Contemporary Artist Movement 5
contemporary artist works design review
Modern Art Movement [5/ 23~25] Choi Chul-joo's contemporary abstract art movement is that the abstract meaning of 'morning glory,' 'Bamboo Forest,' and 'Pond,' which are the backgrounds of desire, decorates the structure of desire with the color of light, which is the reality of conventional universality in which the color of meaning faces the object. The dark empty space contrasts with light in the form of shadows created in the subject's area. Here, color is a single-phase image of desire convention seen through the gaze as a real object. It is a verbal image that symbolizes the background of desire, and it symbolizes the concept of desire with imitated flowers, bamboo, and pond. Here, it is a piece of reality as a meaning of desire symbolized in the real space as a result of the image of desire. This is a modern abstract art that expresses the absence of the concept of desire that exists in reversible temporality as a phenomenal image and expresses the structure of desire hidden in the shadow of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract color and planar structure./ Design Process of Contemporary Artist and Contemporary Concept Abstract Painter Concept Abstract Art Work Critique: As Contemporary Concept Abstract Art, the artistry of aesthetic value was examined through visual art theory, and Choi Chul-joo, a Contemporary Concept Abstract Painter and Critic, was his Through "morning glory" works, perceptions and aesthetic structures are often interpreted by reflecting abstract conceptions of desire and linguistic semantic structure, resulting in abstraction of the same real image as the linguistic meaning of abstract desire.: <Morning glory p16-1> Exhibition in 2022 New York
2022 New York Exhibition: Louis Choi Chul-joo's concept of desire is realistically abstracted on display, 20220301~20220308 Flushing Town Hall, New York.
Louis, morning glory p16-1, a hand-painted picture on a computer, 2022
<morning glory p16-1>은 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로써 배면이 비춰지는 교직된 천의 형태에 그리진 라캉의 오브제ɑ다.
뉴욕(Flushing Town Hall & Yeomyeong Hall)에서 한국 확가 루이 <나팔꽃>개인전 관련 현대미술 추상화 작품으로서 디자인 컨셉으로 한 포스터를 제작하여서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 전시 포스터 이미지를 기호화한 현대 추상화다.
이미지를 재구성한 형태로서 <morning glory p16-1>의 이미지와 색은 시간의 거리를 주어서 표식하지 않고 가역된 빛의 음영의 상상적 조형 구조로 형상하여서 함으로서 숨겨져 있는 형상의 미적 가치를 보인다.
그 형상의 구조를 가역적 빛의 음영으로서의 조형을 형상적 구조에 개념만평으로 존재한 조형을 재구성한 그림이다.
따라서 개념만평의 미술성으로 한 형상적 미학을 추구하는 구조에 페인트한 추상화 다. 그 추상화는 라캉의 미술이론에 등장하는 유아를 병아리로 전이하여서 풍습에 의해 만들어진 대상의 실제 형상에 그려진 이미지다.
비사실적 실제의 형상을 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 2022 뉴욕 전시 나팔꽃 포스터 16-1)은 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실제의 이미지로서 타자의 무의식적 욕망의 자리를 드러낸 추상적 이미지로서 사실적 실재 오브제ɑ 다.
그 오브제ɑ 는 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(나팔꽃 포스터 16-1)은 병아리가 타자의 욕망을 시간성에 감추어진 이미지를 가역적 빛의 음영속에 어떤 형상의 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화하고 전시 포스터 형상의 실제 변화된 움직임에 의해 가려지는 추상의 의미 (나팔꽃 포스터 16-1)로서 오브제ɑ 다.
현대미술 작품: 한국 화가 루이 최철주 2022 뉴욕 <나팔꽃> 포스터 16-1
개념만평으로 한 <나팔꽃 p16-1>은 전시 포스터 의미로서의 라캉적 특정효과가 발생하는 회화의 추상적 영역은 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지다.
이것은 회화에서 나팔꽃이라는 일관된 의미로 보이게 있는 왜상적 평면성이다. 그 나팔꽃은 거울에 비친 실재(le réel)와 동일하지만 배경의 형상은 동일하지 않다. 이것은 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이지만 그 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사실적 형상의 존재로서 실재한다.
그 존재는 실재를 가역할 수 있는 형상으로서 추상 공간을 정의하고 그 형상이 가역적 빛의 음영으로 실재가 변화된 음영에 의해 가려진 전시 포스터 개념 미술의 추상화 다.
배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 만화 리브 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 만화 리브 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)
Choi Chul-joo, <BLACKPINK's "Sour Candy" 7>, a hand-painted picture on a computer/ 기사등록: newsbusan.com 기사등록 2020-06-03 22:28:28
그 추상화 의미의 형상적 자리를 전시 포스터로 대신한 라캉적 개념미술 추상화는 형상의 자리를 구별할 수 있어서 그 형상을 해석하는 이면(裏面)의 의미를 구상한다. 그 형상은 실재를 가역할 수 있는 추상적 공간을 가역벅 빛으로 음영하여서 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미를 말한다.
Choi Chul-joo, <BLACKPINK's "Sour Candy" 12>, a hand-painted picture on a computer/ 기사등록 ACN ・ 2020. 5. 30. 18:52
라캉의 욕망 그래프에서 의미작용의 저항으로한 의미작용을 안하는 것을 대신하여 의미작용으로 욕망이 등장하게 한다. 이것은 라캉 환유의 공식 f(S...S')S=˜ S (-)s 에 따라서 기표<BLACKPINK's "Sour Candy" 7>와 기표<나팔꽃 2022-c> 를 연결해주는 의미작용의 효과로서 의미가 합동한다. 그것은 라캉 은유의 공식 f(S/S') S =˜ S (+) s 에 따라서 하나의 기표<BLACKPINK's "Sour Candy" 7>와 기표<BLACKPINK's "Sour Candy" 12>가 다른 기표로 대치되면서 원래의 기표<나팔꽃 2022-c>가 기의가 된다 즉 한 기표<Yubin's "The time is running out after hesitating" 2>가 다른 기표<morning glory 2020-p16-0 &BLACKPINK's "Sour Candy">로 치환한다는 의미다.
그 의미는 타자의 욕망<morning glory 2020-p16-0 &BLACKPINK's "Sour Candy"> 을 모방한 꽃을 상징하는 기호적 언어로 추상된 <나팔꽃 포스터 16-1>로 디자인된다.
미술가 작품 배경 이미지: Chul-joo Choi, morning glory 2020-p16-0 &BLACKPINK's "Sour Candy", a hand-painted picture on a computer, 2020
추상 공간의 자리를 더 이상 포스터로 명시하지않고 라캉의 “해석의 네 방위(É=Jacques Marie Émile Lacan, Écrits, Seuil, 1977, 53)”에 적용한다면 상상계로서 이미지ⓐ ('utre)와 말(moi) a의 선과 상징계로서 해석A (utre)와 그림(Es) S의 선을 교차하는 대각선 위치에 둠으로써 회화 작품을 '해석의 네 방위(The quadruple)'로 해석한다.
여기서 라캉적 개념미술 추상화는 거울이론을 통해 실재를 드러내는 것은 유아가 거울에 비친 기표적 이미지를 상상계 이미지ⓐ와 동일시하게 상상계에서부터 시작된다. 주체로써 기표적 이미지가 자신이 아닌 것을 인지하면서 기표의 상징적 이미지와 실재와의 분리를 통해 상징계로서 해석A (utre)된 추상화로 전이한다. 그 추상화 이미지와 실재가 분열을 통해 실재와의 만남이 이루어진다. 실재로서 기표적 이미지는 왜상적 이미지로 드러나지만 비실재로서 실재와의 어긋난 만남 즉 추상화 다. (ACN. 2022.10.14 '라캉 해석의 네 방위'에 대한 최철주 해석)
최철주의 욕망 개념 추상 디자인 개념은 낭만주의에서 추상으로 변모한 현대 추상 개념을 현대 미술 운동에서 출발하여 실제 이미지로 구현한 새로운 추상 미술 방법론이다.
하나의 개념 예술은 추상적이 아닌 선택자의 욕망이라는 개념으로 이중적 장소를 만들고, 이중적 장소에서 추상적 개념 예술을 추월하며, 선택자가 원하는 추상적으로 결핍된 욕망 구조를 주체로 하여 의미 실체로서 현실 이미지를 반복적으로 설계한다.
욕망의 현실을 설계하는 도형의 개념적 미학은 미적 경험을 삶의 가치로서 객관적 현실로 추상화하려는 경험적 욕망의 결핍을 설계한 결과이며, 필요한 대상의 결핍을 충족시킴으로써 실제 이미지로부터 형성적 가치를 얻게 된다.
여기서 욕망의 대상은 불충분하며 경험적 의식 움직임을 통해 의미적 상관관계를 얻고자 하는 상대방의 욕망 개념을 따르고 있다.
따라서 욕망의 구조물로서의 실제 이미지는 욕망의 개념으로 인해 현실 세계에서 그림자 이미지를 생략하고 빛의 범위에 배치함으로써 기존의 관행에 부합하는 미적 가치를 가지며, 현실 주체의 구조와 현실의 본질에 안착한다. 빛의 가역적 그림자 속에서 개념을 귀납적으로 조명함으로써 이미지의 언어적 의미와 현실 현상을 명확하게 구현한다.
2022 <나팔꽃> 뉴욕 전시/전시작품 & 현대미술 작품: 라캉의 오브제ɑ와 피카소의 아나몰포시스 이미지로 한 현대 추상화가 루이 최철주 개념 미술 추상화: <morning glory p16-1>
비실재로서 개념만평<BLACKPINK's "Sour Candy" 7>의 욕망적 형상이 실재와의 어긋난 만남은 응시로 이루어진 형상의 실제가 추상된 타자의 욕망에 가려지는 추상적 풍경 형상의 의미를 대리하는 비실재의 사실적 형상<morning glory p16-1>을 보인다. 그 응시로서 시니피앙은 새로운 주체를 받아드리기 위해 절단한다. 이렇게 절단된 주체는 표상하는 형상으로 고착된다. 회화 속에서 거울에 비친 공간은 가역적 빛으로 한 회화의 음영에서 드러난 물리적 공간 속에 또 하나의 공간 즉 회화의 전체 장면을 보는 시점에서 볼 수 없는 ‘응시’로 보이는 실재다.
보는 관점에 따라 실재와 비실재에 대한 예술론적 담론이 이어지고 있다. 실재와 비실재가 오브제를 재현하는 가시적 이미지로서 선택할 수 없으며 오브제를 실제의 이미지를 표현하는 회화적 이미지는 비실재로서의 이미지로 규명되었다.
따라서 오브제에서 실재를 찾는 개념만평으로 한 방법으로 라캉의 오브제ɑ와 유사한 왜상적 이미지로서 비실재의 사실적 형상을 출현한다.
글. 미술평론가 최철주 (개념미술가 & 문화디자인박사)
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Contemporary artist Movement 23
Contemporary artist contemporary works design review
Modern Art Movement [23] Choi Chul-joo's contemporary abstract art movement is that the abstract meaning of 'morning glory,' 'Bamboo Forest,' and 'Pond,' which are the backgrounds of desire, decorates the structure of desire with the color of light, which is the reality of conventional universality in which the color of meaning faces the object. The dark empty space contrasts with light in the form of shadows created in the subject's area. Here, color is a single-phase image of desire convention seen through the gaze as a real object. It is a verbal image that symbolizes the background of desire, and it symbolizes the concept of desire with imitated flowers, bamboo, and pond. Here, it is a piece of reality as a meaning of desire symbolized in the real space as a result of the image of desire.
This is a modern abstract art that expresses the absence of the concept of desire that exists in reversible temporality as a phenomenal image and expresses the structure of desire hidden in the shadow of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract color and planar structure.: Contemporary Art Movement Now: A New Abstract Methodology for Drawing Abstracts from Uninterpretable Modern Abstracts to Images of Modern Events into Desire Concept = Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo Abstraction Art Work [16] contemporary abstract art movement examples: Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo's Abstraction Art Work
Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: Media Art Display Installation: <Choi·Chul·Joo·Song·Ha·Sun·In·Chui·Saeng·Do> Exhibition by Abstract artist Louis Chul-joo Choi", 20201126-20201210, Minoo media art museum
Conceptual Abstraction Art movement based on desire is an abstract painting based on Choi Chul-joo's concept of desire painted as treacherous conceptual art that rejects abstraction that is difficult to distinguish between shapes.
Choi Chul-joo's concept of desire Abstract design concept is a new abstract art methodology that embodies modern abstract concepts transformed from Romanticism to Abstract as real images, starting from the modern art movement.
One conceptual art creates a dual place with the concept of the selector's desire rather than abstract, overtakes abstract conceptual art in the dual place, and repeatedly designs a reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as the subject.
The conceptual aesthetics of figures that design the reality of desire are the result of designing a lack of empirical desire to abstract aesthetic experience into objective reality as a value of life, and formative value is obtained from real images by satisfying the lack of necessary objects.
Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.
Therefore, the actual image as a structure of desire has an aesthetic value that conforms to the conventional practice by omitting shadow images from the real world and placing them in the range of light due to the concept of desire, and settles in the structure of the real subject and the essence of reality. By inductively illuminating the concept in the reversible shadow of light, it clearly embodies the linguistic meaning of the image and the real phenomenon.
Contemporary installation art work & contemporary art sculpture image artwork : Media Art Display Installation: <Choi·Chul·Joo·Song·Ha·Sun·In·Chui·Saeng·Do = 최철주 신윤복풍주밀회도 (申潤福風晝密會圖)> by Louis Choi Chul-joo, a media art work at the Minoo Media Art Museum
Media art < <Choi·Chul·Joo·Song·Ha·Sun·In·Chui·Saeng·Do (申潤福風晝密)> is a cartoon image of Choi Chul-joo, a cartoonist and modern image installation artist, reconstructing Shin Yun-bok's genre painting of Life in the Joseon Dynasty. It covered up the scenes of men and women secretly going to self-help on a windy day and the general appearance of blatant affection.
Here, since cartoon images are objects of affection and characters as subjects are not involved in symbolic images, Shin Yun-bok's primary colors, which showed women's skillful skills in daily life in the Joseon Dynasty, and his scenes of boating and bathing in the Joseon Dynasty, which expressed affection between men and women, are cartoonized.
Louis, Chul-joo Choi, morning glory woman, 113X180 cm, acrylic and composite materials on cloth, 2023
Considering that Shin Yoon-bok's satirical genre is similar to comics, the cartoon composition of "Choi·Chul·Joo·Song·Ha·Sun·In·Chui·Saeng·Do" is the same concept as Choi Chul-joo's "morning glory woman," which is the background of the concept of desire, depicting the morning glory landscape as a boating scene of a woman in the Joseon Dynasty, and describing the concept of desire as the sound of summer as a media art.
Partly drawn and matched in close-up scenes, like Roy Lichtenstein, who drew a series of cuts.
It seems to be a cartoon cut that continuously cuts the customs of Shin Yun-bok, who satirizes the phenomena of society in the Joseon Dynasty with cartoon images, as it is a cartoon media art that is conducted in a pop art painting.
You can get a glimpse of the modern world that is positive for customs by using Vivaldi's four seasons as sound in line with the scene of boating and bathing by the river.
In this way, cartoon media art is conducted in a popular art method, not a medium that reveals social problems. In the middle of summer, he made a boat move by the river by drawing several cuts of cartoons, including yangban, gisaeng, a male politician peeking at a woman taking a bath by the river, and a woman on a swing. The surrounding figures harmoniously reconstructed the leisurely light and shadow of the landscape, the woman of the Joseon and the Joseon man.
Choi Kwan-woo, Media-art "최철주 신윤복풍주밀회도(申潤福風晝密會圖)", Still image-30, a hand-painted picture on a computer, 2020
Louis Chul-joo Choi, morning glory p105-7, a hand-painted picture on a computer
As a real image of reflective self-consciousness as a cartoon image, Choi Chul-joo's painting is another symbolic cartoon image separated from the real image.
The consciousness of choosing the impossible realistic meaning of self-consciousness that rejects the dual meaning of the Joseon Dynasty is determined by the cartoon image.
In addition, cartoon images that are identified with the linguistic meaning of cognitive relations have a reflective importance on the meaning of space by expressing emotions.
Shin Yun-bok's painting is seen in the media space as a media with a cartoon image of the actual representation of social mannerism like Manet's "Lunch on the Grass."
This balances the actual wind speed to suit the media art that is reproduced as a cartoon image as a video. Here, the image of a woman in a bath by Shin Yun-bok contains sociality, but the flatness is matched to the gaze in the painting method reproduced by an unrealistic cartoon.
In addition, the cartoon image drawn by the Korean painting technique of Joseon, which emphasizes media art by moving stationary cartoon images, appears to be an image that matches the relationship between the real landscape and the person.
Choi Chul-joo's painting is a media art that reconstructs Shin Yun-bok's genre paintings to express the character of cartoon characters and reproduces images with the theme of Joseon Dynasty's genre paintings in successive sequences.
Choi Kwan-woo, Media-art "최철주 신윤복풍주밀회도(申潤福風晝密會圖)", Still image-11, a hand-painted picture on a computer, 2020
Meanwhile, the Media Art Kim Hong-do painting at the Minoo media art museum is a genre painting of playing musical instruments under pine trees, which equates symbolic meaning with cartoon images transformed into Chinese structures to create the meaning of transformed cartoon images.
By showing cartoon effects through videos and cartoon images, the specific meaning of the transformed form can be hidden and symbolism and reality can be selected in the other person's needs and cognitive relationships.
Through the relationship between media art Choi Chul-joo's picture effect and the concept of cognitive desire of symbolic images, the semantic structure of cartoon images in which dual characters are created emerges.
Choi Kwan-woo, Media-art "최철주 신윤복풍주밀회도(申潤福風晝密會圖)", Still image-55, a hand-painted picture on a computer, 2020
However, the media art 'Choi·Chul·Joo·Song·Ha·Sun·In·Chui·Saeng·Do' has a meaning as a symbolic image of a real cartoon image. Therefore, the meaning of the story is created by reconstructing several cartoons of Shin Yun Bok's 'Song·Ha·Sun·In·Chui·Saeng·Do', which actually shows the desires of others, into one scene.
Cartoon images are drawn to interpret the theme of "Song·Ha·Sun·In·Chui·Saeng·Do" as a symbolic cartoon image, and the cartoon image is understood as a semantic structure that enters the cognitive system by combining the meaning of the cartoon with reflective consciousness.
Louis Chul-joo Choi, morning glory p106-7, a hand-painted picture on a computer
The reason why cartoon images do not act on representation as a semantic structure is because of the appearance that is different from the impressive effect of the image. Therefore, the effect of cartoon design is impression.
Cartoons resulting from industrialization do not distinguish between the original image and the reproduction. This means an image in which the original is absent. The completed cartoon is an image language that allows speech balloons and images to be drawn in the same image as the original.
Therefore, designing a cartoon with the desire of the other, which is difficult to replicate, draws the impression of the same cartoon image where the volume of the original image has disappeared.
Like Shin Yun-bok's painting, Choi Chul-joo's painting creates the meaning of cartoon images that have changed into semantic structure and cartoon images that symbolize the desires of others.
Here, media art recognizes images that move according to the temporality associated with the impression as cartoon images.
Therefore, designing cartoons with other people's desires that are difficult to replicate shows the impression of the same cartoon image where the volume of the original image has disappeared, and Choi Chul-joo's media art has the impression of a windy summer day in the Joseon Dynasty by showing the concept of desire as a landscape like "morning glory woman" /Writing. Art critic Choi Chul-joo (Korean Painter & Ph.D. of Cultural Design)
Contemporary art abstract artist Louis Choi Chul-joo------------------------------------------------------------
Contemporary artist Movement 24
Contemporary artist contemporary works design review
Modern Art Movement [24] Choi Chul-joo's contemporary abstract art movement is that the abstract meaning of 'morning glory,' 'Bamboo Forest,' and 'Pond,' which are the backgrounds of desire, decorates the structure of desire with the color of light, which is the reality of conventional universality in which the color of meaning faces the object. The dark empty space contrasts with light in the form of shadows created in the subject's area. Here, color is a single-phase image of desire convention seen through the gaze as a real object. It is a verbal image that symbolizes the background of desire, and it symbolizes the concept of desire with imitated flowers, bamboo, and pond. Here, it is a piece of reality as a meaning of desire symbolized in the real space as a result of the image of desire.
This is a modern abstract art that expresses the absence of the concept of desire that exists in reversible temporality as a phenomenal image and expresses the structure of desire hidden in the shadow of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract color and planar structure.: Contemporary Art Movement Now: A New Abstract Methodology for Drawing Abstracts from Uninterpretable Modern Abstracts to Images of Modern Events into Desire Concept = Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo Abstraction Art Work [17] contemporary abstract art movement examples: Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo's Abstraction Art Work: Pop Art Cartoon & Abstract Pop Art Painting [5] Contemporary pop artist Louis Choi Chuljoo, Contemporary art examples
Contemporary art abstract artist Louis Choi Chul-joo portrays realistic pop art abstractions as treacherous conceptual art through the series of "Morning glory", "Bamboo Forest." and "Disappeared pond" / Contemporary artist Louis Choi Chul-joo's realistic abstraction of treacherous conceptual art and abstraction of modern art based on the concept of the desires of others: Contemporary Artist, Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis.20220308~20220310 Yeomyeong Halll, New York.
Pop Art Cartoon & Abstract Pop Art Painting [5] Contemporary pop artist Louis Choi Chuljoo, Contemporary art examples : newsmanwha K-Pop Song illustratoin [9] Yubin's "ME TIME", office worker sympathizes
Louis Chul-joo Choi, morning glory 2020 p4-0 & Yubin's "The time is running out after hesitating", a hand-painted picture on a computer
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)
Choi Chul-joo, <Yubin's "The time is running out after hesitating" 5>, a hand-painted picture on a computer
newsmanwha - NewsCartoon: Cartoonist & Newsbusan Culture Journalist, Dr. Chul-joo Choi's editorial cartoon line manwha-news : Yubin (former Wonder Girls) new song "ME TIME": The office worker empathizes.
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meaning that exists in the place of the realistic shape can be divided into cartoon review images, abstract painting is drawn through the shadow of reversible light that interprets others abstract desires into images. In other words, the emergence of the concept of desire is a momentary encounter with the concept of desire in a straight form of non-realistic image generated by reversible light.
The image of non-realism, which emerged as the concept of desire, is a distorted form of similar factual structure. This is because the place and shape of the real form are not the same.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Choi Chul-joo, <Yubin's "The time is running out after hesitating" 3>, a hand-painted picture on a computer
Contemporary Art Work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, Bamboo Forest 75-Yubin's "ME TIME", office worker sympathizes, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, In front of the bamboo forest 75-Yubin's "ME TIME", office worker sympathizes: Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
Desire Concept Realistic Abstract Work: Louis Choi chuljoo, morning glory p4-3-Yubin's "ME TIME", office worker sympathizes : Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
By repeatedly sketching design and applying Choi Chuljoo's desire formula "D(I...I')d=I(D...D'i)i" to the conceptual image of desire, it instantly acquires aesthetic value and reveals the meaning of abstract desire by realizing realistic formability in the shadow of reversible light at that moment. / The abstract meaning of the shape in which the actual changed instantaneous desire shape is hidden by the reversible movement of light results in linguistic abstraction. In other words, it is verbal abstraction with the same meaning as a realistic form of the other person's desire in a momentary event or performance scene. Choi Chul-joo's conceptual art with morning glory and bamboo as the background of cultural abstraction is the linguistic abstraction of images. The abstraction creates a conceptual structure based on the shape of reality after the meaning fostered by language and hides the abstract desire of others in momentary events and performance scenes.
Background image of an artist's artwork: Louis Chul-joo Choi, the bamboo forest 75, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, In front of the bamboo forest 75, a hand-painted picture on a computer
Background image of an artist's artwork: Louis Chul-joo Choi, morning glory p4, a hand-painted picture on a computer
Background images of art movement design works: Chul-joo Choi, morning glory 2020 p4-0 & Yubin's "The time is running out after hesitating", a hand-painted picture on a computer, 2020
Design review: Art movement design is a design methodology that approaches the modern image of an event with realistic abstraction as a desire conceptual art: Conceptual Abstraction Art movement based on desire is an abstract painting based on Choi Chul-joo's concept of desire painted as treacherous conceptual art that rejects abstraction that is difficult to distinguish between shapes.
Choi Chul-joo's concept of desire Abstract design concept is a new abstract art methodology that embodies modern abstract concepts transformed from Romanticism to Abstract as real images, starting from the modern art movement.
One conceptual art creates a dual place with the concept of the selector's desire rather than abstract, overtakes abstract conceptual art in the dual place, and repeatedly designs a reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as the subject.
The conceptual aesthetics of figures that design the reality of desire are the result of designing a lack of empirical desire to abstract aesthetic experience into objective reality as a value of life, and formative value is obtained from real images by satisfying the lack of necessary objects.
Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.
Therefore, the actual image as a structure of desire has an aesthetic value that conforms to the conventional practice by omitting shadow images from the real world and placing them in the range of light due to the concept of desire, and settles in the structure of the real subject and the essence of reality. By inductively illuminating the concept in the reversible shadow of light, it clearly embodies the linguistic meaning of the image and the real phenomenon.
Contemporary Art Movement Now: A New Abstract Methodology for Drawing Abstracts from Uninterpretable Modern Abstracts to Images of Modern Events into Desire Concept: Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis.20220308~20220310 Yeomyeong Halll, New York.
Conceptual art by contemporary art critic & conceptual artist Choi Chul-joo is the concept of early conceptual art and is the return of painting.
In other words, it is a conceptual art created by a painting work. Therefore, his contemporary conceptual art refers to the semantic value of painting with the concept of desire, such as images of events in current affairs or scenes in performances.
Painting as Lacan Conceptual Art Docent: Lacan Conceptual Art faces artistic ideas and visualizes progressive phenomena and results as a painting object of Lacan's imagination and existence. (ACN · December 28, 2021, 17:07 Art Theory of Desire/ Louis Choi Chul-joo)
As the background of culture, the figure abstracts the concept of realistic structure and determines its shape by the reversible shade of light, but the background where the figure disappears as the whole is obscured by the time of the figure is summed up by contemporary light.
(Factual abstract painting cultural conceptual theory with treacherous conceptual art by Choi Chul-joo)
Realistic structures are distorted by light, reflecting their shape. It is the contours and shadows determined by the shade of light that reveal its shape. Realistic abstraction as dangerous conceptual art focuses on this and forms realistic concepts.
(Choi Chul-joo's Realistic Abstract Painting Conceptual Art Theory)
Therefore, realistic abstraction using treacherous conceptual art abstracts realistic concepts by confirming the formation of figures as shades of light that distort realistic structures in everyday events or performances.
Abstraction as a treacherous conceptual art means abstraction as a realistic structure in art, and because the conceptual meaning existing in the place of the realistic figure can be divided into pop art images as art acts or performance scenes, it is abstracted into a realistic abstraction of the concept of desire through the shadow of reversible light that interprets the abstract desires of others as images.
Louis, morning glory 2021-g-back, 135X167cm, acrylic and composite materials on cloth, 2021
Poster Image of Real Abstract Painting, which contains the concept of desire as non-realistic in the shadow structure of reversible light: Abstract painter Louis Choi Chuljoo's' <morning glory 2021-g-back>
Invisible pictorial objects in the visual system are desire concept images and surreal objects. This is a surreal object that shows the desire of the other momentarily. It is a dual object of surreal painting that has a symbolic meaning, unlike the symbolic meaning and the meaning of perspective actual shape, as a figure derived from human subconscious.
Desire Concept The semantic language of images is based on the existence of reality that confirms Freud's unconsciousness as a category of the symbolic world. So the real meaning of the desire structure image is the unconscious structure.
By appearing the concept of desire in the reality of the painting in the scene of an art act or performance, <morning glory 2021-g-back> can be interpreted as another unconscious entity in visual art symbolizing the desires of others.
In other words, the reality of the unconscious form of the concept of desire is the effect of the emergence of incomplete and distorted images formed by repeating the semantic language of the image. This is determined by revealing the meaning of desire (signifiè) created by combining Choi Chul-joo's "morning glory" and "Bamboo Forest" as a background structure of another desire concept through the thought movement of events or performance images in Choi Chul-joo's desire concept structure.
It is similar to interpreting the concept of desire by structuring "morning glory" and "Bamboo Forest" as devices based on the structure of the unconscious, like the stage of the performance, and revealing the meaning of the scenario through the thought movement of images illuminated by the reversible light of the past time.
The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory 2021-h-back', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky.
In addition, in <morning glory 2021-g-back>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).
Louis Choi Chul-joo's desire formula, which functions visually in the painting, is an abstraction of "morning glory" which depicts unconsciousness and language and targets the desires of others. Since it is repeatedly used as an art movement as an abstraction of the concept of desire to complete 100 different abstract posters and experience them consistently and meaningfully while preparing for exhibitions through the 2022 New York Exhibition Poster, the attempt to pursue in the abstraction of the concept of desire shows the meaning of desire that the exhibition poster with the effect of a certain semantic action sets a limited place in the existing space and symbolizes the desires of others hidden in the poster image like unconscious language. / Writing. Art critic Choi Chul-joo (Abstract Painter & Ph.D. of Cultural Design)
Contemporary art abstract artist Louis Choi Chul-joo------------------------------------------------------------
Contemporary artist Movement 25
Contemporary artist contemporary works design review
Modern Art Movement [25] Choi Chul-joo's contemporary abstract art movement is that the abstract meaning of 'morning glory,' 'Bamboo Forest,' and 'Pond,' which are the backgrounds of desire, decorates the structure of desire with the color of light, which is the reality of conventional universality in which the color of meaning faces the object. The dark empty space contrasts with light in the form of shadows created in the subject's area. Here, color is a single-phase image of desire convention seen through the gaze as a real object. It is a verbal image that symbolizes the background of desire, and it symbolizes the concept of desire with imitated flowers, bamboo, and pond. Here, it is a piece of reality as a meaning of desire symbolized in the real space as a result of the image of desire.
This is a modern abstract art that expresses the absence of the concept of desire that exists in reversible temporality as a phenomenal image and expresses the structure of desire hidden in the shadow of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract color and planar structure.: Contemporary Art Movement Now: A New Abstract Methodology for Drawing Abstracts from Uninterpretable Modern Abstracts to Images of Modern Events into Desire Concept [18] Contemporary Artworks Review & Artist Artworks [37] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review : Contemporary Artist Movement & Contemporary Artist Louis Choi Chul-joo's Contemporary Art Design & Review [15] Contemporary Art Review that actually abstracts the abstraction of the concept of desire and abstract art with realistic conceptual art design : Famous Contemporary Abstract Artist Louis Choi Chul-joo's treacherous Concept Art Abstraction 'morning glory' Abstract Design & Contemporary Pop Art Abstract Artist Louis Choi Chul-joo's <It's hard to see a morning glory exhibition due to COVID-19> & <morning glory-2021-l>
Art review of the artwork posted on Facebook: Famous contemporary artist, modern painter, abstract painter & contemporary pop art abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'morning glory'
2022 New York Exhibition: Louis Choi Chul-joo's concept of desire is realistically abstracted on display, 20220301~20220308 Flushing Town Hall, New York
Louis Choi Chuljoo,, It's hard to see a morning glory exhibition due to COVID-19, a hand-painted picture on a computer
Louis, Choi Chul-joo, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021/ 2022 New York Exhibition: Louis Choi Chul-joo's concept of desire is realistically abstracted on display, 20220301~20220308 Flushing Town Hall, New York
Louis Choi Chul-joo's 2022 New York Exhibition is a renowned contemporary art work by a contemporary art critic in the field of photography aesthetics and cultural design theory, creating a pop art abstraction of contemporary photography that interprets the aesthetics of photography through photography criticism. One of his notable works is the realistic abstraction of morning glory against the backdrop of the concept of desire.
The concept of his work realistically designs events and performance scenes with the concept of desire to explore the image structure of conceptual art and produce abstract designs that are considered examples of modern art.
His work reveals spatiality and temporality as an abstraction of the concept of desire with reversible light that explores realistic abstraction as treacherous conceptual art.
This is an example of the realistic abstraction art movement of his desire concept, which produces abstractions based on contemporary art concept abstract works related to the <morning glory> poster 100 and expresses this as a modern concept abstraction symbolizing the design of shape as a semantic structure of the concept of desire.
Louis Choi Chuljoo,, Abstract Painting Poster-100 Painted With Desire Concepts at 2022 <The morning glory Exhibition>, a hand-painted picture on a computer
Choi Chul-joo's concept of desire Abstract design concept is a new abstract art methodology that embodies modern abstract concepts transformed from Romanticism to Abstract as real images, starting from the modern art movement.
One conceptual art creates a dual place with the concept of the selector's desire rather than abstract, overtakes abstract conceptual art in the dual place, and repeatedly designs a reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as the subject.
The conceptual aesthetics of figures that design the reality of desire are the result of designing a lack of empirical desire to abstract aesthetic experience into objective reality as a value of life, and formative value is obtained from real images by satisfying the lack of necessary objects.
Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.
Therefore, the actual image as a structure of desire has an aesthetic value that conforms to the conventional practice by omitting shadow images from the real world and placing them in the range of light due to the concept of desire, and settles in the structure of the real subject and the essence of reality. By inductively illuminating the concept in the reversible shadow of light, it clearly embodies the linguistic meaning of the image and the real phenomenon.
Louis Choi Chuljoo,, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021
The object (Luis Choi Chul-joo 2022 New York exhibition morning glory 2021-e), which depicts the meaning of the shape seen in the meaning space created by the reversible light of the non-real shape, represents an abstract space that can reverse the object into a real shape by structuring the meaning of the image that hides the desire of the other in the temporal shadow, and the image in the mirror shows the concept of desire of the abstract image that reveals the place of the other's unconscious desire with a non-real virtual image.
The concept of desire refers to the concept of abstract meaning, desire, which is obscured by the actual change in the shape of the exhibition poster by constructing the meaning of a certain shape in the shade of reversible light and the meaning of the image hidden by the long time in which the desire of the other is shared by the meaning of abstraction, or desire, is hidden by the actual changed movement of the exhibition poster shape.
This is a dwarf planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure with a non-realistic shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-real as an ideological non-formal existence with different colors and sizes.
Its existence is an abstract painting that defines abstract space as a real reversible shape and whose shape is obscured by actual changes in the shadow of reversible light, which refers to the abstraction meaning of exhibition poster concept art.
Louis Choi Chuljoo,, <Omicron Spread Restricts Entry of Foreigners-2>, a hand-painted picture on a computer
Concept of Desire Replaces the meaning of phenomenal abstract places with exhibition posters Art abstraction can distinguish places of shapes while conceiving the meaning of planes that interpret them. Images have different meanings because they are abstract in color and size similar to ideological structures, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, the image of the object and the abstract meaning of the object are identified with the image of the object, and the object forms an internally transformed abstract meaning. This means that the abstract meaning of the figure that defines the abstract space that can actually be reversible and the design meaning of the abstract figure whose shape has been changed by the movement of the actual changed figure are obscured by shading.
Its meaning is a symbolic word that imitates the desire of others, such as COVID-19 <Omicron Spread of Foreigners Entry-2>, and is conceptually designed as several abstracted <morning glory>.
Louis Choi Chuljoo, morning glory p9-8-COVID-19, a hand-painted picture on a computer
In the abstract <morning glory>, we design a figure representing the desire of others and reproduce it as an abstract object as a concept of desire. The mechanical diagram of the perspective visual system abstracts the concept of desire as a different momentary gaze from the perspective of the desire of others revealed unconsciously by creating a place in one shade with reversible light concealed by the visual system.
The concept of desire abstracted as a conceptual art forms a dwarf image expressed through the repressed unconscious desire of others to acquire artistry beyond generality, creates desire as a shadow of conceptual formality along with the desire of others as beings, and exists as a meaning.
Desire as a semantic entity reveals the desire as another entity of the object by transforming the image of the object into a structure of meaning from the other's desire perspective, and contains a formative value as an autonomous choice of the other's desire.
And, painterly, a small piece as the other's desire hidden in the background of the morning glory shows a real abstract space that is reversible through the meaning movement of the image that actually changes the shape. This is where the other's desire is abstracted into a space where the object can be actually reversible in the meaning of the existence of an abstract object.
The desire of the other emerges by repeating the formula that reveals the meaning of the shape covered by the actual changed instantaneous movement of the shape as the concept of desire.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.
The meaning of the shape obscured by the actual changed instantaneous movement of the shape results in linguistic abstraction. In other words, the realistic form of the other's desire in a momentary event is linguistic abstraction of the same meaning. Verbal abstraction is a conceptual art with a cultural background of morning glory and bamboo. Abstraction creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in momentary events.
Louis Choi Chul-joo, morning glory-2021-l, 148X175cm, acrylic and composite materials on cloth, 2021
In everyday life, "morning glory-2021-l", it rejects the two-dimensional floor plan and divides the fantastic plane into two planes, creating a shadow of reversible temporal perception by being seen as a fabric structure so that others' desires can be recognized as reversible shadows. It is difficult to reveal an object called a structure of beauty hidden in a hidden structure that exists as a shadow attribute in a picture that converts it into a system that approaches perception and paints symbolic representations as meaningless beings.
The perceived symbolic representation is a linguistic composition that lacks a formative aesthetic structure that looks well like cloth. In other words, the perceived symbolic expression is a linguistic composition that lacks a formative aesthetic structure in which the image is clearly visible on the surface of the cloth.
It is a virtual image that is recognized as a representation as a plane image but hides reality. An image is an aesthetic structure hidden from the perspective of reality and belongs to a semantic structure as a virtual image belonging to the structure of desire.
<morning glory-2021-l> is a background shading by manipulating the background of the morning glory with reversible light on the surface of the cloth made of intersecting threads. And the light reflected through a small hole in the fabric is an abstract image that overlaps with reversible light in an unrealistic picture to extend the plane of the object. The meaning of the image is that the reality of the existing universality encountered by the morning glory, which represents the other's desire, overlaps with the reversible light to decorate the entire space with the meaning of color.
The morning glory has no light setting, while the background is painted in the style of a Quattrosento painting.
This is the process of transitioning from the imaginary world to the symbolic world, where the non-existent as reality and the image, that is, the image reflected in the mirror in the imaginary world, coexist. It reproduces the reality of morning glory as a coexisting image, but the background image identifies it with morning glory, but the metaphorical meaning of reality does not match the shadow color and assimilated image. Its meaning is metaphorical like the language structure, so it is not the same as the shape of the morning glory. Therefore, the meaning structure of the shadow created by reversible light with different images from morning glory in terms of what reality is is an object as another reality from a non-real shadow. This is not an image as a subject, but an object of reality as a being with the desires of others.
Contemporary Artist, Modern abstract artist Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20220308~
20220310 Yeomyeong Hall, New York.
Louis Choi Chul-joo, morning glory-2021-l-back, 148X175cm, acrylic and composite materials on cloth, 2021 / Desire' painting exhibition showing the shade of object ɑ with reversible light, 20211223-2021125 Gwangan Gallery.
As a concept of desire, images that are deviated are consistent with the visualization of photographic images with collages. This is because it is an image created by the desire of others in the theoretical system of desire images with irrelevant gaze areas, whether flat or three-dimensional. In <morning glory-2021-l-back>, among the three morning glory as an object, the morning glory below the center is a distorted image, and the image of desire is an image of gaze.
Here, morning glory refers to the existence stopped by a momentary gaze in the continuity of reversible time.
The image in <morning glory-2021-l-back> shows the existence of reversible timeliness by flattening the morning glory according to the perspective visual system margin and reversible timeliness of the object, not actual.
However, although the existence of morning glory is reproduced, the morning glory is confirmed by the background image of desire, but it does not match the actual desire. It is the semantic structure of shadows created by reversible light that differs in image from morning glory in terms of what existence is. It is an object as a being with a reversible temporality different from a non-real shadow.
Therefore, the object is not an image as a subject, but as a being as a desire of others.
The morning glory below the center connects reversible light to form the process of time to indicate the direction by determining the position of existence and the space in which it exists. The morning glory formed at one light source point of view does not have any sense of quantity. Here, the morning glory is a partially fragmented image like a collage. In this way, each partial image exists in space as the fragmented shape is exposed at the same time.
A flat, morning glory is the form of a subject generated by the observer's gaze. This shows a flatness converted to a desire image by extracting beings connected in one color with reversible light through morning glory that have eliminated the sense of quantity and contrasting the morning glory as external images with several reversible lights in the background.
Desireful gaze cannot be selected as a visible image that reproduces real and non-real objects depending on the viewpoint of view, and a photographic image that expresses a real image is identified as an image as non-real. Therefore, the existence of the object is a dwarf image similar to Desire's object.
Therefore, the desire' gaze that sees the shade created by reversible light reproduces real and non-real objects according to the viewpoint of view. The structure of the shade cannot be selected as a visible image, but it refers to the meaning of an object that reverses the desires of others by looking at the concept as a real image.
And as we examine the cartoon images of events and performances, we see the existence of an object of desire as a concept that is understood as an unrealistic image, a real image that is conceptually similar to the object of desire. / Writing. Contemporary art critic Choi Chul-joo (abstract painter and Ph.D. in cultural design)
Contemporary Artist Louis Choi Chul-joo
