Artworks Review [5]: 31~35
Art Critique & Contemporary Art Review 5
Contemporary artwork review [5] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary Art Pop Art Cartoon Abstract & Conceptual Artist Choi Chul-joo Cartoon News Manwha review News manwha KPS (28) A non-face-to-face K-POP concert will be held
Chul-joo Choi, <non-face-to-face K-pop concert 8>, a hand-painted picture on a computer
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting desine
- Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Contemporary Art Work: Chul-joo Choi, morning glory2021-b Lighting image-non-face-to-face K-pop concert 8, a hand-painted picture on a computer Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
▒ Manwha Designer Choi Chul-joo’s Cartoon News
- Chul-joo Choi’s Manwha(cartoon) Review: one sentence news & news manwha design
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Chul-joo Choi, <non-face-to-face K-pop concert 6>, a hand-painted picture on a computer
Manwha Designer Choi Chul-joo’s Cartoon News- Chul-joo Choi’s Manwha(cartoon) Review: one sentence news & news manwha design
newsmanwha - NewsCartoon: Cartoonist & Newsbusan Culture Journalist, Dr. Chul-joo Choi's editorial cartoon line manwha-news
. SEED-X will hold a non-face-to-face K-pop concert
. SEED-X prévoit un concert K-pop en ligne.
Contemporary Art Work: Chul-joo Choi, morning glory2021-b Lighting image-non-face-to-face K-pop concert 9, a hand-painted picture on a computer : Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory".
Background image of an artist's artwork: 이미지:Chul-joo Choi, morning glory 2021-e-1, 114X169cm, acrylic and composite materials on cloth, 2021 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review Korea News Cartoon Review - News manwha KPS [28] a non-face-to-face K-pop concert _ un concert K-pop en ligne ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
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Contemporary Artworks Review 31
Art Critique & Contemporary Art Review 31
Contemporary artwork review [31] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary art examples : Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Contemporary Art Sketch Abstract Painting [20] Contemporary pop artist Louis Choi Chuljoo, Pop Art Abstract Painting & Cartoon, Korea News Cartoon Review with Contemporary Artist Choi Chul-joo's treacherous conceptual art = Cartoon review of the concept [1] South Korean girl group ITZY has released its new album "IT'z ICY.“ : Chul-joo Choi & Kang's Korean Pop Star (2019-8-1) /Reporter Choi Chul-joo’s Cartoon Review
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Chul-joo Choi, South Korean girl group ITZY has released its new album "IT'z ICY.“ 3, a hand-painted picture on a computer, 2019
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. South Korean girl group ITZY has released its new album "IT'z ICY.“
. Le groupe de filles sud-coréennes ITZY a publié son nouvel album "IT'z ICY.
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 86- South Korean girl group ITZY has released its new album "IT'z ICY.“ 4, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 98- South Korean girl group ITZY has released its new album "IT'z ICY.“, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Choi chuljoo, South Korean girl group ITZY has released its new album "IT'z ICY.“ 6 : Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears
Desire Concept Realistic Abstract Work: Choi chuljoo, Morning glory p101-1-South Korean girl group ITZY has released its new album "IT'z ICY.“ 4 : Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Corona mutant viruses 6> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory 45-03> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i)
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Background image of an artist's artwork: Louis Chul-joo Choi, Morning glory p101, a hand-painted picture on a computer
Louis Chul-joo Choi, South Korean girl group ITZY has released its new album "IT'z ICY.“ 6, a hand-painted picture on a computer, 2019 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review of the concept [1] South Korean girl group ITZY has released its new album "IT'z ICY.“ : Chul-joo Choi & Kang's Korean Pop Star / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶South Korean girl group ITZY._ Le groupe de filles sud-coréennes ITZY
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Contemporary Artworks Review 32
Art Critique & Contemporary Art Review 32
Contemporary artwork review [32] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary art examples : Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Abstract contemporary art that designed modern art abstract painting [11] Abstract Artist Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory" and "Bamboo Forest." / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: abstract artist Louis Choi Chuljoo "morning glory", 2020.
Art Review: Media Art's Qí Báishí's "morning glory" and Media Art's Thread Painting; Contemporary artist Louis Chul-joo Choi’s "morning glory", 2020, Museum of Minoo media art museum
Qí Báishí's Media-art "morning glory", Still image(4, 10, 23, 30, 39sec), Collection of Minoo Media Art Museum,
Qí Báishí's "morning glory" is a simple, linear form that aligns the bright shade of light with the leaves and stems. He collects aesthetic results that affect humans so that the morning glory does not deviate from its actual shape. His paintings, "morning glory" consists of the effect of ink-and-washy tea, which sets flowers straight to the top of the stem. He gives a humorous touch to the difference in brightness, allowing the morning glory to be distinguished as a living object. He added the movements of the flowers in an anomalous way to his painting of the morning glory. His painting of the morning glory is arranged with leaves, and the stem forms the entire composition. He equates the leaves and stems with the appearance of the morning glory tailored to the flowers, thus establishing a position that humans can understand. The joint of the stem falls into black ink and the stem connected to it is thin and cloudy, and overlaps with the space as an impression effect of black ink with no boundary line with the morning glory. And the shape of the leaves drawn by the difference in brightness of black ink is shaped and structured so that humans can rely on the shape of the morning glory.
Media art at the Minoo Media Art Museum has cast doubt on the production process by showing the process of dismantling and combining the completed works. Accordingly, Chul-joo Choi, a doctor of design at the Museum of Minoo media art museum redesigned the media art work and its image in the process of creating media art. Chul-joo Choi's media art <the morning glory> designs the place of flowers and sets the place of leaves and stems that depend on the shape of the flowers. Unlike the media art Qí Báishí's <the morning glory> which shows the process of painting flowers in the structure of stems and leaves in the entire image, the media art that designed the rest of the structure, starting with the flower of the morning glory is <the morning glory> by Chul-joo Choi, a doctor of design. He designs a flower that relies on a set being as a coincidence that black ink spreads. This is realised in the media art form of a computer and painting without the perspective of space.
Chul-joo Choi, Media-art; morning glory, Still-image (morning glory-4, -7, -15, -25, -35, -65, -75, -85, -95, -105)
abstract artist Louis Choi Chuljoo "morning glory", 2020.
In the process of producing the original media art, which is mechanically reproduced here, the picture format is thread painting. This painting embroidery the volume of light in the process of facing objects and ideally depicts the shadow of objects. It is a linear art that emphasizes "one line" in a new painting process combining oriental embroidery and ink painting. In other words, the image of the line, which was stopped during the process of drawing the media art <morning glory> was drawn with thread and paint.
In Kim Hong-seok's <Open and Closed> art review, art critic Louis Chul-joo Choi said the definition of a thread painting is "a trace of paint and yarn equivalent to the time remaining in the fabric, and it is exposed parts and margins."
Also, the structure of the shape was called “a form of self-consciousness that embodies what he saw before he realized how to perceive things.”
and the aesthetic value was called “a form of self-consciousness that embodies what he saw before he realized how to perceive things. The color of the shape reveals a hidden aesthetic value by giving time, not by marking, but by being considered the structure of the discoloured body.” in Thread Painting.
This is different from the aesthetics of M-Duchamp conceptual art that does not decorate materials.
Thread painting is a form of self-consciousness that has been implemented before realizing how things are perceived. The color of the shape does not indicate the distance of time, but shows the hidden aesthetic value as seen by the faded original formative structure. And beyond the literary character of conceptual art, it raises the formalities as a painting, paints the colors left behind, and ties them together with threads in a new formative structure.
Construct a shape in which the color of the linear structure exists so that the shape as a knot that hides the color by inserting the structure of the color into the thread so that it can adapt to a particular color.
Therefore, "Thread Painting" is a painting of yarn and paint on a cloth seeking linear aesthetics that denies the excessive literary nature of conceptual art.
Qí Báishí's Media-art/ morning glory, Still image(39sec)/ Chul-joo Choi, Media-art: morning glory,
Thread Painting; <the morning glory> is an image drawn on a cloth-like material of an object made by custom. <the morning glory> is a method of drawing an image that is reversed from left to right by constructing a shape that looks like an image of the Lacan's objet on a cloth-like material.
Therefore, his painting is a two-sided painting that does not distinguish the front and the back. To represent an image in terms of practical and cursory features to suit the subject. Here, painting as a object of change in customs is another image that appears to be a object. It disappears as a substance of a subject that is hidden and drawn in small pieces invisible from space.
A small object shows a space that can actually be reversed through the shape's thought movement. This refers to the meaning of a shape in which, a small object defines a space that can actually be reversible and refers to the meaning of a feature that is obscured by the actual changed movement of the feature.
Chul-joo Choi, morning glory e-002, a hand-painted picture on a computer, 2020
It is the color of light and the shape of a material such as cloth, and the inevitability of an impressionable space determines the position of a object. And by stopping the light and the object of the place, it forms a structure of conventional painting. This is a space where you can stay with the inevitability of a stopped structure. Thus, the meaning of the actual structure of the picture where the shape has stopped is formed by the reverse idea movement. Its conscious meaning as a structure is just a small piece of space that finds its place properties of matter. This small piece coexists as a properties of matter in numerous spaces when it is a similar object. The position is inserted into several spaces by the meaning of the thought movement, where one phenomenon and other meanings intersect. This is a thread painting, <the morning glory> which was created by repeating another space as an thought movement in the space of positioning.
The space here disappears and the morning glory turns into the color of light.
However, as a painting's meaning effect, it chooses a painting as the color of light on a fabric-like material or thread that has disappeared from the past space. Here, the painting distorts the image by changing the light into a line within a space that connects the surface of the morning glory with light.
Therefore, since the composition of the invisible preceding space cannot draw flowers, the beginning screen of the Media Art: <Qí Báishí, the morning glory> of Minoo Media Art Museum distinguishes the leading space by sketching stems and leaves and drawing flowers because the intro space is not the actual structure. Thread painting is a thread that depicts the shape of light that distinguishes objects in stationary media art. This is a thread painting limited to fabric in an empty space and the more you limit the habitual object to the shape, the more empty the space becomes, rather than the actual place, so it decorates the inner surface of the hidden cloth to find the meaning of the space as a small piece of artistic shape. As such, <the morning glory> is painted on cloth-like materials, forming an abstract spot with the inevitable spatiality of the object, thus gaining aesthetic value as a real habitual painting art.
Louis Chul-joo Choi’s thread painting: morning glory B-06, 55X73cm, acrylic and composite materials on cloth, 2021/ *Extended exhibition period: 2020.12.11- 2021.1.29, Museum of Minoo media art museum
Louis Chul-joo Choi’s thread painting: morning glory B-06, 55X73cm, acrylic and composite materials on cloth, 2020
Louis Chul-joo Choi’s thread painting: morning glory B-06
In addition, thread painting, in which still images as media art images are drawn according to timeliness by having originality based on image of media art and the shape of process media art, has another originality of the original work. This is because it is a context that is shown on the monitor and is a circle drawn with thread painting each image that has been stopped. It is a formative thread image with the same artistic meaning as painting, showing various exhibition formats.
The timeliness reversible from physicality in the place of exhibition space creates a place as the color of light and is recognized as the color of light in that place.
The space of abstract light can give a glimpse into the structure of a material object, but the place becomes the margin of space in which the subject of the object follows the change of its temporality. The margin is an abstract space, but as the subject of painting is drawn in what it says is the color of reversible light, it creates a place for the object in the margin. This is the object position determined by the inevitability of the symmetrical space so that the painting matches the image of the light of the space against the object. The space of the image tailored to the target is a structure of a painting that creates a separate space that connects the gap in the form of cloth-like material, and draws the color of light by stitching several empty spaces and margins. The image depends on the color and shape determined by the object location. Thus, the color of the image embellishes the reality of conventional universality facing the object with the color of light. The dark space in contrast to the light in this decorated shape is a shadow that was stopped in one place and looked at. Here, as the real object, color is a fragmented figure of the enlightened custom seen as a gaze.
A painting was made by repeating a picture of the image of a enlightened object, which stopped in a customary place of life, as a color of light, and the color of the reflective margin, which is difficult to distinguish, on a cloth-like material. Color-painted paintings here unravel the existence of reality as the shape of the color when enlightened by custom or found in place.
However, the empty space in the margin cannot reproduce the timeliness, so it seems to be a color that suits the subject of the object. In contrast to the color of light, <the morning glory> which depicts the shape of a cloth-like thread, captures the familiarity of the customs as the inevitability of the past space. / Writing. Louis Chul-joo Choi, head of the Academic and Arts Research Division at the Museum of Minoo media art museum (Contemporary artist & media art painter)
abstract artist Louis Choi Chul-joo
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Contemporary Artworks Review 33
Art Critique & Contemporary Art Review 33
Contemporary artwork review [33] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Pop Art Cartoon Abstract Painting & Contemporary art examples : Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = Abstract contemporary art that designed modern art abstract painting [15] Abstract Artist Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: "Disappeared pond" Exhibition by Abstract artist Louis Chul-joo Choi", 20201020, Minoo media art museum
Design Criticism: Design Critic Louis Chul-joo Choi's Media Art Abstract Design Review - "Minoo media art museum's Digital Pond" & "Disappeared pond by Contemporary artist Louis Chul-joo Choi", 20201020
Media-art: Louis Chul-joo Choi, "Disappeared pond", Still image (a hand-painted picture on a computer), 2020, Minoo Media Art Museum
Interactive Media Art Design, "Digital Pond" & Louis "Disappeared pond"
The fish in the pond, not the target, eliminates the texture of the fish and designs the fish embodied in white, separated from the actual lotus flower by the boundary of light.
And abstracts a disappeared pond in black that separates the shaded space of white fish revealed by light.
Visualization, which means the features of interactive features, is a language that visualizes the symbol of the medium.
The pictorial image characterized by the structure interacting with the meaning of the language is the language of symbols designed with simplified media images.
It is the language of the other person from the shape that determines the symbolic symbol. And it refers to interactive images of shapes through the language of the other.
An interactive image that determines a symbolic symbol is recognized by representing the shape of the other person's desire perspective. Therefore, abstract images that appear to be symbols of unconscious expression are formed by the design of the interaction environment.
Terefore, in interactive media, the visual design of the target depends on the environment independent of the target image. This is the symbol of symbolic visual media design combined with the functions of the object.
Its dual function is the emergence of design through the pictorial imitation of the media and the symbolic meaning of influencing each other to the media and viewers.
When the image of the imitated medium becomes a painting, the visual image is distorted, but the image is a designed symbol symbolizing the original image.
The symbol is the design image revealed by the media through other images symbolized by the actual image.
As such, the painting as a media has the artistic meaning of technology, which refers to information as a concrete and symbolic image.
This is a digital media painting design that embellishes a cultural environment that extends the concept of art separated from the reproduction of digital technology and photographic images in the 1990s.
In other words, painting design is an art that shows the technology of digital media, an essential image as the meaning of language dictated by design.
But the interactive media art of the Minoo Media Art Museum's Digital Pond has returned the role of media art to an image of a known painting without designing a symbolic image.
Painting imitations are symbolized by the repetition of very unstable images forming linguistic meanings. This is an imitative painting effect found in abstract proposition. It creates a metaphorical shape defined by the combination of symbols and the combination of meanings that replace them.
The main motifs moving from the "digital pond" to the symbolized lobster and human fish are Joan Miro‘s "glamorous smile of the wings"(the smile of the flamboyant wings, 1953).
And Paul Klee's "Castle and Sun, 1928" on the bottom of the pond is the main motif of the background.
Louis Chul-joo Choi, Media-art "Disappeared pond", Still image (a hand-painted picture on a computer: pond-51), 2020
The image of the pond was described as a symbolic image and a virtual image interacting with the touchscreen.
Collage, which combines the image of Damien Hurst's "Beautiful, amore, gasp, eyes going into the top of the head and flutter painting"(1997) and Gustav Klimt's "Kiss" (1908), with the symbolic image of jellyfish and turtle shapes, forms a surreal pond.
On the other hand, the media art "Disappeared pond" is a digital art of painting designed in monochromatic and contours of objects, separating images of photographs in media art into conditions of light.
It is a reproduction of the digital pond of the Minoo Media Art Museum, which combines the concept of impressionist paintings and popular culture, which is reproduced by collage photographs.
As an alternative image of a real pond, a fish made of media as a moving fish becomes the main body, and the design image of a real fish is decorated in the form of a virtual performance involving timely two-way participants consisting of optical media art.
The form of performance as an object symbolically digitizes the real pond in the media, but the interactive composition emerges from the real design.
In fact, since digital ponds are given a hypothetical meaning, fish there always exist in ponds, even if they are imitative images of images.
The imaginary pond effect is that the image of the pond separated from the lotus flower is expressed differently from the symbolic meaning of the fish
A simplified imitative image of form as a fish defines a linguistic meaning, such as a symbolic mark.
Another symbol is the image of the process of repeating the association with lotus flowers as a verbal meaning of fish and meeting the meaning associated with the design of fish symbols in ponds.
It is a symbolic meaning of interpreting a "Disappeared pond" designed as a simplification process.
Here, the lotus design of impressionist images visualizes the characteristics of "disappeared pond" as symbolic images, but the impressionist painting style emphasizes the primary color of light except black, which defines the form.
The symbolic symbol hides the imitative nature of the painting, which is structured by the symbol around some form of reality that cannot be a fish by the intervention of light.
Miro's fish, like Cezanne, decomposes colors by simplifying shapes into geometrical structures and multidimensionalizing the direction of light like Picasso.
And while creating imaginative symbols transcending reality and designing images with the process of separating the boundaries of light into white and black, the fish in the "disappeared pond" form a white color that distinguishes light and the pond designs lotus flowers by imitating impressionist paintings.
As an impressive painting, a lotus flower becomes a symbolic image of a pond, and a fish separated from the reality replace the pond as an imitative symbol image.
And pictorial imitation are symbolized as a design process by creating aesthetic effects by highlighting simplified features through the design of visual symbols.
"Disappeared pond", shows the linguistic meaning of being real. Here the design of the essential elements of fish and ponds is abstracted into black ponds that contrast with the fish of white, which contrasts with the brightness of the light of realistic lotus flowers.
And by metaphor of fragmented meaning, the visual design image of the fish as a symbol is the white fish as a mark. The abstract design, which replaced the black pond intertwined with the fish in different meanings, expresses the meaning of the disappeared pond.
Therefore, the expression of symbols in pictorial imitation determines the meaning of symbols. To decide here is to abstract the design that determines the expression and meaning of the symbol.
Miro's "smile of brilliant wings" is an abstract of pure colors, such as red and blue, combined in carved symbols. The symbols are symbolized when they have linguistic meanings in abstract images. So beyond the boundaries of impressionist paintings, Miro's fish are abstracted into a pond.
In other words, symbols representing meaning are symbolized by abstract figures that reveal the meaning of the feature.
With this symbolic image that goes beyond the actual range of the fish in the painting, the Miro's fish is reminiscent of a pond.
Abstract design is the sum of the linguistic meaning, i.e., symbols as imitative actual images, where the choice lines of images and designs intersect to form the concept of abstract meaning. The symbol designed like this is a nonverbal pictorial iconic image.
The design value of the image is the effect of the media that enables communication.
However, when its meaning is abstract design, the symbol image designed follows the abstract meaning of the whole symbol image as a communication unit unrelated to the linguistic meaning.
Therefore, the symbolic design, which is abstracted into a black pond, abstracts the disappeared pond in the sense of the sum of the symbol image not the symbolic image of the pond associated with the white fish.
So these symbols, designed through the imitation of paintings, are abstract summing up the meanings of nonverbal images.
The design, which abstracts the image of the picture before it is realized through imitation of the painting, is the "disappeared pond."
It reveals a symbolic image through the language structure of the pond and actualizes the abstract image that disappeared from the black pond, which is not meaningful through the specific symbolic image of the missing pond.
The design of unrealistic symbols focuses on the meaning of the object to the symbol, and the meaning is communicated when it functions as the shape of the media.
Abstract design is the visual appearance of fragmented meaning as a symbol in the media.
This dictates the meaning of symbolic action that characterizes a design that repeatedly combines pieces of distorted images in the process of pictorial imitations.
The meaning is a symbolic language symbolizing the imitated image. Here the image is a piece of symbolic meaning in an unrealistic space. /Writing. Louis Chul-joo Choi, head of the Academic and Arts Research Division at the Museum of Minoo media art museum (Contemporary art critic & media art painter)
Abstract Artist Louis Choi Chuljoo Abstract art work
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Contemporary Artworks Review 34
Art Critique & Contemporary Art Review 34
Contemporary artwork review [34] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern and Contemporary Artwork Criticism: Contemporary Artists Painting Review [7] Modern Painter Artworks Art Review & modern art abstract painting [1] Abstract painter Louis Choi Chuljoo Abstract art work
Contemporary Artists Painting Review [7] Modern Painter Artworks Art Review : Contemporary Abstract Art Artist Louis Choi Chul-joo's "morning glory" & "morning glory outside the window" Art Review
Abstract contemporary art that designed modern art abstract painting [1] Abstract painter Louis Choi Chuljoo Abstract art work: Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory" and "Bamboo Forest." / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: <Morning glory p26-2-6>
Louis Choi Chuljoo, a morning glory outside the window 2023-1, 151X178cm, acrylic
■ In <Choi Chul-joo Morning glory Window>, desire's art theory is repeatedly applied to abstract painting and converted into a symbolic image to formalize desire's art theory as a method of abstract painting. This means expressing other people's desires in paintings by repeatedly applying desire's imagination and fantasy formula, and as a result of applying Lacan art theory to paintings, it gains aesthetic value by having a formative meaning in the image that appeared as another's desire.
■ <Choi Chul-joo morning glory> is not the subject of the subject, but the cultural and spatial background of other people's desires. It is the same as a consistent life space like the sky. It connects to Cartoon Lib and Pop Art, which represent the space of life, but does not criticize and judge, and reproduces real images as news with photos of events. And the reality of the object symbolized by the news is conceptualized as the desire of others. The effect is to complete the concept of desire with abstraction by structuring it into a shade of reversible light.
Thread painting = Louis, Chul-joo Choi, a morning glory outside the window 1, 151X178cm, acrylic and composite materials on cloth / Object design symbolizing a shape image as a semantic structure : a realistic abstraction of a figure image as an object of desire by transforming it into a semantic structure that emerged as a reversible shade of light
Conceptual semantic structure Abstraction of modern art converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through the objective perspective of images, the subject of desire. This effect is an easy example of modern art abstraction by abstracting the desires of others into cartoons from the objects in which the event occurred, and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life.
It's a work of art as a treacherous conceptual art called realistic abstraction, the cartoon news of modern art abstraction.
Exhibition of Modern abstract artist Louis Chul-joo Choi's "morning glory" with the image of Desire's object ɑ and Picasso's Anamorphosis, 20220301~20220308 Flushing Town Hall, New York.
Louis Choi Chuljoo, morning glory p26-2-7
<morning glory p26-2-7> is an image of desire created as an abstract image that means the reality of morning glory.
In New York (Flushing Town Hall & Yeomyong Hall), 100 posters with the design concept of desire structure were produced as posters of contemporary art related to the solo exhibition of Louis Choi Chul-joo. It is a modern abstract painting that symbolizes the design of desire image, that is, exhibition poster image of abstract painting, as an abstract semantic structure.
The object <morning glory>, which depicts the meaning of the shape seen in the meaning space created by reversible light of the shape of non-real reality, represents an abstract space that can reverse the object into a real shape by structuring the meaning of the image that hides the desire of the other in a reversible shade of light, and shows an abstract image that reveals the place of the other's unconscious desire as a virtual non-real image.
The object "morning glory" which depicts the meaning of the shape seen in the meaning space created by reversible light, refers to an abstraction in which a structure with an abstract shape hidden in a long time in which the desire of others is fossilized turns things into real in the shadow of reversible light, and the reality of the exhibition poster is hidden by the shade of reversible light, that is, abstract.
Louis, Chul-joo Choi, a morning glory outside the window 1, 151X178cm, acrylic and composite materials on cloth / Object design symbolizing a shape image as a semantic structure : a realistic abstraction of a figure image as an object of desire by transforming it into a semantic structure that emerged as a reversible shade of light
The abstract area of painting, which has a specific effect on the desire structure as a meaning of <morning glory outside the window 1> as a conceptual art, is an existential abstract that hides an image that can instantly see the desires of others functioning gazing in the landscape with reversible shades of light.
This is a perverse planarity that seems to consistently mean "napal flower" in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure with a non-realistic shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is a non-real form as a conceptual non-formal existence with different colors and sizes.
Its existence defines abstract space as a real reversible shape and refers to realistic abstraction as a conceptual art of the image of the exhibition poster, whose shape is obscured by the actual change of movement into a reversible shadow of light.
Louis Choi Chul-joo, MONSTA X's "Let me be your fantasy" 7-5-2, a hand-painted picture
Desire Concept Art abstraction, which replaces the phenomenal place of the abstract meaning with an exhibition poster, can distinguish the place of the shape and abstract it as a different meaning to interpret the shape.
The shape is abstract with a color and size similar to that of an abstract structure to say a different meaning, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, and the image of the object and the abstract meaning are identified as the same subject, and the subject internally forms a modified abstract meaning. This refers to the abstract meaning of the desire, which defines an abstract space that is actually reversible and refers to the abstract image of a desire in which the shape changed by the actual changed movement of the shape is shaded.
The morning glory outside the window, which designed a figure that represents the desire of others in the abstract <morning glory>, abstracts the realistic image as an abstract object. In the diagram of the perspective visual system, the visual system creates a shaded place with reversible light concealed, and each object as a different instantaneous gaze is abstracted from the other's desire perspective revealed in the unconscious.
An object abstracted as a desire conceptual art refers to the existence of abstraction in meaning by abstracting a distorted image expressed through the desire revealed in the other's suppressed unconsciousness to obtain artistry beyond generality and creating an object as a shadow of poster formality with the desire of the other. As a semantic entity, the object reveals the abstract object as another entity of the object by transforming the object's image into an abstract structure of meaning with a distorted image from the other's desire perspective, and contains the formative value as an autonomous choice of the other's desire.
In addition, the small piece as the other's desire hidden in the background of the morning glory shows a real abstract space that is reversible through the thought movement of the image that actually changes the shape. This is a place of abstract objects in a space where the other's desires can be actually reversible in the meaning of the existence of the desire.
morning glory outside the window 1 / Object design symbolizing a shape image as a semantic structure : a realistic abstraction of a figure image as an object of desire by transforming it into a semantic structure that emerged as a reversible shade of light
The virtuality of abstract exhibition posters is structured as conceptual cartoons, similar to gaze images that virtually reproduce distorted images that cannot be expressed on the same plane, or as if they represent real places with desires as links to images.
The connected part of the other person's desire is clearly concealed without being revealed as an object reflected in the mirror, and the reality of a person looking at the other person's object exposed in the mirror with reversible light is not visible.
However, the person who drew the picture replaces the other. And the image revealed by staring at the abstract image of the structure of desire is an abstract place. Existential reality is the object revealed by the position of the subject as a gaze from the perspective of the other's desire to move to the position of the subject (atopia) that appears at the point of disappearance throughout the virtual image.
The structural physicality of reality has a number of cross-sections in a three-dimensional form, and conceptualization captures the multifaceted conceptuality of the morphological structure as an object with one cross-section and two sides within one concept.
Therefore, in a space that conceptualizes the desires of others as a subject, a three-dimensional pop art space made up of reversible shades of light reveals the desire behavior as a physical reality and makes the object look real.
This is the physical structure of desire that results in real and non-real. The structure has several crooked cross-sections in a three-dimensional form, and abstracts the pictorial image as a conceptual art into a multi-faceted image of the semantic structure as an object in a concept.
Louis Choi Chuljoo, a morning glory outside the window 2023-1, 151X178cm, acrylic and composite materials on cloth, 2023
"morning glory window" repeats the concept of desire to cover the shadow image of others' desires and collects images of desire in which external light overlaps with timeliness.
In "morning glory window", a person dancing against the backdrop of morning glory overlaps like a small pillar to cover and hide the shade.
It gives reversible time sensitivity to shades, becoming the desire of others, and has the effect of setting phenomenal positions so that images of light do not overlap.
Louis Choi Chul-joo's "morning glory window" absorbs temporal light and removes symbolic representation on the image surface.
In this way, it creates an image of desire and is obscured by reversible light, leading to the concept of desire in the shadow.
The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.
Combined with images of reality with reversible light, including a desire for abstraction.
The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.
The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.
Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.
Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.
It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.
In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space
It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.
It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.
Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.
It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.
Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.
In this way, desire creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality. / Writing. Art critic Louis Choi Chul-joo (Ph.D. in cultural design)
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Contemporary Artworks Review 35
Art Critique & Contemporary Art Review 35
Contemporary artwork review [35] Contemporary Art Critic Louis Choi Chul-joo's Art Critique of Contemporary conceptual painting Artwork & Modern abstract artwork criticism / Contemporary Art Today Choi Chul-joo's Art Criticism and Example of contemporary art: Cartoon news as a treacherous concept of modern realistic abstraction [16] News cartoon review & Contemporary Abstract Artist Louis Choi Chul-joo's Artwork with Other's Desire Abstract Concept : Art Review: Modern painter & Cartoonist Louis Choi Chul-joo's Pop Art Artist Abstract Art Work = The Story of Contemporary Art: Abstract Painting Review & Art Docent [6] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review / Review of Korean News Cartoon [164] Have a wonderful Chuseok like the stars in the fall night (2023-10-28) /Reporter Choi Chul-joo’s Cartoon Review & Abstract Design of Korean Painters [11] Contemporary Concepts Art Review: Korean Painting Abstract Works <morning glory window p106-3> Design Review
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis Chul-joo Choi, Have a wonderful Chuseok like the stars in the fall night, a hand-painted picture on a computer, 2023
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review:
. Have a wonderful Chuseok like the stars in the fall night
. Ayez un merveilleux Chuseok comme les étoiles dans la nuit d'automne
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p106-4-Have a wonderful Chuseok like the stars in the fall night, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p106-6-Have a wonderful Chuseok like the stars in the fall night: Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Background image of an artist's artwork: Louis Chul-joo Choi, the morning glory p34, a hand-painted picture on a computer
Louis Chul-joo Choi, Have a wonderful Chuseok like the stars in the fall night 6, a hand-painted picture on a computer, 2023 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Review of Korean News Cartoon [164] Have a wonderful Chuseok like the stars in the fall night (2023-10-28) / Reporter Choi Chul-joo’s Cartoon Review / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons.■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i). ■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality. ▶Have a wonderful Chuseok. _ Ayez un merveilleux Chuseok
Louis Choi chuljoo "morning glory Window" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230704~20230714 Haeundae-gu Office Gallery, Busan.
Louis, morning glory p106-3, a hand-painted picture on a computer, 2023
<morning glory Window p106-3> abstracts the concept of desire, which depicts images produced by amorphous images, meaning the reality of morning glory, in the shade of reversible light.
It is a modern abstract painting that symbolizes the design of the shape, that is, the exhibition poster image of the painting, by producing a poster of modern art related to the Busan solo exhibition (Haeundae-gu Office Gallery) of Korean artist and pop artist Louis Choi Chuljoo.
The object (Louis Choi Chuljoo 2023 Busan exhibition morning glory p106-3), which depicts the meaning of the shape seen in the meaning space created by reversible light, is an object ɑ of abstract desire concept images that reveal the place of others' unconscious desires as a virtual non-realization of cartoon review.
The object ɑ, which depicts the meaning of the event shape seen in the space of the meaning created by reversible light, is an abstract space that can turn objects into real shapes by structuring the meaning of the shape in the shade of reversible light, and means an exhibition poster (morning glory p34) as an artistic movement of the concept of desire that has actually changed from the background image to the cartoon shape (like "Have a wonderful Chuseok like the stars in the fall night").
Louis, morning glory p34, a hand-painted picture on a computer, 2022
The conceptual art of desire <morning glory p34> is an image that shows the desire of others functioning visually in the landscape in the abstract area of painting where certain effects of the concept of desire occur in the meaning of the exhibition poster.
This is a dwarf planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the reality reflected in the mirror, but the shape of the background is not the same. Abstraction as a conceptual semantic structure with a non-realistic shape that has the same meaning as the conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-realistic as an ideological non-realistic being of different color and size.
Its existence means the abstract meaning of exhibition poster concept art, which defines abstract space as a real reversible image, and whose image is obscured by real changes in the shadow of reversible light.
2023 <morning glory Window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Contemporary Abstract Artist Louis Choi Chuljoo Desire Conceptual Art Abstracts: <morning glory Window p106-5>
Chul-joo Choi, <Have a wonderful Chuseok like the stars in the fall night>, a hand-painted picture on a computer
The object (Louis Choi Chuljoo Busan morning glory poster 106-3), which depicts the meaning of the shape visible in the meaning space created by reversible light, means a momentally distorted desire concept image object ɑ based on desire by structuring the meaning of "<Have a wonderful Chuseok like the stars in the fall night>" in the shade of reversible light.
Modern conceptual design by Choi Chuljoo, a contemporary art critic and conceptual artist, is the return of painting as a concept of early conceptual art, that is, a conceptual art design created by paintings, so his contemporary conceptual art criticizes phenomenal images such as current events and mentions design value in terms of painting.
On the other hand, Choi Chuljoo's conceptual art abstract design, based on the illusion of infant imagination in Lacan art theory, contains the meaning of the concept in the conceptual art abstract image of desire, and expresses the value of life through critical perspective and desire conceptual art abstract design, combining the concept of desire with the scene photograph of the event.
Here, desire concept art abstraction design refers to abstract design that can momentarily perceive the desires of others as a gaze rather than arbitrary philosophy. (ACN · October 7, 2022 2:33 Choi Chul-joo Conceptual Art Abstract Design Interpretation)
Desire for Painting Design Concept Docent: Design Critic & Contemporary Artist Choi Chul-joo's Desire Concept Design Methodology: Modern Art Abstract Korean Painting by Applying the concept of desire to <morning glory p34>, overlapping the painting <Have a wonderful cookie like the stars in the fall night> created with reversible light. In addition, by re-applying Lacan's conversion formula by linking verbal metaphor images, the phenomenal position of "Have a wonderful Chuseok like the stars in the fall night" is set in another place in one space as a reversible shade of light to show the concept of desire based on "morning glory p34". This means that the poster designed as the conceptual art of desire in Louis Choi Chul-joo's exhibition in Busan is an abstract painting that actualizes the object of the concept of desire.
2023 <The Woman in morning glory> Korean Painting Modern Art Works: A Modern Korean Painter Louis Choi Chul-joo Conceptual Art Abstract Painting
Desire Concept Art abstraction reveals reality through mirror theory, starting with the imaginary world in which infants identify symbolic images reflected in the mirror with imaginary imagesⓐ Recognizing that the symbolic image is not itself as a subject, it is transferred to an abstraction that interprets A(utre) as a symbolic world through separation from the symbolic image of symbols and reality. Abstract images and reality meet reality through division. As a reality, the concept of desire image is revealed as a dwarf image, but as a non-reality, the concept of desire with reality, that is, abstraction.(ACN. Oct. 14, 2022, interpretation of Choi Chul-joo's 'Four Defense of Lacan Interpretation')
If abstract desire art <morning glory window p106-3> is applied to Lacan's ((É=Jacques Marie Émile Lacan, Écrits, Seuil, 1977, 53)), the imageⓐ('utre) The work of the painting is placed as a symbolic system at a diagonal position crossing the line and S(Es) of the interpretation A(utre) to interpret the interpretation A(utre) and S(Es) as a 'quadruple of interpretation'.
Here, the concept of abstraction of desire art reveals reality through mirror theory, starting with the imaginary world in which infants identify symbolic images reflected in the mirror with imaginary images.ⓐ('utre) Recognizing that the symbolic image is not itself as a subject, it is transferred to an abstract painting that interprets A(utre) as a symbolic world through separation from the symbolic image of sign and reality Abstract images and reality meet reality through division. The concept of desire as a reality is revealed as a dwarf image, but as an unrealistic reality, the concept of desire with reality, that is, abstraction. (ACN. Oct. 14, 2022, Choi Chul-joo's interpretation of 'The four quadruple of Lacan Interpretation')
Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).
In the perspective of desire of the perspective visual system, which reproduces abstract objects with the object ɑ "Luis Choi Chuljoo Busan Exhibition Morning glory Window p106-3", the visual system is concealed, but it is a ɑ of objects that is viewed from the perspective of desire that is revealed unconsciously through a momentary gaze.
The object ɑ <morning glory Window 106-3> forms a dwarf image expressed through the desire revealed in the other's repressed unconscious as a picture, and creates a target ɑ as a being to reveal the artistry of the momentarily distorted image as a semantic structure.
Here, the artistry that appeared in the ɑ of things transforms the image of things into a structure of meaning with a dwarf image from the other's desire point of view, revealing the ɑ of things as another being of things.
And the little sculpture as the other's desire hidden in the background of the painterly "morning glory woman" really shows a reversible real abstract space <morning glory Window> through symbolic art movements that actually change shape.
Therefore, object ɑ as a conceptual image of desire is an image of desire and a structure of desire that emerged from the image of an event. What reveals reality as a result is to reveal the relationship between the representation of the object ɑ and the reality of the concept of desire. In addition, the representation of hidden desire concept object ɑ in painting works is an abstract concept of desire in the background of abstract objects pointing to abstract space and abstract landscape shapes in which the reality of the shape is obscured by abstract other's desire as the background of the reversible desire concept image of reality. / Writing. Art critic Choi Chul-joo (Korean Painter & Ph.D. of Cultural Design)
Contemporary Art Critic Louis Choi Chuljoo
