the lacan's meaning.
The place where the meaning of the morning glory is fixed is an image that leads from unconscious desire to a divided subject, and by repeating the design of the morning glory, the divided subject and the intersection form an image close to the two fixed points.
The semantic function of the image close to the fixed point is simultaneity and synchronicity. The simultaneous function here is the meaning of the sentence, and the image completed by designing the actual object by retroactive effect of the design concept is <morning glory-2021-l>.
The synchronic function of the image is <morning glory 2020-D>, which is a synchronic structure that can be obtained from the source of the design concept hidden in the linguistic sentence, that is, an image of a contrasting metaphor of the image reflected in the mirror.
Chul-joo Choi, morning glory 2021-i, 113X168cm, acrylic and composite materials on cloth, 2021
"morning glory 2021-i" is thread painting in the form of a teaching fabric in which the back is illuminated by manually drawing an image of a misarranged image made from an anamorphosis image of a morning glory.
In other words, it is a shape in which the position of non-realistic painting with reflected light is expanded to the anamorphosis image in a shape of a cloth shaded in a thread and a small hole in the fabric.
The meaning of the shape is decorated with the color of the spatial light of the fabric entangled in a grid of the real of the customary universality facing the morning glory.
The dark space in contrast to the light of this decorated shape is a shadow created by staying in one place.
Here, as a real object, color is a visual image familiar with the custom of sight.
The meaning is a symbolic language that symbolizes the imitated flower.
Here, the morning glory is a sculpture of Lacan's object ɑ, the meaning of hidden aesthetic structure, as a symbol of space rather than reality by the meaning of Lacan.
Realization triggered by naturalism is a computer-made virtual image that is easy to create, duplicate, and convert, creating an unrealistic image without an original.
This is a computer technology that is not related to works of art, so it is different from works of art using the other's desire perspective as a medium.
However, computer-mediated media art makes other virtual images into real images, but also has artistry as a replica of the original virtual image.
Therefore, the way to effectively promote works of art is to use media art, and the technical expression of media art is also artistic.
This is an example of expressing the medium of art as a media art with contemporary media technology.
The difference between art and non-art is distinguished according to the existence of object ɑ as a real formed from the perspective of the desire of the other in a hypothetical shape as a real thing and a virtual shape as a non-existence.
Therefore, it is difficult to reveal the object ɑ in a virtual shape as a non-existence without the original. The condition of a work of art is that the meaning of the hidden aesthetic structure that exists as the original is an object ɑ.
A realistic picture forms a formative structure, but when it is the same form that does not distinguish between the original and the reproduction, it is not a meaningful composition.
This is because its formability can form an image or reform it into the same form through a realistic structure.
Therefore, the anamorphosis image of the desire of the other person who is difficult to replicate is the meaning object ɑ of the concealed aesthetic structure as an existence.
Here, the anamorphosis image is an objectɑ as another real image separated from the real image, although it is not real as an image of the whole.
An image formed as a virtual object by reproducing an object in a painting is a virtual image that conceals reality.
The virtual image is viewed as a virtual image by being recognized as a plane.
Here, by revealing the object ɑ as a being through the Lacan art theory system, the virtual image becomes real.
Lacan's Object ɑ is hidden in the geometric schematic of perspective that reproduces objects and is momentarily revealed by the desires revealed in the unconscious.
The object ɑ form an anamorphosis image expressed through the desire revealed in the repressed unconsciousness of others with a design to obtain artistry beyond generality, and create the real of the object ɑ to reveal artistry.
The artistry here reveals the object ɑ as another being of the object by transforming the image of the object into an anamorphosis image from the perspective of the other's desire.
And the meaning object ɑ, which has become a concealed aesthetic structure as an existence, acquires artistic meaning with creativity and autonomy.
<morning glory 2021-i> depicts an image generated by an anamorphosis image of a trumpet flower, and the form of a picture drawn in the shape of a cloth consisting of a grid in which the back is illuminated is thread painting.
In other words, it is a shape in which the position of non-real painting with reflected light is expanded to an anamorphosis image of a grid hole in which the back is illuminated is thread painting. The meaning of the form is another person's desire decorated with the color of spatial light with thread painting of the real of universality in the customs facing the morning glory. The dark space in contrast to the light of this decorated shape is a shadow created by staying in one place. Here, as a real object being, the color is an image on one side familiar with the custom seen as a gaze. The meaning is a symbolic language that symbolizes the imitated flower. The flower image is a sculpture of the hidden aesthetic structure meaning object ɑ a symbolized being in non-real space as a result of the lacan's meaning.
Object ɑ is an object revealed in Lacan's art theory as a 'gazing' from the perspective of desire and rational thinking from a perspective.
Therefore, the object ɑ as a gaze was revealed as a dot of light in the eyes of the other as the subject.
This is an image that overlaps with the perspective visual system but is momentarily revealed from a desire perspective in an oppressed unconsciousness.
The eyes on the picture see an object drawn on the canvas, but the eyes is like a subject staring at it.
The gaze determines what is seen and what is not seen in a small hole on the screen, such as a cloth, in space, the reflected light determines the image that is shifted according to the coincidence or inconsistency with the gaze.
Therefore, Object ɑ means a concealed aesthetic structure as an entity revealed in the lustful gaze system, not a non-real image in the perspective visual system.
Chul-joo Choi, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021
The emergence of linguistic meanings unconsciously in reversible temporality creates an image of the other's inconsistent desire as the place of <morning glory 2021-e> and develops it in a consistent sense.
This shows the meaning of Lacan's unconscious language, which repeatedly indicates that there is no unstable element, and draws an inconsistent image of a "morning glory" representing an incomplete phenomenon representing the unconscious language, like the desire shown by the other's conscious movement.
The structuring of "morning glory" as thread painting is an object that implicitly relies on the existence of a structure, that is, the temporality of a momentary coincidence, at a predetermined object.
The image of the object is structured as a shape of the thread, and the image drawn on the connected fabric is expanded into the shade of light to expand the planar shape of the morning glory in the fabric.
Therefore, the structuring of thread painting is the place of morning glory that depend on the existence of an implicit structure in the designated place of the morning glory, that is, the coincidence of momentary temporality.
The position creates an image of a morning glory in the sky and overlaps the image of the overlapping fabric to expand into a reversible shade of light. And the image describes the atmosphere that has changed to flat morning glory and temporality.
By illuminating the position in several directions, the existing shape of the past time is returned to the unconscious shape, and the images reversible to the real shape cannot be overlapped according to one time, but are overlapped in an integrated meaning.
However, the shape does not appear to be meaningful, and the image background is settled in several shades that are momentarily reversible.
This is a different image in which the position of temporality, that is, the image of the sky, appears to be a stimulus of light set in time at one moment of time, just as clouds, rain, and eyes appear.
The image is the place of infinite and continuous existence that light has achieved over time.
The momentary shape in which abstract phenomena coexist as images with form and meaning is a reversible visual structure. When an painter draws, it is the temporal logic of the image that obtains semantic recognition of the image.
Therefore, the structure of the visual reversible reaction is a momentary image according to the visual reversible reaction in the shape of a morning glory, and a misaligned image in which the morning glory is temporarily obscured by shadow or light or coexists in its original position is the meaning of a momentary image.
The image is a view of another person's desire on a cloth at the moment when the shadowy shape of everyday life intersects the morning glory of the past time.
The structure of the branches and leaves of the trumpet flower shows the meaning in harmony with the trumpet flower that matches the appropriate shade corresponding to the light. It's meaning shows the positional structure of the morning glory exposed to bright light in a symbolic shape according to the shadow light.
Therefore, a morning glory painting is an image method that reveals the morning glory that unconsciously exists in the place of the morning glory. The more you repeat the shading image of the reversible light, the more abstract the morning glory image becomes.
In other words, the more reversible light is repeated over time, the less the area of light is expressed by overlapping the shade of the staring morning glory.
The meaning of the morning glory, which repeatedly combines pieces of distorted morning glory image, represents a symbolic shadow in which the other person's desire is specified.
Here, meaning is a language that symbolizes the conceptual image of a morning glory and a flower that mimics an object that always exists.
Therefore, the morphological language of 'morning glory" decorates the reality of the customary universality faced by objects with the color of light.
The dark space in contrast to the decorated light is a shadow created by staying in one place.
Louis Chul-joo_Choi, morning glory 2021-h-back, 131X167cm, acrylic and composite materials on cloth, 2021
In "morning glory 2021-h-back" actual morning glory, cats, fish colors, and shadows coincide with conventional images. The "morning glory 2021-h-back" is a word that symbolizes the other person's desire by imitating the other person's desire hidden on the back of "morning glory 2021-h" where the cat's movement has stopped.
As that "morning glory 2021-h-back", the cats image is a sculpture of meaning symbolized in non-real space as a lacan's word of meaning generated by visual reversible reaction in its place.
This is because the color of the shade caused by reversible light on the overlapping fabric determines the position of the cat and morning glory, and over time, the distorted desires of the other overlap and develop into an image of fabric.
This is a visible phenomenon, and the morning glory made by the movement of the other's desire appear inconsistent, and the images of the cat that's separated from desire and the morning glory, whose desires are fragmented, overlap with intersecting threads to form a space ahead of them. / Writing. Art critic Louis Chul-joo Choi (Modern Painter & Doctor of Cultural Design)
contemporary abstract artist Louis Choi Chul-joo
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Contemporary Artworks Review 19
Art Critique & Contemporary Art Review 19
Contemporary artwork review [19] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary art examples : Contemporary Abstract Art Artist Louis Choi Chul-joo's "morning glory" Art Review:Review of Koren Contemporary Artist Louis Choi Chul-joo's Art Works = Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction exhibition Thread 'Morning Glory' Aaction painting, 20.-22. Dec. 2021 Gwangan Gallery in Busan.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events.
As a background of culture, shape abstracts the concept of a realistic structure and determines its shape by reversible shading of light, but the background where the shape disappeared as the whole was covered according to the shape time is summarized as contemporary light.
Therefore, Louis Choi Chul-joo's <morning glory>, which replaces the current painting space in a certain culture, is set in the background, and the structure of realistic desire is summarized as abstraction with the same reversible light shadow as the others desired shape time.
Chul-joo Choi’s thread painting: morning glory 2022-c-back, 135X156cm, acrylic and composite materials on cloth, 2022
Like Cezanne's landscape painting, the color of light reflected in a concise form in which the background, sky light, and color coincide is an imitation of the form of pictorial sky light with the entire space as a space and the color of sky light.
<morning glory 2022-c-back> is different from Cezanne's painting. It is a picture that harmoniously expresses the imitative shape of the non-real material by dividing the color of the light staring at the sky and the color reflected on the object into the shade of reversible light.
The <morning glory 2022-c-back> is drawn by creating an inverted image of the left and right by constructing a shape with an object visible like a lacan style image on a material such as a cloth. So painting is a two-sided painting that doesn't distinguish the front from the back.
Here, when the image on the back is converted to the front, a new picture appears. This is a thread painting that shows the shading of the object ɑ with reversible light that rejects the center of Simulacre(幻影)'s image, which omits the volume of the chicken and replaces the reality that rejects the perspective description.
<morning glory 2022-c-back>, the back of <morning glory 2022-c>, is a painting that has actually been converted into a system of signs on a semantic representation. The painting reduces the planar two-dimensional nature of <morning glory 2022-c> to the essence of meaning. This is a dual object that simultaneously shows livestock in everyday life and a family in a symbolic sense through chickens and chicks. The shape of the picture emerges as an aesthetic meaning that depicts the concept in the visual system in thread painting in which the image is installed.
This is a pictorial act, and perspectively defines the object as a limited area, distorts the actual space with reversible light shades, and draws it on the canvas to produce a meaning that actualizes the back of thread painting.
Louis Chul-joo Choi, morning glory-2021-l-back, 148X175cm, acrylic and composite materials on cloth, 2021
The object to which Lacan's art theory is applied is Louis Chul-joo Choi's morning glory. The object's real is hidden in the margins of the non-real space, depending on the time.
In this way, the reality of the morning glory as a lacan's object becomes the blank space of the non-real space according to the change in time. The trumpet flowers painted there match the image of the light of the space as the target, and the target is set according to the inevitability of the symmetrical unreal space reflected in the mirror, equating the symmetrical real space with the non-real place. This is the space of the image tailored to the object. It is a space of fabric that repeatedly connects one gap and blank, and one picture structure overlaps the color drawn on the fabric with several blanks, square threads.
The image depends on the color and shape determined by the place of the object.
Therefore, the meaning of the image as an object in <morning glory-2021-l-back> made of thread painting is the color of its meaning, and the reality of the customs universality facing the object is decorated with the color of light.
The dark space in contrast to this decorated light is a shadow created by staying in one place. The object that exists here has a cross-sectional shape that has changed its shape due to the appearance of a staring color and familiarity with customs.
The meaning of <morning glory-2021-l-back> is an aesthetic structure in which the shape of a realized object stopped in a daily place is shaped into the color of light, and the color of the margin created by reflection of light that is difficult to distinguish is repeatedly drawn on a fabric-like material.
Here, when enlightened by custom or in a place, painting unravels the value of reality as a reversible shade of light and the desire of the others in the shape of color.
However, since the material hidden in the margins of the objects in the painting cannot reproduce its timeliness, it is tailored to the color suitable for the objects of the period.
And <morning glory-2021-l-back> which sets the outline of the form on a cloth-like thread as lighting color with the desire of the other in contrast to his own color, captures the inevitability of the past space and the familiarity of the custom.
Louis Chul-joo Choi, morning glory 2021-i-back, 113X168cm, acrylic and composite materials on cloth, 2021
"morning glory 2021-i-back" is thread painting in the form of a teaching fabric in which the back is illuminated by manually drawing an image of a misarranged image made from an anamorphosis image of a morning glory.
In other words, it is a shape in which the position of non-realistic painting with reflected light is expanded to the anamorphosis image in a shape of a cloth shaded in a thread and a small hole in the fabric.
The meaning of the shape is decorated with the color of the spatial light of the fabric entangled in a grid of the real of the customary universality facing the morning glory.
The dark space in contrast to the light of this decorated shape is a shadow created by staying in one place.
Here, as a real object, color is a visual image familiar with the custom of sight.
The meaning is a symbolic language that symbolizes the imitated flower.
Here, the morning glory is a sculpture of Lacan's object ɑ, the meaning of hidden aesthetic structure, as a symbol of space rather than reality by the meaning of Lacan.
Realization triggered by naturalism is a computer-made virtual image that is easy to create, duplicate, and convert, creating an unrealistic image without an original.
This is a computer technology that is not related to works of art, so it is different from works of art using the other's desire perspective as a medium.
However, computer-mediated media art makes other virtual images into real images, but also has artistry as a replica of the original virtual image.
Therefore, the way to effectively promote works of art is to use media art, and the technical expression of media art is also artistic.
This is an example of expressing the medium of art as a media art with contemporary media technology.
The difference between art and non-art is distinguished according to the existence of object ɑ as a real formed from the perspective of the desire of the other in a hypothetical shape as a real thing and a virtual shape as a non-existence.
Therefore, it is difficult to reveal the object ɑ in a virtual shape as a non-existence without the original. The condition of a work of art is that the meaning of the hidden aesthetic structure that exists as the original is an object ɑ.
A realistic picture forms a formative structure, but when it is the same form that does not distinguish between the original and the reproduction, it is not a meaningful composition.
This is because its formability can form an image or reform it into the same form through a realistic structure.
Therefore, the anamorphosis image of the desire of the other person who is difficult to replicate is the meaning object ɑ of the concealed aesthetic structure as an existence.
Here, the anamorphosis image is an objectɑ as another real image separated from the real image, although it is not real as an image of the whole.
An image formed as a virtual object by reproducing an object in a painting is a virtual image that conceals reality.
The virtual image is viewed as a virtual image by being recognized as a plane.
Here, by revealing the object ɑ as a being through the Lacan art theory system, the virtual image becomes real.
Lacan's Object ɑ is hidden in the geometric schematic of perspective that reproduces objects and is momentarily revealed by the desires revealed in the unconscious.
The object ɑ form an anamorphosis image expressed through the desire revealed in the repressed unconsciousness of others with a design to obtain artistry beyond generality, and create the real of the object ɑ to reveal artistry.
The artistry here reveals the object ɑ as another being of the object by transforming the image of the object into an anamorphosis image from the perspective of the other's desire.
And the meaning object ɑ, which has become a concealed aesthetic structure as an existence, acquires artistic meaning with creativity and autonomy.
<morning glory 2021-i-back> depicts an image created by a metamorphic image of a morning glory, and the form of a cloth-shaped painting consisting of a grid pattern with a back image reflected is an image that depicts the desire of the others as a reversible shade of light.
In other words, it is a shape in which the position of non-real painting with reflected light is expanded to an anamorphosis image of a grid hole in which the back is illuminated is thread painting. The meaning of the form is another person's desire decorated with the color of spatial light with thread painting of the real of universality in the customs facing the morning glory. The dark space in contrast to the light of this decorated shape is a shadow created by staying in one place. Here, as a real object being, the color is an image on one side familiar with the custom seen as a gaze. The meaning is a symbolic language that symbolizes the imitated flower. The flower image is a sculpture of the hidden aesthetic structure meaning object ɑ a symbolized being in non-real space as a result of the lacan's meaning.
Object ɑ is an object revealed in Lacan's art theory as a 'gazing' from the perspective of desire and rational thinking from a perspective.
Therefore, the object ɑ as a gaze was revealed as a dot of light in the eyes of the other as the subject.
This is an image that overlaps with the perspective visual system but is momentarily revealed from a desire perspective in an oppressed unconsciousness.
The eyes on the picture see an object drawn on the canvas, but the eyes is like a subject staring at it.
The gaze determines what is seen and what is not seen in a small hole on the screen, such as a cloth, in space, the reflected light determines the image that is shifted according to the coincidence or inconsistency with the gaze.
Therefore, Object ɑ means a concealed aesthetic structure as an entity revealed in the lustful gaze system, not a non-real image in the perspective visual system.
Louis Chul-joo Choi, morning glory 2021-e-back, 114X169cm, acrylic and composite materials on cloth, 2021
The emergence of linguistic meanings unconsciously in reversible temporality creates an image of the other's inconsistent desire as the place of <morning glory 2021-e-back> and develops it in a consistent sense.
This shows the meaning of Lacan's unconscious language, which repeatedly indicates that there is no unstable element, and draws an inconsistent image of a "morning glory" representing an incomplete phenomenon representing the unconscious language, like the desire shown by the other's conscious movement.
The structuring of "morning glory" as thread painting is an object that implicitly relies on the existence of a structure, that is, the temporality of a momentary coincidence, at a predetermined object.
The image of the object is structured as a shape of the thread, and the image drawn on the connected fabric is expanded into the shade of light to expand the planar shape of the morning glory in the fabric.
Therefore, the structuring of thread painting is the place of morning glory that depend on the existence of an implicit structure in the designated place of the morning glory, that is, the coincidence of momentary temporality.
The position creates an image of a morning glory in the sky and overlaps the image of the overlapping fabric to expand into a reversible shade of light. And the image describes the atmosphere that has changed to flat morning glory and temporality.
By illuminating the position in several directions, the existing shape of the past time is returned to the unconscious shape, and the images reversible to the real shape cannot be overlapped according to one time, but are overlapped in an integrated meaning.
However, the shape does not appear to be meaningful, and the image background is settled in several shades that are momentarily reversible.
This is a different image in which the position of temporality, that is, the image of the sky, appears to be a stimulus of light set in time at one moment of time, just as clouds, rain, and eyes appear.
The image is the place of infinite and continuous existence that light has achieved over time.
The momentary shape in which abstract phenomena coexist as images with form and meaning is a reversible visual structure. When an painter draws, it is the temporal logic of the image that obtains semantic recognition of the image.
Therefore, the structure of the visual reversible reaction is a momentary image according to the visual reversible reaction in the shape of a morning glory, and a misaligned image in which the morning glory is temporarily obscured by shadow or light or coexists in its original position is the meaning of a momentary image.
The image is a view of another person's desire on a cloth at the moment when the shadowy shape of everyday life intersects the morning glory of the past time.
The structure of the branches and leaves of the trumpet flower shows the meaning in harmony with the trumpet flower that matches the appropriate shade corresponding to the light. It's meaning shows the positional structure of the morning glory exposed to bright light in a symbolic shape according to the shadow light.
Therefore, a morning glory painting is an image method that reveals the morning glory that unconsciously exists in the place of the morning glory. The more you repeat the shading image of the reversible light, the more abstract the morning glory image becomes.
In other words, the more reversible light is repeated over time, the less the area of light is expressed by overlapping the shade of the staring morning glory.
The meaning of the morning glory, which repeatedly combines pieces of distorted morning glory image, represents a symbolic shadow in which the other person's desire is specified.
Here, meaning is a language that symbolizes the conceptual image of a morning glory and a flower that mimics an object that always exists.
Therefore, the morphological language created by the shading of reversible light called 'morning glory' adorns the reality of the customary universality that objects face with the color of reversible light.
In contrast to the structure decorated with reversible light, the dark space is the desire shadow of the others person created while staying in one place.
Louis Chul-joo_Choi, morning glory 2021-h-back, 131X167cm, acrylic and composite materials on cloth, 2021
In "morning glory 2021-h-back" actual morning glory, cats, fish colors, and shadows coincide with conventional images. The "morning glory 2021-h-back" is a word that symbolizes the other person's desire by imitating the other person's desire hidden on the back of "morning glory 2021-h" where the cat's movement has stopped.
As that "morning glory 2021-h-back", the cats image is a sculpture of meaning symbolized in non-real space as a lacan's word of meaning generated by visual reversible reaction in its place.
This is because the color of the shade caused by reversible light on the overlapping fabric determines the position of the cat and morning glory, and over time, the distorted desires of the other overlap and develop into an image of fabric.
This is a visible phenomenon, and the morning glory produced by the others desire appears in reality that does not match reversible light, and the shape of the morning glory separated from the desire overlaps with the intersecting thread to form a space in front of the reality.
/ Writing. Art critic Louis Chul-joo Choi (Modern Painter & Doctor of Cultural Design)
contemporary abstract artist Louis Choi Chul-joo-------------------------------------------------------------
Contemporary Artworks Review 20
Art Critique & Contemporary Art Review 20
Contemporary artwork review [20] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary art examples : Contemporary Abstract Art Artist Louis Choi Chul-joo's "morning glory" Art Review:Review of Koren Contemporary Artist Louis Choi Chul-joo's Art Works = Art Review Modern Painter Work [15] Contemporary art examples : Contemporary Abstract Art Artist Louis Choi Chul-joo's "Cartoon Abstract Painting" Art Review:Modern painter & Cartoonist Louis Choi Chul-joo's Art Work = Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's treacherous conceptual art - Korean News Comics Review (1) Trump's tariffs on China look like Apple company's apple : Another meaning of red apples is taxation on products from Apple companies in China.
Chul-joo Choi, Trump's tariffs on China look like Apple company's apple 3, a hand-painted picture on a computer / Cartoon Designer Choi Chul-joo’s Concept cartoon review & Korean news cartoon review
The reality of self-consciousness, which changes its mind when it sees itself, is another symbolic image separate from Apple's symbolic image, the shape of an apple. Here, in order to avoid identification with the fake apple-shaped symbolic image, the impossible condition is set as the condition of conscious thought.
It also shows symbolic dual meaning by expressing Trump, who imposes tariffs as a subject and reviews responses in the linguistic realm, and Xi Jinping, who turns a blind eye to the tariffs imposed.
Characters symbolize the image of personality and role as the character's emotional expression. When a character tells a continuous story to the other, it becomes a cartoon image with a theme.
Some cartoons depict dual semantic characters that symbolize social or political metaphors and metaphorically express meanings different from the original image.
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. Trump's tariff on Chinese-made Apple is apple-shaped.
. Le tarif de Trump, fabriqué en Chine, est en forme de pomme.
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Art Review Modern Painter Work: Chul-joo Choi, Trump's tariffs on China look like Apple company's apple 2, a hand-painted picture on a computer : The dual meaning has the meaning of a cartoon with a symbolic image of the symbol and a single cut including the symbol. / Cartoon Designer Choi Chul-joo’s Concept cartoon review & Korean news cartoon review
Lacan Conceptual Realistic Abstract Work: Choi chuljoo, morning glory p15-7-Trump's tariffs on China look like Apple company's apple: Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears
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Background image of an artist's artwork: Chul-joo Choi, morning glory 2021-l-back, 148X175cm, acrylic and composite materials on cloth, 2021 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review Korea News Cartoon Review - (1) Trump's tariff on Chinese-made Apple is apple-shaped. Le tarif de Trump, fabriqué en Chine, est en forme de pomme.
