Artworks Review [6]: 36~40

Art Critique & Contemporary Art Review 6

Contemporary artwork review [6] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary Art Pop Art Cartoon Abstract & Conceptual Artist Choi Chul-joo Cartoon News Manwha review  News manwha KPS  (29) The funeral procession of Queen Elizabeth II of England

Webtoon News Cartoonist Choi Kwan-woo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting desine

- Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News 

Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design 

Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Contemporary Art Work: Chul-joo Choi, The funeral procession of Queen Elizabeth II-5, a hand-painted picture on a computer / Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work 

Contemporary Art Work: Chul-joo Choi, The funeral procession of Queen Elizabeth II, a hand-painted picture on a computer 

Manwha Designer Choi Chul-joo’s Cartoon News - Chul-joo Choi’s Manwha(cartoon) Review: one sentence news & news manwha design

newsmanwha - NewsCartoon:  Cartoonist & Newsbusan Culture Journalist, Dr. Chul-joo Choi's editorial cartoon line manwha-news

. The funeral procession of Queen Elizabeth II of England 

. La procession funéraire de la reine Elizabeth II d'Angleterre

Contemporary Art Work:  Chul-joo Choi, morning glory2022-a-03-The funeral procession of Queen Elizabeth II, a hand-painted picture on a computer :  Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears  ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.

Contemporary painting Artwork: Abstraction concept art works of Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept: Chul-joo Choi, morning glory2022-a-03-The funeral procession of Queen Elizabeth II, a hand-painted picture on a computer, 2023

Background image of an artist's artwork: Chul-joo_Choi, morning glory 2022-a-03, 90X114cm, acrylic and composite materials on cloth, 2022  [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review Korea News Cartoon Review - News manwha KPS [29] The funeral procession of Queen Elizabeth II of England

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Contemporary Artworks Review 36

Art Critique & Contemporary Art Review 36

Contemporary artwork review [36] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art:  Cartoon Criticism: Korean contemporary cartoonist & contemporary cartoonist and historical artist Choi Chul-joo's Cartoon Design Review – Contemporary Art Cartoon Exhibition Reviews: Manwha critic Choi Chul-joo's Manwha Design Criticism

Korean Contemporary Cartoon Designer Choi Chul-joo's News Manwha Exhibition = News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation: A line News of Choi Kwan-woo’s Manwha Review, Newsbusan Manwha Review, Manwha Review Choi Chul-joo. K-Pop Star 20191129-20191205, Hansae Museum

 

A realistic abstraction of the concept of desire based on Cartoon Manpyeong, which uses photographs of Choi Chul-joo's events as webtoon news cartoon design works

Korean Contemporary Cartoon Designer & contemporary cartoonist and historical artist Choi Chul-joo's "News Manwha Exhibition": News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation: A line News of Choi Kwan-woo’s Manwha Review, Newsbusan Manwha Review, Manwha Review K-Pop Star

Choi Kwan-woo's cartoon review "a line News of Manwha Review" is a Korean contemporary news manwha with a single cut of cartoon

According to a line of news in the manwha review, it is not an actual news image but a cartoon to show the consciousness of news.

This is because of a line of cartoon review that comics reveal meaning within the realm of news. In other words, the effect of attracting attention to news cartoons is one sentence that reviews the standards of news images.

Euclidean geometry of visual space concept caused the meaning of a new time in Albert Einstein's theory of relativity to perceive the visible space of visual image

In modern times, it is news cartoon art that consists of a phenomenon of formative geometry that reconstructs space into cartoons. This is a contemporary cartoonist and historical painting that shows the same phenomena of events and life as the historical painting until modern times.

 

 

Choi Chul-joo(崔徹柱), a contemporary cartoonist and historical artist(現代漫畫美術歷史畫家), speaks of meaning as a line of comic reviews.

 

Nevertheless, it sheds light on the news through realistic cartoons as an invisible comment.

Therefore, news comics eliminate the illusory space of the figures shown in the news through non-perspective space descriptions to describe the meaning of events without reproducing reality. It's a contemporary cartoon, like Picasso, that expresses the object in time. and reconstructs the pictures of events with a stationary time and draws realistic cartoons with metaphors of a line of review language's concept.

The meaning of a manwha review in a single line of news is a comic image structure in which the meaning of a single line of news is drawn in a single image, resulting in the retroactive meaning of the news, and the metaphorical meaning behind the sentence of a cartoon review is disclosed.

This cartoon is a Korean cartoon, or manwha, with a image of cartoon reviews and a line news of reviews, discussing the authenticity of the incident tailored to the news and portraying its image as a cartoon.

In this way, it's "A line News of Choi Chul-joo’s Manwha Review" and "NewsBusan Manwha Review" to draw the news of the incident in a single cut cartoon and describe the cartoon in a single line reviews. "Manwha Review Choi Chul-joo.Kang Gyeong-ho K-Pop Star" describe the Korean News of incident in a single sketch cartoon

This is the same as cartoon critic Choi Chul-joo's "A line News of Choi Chul-joo’s Manwha Review", as he did of cartoon reviews "Ko Woo-young's Suhoji.“

In other words, there is a retroactive semantic effect in a line of cartoon review, with the simultaneous appearance of language and linguistic expression, and thus an image cartoon meaning the whole cartoon review.

As a contemporary Korean cartoon designer, Choi Chul-joo reconstructs the incident photo of the news as a process of drawing cartoons, drawing a sketch cartoon of the news with the concept of the background of the incident and a line of cartoon reviews. It is a cartoon of several scenes arranged like storyboards with news processes and results in one result of the news like a storyboard.

Therefore, Choi Chul-joo's cartoon review "A line News of Choi Chul-joo’s Manwha Review" is a combination of a realistic cartoon sketch of a photo and a cartoon review in line with the events carried out by the news.

Reconfigure the background picture of an event to match what an event calls a new meaning of cartoon reviews and draw attention to a cartoonized distinct cartoon sketch.

And he draw like a scene in an episode with a realistic cartoon sketch so that the thema of the event and the scene of the incident will be presided over.

Internet newspaper (www.newsbusan.com) NewsBusan, epitomizing the news cartoon make the cut, since September 10 in 2018 and comic sketches and line up in the news.

It is Cartoon reviews Choi Chul-joo and KangG yeong-ho's K-Pop star that made the news of Korean celebrities' incidents into a cut in an episode of a cartoon reviews.

"Choi Chul-joo's Manpyong K-pop STAR" section is newly established in NewsBusan (July 31,19) to introduce cut cartoons and cartoon reviews featuring K-pop stars covering new talents and stars.

In addition, Choi Chul-joo's Cartoon Critic 'A line News is a cut cartoon reviews with events and eye-catching news in the world of the global village.

Cartoonist as a conceptual artist Choi Chul-joo, 'Jeongcho and Inwangsan Tiger,' Marker on Paper, 2010

"A line News of Choi Chul-joo’s Manwha Review" is the same as a sentence in the speech bubble of the cartoon (Jeongcho and Inwangsan Tiger), which was drawn along with Korean first-generation cartoonists Cho Kwan-je, Jo hang-ri, Shin Moon-soo, Kim Ma-jung, Yoon Seong-yoon, Lee Jung-moon, Kang Chang-wook, and Seo seo-young at "The Tiger Year" held in 2010.

Choi Chul-joo's cartoon reviews started with a line news of manwha review that was displayed in a speech bubble(There's a tiger who doesn't even know about Inwangsan!) at "The Tiger Year" held in 2010.

In the exhibition, a line of cartoon reviews (There's a tiger who doesn't even know about Inwangsan!) was displayed in a speech bubble, which is the beginning of the current Choi Kwan-woo cartoon review news drawn by modern historical artist Choi Chul-joo.

It is a cut cartoon with a sentence of cartoon reviews conceived by the tiger proverb at the time, and Jeong-cho, a beautiful woman, and a tiger looking at woman from behind. 

This is a modern art work that is shaped as a pop art of modern art, and is a pop art that introduces a new concept that reproduces conceptual art in cartoons.

This a line(sentence) of cartoon reviews depicts a combination of developments and consequences, as the proverb says in a cut cartoon, which reconstructs the truth of the incident, the picture of the incident and the daily story.

It actually provides an image of the contemporary ritualistic phenomenon and the K-Pop entertainment industry's news incident structure through sketch cartoon.

It also provides a glimpse of events and news in the global community and everyday life and death.

For example, at the February 2002 summit between President Bush and President Kim Dae Jung, there was a big difference in views on North Korea. I was going to publish the one-cut and four-cut comic "Dongsangimong" in the newspaper, but I couldn't

Since then, Choi Chul-joo(Choi Kwanwoo), a reporter specializing in news Busan culture, has started drawing "News Busan Manpyeong(satirical cartoon)" in News Busan since 2018 (September 10).

One cut news manwha is a cut cartoon that combines process and results of event with a single sentence of cartoon reviews that match the event in the visual by sketching the character of the incident as a sketch of photo.

One cut cartoon shows its meaning and one sentence of the cartoon review takes its meaning by enjoying the cartoon image. The meaning here is equated with the image of the cartoon and becomes a significant space for the viewer to see its meaning.

The space embodies the nature of the news cartoon reviews by allowing emotion to look like the main character of the event and the actual event scene.

Choi Chul-joo's Cartoon News is a cartoon that presents news. The comic strip depicts the vibrations of events as a single cut cartoon with the beat of the news repeated over and over again.

Thus, the cartoon equates any outward image of the event scene to a level of meaning in the structured cartoon centered on the actuality of the news.

The news in a chain of space-levels vibrate like the everyday life of the global village.

Go to the review of cartoons and review them to match the events, making the news of the cartoon review and adapting the images of the news to the event like cartoons. / Writing. conceptual artists.Louis Chul-joo Choi (historical artist & cartoonist)

Louis Choi Chuljoo 

                                                                   

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation: Newsbusan Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Newsbusan Manwha Review & Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

 

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

 

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Newsbusan Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Newsbusan Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

 

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Newsbusan Manwha Review & A line News of Choi Kwan-woo’s Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Newsbusan Manwha Review

 

 

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Newsbusan Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

 

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : A line News of Choi Kwan-woo’s Manwha Review

News Cartoon Artist & Installation Artist Louis Choi Chuljoo's historical painting with conceptual image installation : Manwha Review K-Pop Star

The concept of desire is realistically abstracted as a historical painting based on the photograph of the event by using the photograph of Choi Chul-joo's case as a design work for webtoon news cartoon review

Louis Choi Chul-joo's desire concept image in an event Historicalization: Great powers are selling weapons to the brink of war amid trade tensions with smaller nations 

 

 

Louis Choi Chul-joo's desire concept image in an event Historicalization:  When you see gain, you throw away what you think

 

 

Louis Choi Chul-joo's desire concept image in an event Historicalization: judge a country's crisis and eliminate its pitfalls

 

 

Louis Choi Chul-joo's desire concept image in an event Historicalization: The Bank has begun scaling back its size and staffing as part of its role in social makeup

 

Louis Choi Chul-joo's desire concept image in an event Historicalization: It is a crime to turn your life around by attacking people who are moving your country

 

Louis Choi Chul-joo's desire concept image in an event Historicalization: China fought back in a trade war with the United States

 

 

Louis Choi Chul-joo's desire concept image in an event Historicalization: Chinese feet to match American shoes

 

 

 

Louis Choi Chul-joo's desire concept image in an event Historicalization: Mexico 'Don't be stimulated by US immigration dispute' by immigration dispute

 

 

Louis Choi Chul-joo's desire concept image in an event Historicalization: throw away the polluting water that would be catastrophic and cause disease

 

 

Louis Choi Chul-joo's desire concept image in an event Historicalization: Reconciliation takes precedence over politics

 

 

Louis Choi Chul-joo's desire concept image in an event Historicalization: Stocks lose money even if they think carefully

 

Louis Choi Chul-joo's desire concept image in an event Historicalization: Theresa May to drop out and Britain to welcome new Prime Minister / Conceptual Artwork Criticism: Korean news cartoon review [115] Theresa May quits: UK set for new PM by end of July. (2019.5.27.) / Reporter Choi Chul-joo’s Cartoon Review 

Korean News Cartoon Review [115] Cartoon art work designed by Louis Choi Chul-joo, an abstract artist of modern art, as a dangerous conceptual art of realistic abstraction

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life. It's a treacherous conceptual art called realistic abstraction, the cartoon news of modern realistic abstraction. 

- Conceptual artist, contemporary artist, abstract painter, media artist, pop artist, cartoonist & cartoon critic Choi Chul-joo cartoonist, pop artist, contemporary art work, pop artist who draws webtoon news, contemporary artist, concept artist, cartoon critic Choi Chul-joo.

- Choi Chul-joo, contemporary cartoon art historical painting & contemporary concept image installation artist's work

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.

Cartoon news as a treacherous concept of modern realistic abstraction [5] News cartoon review & Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept

Korean news cartoon review [115] Theresa May quits: UK set for new PM by end of July. (2019.5.27.) / Reporter Choi Chul-joo’s Cartoon Review

. Theresa May quits: UK set for new PM by end of July.

. Theresa démissionne en mai : L'Angleterre va accueillir un nouveau Premier ministre avant la fin de juillet.

Abstraction concept art works of Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept: Louis Chul-joo Choi, morning glory p38-4-Theresa May quits, a hand-painted picture on a computer, 2022

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 [Additional writings and Paintings]

Artist background image of Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept :  Louis Chul-joo Choi, morning glory p38, a hand-painted picture on a computer, 2022

Cartoon news as a treacherous concept of modern realistic abstraction [5] News cartoon review & Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept : Korean news cartoon review [115] Theresa May quits: UK set for new PM by end of July. (2019.5.27.) / Reporter Choi Chul-joo’s Cartoon Review / Comics critic & cartoonist Choi Chul-joo, current affairs cartoon review, pop art cartoon news, cartoon review, and conceptual cartoon review. / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons.■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶Theresa May has said she will quit as Conservative leader on 7 June, paving the way for a contest to decide a new prime minister._ Theresa May a annoncé qu'elle quitterait son poste de leader conservateur le 7 juin, ouvrant ainsi la voie à un concours pour décider d'un nouveau premier ministre. [Sources : www.bbc.com/news/uk-politics-48395905]

Desire Concept Image Installation Design: The "K-POP STAR" section was newly established in News Busan (July 31, 2019), introducing the activities of K-POP stars that encompass stars in cut cartoons and cartoons. 

  

 

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Contemporary Artworks Review 37

Art Critique & Contemporary Art Review 37

Contemporary artwork review [37] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Contemporary Artist Movement & Contemporary Artist Louis Choi Chul-joo's Contemporary Art Design & Review [15] Contemporary Art Review that actually abstracts the abstraction of the concept of desire and abstract art with realistic conceptual art design : Famous Contemporary Abstract Artist Louis Choi Chul-joo's treacherous Concept Art Abstraction 'morning glory' Abstract Design & Contemporary Pop Art Abstract Artist Louis Choi Chul-joo's <It's hard to see a morning glory exhibition due to COVID-19>

Art review of the artwork posted on Facebook: Famous contemporary artist, modern painter, abstract painter & contemporary pop art abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'morning glory' 

2022 New York Exhibition: Louis Choi Chul-joo's concept of desire is realistically abstracted on display, 20220301~20220308 Flushing Town Hall, New York

 

Louis Choi Chuljoo,, It's hard to see a morning glory exhibition due to COVID-19, a hand-painted picture on a computer  

Louis, Choi Chul-joo, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021/ 2022 New York Exhibition: Louis Choi Chul-joo's concept of desire is realistically abstracted on display, 20220301~20220308 Flushing Town Hall, New York

 Louis Choi Chul-joo's 2022 New York Exhibition is a renowned contemporary art work by a contemporary art critic in the field of photography aesthetics and cultural design theory, creating a pop art abstraction of contemporary photography that interprets the aesthetics of photography through photography criticism. One of his notable works is the realistic abstraction of morning glory against the backdrop of the concept of desire. 

The concept of his work realistically designs events and performance scenes with the concept of desire to explore the image structure of conceptual art and produce abstract designs that are considered examples of modern art.

His work reveals spatiality and temporality as an abstraction of the concept of desire with reversible light that explores realistic abstraction as treacherous conceptual art.

This is an example of the realistic abstraction art movement of his desire concept, which produces abstractions based on contemporary art concept abstract works related to the <morning glory> poster 100 and expresses this as a modern concept abstraction symbolizing the design of shape as a semantic structure of the concept of desire. 

Louis Choi Chuljoo,, Abstract Painting Poster-100 Painted With Desire Concepts at 2022 <The morning glory Exhibition>, a hand-painted picture on a computer  

Louis Choi Chuljoo,, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021

 

The object (Luis Choi Chul-joo 2022 New York exhibition morning glory 2021-e), which depicts the meaning of the shape seen in the meaning space created by the reversible light of the non-real shape, represents an abstract space that can reverse the object into a real shape by structuring the meaning of the image that hides the desire of the other in the temporal shadow, and the image in the mirror shows the concept of desire of the abstract image that reveals the place of the other's unconscious desire with a non-real virtual image.

 

The concept of desire refers to the concept of abstract meaning, desire, which is obscured by the actual change in the shape of the exhibition poster by constructing the meaning of a certain shape in the shade of reversible light and the meaning of the image hidden by the long time in which the desire of the other is shared by the meaning of abstraction, or desire, is hidden by the actual changed movement of the exhibition poster shape.

This is a dwarf planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure with a non-realistic shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-real as an ideological non-formal existence with different colors and sizes.

 

Its existence is an abstract painting that defines abstract space as a real reversible shape and whose shape is obscured by actual changes in the shadow of reversible light, which refers to the abstraction meaning of exhibition poster concept art.

Louis Choi Chuljoo,, <Omicron Spread Restricts Entry of Foreigners-2>, a hand-painted picture on a computer

Concept of Desire Replaces the meaning of phenomenal abstract places with exhibition posters Art abstraction can distinguish places of shapes while conceiving the meaning of planes that interpret them. Images have different meanings because they are abstract in color and size similar to ideological structures, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, the image of the object and the abstract meaning of the object are identified with the image of the object, and the object forms an internally transformed abstract meaning. This means that the abstract meaning of the figure that defines the abstract space that can actually be reversible and the design meaning of the abstract figure whose shape has been changed by the movement of the actual changed figure are obscured by shading.

Its meaning is a symbolic word that imitates the desire of others, such as COVID-19 <Omicron Spread of Foreigners Entry-2>, and is conceptually designed as several abstracted <morning glory>.

Louis Choi Chuljoo, morning glory p45-3-COVID-19, a hand-painted picture on a computer  

In the abstract <morning glory>, we design a figure representing the desire of others and reproduce it as an abstract object as a concept of desire. The mechanical diagram of the perspective visual system abstracts the concept of desire as a different momentary gaze from the perspective of the desire of others revealed unconsciously by creating a place in one shade with reversible light concealed by the visual system.

The concept of desire abstracted as a conceptual art forms a dwarf image expressed through the repressed unconscious desire of others to acquire artistry beyond generality, creates desire as a shadow of conceptual formality along with the desire of others as beings, and exists as a meaning.

 

Desire as a semantic entity reveals the desire as another entity of the object by transforming the image of the object into a structure of meaning from the other's desire perspective, and contains a formative value as an autonomous choice of the other's desire.

And, painterly, a small piece as the other's desire hidden in the background of the morning glory shows a real abstract space that is reversible through the meaning movement of the image that actually changes the shape. This is where the other's desire is abstracted into a space where the object can be actually reversible in the meaning of the existence of an abstract object.

The desire of the other emerges by repeating the formula that reveals the meaning of the shape covered by the actual changed instantaneous movement of the shape as the concept of desire.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. 

The meaning of the shape obscured by the actual changed instantaneous movement of the shape results in linguistic abstraction. In other words, the realistic form of the other's desire in a momentary event is linguistic abstraction of the same meaning. Verbal abstraction is a conceptual art with a cultural background of morning glory and bamboo. Abstraction creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in momentary events.

In everyday life, "morning glory 2021-e", it rejects the two-dimensional floor plan and divides the fantastic plane into two planes, creating a shadow of reversible temporal perception by being seen as a fabric structure so that others' desires can be recognized as reversible shadows. It is difficult to reveal an object called a structure of beauty hidden in a hidden structure that exists as a shadow attribute in a picture that converts it into a system that approaches perception and paints symbolic representations as meaningless beings. 

The perceived symbolic representation is a linguistic composition that lacks a formative aesthetic structure that looks well like cloth. In other words, the perceived symbolic expression is a linguistic composition that lacks a formative aesthetic structure in which the image is clearly visible on the surface of the cloth.

It is a virtual image that is recognized as a representation as a plane image but hides reality. An image is an aesthetic structure hidden from the perspective of reality and belongs to a semantic structure as a virtual image belonging to the structure of desire.

 

<morning glory 2021-e> is a background shading by manipulating the background of the morning glory with reversible light on the surface of the cloth made of intersecting threads. And the light reflected through a small hole in the fabric is an abstract image that overlaps with reversible light in an unrealistic picture to extend the plane of the object. The meaning of the image is that the reality of the existing universality encountered by the morning glory, which represents the other's desire, overlaps with the reversible light to decorate the entire space with the meaning of color. 

The morning glory has no light setting, while the background is painted in the style of a Quattrosento painting. 

This is the process of transitioning from the imaginary world to the symbolic world, where the non-existent as reality and the image, that is, the image reflected in the mirror in the imaginary world, coexist. It reproduces the reality of morning glory as a coexisting image, but the background image identifies it with morning glory, but the metaphorical meaning of reality does not match the shadow color and assimilated image. Its meaning is metaphorical like the language structure, so it is not the same as the shape of the morning glory. Therefore, the meaning structure of the shadow created by reversible light with different images from morning glory in terms of what reality is is an object as another reality from a non-real shadow. This is not an image as a subject, but an object of reality as a being with the desires of others.

Contemporary Artist, Modern abstract artist Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20220308~ 

20220310 Yeomyeong Hall, New York.

Chul-joo Choi, morning glory 2021-e-back, 114X169cm, acrylic and composite materials on cloth, 2021/ Lacan painting exhibition showing the shade of object ɑ with reversible light, 20211223-2021125 Gwangan Gallery.

 

As a concept of desire, images that are deviated are consistent with the visualization of photographic images with collages. This is because it is an image created by the desire of others in the theoretical system of desire images with irrelevant gaze areas, whether flat or three-dimensional. In <morning glory 2021-e-back>, among the three morning glory as an object, the morning glory below the center is a distorted image, and the image of desire is an image of gaze. 

Here, morning glory refers to the existence stopped by a momentary gaze in the continuity of reversible time. 

The image in <morning glory 2021-e-back> shows the existence of reversible timeliness by flattening the morning glory according to the perspective visual system margin and reversible timeliness of the object, not actual.

However, although the existence of morning glory is reproduced, the morning glory is confirmed by the background image of desire, but it does not match the actual desire. It is the semantic structure of shadows created by reversible light that differs in image from morning glory in terms of what existence is. It is an object as a being with a reversible temporality different from a non-real shadow. 

Therefore, the object is not an image as a subject, but as a being as a desire of others.

 

The morning glory below the center connects reversible light to form the process of time to indicate the direction by determining the position of existence and the space in which it exists. The morning glory formed at one light source point of view does not have any sense of quantity. Here, the morning glory is a partially fragmented image like a collage. In this way, each partial image exists in space as the fragmented shape is exposed at the same time.

A flat, morning glory is the form of a subject generated by the observer's gaze. This shows a flatness converted to a desire image by extracting beings connected in one color with reversible light through morning glory that have eliminated the sense of quantity and contrasting the morning glory as external images with several reversible lights in the background. 

Desireful gaze cannot be selected as a visible image that reproduces real and non-real objects depending on the viewpoint of view, and a photographic image that expresses a real image is identified as an image as non-real. Therefore, the existence of the object is a dwarf image similar to Desire's object. 

Therefore, the desire' gaze that sees the shade created by reversible light reproduces real and non-real objects according to the viewpoint of view. The structure of the shade cannot be selected as a visible image, but it refers to the meaning of an object that reverses the desires of others by looking at the concept as a real image. 

And as we examine the cartoon images of events and performances, we see the existence of an object of desire as a concept that is understood as an unrealistic image, a real image that is conceptually similar to the object of desire. / Writing. Art critic Choi Chul-joo (abstract painter and Ph.D. in cultural design)

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Contemporary Artworks Review 38

Art Critique & Contemporary Art Review 38

Contemporary artwork review [38] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Modern Art and Cultural Design [3] Contemporary Artist Louis Choi Chul-joo's Contemporary Artwork Review & Contemporary Artist Art Exhibition Art Review / Contemporary Artist Contemporary Art Critic / Cultural Design Critic Louis Choi Chul-joo Contemporary Art Desire Design Review : Reading New Works of Contemporary Art - Non-realistic Abstract Design as Desire Meaning Structure; Posters and Abstract Designs that symbolize the exhibition image of a painting (3) = Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design / The Desire of Chickens to Become Chickens as Infants: Modern Abstract Painters & Korean Painters Louis Choi Chul-joo 2022 New York Exhibition Modern Art Works <morning glory 45-03> & Choi Chul-joo's desire formula D(I...I')d=I(D...D')i

Contemporary Artist, Louis Chul-joo Choi ’s thread painting: <morning glory 45-03> / 2022 New York "morning glory" Exhibition: Louis Choi Chul-joo's exhibition featuring images of objects of desire and Picasso's separate stereoscopic structure, 20220301-20220308 Flushing Town Hall, New York.

Contemporary Art Design; Contemporary Art Painting Design with Specific Effect as Visual Culture as a semantic function of image structure of desire concept and phenomenon image based on the concept of event and performance image and realistic design abstraction

    

 Painting docent as Lacan conceptual art: Lacan conceptual art faces artistic ideas. It visualizes the phenomenon of progressive phenomenon and results as painting objects of Lacan's an imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 라캉적 도슨트)

Desire Conceptual Art Docent: Conceptual art through Choi Chul-joo's abstract art theory, which transferred Lacan's art theory to the concept of desire, visualizes the progress and results of imagining the concept of desire and the object of existence while facing artistic ideas.

The image of the sculpture in Choi Chul-joo's abstract art theory appears to be created as a separate stereoscopic at the intersection of a drawing or painting that is regularized as an elevation or other distorted gaze. This is a perceptive image that appears to be several reversible lights in a certain direction.

In the sculpture, the desire of the other lies in the light hidden in the sky, but the place where the light forms is on the fixed ground. If the sky and the earth without a shape are real in that place, the structure of desire is now an abstraction of the factual structure that existed in that place. The representative of the abstract is <Choi Chul-joo morning glory & Bamboo Forest>. This is a structure of desire created by reversible shades of light, which is not a fixed sculpture, but a realistic, non-real figure that makes the existence of a concept recognized. By distorting the pattern hidden in the same image and shadow of the sculpture and lighting it in a real color through a reversible shade of light so that the pattern can be seen, the shape of the reality can be recognized as a being. (Louis Choi Chuljoo Painting and Sculpture Image Installation Performance Concept)

 

Louis Choi Chul-joo Painting and Sculpture Image Installation Performance Conceptual Art Abstraction of Reality Painted at 2022 New York Exhibition : an abstraction poster<morning glory 45-03> 

Shape image as a conceptual semantic structure of desire: The object of desire <morning glory 45-03>, which designed the image as an object, is a real conceptual art image of real morning flowers by linking the non-real conceptual art image <morning glory 2022-h> with reversible shades of light. This means <Corona mutant viruses 6> transferred from <morning glory 2022-h>, and it is an object of desire that is painted with image as reversible light.

The shape of the object is an abstraction as a modern conceptual art work that is repeated by overlapping "Corona mutant viruses 6" as a reversible shade of light on "morning glory 2022-h", which is the design of the shape, that is, the concept of painting, symbolizing the image of "Corona mutant viruses 6" as "morning glory 45-03". 

Louis Chul-joo Choi, morning glory 2022-h, 149X185cm, acrylic and composite materials on cloth, 2022

Louis Chul-joo Choi, morning glory 2022 p45, a hand-painted picture on a computer

Louis Choi Chul-joo, morning glory 2022-h, 20220301~20220308 Flushing Town Hall, New York.

Contemporary Art Critic & Conceptual Artist Choi Chul-joo's contemporary conceptual art is the concept of early conceptual art, the return of painting, or conceptual art created by painting work. 

As a result, "morning glory 45-03" refers to the meaning value of the non-realistic realistic image "morning glory 2021-h" while criticizing phenomenal images such as current events, and is transferred to the actual non-real image "morning glory p45" as a conceptual art.

Beyond mathematical concepts and philosophical meaningful linguistic interpretations, this combines critical perspectives and life values of desire painting with satirical photographs of events. desire painting here means a conversational personality that can be perceived momentarily by staring at the desires of others rather than arbitrary philosophy. (ACN · April 20, 2022 / New York Exhibition New York Exhibition Docent 1)

Therefore, the shape frame of the morning glory is drawn differently from objective reality and representational conceptual art so that you can experience the distorted background of reality according to timeliness from the desire of others in rationalization, because the object is a realistic image of a real object separated from the reality transferred from the symbolic world.

 

Abstract Painting designer Louis Choi Chul-joo, designs the image of the painting by shaping desire's art theory as a storyboard.

Desire Design Methodology in Abstract Art Theory on Painting Design, Modern Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Corona mutant viruses 6> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted. 

This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory 45-03> becomes a non-real abstraction of reality.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.

■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

Louis Choi Chul-joo, Corona mutant viruses7, a hand-painted picture on a computer

Desire Object <Louis Choi Chul-joo 2022 New York morning glory 45-03> The shadow scheme that reproduces the abstract representation image object hides the visual system, but is an abstract object that shows the unrealistic image revealed by the unconscious from the perspective of desire.

The desire of objects hidden in abstraction forms a dwarf image expressed through the other's suppressed unconscious desire to acquire artistry beyond generality and creates a desire of objects as beings, revealing the conceptual artistry of real and unrealistic abstraction by using the image of the other's desire as a semantic structure.

This replaces Choi Chul-joo's desire formula, which represents the meaning existing in Louis Choi Chul-joo's 2022 New York exhibition poster image, to reach a conceptual image of a divided desire to abstract another morning glory against the backdrop of pleasure and desire impulse. It shows the real image of the desire of the morning glory, which conceals the desire and inconsistency imagined by the morning glory with reversible shades in the visual system (Choi Chul-joo's desire formula D(I...I')d=I(D...D')i)

Louis 2022 New York exhibition 'morning glory 45-03' metaphorically expresses the meaning of life as a reality, a separate area from the realm of the symbolic world. There is no object to express, and the desire meaning of man as a cover-up overlaps with several reversible shades of light. In other words, it is not possible to distinguish which subjects are in the two phases, but these two images are identified as objects to be shown. Here, you can see an image different from the actual image, and the other person's morning glory cheers. The cheering morning glory is again overshadowed by reversible light because it is satisfied with images that are different from reality.

The satisfaction of others' desire for morning glory is another morning glory that equates images of other images with the same symbols as those of reality in the mirror, metaphors each other's desires with exhibition posters, and conveys meaning (signifier). As a visual culture of the semantic action of desire, the area of the painting where certain effects occur is <morning glory 45-03>, and the image that can see others' desires function visually in the landscape shows the actual and unrealistic expression of desire superimposed on the reversible shadow object of light to express the image of desire as an abstract image.

 

Louis Chul-joo Choi, morning glory p45-3, a hand-painted picture on a computer, 2022 

The image of the structure of desire is an idea applied to Choi Chul-joo's desire formula by recognizing what is not in reality as the desires of others. 

The image is an abstract image that depicts the unconscious and language alike. The morning glory you see here is a crooked structure with flat colors. This is Choi Chul-joo's concept of desire. So this is a crooked planarity that seems to have the consistent meaning of the morning glory in art conception. The flat image of the morning glory is an abstract desire image that sees the same conceptual art as the reality reflected in the mirror, but the shape of the background reflected in the shadow of reversible light is not the same.

Louis Chul-joo Choi, morning glory 45-03, a hand-painted picture on a computer, 2022 

 <morning glory 45-03> Meaning of Abstract Desire: 

The abstract meaning of art as a modern art abstract work <morning glory 45-03> is a cross-sectional image of another cultural space that seems to be an object of change in custom, revealing the infant existence of a chick hidden in the shade of a morning glory as a chicken. 

Louis Choi Chul-joo is an abstract painting depicting morning glory in 2022 New York Exhibition as an invisible desire piece in an abstract space, concealing the desires of others in the background of the morning glory, and overlapping objects in the shadow of the background of the "morning glory"

Here, the object hidden in the background of the 'morning glory' is a small piece as a desire of others. In fact, it abstracts reversible real space through the movement of symbolic weights that change the shape of the sculpture. 

Assuming that space is a desire image formed by reversible shades of light, reality exists as an abstract and imaginary image that reproduces reality in a similar way.

Louis Chul-joo Choi, morning glory 45-02, a hand-painted picture on a computer, 2022/ 현대미술 회화 디자인: 개념적 의미 구조로서 형상 이미지를 기호화한 오브제 디자인

Image Design Abstract as Conceptual Meaning Structure: Desire Conceptual Poster Abstraction as desire image 

"morning glory" is an object of desire painted in the form of an imge desire, reflecting the back of an image made by metamorphosis of desire, which means the reality of morning glory.

The image of the object of desire is an abstraction of contemporary art related to the Flushing Town Hall & Yeomyeong Hall poster in 2022 exhibition, which is related to the desire concept, which is a abstract modern conceptual art that repeats the desire of the image as an exhibition image of the painting.

 

Abstraction is thinking about the meaning of the other side because the more you see the form and distinguish the difference, the more you understand the form in one direction, and when you talk about abstraction with a specific image, it becomes a symbolic structure with different colors and sizes. 

But desire abstraction, which has the same meaning as a conceptual form, is an abstraction with a realistic image structure of non-realistic concepts such as posters.

Therefore, a realistic abstraction is a real image with the same color and size of an object with a different abstract meaning than an abstract painting with the same meaning of a different shape.

Louis Chul-joo Choi, morning glory 45-01, a hand-painted picture on a computer, 2022  

The object (Louis Choi Chul-joo 2022 New York exhibition morning glory 45-03), which depicts the meaning of the shape seen in the meaning space created by reversible light, represents an abstract space that can reverse the object into a real shape by structuring the meaning of the image that hides the desires of others with timeliness, and the meaning of the conceptual abstract, hidden by the actual changed movement of the shape, shows the desire of the object of the abstract image that reveals the place of the unconscious desire of the other as a non-real virtual image.

Conceptual artist Choi Chul-joo's abstract design is a return to a painterly painting with a conceptual mystery, a conceptual art design created by a painterly work. So his contemporary conceptual art criticizes phenomenal images such as current events, but also speaks and abstracts design values with painterly character.

In art, off-the-shelf can't replace painting, it's a concept created like Marcel Duchamp and a message according to the philosophy that his sympathizer Joseph Kossut speaks of. 

On the other hand, Choi Chul-joo's conceptual art abstract design, which is based on the illusion of infant imagination in Choi Chul-joo's Abstract Desire art theory, contains the meaning of the concept in desire conceptual art abstraction images, combines critical perspectives and the life value of desire paintings with field photographs of events, beyond mathematical concepts and philosophical meaningful linguistic interpretations, and combines desire conceptual art abstract design with critical perspectives. 

Here, desire conceptual art abstract design refers to an abstract design that can instantly recognize the desires of others through a gaze rather than an arbitrary philosophy. (Choi Chul-joo Conceptual Art Abstract Design Interpretation)

 Desire for Picture Design Concept Abstraction Docent: Modern Art Critic Choi Chul-joo Desire Design Methodology: Choi Chul-joo Desire Image <morning glory> is expressed as the desire formula  <D(I...I')d=I(D...D'i)i>. By applying  <D(I...I')d=I(D...D'i)i>, overlapping the shades created by reversible light, applying the desire formula by repeating verbal metaphor images, and setting a phenomenal place in another place in one space as a shade of reversible light. As a cultural space, the image of <morning glory p45-03> designed as the conceptual art of desire at the 2022 New York Exhibition Center in Louis Choi Chul-joo has become an abstract painting that embodies the object of desire.

 

■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.

The image of <morning glory p45-03> designed as the conceptual art of desire at the 2022 New York Exhibition Center in Louis Choi Chul-joo has become an abstract painting that embodies the object of desire.

 

 The abstract area of painting, which has a desire specific effect as a meaning of <morning glory p45-03> in conceptual art, is an image that allows you to see the desire of others who function gazefully in the landscape. 

This is a planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure with a non-realistic shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-realistic as an ideological non-formal existence with different colors and sizes.

Its existence refers to the abstract meaning of conceptual art, which defines abstract space as a real reversible shape and whose shape is obscured by actual changes in the shadow of reversible light.

Desire conceptual art abstraction, which replaced the phenomenal place of abstraction meaning with a poster, can distinguish the place of the shape, conceiving the meaning of the desire's surface that interprets the shape. The shape is abstract in color and size similar to the meaning of the ideological structure to say a different meaning, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, so that the image of the object and the abstract meaning are identified with the image of the object, and the subject internally forms a modified abstract meaning. This refers to the abstract meaning of the shape, which defines an abstract space that can be actually reversible and refers to the design meaning of an abstract shape in which the shape changed by the actual changed movement of the shape is covered by shading.

Its meaning is designed as a symbolic language that symbolizes flowers that imitate the desires of others and is abstracted as <morning glory p45-03>.

Desire's object (Louis Choi Chul-joo 2022 New York exhibition morning glory 45-03) is reproduced as an abstract object by designing a shape that represents the desire of others in the abstract <morning glory>. In the desire's diagram of the perspective visual system, the visual system creates a shadow of reversible light concealed, and each of the desire objects as a different momentary gaze is abstracted from the other's desire perspective revealed in the unconscious.

In this way, the object abstracted as a desire conceptual art forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality, creates a desire object as a shade of formality with the desire of the other as an existence, and exists as a meaning.

As a semantic entity, the object of desire transforms the image of the object of desire into a structure of meaning with a distorted image from the perspective of the other's desire, revealing the image of desire as a different entity of the object, and implies formative value as an autonomous choice for the other's desire.

And a small piece of the other's desire, painterly hidden against the backdrop of a chicken's morning glory, actually shows a real abstract space that can be reversed through the thought movements of images that change shape. This means that the desire of the other exists as an abstract object, and actually the desire object is located in a realistic abstract space shaped on the back of the painting.

<morning glory p45> "Flame" is a meaning in which the desire of the other exists as an abstract object against the backdrop of the 2022 New York exhibition, and in fact, the object of desire is located in a realistic abstract space in which a Covid-19 image is embodied on the back of the painting.

The place of abstract space is no longer specified as abstract, but is displayed as conceptual art and abstraction. Abstraction begins in real life when an infant as a chick grasps the reality of a chicken along with the imaginary world of the image of desire reflected in the mirror. Recognizing that the image of desire as a subject is not itself, the image is transferred to abstraction by interpreting it as a symbolic world through separation from the symbolic image and reality. Abstract images and reality meet reality through division. It reveals the image of desire as a distorted image into reality, but it is an unrealistic reality, which is an encounter with reality, that is, abstraction.

The reality of the shape made up of the other's desire meeting with reality shows a non-realistic realistic shape that represents the meaning of the abstract landscape shape, which is obscured by the abstract desire of the other. The shape is an intersection with the actual structure chosen by the desire of the other, created in abstract shades. 

This is a non-realistic realistic structure that is momentarily abstracted at the intersection where the desire of the other, designed as a reversible shade of light, appears as a gaze

Like Velázquez's "Las Meninas" the abstracted figure reproduces the actual position of the king and queen in the mirror with Velázquez's subjective perspective, making it unclear whether the position as a painter paints a mirrored object or a whole picture. Here, it is difficult to distinguish whether the position of the viewer should be adjusted to the entire picture or to the mirror. And the position of the king and queen in the mirror is unclear whether they are in the painting or reflected in the mirror outside the painting. In this way, it appears to be another abstraction of reality transferred from symbolism as an invisible reality by revealing the reality of another object other than the same object reflected in the mirror in the imaginary world. 

By the desire of the other, one object was clearly concealed without being revealed as an object reflected in the mirror, and the reality of the person who sees the picture by looking at another object revealed in the mirror is absent. However, the person who drew the picture replaces the other.

At the 2022 New York Exhibition, Choi Chul-joo's expression of abstraction of desire as a conceptual system of desire in abstract art is a linguistic structure revealed by unconscious desire that disappeared from perspective, and the picture that appears as a result of this process has cultural and spatial significance. Picasso designs a place of culture like a composition that combines 3D images and collage techniques revealed in unconscious desire.

While these cultural design images recognize that multi-facetedly unrealistic images are virtualized in the planarity of painting, abstract images can be shaped by a technical method called new abstraction in modern art. This is a virtual image in which the original expresses existence and has an artistic value that emerges the concept of desire.

Therefore, the distorted desire image, which is culturally designed, is an image revealed through the desire thinking of others at a multi-point that appears to be a real structure. 

The pictorial composition of cultural design is to transfer this image to a fixed image on the cloth. This is the object that designed the desire that emerged as a distorted desire image revealed by staring from the other's desire cultural perspective.  / Writing. Choi Chul-joo, critic of contemporary art (contemporary artist & PhD of cultural design)

Contemporary Artist Louis Choi Chul-joo

 

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Contemporary Artworks Review 39

Art Critique & Contemporary Art Review 39

Contemporary artwork review [39] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Modern Artwork Criticism [17] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern and Contemporary Artwork Criticism: Pop Art Cartoon Abstract Painting & Contemporary Art Pop Art Cartoon Abstract / Conceptual Artist Choi Chul-joo Cartoon News Manwha review Art Review Modern Painter Work / Contemporary art examples : Contemporary Abstract Art Artist Louis Choi Chul-joo's "morning glory window" Art Review: Art Review of Contemporary art examples / Aaction painting - Artistic act: Contemporary image installation artist & contemporary abstract painter Louis Choi Chuljoo's process art installation Aaction painting, Haeundae-gu Office Gallery 20230703

Abstract painting <Morning glory Window> painting installation performance with treacherous conceptual art as Lacan's object, July 3rd, 2023 Haeundae-gu Office Gallery in Busan. 

The Meaning of Louis Choi Chul-joo's Abstract Painting of Treacherous Conceptual Art: As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence refers to abstraction as a treacherous conceptual art with a realistic structure because it defines abstract space as an actual reversible form and the window shape in front of the morning glory can be abstracted by actual changed movements by the shade of reversible light.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

  

Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of the shape as a shade of light that distorts the realistic structure in everyday events. 

It goes through the process from the finished picture to the series. Here, objects according to timeliness are superimposed on the first picture. Thus, several series become a picture combined with the first picture.

If it results in one painting through Louis Choi Chul-joo's Process Art Install Action Painting, it is displayed as an image installation, but if it does not result in one painting, it is recorded as an image of an ongoing series.

Abstract painting <Morning glory Window> painting installation performance with treacherous conceptual art as Lacan's object, July 3rd, 2023 Haeundae-gu Office Gallery in Busan.

Louis Chul-joo Choi, morning glory window 6-1, 241X223cm, acrylic and composite materials on cloth, 2023

Louis Choi Chul-joo, <Morning glory Window 6-1> Installation Aaction painting, Haeundae-gu Office Gallery, 2023.7.3.

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

If it does not result in one of the series paintings, it will be recorded as an image of an ongoing series, but if the series is discontinued, it will be displayed as a new work as a completed painting.

<morning glory window 6-2> is a picture of overlapping the movements of the dancing arms after covering the left face with morning glory in the two faces of <morning glory window 6-1>. This work was excluded from this exhibition.

Louis Chul-joo Choi, morning glory 2022-i, 147.5X183.5cm, acrylic and composite materials on cloth, 2022

The entire sculpture as an object of painting appears to be three-dimensionally created at the intersection of distorted gaze, where the painting or painting fixed to the elevation is a shade of reversible light. 

This is a surface image seen as a single perspective that appears as light in a certain direction. The painting of the surface image becomes a series painting when several surface images are added.

In the sculpture, the other's desire is in the light hidden in the sky, but the place where the light forms is on the designated land. If the sky and earth without shapes are real in the place, the structure of desire is the realistic structure that existed in the place is now abstract.

This is a structure of desire created by the shadow of reversible light, and it is not a designated sculpture, but it is a realistic non-realistic shape that makes the existence of the concept recognized. By distorting the image hidden in the shade of the same image and sculpture and illuminating it with a real color through the shade of reversible light so that the image can be seen, the actual shape can be recognized as being.

 (Louis Choi Chul-joo Painting and Sculpture Installation Performance Concept)

Louis Choi Chul-joo, <Morning glory Window> Installation Aaction painting, Haeundae-gu Office Gallery, 2023.7.3. 

Louis Chul-joo Choi, morning glory window 5, 147.5X183.5cm, acrylic and composite materials on cloth, 2023

The image created by Louis Choi Chul-joo's painting acting in line with the performance of "Morning Glory" is "Morning Glory Window."

In other words, Choi Chul-joo's <Morning glory Window> is a painting that expands the place of non-real paintings with reversible light reflected from a small hole in a cloth made of crossed threads and an image of Lacan.

On July 3, 2023, The day before the exhibition of "Morning glory Window" Haeundae-gu Office Gallery, modern image installation artist & abstract painter Louis Choi Chul-joo installed an action painting. 

Louis Chul-joo Choi, morning glory 2022-i, 147.5X183.5cm, acrylic and composite materials on cloth, 2022 

As a painting, morning glory 2022-i reveals the artistry of a semantic structure by forming an image expressed through the desire revealed in the other's suppressed unconsciousness in design and creating an object as a being to acquire artistry beyond generality.

The artistry that emerged in the object here reveals the object as another being by transforming the image of the object into a meaningful structure from the perspective of other people's desires, thereby containing the artistic meaning of the object as creativity and autonomy of others' desires.

And the small piece as the desire of the other hidden in the background of the painting shows a reversible real abstract space through the target intention movement that actually changes the shape. 

This refers to the meaning of an abstract object, and the object refers to the meaning of an abstract landscape shape in which the actual reality of the shape is hidden by the desire of the other person, showing an abstract space that can be actually reversible.

Louis Choi Chul-joo, <Morning glory Window> Installation Aaction painting, Haeundae-gu Office Gallery, 2023.7.3.

Louis Chul-joo Choi, morning glory window 4, 148X179cm, acrylic and composite materials on cloth, 2023

Abstract painting <Morning glory Window> painting installation performance with treacherous conceptual art as Lacan's object, July 3rd, 2023 Haeundae-gu Office Gallery in Busan. 

Louis Choi Chul-joo's image installation distorts space into desire and abstracts space by moving images of events and performances to fabric and installing fabric with desire images in real spaces with irregular walls and sculptures.

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image <morning glory> in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.

It realizes the surface image of the non-realistic sky just as the clouds reflected in the building are real as surface images. This is the impression of a city in which the desire concept image is developed at small intervals where it exists momentarily as a reversible shade of light.

In this way, fragments of contemporary visual culture are abstracted with desire in the realistic structure. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)

Contemporary Art Critic Louis Choi Chul-joo

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Contemporary Artworks Review 40

Art Critique & Contemporary Art Review 40

Contemporary artwork review [40] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art:  Contemporary artist artwork & design [19] Contemporary art examples : A realistic abstract painting depicting the desires of others with treacherous conceptual art composed of modern art cartoons by contemporary artist Louis Choi Chul-joo / Modern Art and Cultural Design [13] Contemporary Artist Louis Choi Chul-joo's Contemporary Artwork Review & Contemporary Artist Art Exhibition Art Review / Abstract contemporary art that designed modern art abstract painting & Abstract painter Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory" and "Bamboo Forest." / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: Art Review-Reading the New Works: Choi Chul-joo Art Review: Work posted on Facebook: Louis Choi Chuljoo, a morning glory outside the window 2023-1

  

Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230704-20230714, Haeundae-gu Office Gallery, Busan.

■ In <Choi Chul-joo Morning glory Window>, desire's art theory is repeatedly applied to abstract painting and converted into a symbolic image to formalize desire's art theory as a method of abstract painting. This means expressing other people's desires in paintings by repeatedly applying desire's imagination and fantasy formula, and as a result of applying Lacan art theory to paintings, it gains aesthetic value by having a formative meaning in the image that appeared as another's desire.

■ <Choi Chul-joo morning glory> is not the subject of the subject, but the cultural and spatial background of other people's desires. It is the same as a consistent life space like the sky. It connects to Cartoon Lib and Pop Art, which represent the space of life, but does not criticize and judge, and reproduces real images as news with photos of events. And the reality of the object symbolized by the news is conceptualized as the desire of others. The effect is to complete the concept of desire with abstraction by structuring it into a shade of reversible light.

Thread painting = Louis, Chul-joo Choi, a morning glory outside the window 2023-1-back, 151X178cm, acrylic and composite materials on cloth / Object design symbolizing a shape image as a semantic structure : a realistic abstraction of a figure image as an object of desire by transforming it into a semantic structure that emerged as a reversible shade of light  

Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life.

It's a work of art as a treacherous conceptual art called realistic abstraction, the cartoon news of modern art abstraction. 

Louis Choi Chuljoo, a morning glory outside the window 2023-1, 151X178cm, acrylic and composite materials on cloth, 2023

"morning glory window" repeats the concept of desire to cover the shadow image of others' desires and collects images of desire in which external light overlaps with timeliness.

In "morning glory window", a person dancing against the backdrop of morning glory overlaps like a small pillar to cover and hide the shade.

It gives reversible time sensitivity to shades, becoming the desire of others, and has the effect of setting phenomenal positions so that images of light do not overlap.

Louis Choi Chul-joo's "morning glory window" absorbs temporal light and removes symbolic representation on the image surface.

In this way, it creates an image of desire and is obscured by reversible light, leading to the concept of desire in the shadow.

The abstract area of painting, which has a specific effect of desire as the meaning of <a morning glory outside the window 2023-1> as a conceptual art, is an image that allows you to see the desires of others functioning while staring at the landscape. 

This is a perverse planarity that appears to consistently mean the morning glory in the painting, which is identical to the reality in the mirror, but not the shape of the background. Abstraction as a conceptual semantic structure of a non-realistic form with the same meaning as the conceptual semantic structure, but abstract as the same meaning of another form is real non-realistic as an ideological non-realistic being of different color and size.

Its existence means the abstract meaning of exhibition poster concept art, which defines abstract space as a real reversible image, and whose image is obscured by real changes in the shadow of reversible light.

Desire Conceptual Art Abstraction, which replaces the phenomenal place of abstract meaning with exhibition posters, can distinguish the place of the shape while conceiving the meaning of the plane that interprets the shape. Shape is abstract in color and size similar to that of an ideological structure, so it has a different meaning, but in the imaginary world, the abstract meaning of the conceptual art is identified with reality, the image of the object and the abstract meaning are identified with the image of the object, and the subject forms an internally transformed abstract meaning. This refers to the abstract meaning of the figure, which defines the abstract space that can actually be reversible, and the design meaning of the abstract figure in which the shape changed by the actual changed movement of the shape is obscured by shading.

 

In the abstract painting "Choi Chul-joo morning glory", the person who represents the desire of others is designed and reproduced as an abstract object with an object of desire (a morning glory outside the window), and in the graphic image of the perspective visual system, the visual system abstracts the object from the perspective of others' desires with another moment's gaze.

In this way, the image of an object abstracted as a desire concept art forms a distorted image expressed through the other's suppressed unconscious desire to acquire artistry beyond generality, and creates an object with a shadow of an exhibition image with the desire of the other. As a semantic entity, objects contain the formative value of the other's desires as an autonomous choice, change the image of the object into a meaningful structure from the perspective of the other's desires, and reveal objects as another entity of the object.

a small piece of the other's desire, hidden painterly against the backdrop of morning glory, shows a real abstract space that is actually reversible through the movement of symbolic weight that changes shape. Here, the desire of the other is abstracted into a space where the object can actually be reversible in the sense that it is an abstract object.

 <morning glory> 2022 New York Exhibition & Korean Painting Abstract Design Modern Artworks: Abstract Images Separated from Picasso's Stereotypes from Objects of Desire: <morning glory p26-2-1>

Abstract poster virtuality consists of cartoons similar to gaze images, virtual representations of distorted images that cannot be represented on the same plane, or stereoscopic representations of real places.

Shadows made up of other people's desires are clearly concealed without being exposed as reflected objects in the mirror, and there is no reality that humans see other objects in the mirror as reversible light. 

But the person who drew the picture replaces the other. And the position revealed by the gaze of desire is transferred to the subject that appears at the point of disappearance in the entire virtual image, the position of atopy with no specific place. The subject of the subject's position is the gaze viewed from the perspective of the other's desire, that is, the object revealed by reality.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light. 

The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.

 

Realistic structures reflect the shape by being distorted by light.  It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.

(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)

Louis Choi Chul-joo, MONSTA X  <FANTASIA>, a hand-painted picture on a computer

 

Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p106-9-MONSTA X  <FANTASIA>: By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event. 

■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory 2021-h-back', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory 2021-g-back>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). 

■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.  

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space

It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.

It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality. / Writing. Art critic Choi Chul-joo (Ph.D. in cultural design)

contemporary artist Louis Choi Chul-joo