Artworks Review [4]: 26~30
Art Critique & Contemporary Art Review 4
Contemporary artwork review [4] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary Art Pop Art Cartoon Abstract & Conceptual Artist Choi Chul-joo Cartoon News Manwha review News manwha KPS (27) Kang Daniel's digital single "PARANOIA" released
Contemporary Art Work: Chul-joo_Choi, morning glory p49-2-PARANOIA, a hand-painted picture on a computer, 2023
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting desine
- Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical historical painter
Contemporary Art Work: Chul-joo Choi, <Kang Daniel's digital single 'PARANOIA' 6>, a hand-painted picture on a computer
▒ Manwha Designer Choi Chul-joo’s Cartoon News
- Chul-joo Choi’s Manwha(cartoon) Review: one sentence news & news manwha design
Contemporary Art Work: Chul-joo Choi, <Kang Daniel's digital single 'PARANOIA' 1>, a hand-painted picture on a computer
Contemporary Art Work: Chul-joo_Choi, morning glory p49-2-PARANOIA, a hand-painted picture on a computer, 2023 / Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Choi chuljoo morning glory p49-1, a hand-painted picture on a computer, 2022 : Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears
Background image of an artist's artwork: Chul-joo_Choi, morning glory 2021-h, 131X167cm, acrylic and composite materials on cloth, 2021/ a private collection of New York resident
[The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review Korea News Cartoon Review - News manwha KPS [27] released _ Sortie ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
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Contemporary Artworks Review 26
Art Critique & Contemporary Art Review 26
Contemporary artwork review [26] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Contemporary Art Critic Louis Choi Chul-joo's Art Review of installation artist artwork & Modern and Contemporary Artwork Criticism: Contemporary installation artist artwork [1] Contemporary Art Sculpture Symbolic Sculpture : Contemporary Artist Louis Choi Chul-joo Installation Art Review & Abstract Artist Louis Choi Chul-joo Design Review of Painting and Sculpture Design: Famous Installation Artist, Contemporary Artist, Abstract Artist, Conceptual Artist Installation Art Painting and Sculpture / Contemporary installation art work : Design of sculpture at Busan Museum of Art by Louis Choi Chul-joo
Louis Choi Chul-joo's concept of sculpture design: The search for artistic sculpture is based on the design environment of the sculpture and aims at human desire.
Busan Metropolitan City Budget Plan and Installation for the Installation of Sculptures at the Busan Museum of Art: Choi Chul-joo (2009)
Choi Chul-joo (design), Haegeum Advertising (installation/construction), "Busan Museum of Art sculptures", 2009. 2
Sculptures of the Busan Museum of Art
The image that was revealed to be in the unconsciousness of others while commuting to and from the Busan Museum of Art was an image that allowed the Busan Museum to be viewed from the side for a moment. This is a modified and reduced image seen in the perspective visual system. In other words, it is a virtual image of the Busan Museum of Art and a real image as a simplified image without seeing the space between the bars in front of the Busan Museum of Art.
This is an image revealed by desire in the process of repeating Lacan's visual theory, and is formed as a symbolic sculpture as an effect of semantic action as it is replaced by other images according to metaphors. In the sculpture as a work of art, the simplified image of the object is recognized as a quantified visual perception form at the perspective level, so there is a limit to the approach of desire. This is an object in a subjective sense that meets through the alienation process of others. It is because it exists momentarily and disappears into the realm of unconsciousness.
The formation of a missing object with a lacanic design is Lacan's formula "f(S...S')S=˜ S (-)s". The connection structure(S...S') of the image and the image according to "f(S...S')S=˜ S (-)s" is a design deficiency(-), that is, the desire that has disappeared unconsciously after repetition, is rendered from the unconsciousness of others by the effect of design semantic action (fS).
According to the Lacan's metaphorical formula "f(S/S')S = ˜S(+s), rendering as an original image is replaced by an object (S/S') as another image, and meaning (s) 'object ɑ' is converted into an image through rendering as an original image.
This is to convert the modified image from 'Work. 5.4' to 'Fig. 5.3' rendering to 'Object ɑ'.
Work. Sculpture Lacan design. 3 Rendering of drawing images revealed from a desire perspective
The image revealed as a being in the others unconsciousness was the image of the exterior that allowed a momentary view of the Busan Museum of Art from the side.
Fig. Desire Design of Sculptures.1 Forming an object ɑ by designing a desire image (rendering)
The desire sculpture with symbolism exists in reality as an object ɑ due to the desire of others, and the object ɑ is concealed by leaving the meaning of existence as an image of desire. Here, the repetition process of revealing the object ɑ finds a lost existence that was concealed in the unconsciousness of others through the relationship between the subject and the "object ɑ" that is lacking according to the formula (＄◇a) that emerges an illusion. This repetition process derives an image of a sculpture that reveals a desireful subject within existence.
This is the formula < f(S...S')S=˜ S (-)s> that regenerates the image...The connection structure between the image and another image according to < f(S...S')S=˜ S (-)s> Design deficiency (-), that is, the desire that has disappeared into the unconscious during repetition in S'), is the effect of design meaning action (fS), which renders the image of the desire subject in the other's unconscious to create a desire image.
According to the formula <f(S/S')S = ˜ S (+) s> that adds this meaning, the rendering of the desire subject as the original image is replaced by the object ɑ as another image (S/S') and the sculpture is formed as the object ɑ changed from the rendering of the desire image as the meaning (s) of the image.
According to the repeated process of deriving the image of desire and adding the meaning of the image, the application to the exhibition sculpture design reveals the image of desire <f(S...S')S=˜ S (-)s>. The connection structure between the image and another image according to <f(S...S')S=˜ S (-)s> Repeating it in <f(S...S')S=˜ S (-)s>, rendering is replaced by a sculpture as an image in a different sense (S/S'), and the original image (S-rendering) becomes an imaginary meaning (s-sign).
According to the formula <f(S/S')S = ˜ S (+) s> that reveals meaning, the effect (fS) of semantic action in which rendering changes to a sculpture as another image (S/S') is said to be combined with crossing the rod (+) forming the sine sculpture (=).
Work. Sculpture Desire Design. 4. Signed sculpture of Busan Museum of Art formed by Desire Design 2
Work 5.5 is an image revealed as a being in the unconsciousness of the other through the other's desire thinking at a perspective point in which the desire image appears to be a real image. If the material of the sign and sculpture is real, the image of the sign and sculpture is a symbolic image. In other words, the image of desire revealed in the desire of others becomes a symbolic image of the Busan Museum of Art based on the iron of reality revealed as an existence in the unconscious.
The desire to identify with the natural environment image is that cognitive changes occur in the natural environment and the changed image is re-recognized as a symbolic image included in the natural environment. This suggests that the object ɑ of desire existed in the unconscious desire of others as it was momentarily revealed in the desire design sculpture.
Work. Sculpture Desire Design. 5. The moment when the object ɑ is concealed and disappears in the unconsciousness of the other as an image of desire in the sculpture formed by Desire Design 2
Work. Sculpture Desire Design. The object ɑ as an image of desire in 5. is concealed in the unconsciousness of the other. It disappears in the unconscious desire as the exhibition component, or sculpture, is formed in the perceptive image seen in the place (place) of the moving element in the exhibition space. This is because the object ɑ is not visible in the perspective visual system.
■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
Photo. Sculpture Desire Design. 1 Busan Museum of Art Signs and Sculptures
Photo. Sculpture Desire Design 1. The autograph and sculpture of the Busan Museum of Art are photos of three-dimensional sculptures made of real materials. Sculpture always in the same place (located) as installed in Desire Design 1.
As the sculpture disappears, it gets another meaning of the sculpture created by installation.
Since the gaze area of desire is a linguistic structure system, repetition is a language that forms identity by the difference between unconscious habits and repeated images, the signs and sculptures of the Busan Museum of Art were repeatedly installed with empty spaces and vertical bars.
Overall, this has a complex visual effect that appears to be the shape of the Busan Museum of Art facade. Each vertical bar is a part of the entire façade and is a symbolic installation with the continuity and difference of the image.
This is the same shape outwardly, but it makes the shape of the other's desire that is momentarily visible from the gaze point of view be contained in the other's unconsciousness. Therefore, the sculpture through desire design becomes a reality formed by the desire of others. The reality here is the reality as the material of the sculpture. Louis Choi Chul-joo's Desire Design 2 installed the sculpture through rendering expressed from the language of desire images separated from reality.
In the cognitive communication system, object ɑs were formed according to the results of design application to exhibition sculptures through Lacan theory. As an environmental art, the desire design sculpture was formed by a new design. Along with ready-made objects that give new meaning to ready-made products, the representative material of environmental sculptures is steel art.
It is a sculpture suitable for the morphological form of the sculpture revealed in the desire design. Steel, the material of the sculpture, is an opportunity to change the exhibition space into the natural environment, is a ɑ object of the desire to recognize locality while appearing in a three-dimensional form in the space of the natural environment, and is a sculpture of Desire Design, a work of art that newly reveals the visual shape of the place environment and changes the natural environment.
Nevertheless, the Busan Museum of Art has eliminated a representative sculpture that lasted more than a decade, just like a white cube exhibition space that repeats a new form of exhibition.
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Contemporary Artworks Review 27
Art Critique & Contemporary Art Review 27
Contemporary artwork review [27] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Contemporary Art Critic Louis Choi Chul-joo's Art Review of installation artist artwork & Modern and Contemporary Artwork Criticism: Contemporary installation artist artwork [2] Contemporary Art Sculpture Symbolic Sculpture : Contemporary Artist Louis Choi Chul-joo Installation Art Review & Abstract Artist Louis Choi Chul-joo Design Review of Painting and Sculpture Design: Famous Installation Artist, Contemporary Artist, Abstract Artist, Conceptual Artist Installation Art Painting and Sculpture / Contemporary installation art work : Installation of Sculptures in Hansae Museum: Graphic Image Sculptures with Realistic Meaning Structure by Installation Artist Louis Choi Chul-joo
Choi Chul-joo, Desire sketch Image = An image of the installation sculpture of Busan National University of Education revealed by repeating sketches from a desire perspective
Design of Others Desireable Sculptures: The search for artistic sculptures aims at human desire based on the design environment of the sculpture.
Planning and Design for the Installation of Sculptures at Hansae Museum, Pusan National University of Education: Curator Choi Chul-joo (2016)
Installation artist Choi Chul-joo, autographed sculpture of Hansae Museum installed according to the production drawing created by the unconscious/unconsistent semantic effect (fS) of images
Desireful Design 2, which forms the sculpture as a desire object 'ɑ' into modern concept installation art
To reveal the meaning of the exhibition theme as a being in the process of desire exhibition design is to reveal the desire of others as an object ɑ from the inadequacy of the subject to meet reality as a gaze in the repressed unconsciousness of desire in exhibition design. In other words, in order to form a new subject as an existing perceptive image, it reveals the ɑ of the object as an object, including symbolic signs and sculptures, by combining it with the other's desire for exhibition themes and a new subject to reveal symbolic meaning.
As a sign and sculpture installed here, the reality is a perceptive image of the environment around the museum. The hidden object ɑ is another gaze that started from the eye and is a perceptive image that shows the meaning of the exhibition theme as an object ɑ as a hidden being.
Forming an object ɑ as a museum's signature and sculpture as a being
The signature and sculpture, which symbolizes the museum as a representative exhibition facility, exist in reality as an object with the desire of others, and it has a double meaning with the object ɑ as an exhibition theme symbolizing the museum. As the desire of others to watch the exhibition, the ɑ of the perceptive image object conceals the existence of reality.
However, in the process of exhibition design that derives the desires of others, a topic lacking symbolism is used as an exhibition theme symbol, a cover and sculpture installed by identifying the target ɑ separated from the perceptual image, and the target ɑ is encountered as a lost other's desire hidden in the perceptual image of the surrounding environment of the museum.
This is because the object ɑ, which is the other's desire subject, exists in the subject, and the desire perceptive image suppressed by the other's unconsciousness has a symbol of social meaning as a contemporary museum. Here, before the sign and sculpture are installed, the sketch of the other's desire perceptive image is another image formed by being replaced by the contemporary desire through the process of alienation of meaning from the existing perceptive sign image as the desire of the other.
Since it reveals a desire image as a being, it sketches the meaning of other desire images as the subject of exhibition in the language of the image.
Work/ Sign Desire Design 2. Language of images of educational museum signs and sculptures (plane plan/side-view) and images (sign and sculpture images/sketch)
The work/ Sign Desire Design 2. is an image that reveals the desire of the other as a being in the other's unconsciousness through the other's desire thinking from the perspective of the desire design. If the subject matter of the sign and sculpture revealed by the desire image is real, the image of the sign and sculpture is a symbolic image of the exhibition space created by the exhibition design that derives the desire of the other.
In other words, it is the subject of reality in which the image of desire revealed in the desires of others is revealed as an unconscious being through the exhibition design process that expresses desire. This is an exhibition space formed by desire design and is a perceptual image that symbolizes the museum. According to the Choi Chuljoo’s desire formula of the metaphor <D(I...I')d=I(D...D'i)i> that hides meaning, this perceptual image is a desire image used by others as a real symbol and sculpture of a new perceptual image in the exhibition space (I...I').
In the design of the desire to identify with the surrounding environment, the sculpture undergoes cognitive changes in the surrounding environment and re-recognizes the changed perceptive image as a representative image included in the surrounding environment. This means that the object ɑ of desire existed in the unconscious desire of others as it was momentarily revealed in a sculpture that symbolized a desireful exhibition space. Its formation is a desire formula <D(I...I')d=I(D...D'i)i> that leaks images...According to <D(I...I')d=I(D...D'i)i>, an existing perceptive image is generated by connecting with another perceptive image. According to the Choi Chuljoo’s metaphor formula <D(I...I')d=IS(D...D'i)is> that conceals the meaning of the subject as an exhibition theme that has disappeared unconsciously, the process of alienation in meaning transforms the object into an object ɑ as a desireful perceptive image sketch(is).
In the exhibition design process based on the object of desire exhibition design, through the alienation of meaning, signs and sculptures of desire exhibition design are installed through sketch as a flat image, the language of images viewed from the perspective of others' unconscious desires. Desire The target ɑ of exhibition design is to grasp the image of desire separated by reality and the subject matter as reality as the same perceptual image of signboards and sculptures.
Work/ Signboard Desire Design 3: Choi Chul-joo, the moment when the object ɑ is concealed and disappears in the unconsciousness of the other as a desire image in an exhibition space formed by a desire sketch.
In Desireable Design 3, the sculpture image is separated from reality, and the desire image exists in the unconscious. This is separated from the imaginary exhibition design structure of autographs and sculptures and designs autographs through a desire exhibition design process to reveal the ɑ of objects as beings. As a result of this, Desire Design 3 is an exhibition space design to meet the perceptive image of an object ɑ as a being through a desireful gaze revealed in the unconsciousness of others in order to escape the symbolism limited to the sign function in the environment around the Hansae Museum.
Desireful Design 3 reveals the image of Perspective with the exhibition theme as the subject as the gaze of others. The image of the perceptive previously revealed in the exhibition space is the "object ɑ" as a reality revealed in the desires of others. The shape of this object ɑ generates an existential meaning in a perceptive image as another reality. In this way, the desire image as an exhibition theme based on the other's desire gaze creates a reality based on the sketch of the perceptive image expressed in the unconscious oppression of the other. Here, the unconscious desire of one other with the existing perceptive image is premised on acceptance as a selective meaning of popular demand in Desire Design 3, and the designer looks at the new perceptive image by deviating from the fixed meaning of the existing perceptive image through conversion that reveals the desire image.
The sculpture of Desiring Design 3 is the reality of perceptual images set in the exhibition space. Due to the surrounding environment of the exhibition space, the sculpture forms a presence as a cyclical image of persimmon dance and exposure. This is a reality set in an adjacent bamboo forest, and the perceptual image is converted into the perceptual image of the object and the ɑ as a presence that appears through the bamboo gap from a gaze point of view. This is like creating a small image that is momentarily perceived as images reappear in the real world. This is the image language of the object that has become a symbol, meaning symbolism and concealing the tilted side of the Hansae Museum. In other words, the symbolic meaning of the sculpture was emphasized to meet reality as the language of the image. This is the desire meaning of others who identify with the surrounding environment and form the sculpture and the surrounding environment as a perceptual image.
The originality as a work of art disappears as the flat reproduction image creates a copy image of the object. This means that the original planar design does not exist. Therefore, Desire Design 3 is a spatial concept and has the originality of being because it is a sculpture formed as a result of the exhibition process and the desire of one other.
The object ɑ, which means viewing the perceptive image as an exhibition theme through the process of alienation of the meaning of the existing sculpture due to the desire of others, exists momentarily and disappears into the unconscious domain. Forming an exhibition space with this missing object ɑ into Desireful Design 3 is the Choi Chuljoo’s desire formula <D(I...I')d=I(D...D'i)i> that reveals desire.
The connection structure between the existing and new perceptive images according to <D(I...I')d=I(D...D'i)i>. The lack of desire exhibition design (D) revealed over and over again in (I...I'), that is, the desire that disappeared unconsciously, is sketched in the unconsciousness of one other with the effect of meaning action (D) in Desire Design 3, creating a new perceptive image.
According to the metaphor formula <D(I...I')d=I(D...D'i)i> that symbolizes this, the original landmark image is replaced by an object ɑ as another perceptive image (I), and the perceptive image becomes a desire image as a new perceptive image, that is, an object ɑ. This is the transition of the desire perceptive image to the object ɑ as being in the sketch in Figure 5.3 in Work.
Therefore, according to the metaphor process of revealing images in the process of desireful exhibition design,
This is the Choi Chuljoo’s desire formula <D(I...I')d=I(D...D'i)i> that
regenerates the image...The connection structure between the image and another image according to <D(I...I')d=I(D...D'i)i> Design deficiency, that is, the desire that has disappeared into the unconscious during repetition in (I...I'), is the effect of design meaning action D, which renders the image of the desire subject in the other's unconscious to create a desire image.
According to the formula <D(I...I')d=I(D...D'i)i> that adds this meaning, the rendering of the desire subject as the original image med as the object ɑ changed from the rendering of the desire image as the mis replaced by the object ɑ as another image (I/I') and the sculpture is foreaning (d) of the image.
According to the repeated process of deriving the image of desire and adding the meaning of the image, the application to the exhibition sculpture design reveals the image of desire <D(I...I')d=I(D...D'i)i>. The connection structure between the image and another image according to <D(I...I')d=I(D...D'i)i> Repeating it in <D(I...I')d=I(D...D'i)i>, rendering is replaced by a sculpture as an image in a different sense D(I...I')d, and the original image (D-rendering) becomes an imaginary meaning (d-obect image).
Work 6.28 / Signed sculpture created by sketch as the semantic effect (fS) of Hansae Museum facade image, the sign image of object ɑ
Desire Design 3's perceptual sketch on the front is another reality that has been moved from the front and side as an image to the Hansae Museum, and the creation of symbols and sculptures is replaced by the original image (I...I')). Just as the perceptual image is replaced by another image (D...D'i) to become a symbol and form as an entity of a new perceptual image, the words of the image are transmitted from mouth to mouth, and in the desire design, Thetwo images go beyond design (D) and align with reality and abstract desire (=).
■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
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Contemporary Artworks Review 28
Art Critique & Contemporary Art Review 28
Contemporary artwork review [28] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary art examples : Contemporary Art Abstraction [14] contemporary art examples abstraction : Contemporary artist artwork & design [14] A realistic abstract painting depicting the desires of others with treacherous conceptual art composed of modern art cartoons by contemporary artist Louis Choi Chul-joo Korean News Comics Review [2] Kang Daniel has surpassed 300,000 copies in just three days since his first solo album "Color on me." : Chul-joo Choi & Kang's Korean Pop Star (2019-8-2) /Reporter Choi Chul-joo’s Cartoon Review
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Chul-joo Choi, Kang Daniel has surpassed 300,000 copies in just three days since his first solo album "Color on me." 3, a hand-painted picture on a computer, 2019
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. Kang Daniel has surpassed 300,000 copies in just three days since his first solo album "Color on me."
. Kang Daniel a dépassé les 300 000 exemplaires en seulement trois jours depuis son premier album solo "Color on me".
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Morning glory p105-4- Kang Daniel has surpassed 300,000 copies in just three days since his first solo album "Color on me." 3, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Chul-joo Choi, Morning glory p100-5-5- Kang Daniel has surpassed 300,000 copies in just three days since his first solo album "Color on me." 3 : desire's imaginary world and metamorphic formula f(S...)... By repeatedly applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i", formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
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Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p105, a hand-painted picture on a computer
Louis Chul-joo Choi, Kang Daniel has surpassed 300,000 copies in just three days since his first solo album "Color on me." 4, a hand-painted picture on a computer, 2019 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review of the concept [2] Kang Daniel has surpassed 300,000 copies in just three days since his first solo album "Color on me." / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons.■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶. Kang Daniel has surpassed 300,000 copies._ Kang Daniel a dépassé les 300 000 exemplaires
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Contemporary Artworks Review 29
Art Critique & Contemporary Art Review 29
Contemporary artwork review [29] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary art examples : Contemporary Art Korean News Review: Contemporary artist and cartoonist Louis Choi Chul-joo's abstract art work = easy example of contemporary art abstract concept: Contemporary Art News Sketch Cartoon & Abstraction [1] Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's treacherous conceptual art = Facebook-news Cartoon review [6] Omicron Spread Restricts Entry of Foreigners from Eight Countries, including South Africa (ACN ・ 2021. 11. 28. 16:21) /Reporter Choi Chul-joo’s Cartoon Review
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Chul-joo Choi, <Omicron Spread Restricts Entry of Foreigners-4>, a hand-painted picture on a computer
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. Omicron Spread Restricts Entry of Foreigners from Eight Countries, including South Africa
. La propagation de l'omicron limite l'entrée des étrangers de huit pays, y compris l'Afrique du Sud
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 87-Omicron Spread Restricts Entry of Foreigners from Eight Countries, including South Africa, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Chul-joo Choi, Bamboo Forest 87-Omicron Spread Restricts Entry of Foreigners from Eight Countries, including South Africa: Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
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Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 87, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest 87, a hand-painted picture on a computer
Louis Chul-joo Choi, Bamboo Forest 87-Omicron Spread Restricts Entry of Foreigners from Eight Countries, including South Africa 2, a hand-painted picture on a computer, 2019 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Contemporary Art News Sketch Cartoon & Abstraction [1] Pop Art Abstract Painting & Cartoon / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons.■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶Omicron Spread _ La propagation de l'omicron
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Contemporary Artworks Review 30
Art Critique & Contemporary Art Review 30
Contemporary artwork review [30] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary art examples : Cartoon news as a treacherous concept of modern realistic abstraction [15] News cartoon review & Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept : Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Contemporary Art Sketch Abstract Painting [25] Contemporary pop artist Louis Choi Chuljoo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's treacherous conceptual art = Cartoon review of the concept [12] 2019 K-WORLD Festa Opening Performance : Chul-joo Choi & Kang's Korean Pop Star (2019-8-18) /Reporter Choi Chul-joo’s Cartoon Review
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Chul-joo Choi, 2019 K-WORLD Festa Opening Performance, a hand-painted picture on a computer, 2019
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. 2019 K-WORLD Festa Opening Performance
. Spectacle d'ouverture du festival K-WORLD 2019
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 87-2019 K-WORLD Festa Opening Performance, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest 87-2019 K-WORLD Festa Opening Performance : Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, 2019 K-WORLD Festa Opening Performance 4, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p71-2-3-2019 K-WORLD Festa Opening Performance 4: Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
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Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 87, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest 87, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p71-2, a hand-painted picture on a computer
Louis Chul-joo Choi, 2019 K-WORLD Festa Opening Performance 5, a hand-painted picture on a computer, 2019 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review of the concept [12] 2019 K-WORLD Festa Opening Performance / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶Opening Performance. _ Spectacle d'ouverture.
