Contemporary Artist Movement 6

contemporary artist works design review

Dec 10. 2022

Modern Art Movement [6/ 26~28] Choi Chul-joo's contemporary abstract art movement is that the abstract meaning of 'morning glory,' 'Bamboo Forest,' and 'Pond,' which are the backgrounds of desire, decorates the structure of desire with the color of light, which is the reality of conventional universality in which the color of meaning faces the object. The dark empty space contrasts with light in the form of shadows created in the subject's area. Here, color is a single-phase image of desire convention seen through the gaze as a real object. It is a verbal image that symbolizes the background of desire, and it symbolizes the concept of desire with imitated flowers, bamboo, and pond. Here, it is a piece of reality as a meaning of desire symbolized in the real space as a result of the image of desire.

Art review of the artwork posted on Facebook: Famous contemporary artist, modern painter, abstract painter & contemporary pop art abstract artist

2022 New York Exhibition: Louis Choi Chul-joo's concept of desire is realistically abstracted on display, 20220301~20220308 Flushing Town Hall, New York.

Choi Chul-joo's concept of desire Abstract design concept is a new abstract art methodology that embodies modern abstract concepts transformed from Romanticism to Abstract as real images, starting from the modern art movement.

One conceptual art creates a dual place with the concept of the selector's desire rather than abstract, overtakes abstract conceptual art in the dual place, and repeatedly designs a reality image as a semantic entity with the abstractly deficient desire structure desired by the selector as the subject.

The conceptual aesthetics of figures that design the reality of desire are the result of designing a lack of empirical desire to abstract aesthetic experience into objective reality as a value of life, and formative value is obtained from real images by satisfying the lack of necessary objects.

Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.

Therefore, the actual image as a structure of desire has an aesthetic value that conforms to the conventional practice by omitting shadow images from the real world and placing them in the range of light due to the concept of desire, and settles in the structure of the real subject and the essence of reality. By inductively illuminating the concept in the reversible shadow of light, it clearly embodies the linguistic meaning of the image and the real phenomenon.

Louis, morning glory p29-2, a hand-painted picture on a computer, 2022

<morning glory p29-2>은 나팔꽃의 실재를 의미하는 왜상(anamorphosis)적 이미지로 생성된 이미지를 수작업으로써 배면이 비춰지는 교직된 천의 형태에 그리진 라캉의 오브제ɑ다.

뉴욕(Flushing Town Hall & Yeomyeong Hall)에서 한국 확가 루이 <나팔꽃>개인전 관련 현대미술 추상화 작품으로서 디자인 컨셉으로 한 포스터를 제작하여서 이것을 라캉적 의미 구조로서 형상의 디자인 즉 회화의 전시 포스터 이미지를 기호화한 현대 추상화다.

이미지를 재구성한 형태로서 <morning glory p29-2>의 이미지와 색은 시간의 거리를 주어서 표식하지 않고 가역된 빛의 음영의 상상적 조형 구조로 형상하여서 함으로서 숨겨져 있는 형상의 미적 가치를 보인다.

그 형상의 구조를 가역적 빛의 음영으로서의 조형을 형상적 구조에 개념만평으로 존재한 조형을 재구성한 그림이다.

이것은 회화적 비실재성과는 다른 존재성과 실재성의 이중적 개념이다. 이러한 기표 이미지는 실재적 이미지들의 조합에 의하여 형성된 라캉적 이미지와 실재로서의 오브제ɑ가 전체적 이미지에서 동일관계를 형성한다.

그것은 응시로써 드러난 오브제ɑ는 실재로서의 조형물로 만들어진 것이지만 시각적 형상의 이미지는 가상적인 비실재이다. 즉 전시공간에서 라캉적 디자인으로 설치된 이미지가 평면적으로 시각화되는 추상화를 말한다. 이것은 퍼스펙티브 이미지를 사진이미지로 이해하고 그 이미지에 재현시킨 것과 같은 추상이기 때문이다.

따라서 사진적 이미지를 개념만평의 미술성으로 한 형상적 미학을 추구하는 퍼스펙티브 구조에 페인트한 추상화 다. 그 추상화는 라캉의 미술이론에 등장하는 유아를 병아리로 전이하여서 풍습에 의해 만들어진 대상의 실제 형상을 배경으로 그려진 이미지다.

비사실적 실제의 형상을 가역적 빛으로 생성된 배경의 의미 공간에서 보이는 형상의 의미를 그려낸 오브제(루이 최철주 2022 뉴욕 전시 나팔꽃 포스터 29-2)은 타자의 욕망을 시간성에 감춘 이미지를 가역적 빛의 음영으로 배경의 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미화한다. 여기서 형상의 실제 변화된 움직임에 의해 가려지는 개념적 추상의 의미 즉 거울속의 이미지는 가상적인 비실제의 이미지로서 타자의 무의식적 욕망의 자리를 추상적 이미지로서 실재화한 오브제ɑ 다.

그 오브제ɑ 는 가역적 빛으로 생성된 의미 공간에서 보이는 형상의 의미를 그려낸 오브제는 병아리가 타자의 욕망을 시간성에 감추어진 이미지를 가역적 빛의 음영속에 어떤 형상의 의미를 구조화하여서 그 오브제를 실제 형상으로 가역할 수 있는 추상 공간을 의미한 추상의 의미 (나팔꽃 포스터 29-2)로서 오브제ɑ 다.

개념만평으로 한 <나팔꽃 p29-2>는 전시 포스터 의미로서의 라캉적 특정효과가 발생하는 회화의 추상적 영역은 풍경속에서 응시적으로 기능하는 타자의 욕망을 순간적으로 볼 수있는 이미지다.

이것은 회화에서 나팔꽃 추상화라는 일관된 의미로 보이게 있는 왜상적 평면성이다. 그 나팔꽃은 거울에 비친 실재(le réel)와 동일하지만 배경의 형상은 동일하지 않다. 이것은 구상적 형태로서 동일한 의미의 구조로 한 비실재의 사실적 형상을 개념적 의미 구조로서 추상이지만 그 형상이 다른 동일한 의미로서의 추상화는 유사한 색깔과 크기가 다른 사실적 형상의 존재로서 실재한다.

배반적 개념미술로서의 추상화는 미술에서 사실적 구조물로서의 추상화를 말한다. 사실적 형상의 자리에 존재하는 개념적 의미들은 만화 리브 이미지로 구분될 수 있으므로, 추상화는 타인의 추상적 욕망을 만화 리브 이미지로 해석하는 가역적인 빛의 음영을 통해 그려진다.

Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon rib images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon rib image as an image. (*Cartoon rib image, that is, an image that emphasizes the hidden meaning of the cartoon)

Choi Chul-joo, <Super Junior's Naver V LIVE broadcast 7>, a hand-painted picture on a computer/ 기사등록: ACN ・ 2020. 6. 2. 2:03

그 추상화 의미의 형상적 자리를 전시 포스터로 개념만평을 대신한 라캉적 개념미술 추상화다 개념만평으로 한 형상의 자리를 <나팔꽃>과 구별하여서 그 형상을 해석하는 타자의 이면(裏面)적 의미를 구상한다.

그 형상은 실재를 가역할 수 있는 추상적 공간을 가역벅 빛으로 음영하여서 그 형상의 실제 변화된 움직임에 의해서 변화된 형상이 음영으로 가려지는 추상된 형상의 디자인적 의미 다.

라캉의 욕망 그래프에서 의미작용의 저항으로한 의미작용을 안하는 것을 대신하여 의미작용으로 욕망이 등장하게 한다. 이것은 라캉 환유의 공식 f(S...S')S=˜ S (-)s 에 따라서 기표<BLACKPINK's "Sour Candy" 7>와 기표<나팔꽃 2020-29-1> 를 연결해주는 의미작용의 효과로서 의미가 합동한다. 그것은 라캉 은유의 공식 f(S/S') S =˜ S (+) s 에 따라서 하나의 기표<BLACKPINK's "Sour Candy" 7>와 기표<BLACKPINK's "Sour Candy" 12>가 다른 기표로 대치되면서 원래의 기표<나팔꽃 2022-c>가 기의가 된다 즉 한 기표<Super Junior's Naver V LIVE broadcast 7>이 다른 기표로 치환한다는 의미다.

그 의미는 타자의 욕망<morning glory p29-2> 을 모방한 꽃을 상징하는 기호적 언어로 추상된 <나팔꽃 포스터 29-2>로 디자인된다.

미술가 작품 배경 이미지: Chul-joo Choi, morning glory 2020-29-1 &BLACKPINK's "Sour Candy", a hand-painted picture on a computer, 2020

추상 공간의 자리를 더 이상 포스터로 명시하지않고 라캉의 “해석의 네 방위(É=Jacques Marie Émile Lacan, Écrits, Seuil, 1977, 53)”에 적용한다면 상상계로서 이미지ⓐ ('utre)와 말(moi) a의 선과 상징계로서 해석A (utre)와 그림(Es) S의 선을 교차하는 대각선 위치에 둠으로써 회화 작품을 '해석의 네 방위(The quadruple)'로 해석한다.

여기서 라캉적 개념미술 추상화는 거울이론을 통해 실재를 드러내는 것은 유아가 거울에 비친 기표적 이미지를 상상계 이미지ⓐ와 동일시하게 상상계에서부터 시작된다. 주체로써 기표적 이미지가 자신이 아닌 것을 인지하면서 기표의 상징적 이미지와 실재와의 분리를 통해 상징계로서 해석A (utre)된 추상화로 전이한다. 그 추상화 이미지와 실재가 분열을 통해 실재와의 만남이 이루어진다. 실재로서 기표적 이미지는 왜상적 이미지로 드러나지만 비실재로서 실재와의 어긋난 만남 즉 추상화 다. (ACN. 2022.10.14 '라캉 해석의 네 방위'에 대한 최철주 해석)

2022 <나팔꽃> 뉴욕 전시/전시작품 & 현대미술 작품: 라캉의 오브제ɑ와 피카소의 아나몰포시스 이미지로 한 현대 추상화가 루이 최철주 개념 미술 추상화: <morning glory p29-2>

비실재로서 개념만평<Super Junior's Naver V LIVE broadcast 7>의 욕망적 형상이 실재와의 어긋난 만남은 응시로 이루어진 형상의 실제가 추상된 타자의 욕망에 가려지는 추상적 풍경 형상의 의미를 대리하는 비실재의 사실적 형상<morning glory p29-2>을 보인다.

그 형상은 억압된 무의식에서 응시로써 실재를 만나기 위해 주체의 불충분함에서 오브제ɑ를 드러내려고 기대하는 것이다.

즉 주체를 구성하고자 오브제ɑ를 드러냄은 욕망과 타자와의 환영을 주체에 결합하는 것이 응시가 주체로서의 회화에서 빛이 들어나는 점은 응시점이다. 이것을 개념만평 이미지로 매개하여서 회화를 추상한다.

글. 미술평론가 최철주 (개념미술가 & 문화디자인박사)

------------------------------------------------------------

Contemporary artist Movement 26

Contemporary artist contemporary works design review

Modern Art Movement [26] Choi Chul-joo's contemporary abstract art movement is that the abstract meaning of 'morning glory,' 'Bamboo Forest,' and 'Pond,' which are the backgrounds of desire, decorates the structure of desire with the color of light, which is the reality of conventional universality in which the color of meaning faces the object. The dark empty space contrasts with light in the form of shadows created in the subject's area. Here, color is a single-phase image of desire convention seen through the gaze as a real object. It is a verbal image that symbolizes the background of desire, and it symbolizes the concept of desire with imitated flowers, bamboo, and pond. Here, it is a piece of reality as a meaning of desire symbolized in the real space as a result of the image of desire.

This is a modern abstract art that expresses the absence of the concept of desire that exists in reversible temporality as a phenomenal image and expresses the structure of desire hidden in the shadow of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract color and planar structure.: Contemporary Art Movement Now: A New Abstract Methodology for Drawing Abstracts from Uninterpretable Modern Abstracts to Images of Modern Events into Desire Concept [18] Contemporary Artworks Review & Artist Artworks [37] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review : Contemporary Artist Movement & Contemporary Artist Louis Choi Chul-joo's Contemporary Art Design & Review [15] Contemporary Art Review that actually abstracts the abstraction of the concept of desire and abstract art with realistic conceptual art design : Famous Contemporary Abstract Artist Louis Choi Chul-joo's treacherous Concept Art Abstraction 'morning glory' Abstract Design & Contemporary Pop Art Abstract Artist Louis Choi Chul-joo's <It's hard to see a morning glory exhibition due to COVID-19> & <morning glory-2021-l>

Art review of the artwork posted on Facebook: Famous contemporary artist, modern painter, abstract painter & contemporary pop art abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'morning glory'

2022 New York Exhibition: Louis Choi Chul-joo's concept of desire is realistically abstracted on display, 20220301~20220308 Flushing Town Hall, New York

Louis Choi Chuljoo,, It's hard to see a morning glory exhibition due to COVID-19, a hand-painted picture on a computer

Louis, Choi Chul-joo, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021/ 2022 New York Exhibition: Louis Choi Chul-joo's concept of desire is realistically abstracted on display, 20220301~20220308 Flushing Town Hall, New York

Louis Choi Chul-joo's 2022 New York Exhibition is a renowned contemporary art work by a contemporary art critic in the field of photography aesthetics and cultural design theory, creating a pop art abstraction of contemporary photography that interprets the aesthetics of photography through photography criticism. One of his notable works is the realistic abstraction of morning glory against the backdrop of the concept of desire.

The concept of his work realistically designs events and performance scenes with the concept of desire to explore the image structure of conceptual art and produce abstract designs that are considered examples of modern art.

His work reveals spatiality and temporality as an abstraction of the concept of desire with reversible light that explores realistic abstraction as treacherous conceptual art.

This is an example of the realistic abstraction art movement of his desire concept, which produces abstractions based on contemporary art concept abstract works related to the <morning glory> poster 100 and expresses this as a modern concept abstraction symbolizing the design of shape as a semantic structure of the concept of desire.

Louis Choi Chuljoo,, Abstract Painting Poster-100 Painted With Desire Concepts at 2022 <The morning glory Exhibition>, a hand-painted picture on a computer

Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.

Louis Choi Chuljoo,, morning glory 2021-e, 114X169cm, acrylic and composite materials on cloth, 2021

The object (Luis Choi Chul-joo 2022 New York exhibition morning glory 2021-e), which depicts the meaning of the shape seen in the meaning space created by the reversible light of the non-real shape, represents an abstract space that can reverse the object into a real shape by structuring the meaning of the image that hides the desire of the other in the temporal shadow, and the image in the mirror shows the concept of desire of the abstract image that reveals the place of the other's unconscious desire with a non-real virtual image.

The concept of desire refers to the concept of abstract meaning, desire, which is obscured by the actual change in the shape of the exhibition poster by constructing the meaning of a certain shape in the shade of reversible light and the meaning of the image hidden by the long time in which the desire of the other is shared by the meaning of abstraction, or desire, is hidden by the actual changed movement of the exhibition poster shape.

This is a dwarf planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure with a non-realistic shape with the same meaning as a conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-real as an ideological non-formal existence with different colors and sizes.

Its existence is an abstract painting that defines abstract space as a real reversible shape and whose shape is obscured by actual changes in the shadow of reversible light, which refers to the abstraction meaning of exhibition poster concept art.

Louis Choi Chuljoo,, <Omicron Spread Restricts Entry of Foreigners-2>, a hand-painted picture on a computer

Concept of Desire Replaces the meaning of phenomenal abstract places with exhibition posters Art abstraction can distinguish places of shapes while conceiving the meaning of planes that interpret them. Images have different meanings because they are abstract in color and size similar to ideological structures, but in the imaginary world, the abstract meaning of conceptual art is identified with reality, the image of the object and the abstract meaning of the object are identified with the image of the object, and the object forms an internally transformed abstract meaning. This means that the abstract meaning of the figure that defines the abstract space that can actually be reversible and the design meaning of the abstract figure whose shape has been changed by the movement of the actual changed figure are obscured by shading.

Its meaning is a symbolic word that imitates the desire of others, such as COVID-19 <Omicron Spread of Foreigners Entry-2>, and is conceptually designed as several abstracted <morning glory>.

Louis Choi Chuljoo, morning glory p9-8-COVID-19, a hand-painted picture on a computer

In the abstract <morning glory>, we design a figure representing the desire of others and reproduce it as an abstract object as a concept of desire. The mechanical diagram of the perspective visual system abstracts the concept of desire as a different momentary gaze from the perspective of the desire of others revealed unconsciously by creating a place in one shade with reversible light concealed by the visual system.

The concept of desire abstracted as a conceptual art forms a dwarf image expressed through the repressed unconscious desire of others to acquire artistry beyond generality, creates desire as a shadow of conceptual formality along with the desire of others as beings, and exists as a meaning.

Desire as a semantic entity reveals the desire as another entity of the object by transforming the image of the object into a structure of meaning from the other's desire perspective, and contains a formative value as an autonomous choice of the other's desire.

And, painterly, a small piece as the other's desire hidden in the background of the morning glory shows a real abstract space that is reversible through the meaning movement of the image that actually changes the shape. This is where the other's desire is abstracted into a space where the object can be actually reversible in the meaning of the existence of an abstract object.

The desire of the other emerges by repeating the formula that reveals the meaning of the shape covered by the actual changed instantaneous movement of the shape as the concept of desire.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.

The meaning of the shape obscured by the actual changed instantaneous movement of the shape results in linguistic abstraction. In other words, the realistic form of the other's desire in a momentary event is linguistic abstraction of the same meaning. Verbal abstraction is a conceptual art with a cultural background of morning glory and bamboo. Abstraction creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in momentary events.

Chul-joo Choi, morning glory-2021-l, 148X175cm, acrylic and composite materials on cloth, 2021.jpg

Louis Choi Chul-joo, morning glory-2021-l, 148X175cm, acrylic and composite materials on cloth, 2021

In everyday life, "morning glory-2021-l", it rejects the two-dimensional floor plan and divides the fantastic plane into two planes, creating a shadow of reversible temporal perception by being seen as a fabric structure so that others' desires can be recognized as reversible shadows. It is difficult to reveal an object called a structure of beauty hidden in a hidden structure that exists as a shadow attribute in a picture that converts it into a system that approaches perception and paints symbolic representations as meaningless beings.

The perceived symbolic representation is a linguistic composition that lacks a formative aesthetic structure that looks well like cloth. In other words, the perceived symbolic expression is a linguistic composition that lacks a formative aesthetic structure in which the image is clearly visible on the surface of the cloth.

It is a virtual image that is recognized as a representation as a plane image but hides reality. An image is an aesthetic structure hidden from the perspective of reality and belongs to a semantic structure as a virtual image belonging to the structure of desire.

<morning glory-2021-l> is a background shading by manipulating the background of the morning glory with reversible light on the surface of the cloth made of intersecting threads. And the light reflected through a small hole in the fabric is an abstract image that overlaps with reversible light in an unrealistic picture to extend the plane of the object. The meaning of the image is that the reality of the existing universality encountered by the morning glory, which represents the other's desire, overlaps with the reversible light to decorate the entire space with the meaning of color.

The morning glory has no light setting, while the background is painted in the style of a Quattrosento painting.

This is the process of transitioning from the imaginary world to the symbolic world, where the non-existent as reality and the image, that is, the image reflected in the mirror in the imaginary world, coexist. It reproduces the reality of morning glory as a coexisting image, but the background image identifies it with morning glory, but the metaphorical meaning of reality does not match the shadow color and assimilated image. Its meaning is metaphorical like the language structure, so it is not the same as the shape of the morning glory. Therefore, the meaning structure of the shadow created by reversible light with different images from morning glory in terms of what reality is is an object as another reality from a non-real shadow. This is not an image as a subject, but an object of reality as a being with the desires of others.

Contemporary Artist, Modern abstract artist Louis Chul-joo Choi's "morning glory" Exhibition with the image of Lacan's object ɑ and Picasso's Anamorphosis, 20220308~

20220310 Yeomyeong Hall, New York.

Louis Choi Chul-joo, morning glory-2021-l-back, 148X175cm, acrylic and composite materials on cloth, 2021 / Desire' painting exhibition showing the shade of object ɑ with reversible light, 20211223-2021125 Gwangan Gallery.

As a concept of desire, images that are deviated are consistent with the visualization of photographic images with collages. This is because it is an image created by the desire of others in the theoretical system of desire images with irrelevant gaze areas, whether flat or three-dimensional. In <morning glory-2021-l-back>, among the three morning glory as an object, the morning glory below the center is a distorted image, and the image of desire is an image of gaze.

Here, morning glory refers to the existence stopped by a momentary gaze in the continuity of reversible time.

The image in <morning glory-2021-l-back> shows the existence of reversible timeliness by flattening the morning glory according to the perspective visual system margin and reversible timeliness of the object, not actual.

However, although the existence of morning glory is reproduced, the morning glory is confirmed by the background image of desire, but it does not match the actual desire. It is the semantic structure of shadows created by reversible light that differs in image from morning glory in terms of what existence is. It is an object as a being with a reversible temporality different from a non-real shadow.

Therefore, the object is not an image as a subject, but as a being as a desire of others.

The morning glory below the center connects reversible light to form the process of time to indicate the direction by determining the position of existence and the space in which it exists. The morning glory formed at one light source point of view does not have any sense of quantity. Here, the morning glory is a partially fragmented image like a collage. In this way, each partial image exists in space as the fragmented shape is exposed at the same time.

A flat, morning glory is the form of a subject generated by the observer's gaze. This shows a flatness converted to a desire image by extracting beings connected in one color with reversible light through morning glory that have eliminated the sense of quantity and contrasting the morning glory as external images with several reversible lights in the background.

Desireful gaze cannot be selected as a visible image that reproduces real and non-real objects depending on the viewpoint of view, and a photographic image that expresses a real image is identified as an image as non-real. Therefore, the existence of the object is a dwarf image similar to Desire's object.

Therefore, the desire' gaze that sees the shade created by reversible light reproduces real and non-real objects according to the viewpoint of view. The structure of the shade cannot be selected as a visible image, but it refers to the meaning of an object that reverses the desires of others by looking at the concept as a real image.

And as we examine the cartoon images of events and performances, we see the existence of an object of desire as a concept that is understood as an unrealistic image, a real image that is conceptually similar to the object of desire. / Writing. Contemporary art critic Choi Chul-joo (abstract painter and Ph.D. in cultural design)

Contemporary Artist Louis Choi Chul-joo

------------------------------------------------------------

Contemporary artist Movement 27

Contemporary artist contemporary works design review

Modern Art Movement [27] Choi Chul-joo's contemporary abstract art movement is that the abstract meaning of 'morning glory,' 'Bamboo Forest,' and 'Pond,' which are the backgrounds of desire, decorates the structure of desire with the color of light, which is the reality of conventional universality in which the color of meaning faces the object. The dark empty space contrasts with light in the form of shadows created in the subject's area. Here, color is a single-phase image of desire convention seen through the gaze as a real object. It is a verbal image that symbolizes the background of desire, and it symbolizes the concept of desire with imitated flowers, bamboo, and pond. Here, it is a piece of reality as a meaning of desire symbolized in the real space as a result of the image of desire.

This is a modern abstract art that expresses the absence of the concept of desire that exists in reversible temporality as a phenomenal image and expresses the structure of desire hidden in the shadow of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract color and planar structure.: Contemporary Art Movement Now: A New Abstract Methodology for Drawing Abstracts from Uninterpretable Modern Abstracts to Images of Modern Events into Desire Concept = Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo Abstraction Art Work [19] contemporary abstract art movement examples: Modern Art and Cultural Design [1] Contemporary Artist Louis Choi Chul-joo's Contemporary Artwork Review & Contemporary Artist Art Exhibition Art Review / Contemporary Artist Art Activity Exhibition Art Review: Imagination Action Painting 20211222 Contemporary Artist's Performance Art, Gwangan Gallery, Korean Artist & Abstract Artist Louis Choi Chul-joo

Louis Chul-joo Choi's "morning glory B-00-2-2": Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' pop art abstraction design / Performance of Louis Chul-joo Choi's "morning glory" with the image of Lacan's object ɑ and Picasso's Anamorphosis, 22. Dec.2021 Gwangan Gallery in Busan.

Louis Choi Chuljoo, morning glory B-00-2-1

Desire Concept Art Abstract Painting Performance 1: <morning glory B-00-2-1> Realistic abstraction of the concept of desire as an art act on the back, formed by a reversible shaded structure of light

Image of desire concept = Visualized image as progression phenomenon and result by facing artistic idea and drawing object of real imagination and existence.

Painting docent as Lacan conceptual art: Lacan conceptual art faces artistic ideas. It visualizes the phenomenon of progressive phenomenon and results as painting objects of Lacan's an imagination and existence. ( ACN ・ 2021. 12. 28. 17:07 라캉적 도슨트/ 루이 최철주)

When the sculpture is not a drawing or painting that is regularized by the elevation, the whole appears to be created as a three-dimensional at the intersection with a distorted gaze. This is a single perceptive sign image that appears to be light in a certain direction.

In the sculpture, the desire of the other lies in the light hidden in the sky, but the place where the light forms is on the fixed ground. If the sky and the earth without a shape are real in that place, the structure of desire is now an abstraction of the factual structure that existed in that place.

The representative of the abstract is <Choi Chul-joo morning glory & Bamboo Forest>. This is a structure of desire created by reversible shades of light, which is not a fixed sculpture, but a realistic, non-real figure that makes the existence of a concept recognized. By distorting the pattern hidden in the same image and shadow of the sculpture and lighting it in a real color through a reversible shade of light so that the pattern can be seen, the shape of the reality can be recognized as a being. (Louis Choi Chul-joo Painting and Sculpture Installation Performance Concept)

Realize in media art and painting without description of space. Here, thread painting "morning glory B-00-2-1" is a format drawn by others as a gaze in the process of producing mechanically reproduced real images and phenomenal structures into original media art.

The image as a result of the performance of thread painting is < morning glory B-00-2>, which draws this thread painting <morning glory B-00-2> on the form of an Aaction painting created to Process Art by hand to the shape of a cloth whose back side is reflected. In other words, Choi Chul-joo, a contemporary artist, performed Aaction painting at Gwangan Gallery on December 22, 2021, which is a performance of Choi Chul-joo's <morning glory>, which is a picture of a shape shaded in a crossed threaded cloth and a reflective light in the real abstraction of Desire's object image and Picasso's three-dimensional structure.

Louis Choi Chuljoo, morning glory B-00-2-2

The image and color of thread painting in that form give a distance of time and show the aesthetic value of the hidden shape by forming an imaginary formative structure of the faded origin without marking it.

This is beyond the literary nature of conceptual art, which is based on the abstract art theory of Choi Chul-joo's concept of desire, and the colors left behind after acting formality as a painting are drawn in the structure of thread painting as a new form. This is a reconstruction of the shape with a linear structure so that the structure of the color can be put into the thread to cover the color and adjust the shape as a knot to a specific color.

Therefore, it is a painting painted on the structure of fabric and thread that pursues a linear aesthetic as the artistry of conceptual art of "thread painting" with added structure of thread.

Thread painting <morning glory B-00-2-2> is an image drawn on the same material as the object created by custom by transferring infants from the abstraction of the concept of desire <morning glory> to chicks' desire.

The <morning glory B-00-2-2> is drawn by constructing a shape that looks like an object like a desire image in a fabric-like material to create an image that is reversed left and right. So his painting is a two-sided painting that doesn't distinguish the front from the back. Here, a new picture emerges when the image on the back is converted to the front

morning glory 2022-c, 135X156cm, acrylic and composite materials on cloth, 2022.jpg

Louis Choi Chul-joo, morning glory 2022-c, 135X156cm, acrylic and composite materials on cloth, 2022 : The new picture that appeared on the front is <morning glory 2022-c>. This is a realistic abstraction thread painting <morning glory> as a treacherous conceptual art that realizes the desires of one other with an image structured in a reversible shade of light on the back.

Chul-joo_Choi,_morning_glory-2020-l-0,_148X175cm,_acrylic_and_composite_mate.jpg

Louis Chul-joo Choi, morning glory 2020-l-0, 148X175cm, acrylic and composite materials on cloth, 2021

Desire Concept Art Painting Performance 2: A realistic abstraction production with a desire concept as an art act in <morning glory 2020-l-0>

Substituting the desire concept formula into reality, the subject as an image of inconsistent reality becomes a realistic abstraction in the sense of the desire of others.

And the image, which has lost its subject through the desire formula, survives as another real-world deceptive effect (object ɑ) that provides a place that constitutes a space where a consistent and meaningful shape exists as reversible light.

(ACN · October 01, 2022, Lacan Fantasy Formula Choi Chul-joo Abstract Painting Interpretation)

<morning glory 2021-l> is a painting drawn by creating a shadow image by reversibly shining light on the fabric.

By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image <morning glory 2021-l> of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light.

Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory 2021-h-back', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory 2021-g-back>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).

Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.

Louis Chul-joo Choi, morning glory-2021-l, 148X175cm, acrylic and composite materials on cloth, 2021

With Choi Chul-joo's concept of desire as the theme of abstract art theory, the image is represented in a superficial aspect that matches the shape of actual and imaginary gaze. Here, drawing a chicken as an object of change in customs is another image that appears to be an object, revealing the infant existence of a chick. This is an object drawn as a small piece invisible in the space, where the chicken hides the desire of the other and disappears in the shadow of the background.

The small piece as the other's desire hidden in the chicken's background shows a reversible real space through the thought movement of the image that actually changes the shape. This refers to the meaning of a shape, and the small piece object defines a space that can be actually reversible and refers to the meaning of a shape that is obscured by the actual changed movement of the shape. It realises the abstract position of an object that sets the other's desire as the inevitability of an impressive space where chickens and chicks exist, as the color of light and shapes that are positioned in materials such as cloth./ Writing. Choi Chul-joo, art critic (Contemporary Artist, Ph.D. of Culture Design)

Contemporary Artist Louis Choi Chul-joo

------------------------------------------------------------

Contemporary artist Movement 28

Contemporary artist contemporary works design review

Modern Art Movement [28] Choi Chul-joo's contemporary abstract art movement is that the abstract meaning of 'morning glory,' 'Bamboo Forest,' and 'Pond,' which are the backgrounds of desire, decorates the structure of desire with the color of light, which is the reality of conventional universality in which the color of meaning faces the object. The dark empty space contrasts with light in the form of shadows created in the subject's area. Here, color is a single-phase image of desire convention seen through the gaze as a real object. It is a verbal image that symbolizes the background of desire, and it symbolizes the concept of desire with imitated flowers, bamboo, and pond. Here, it is a piece of reality as a meaning of desire symbolized in the real space as a result of the image of desire.

This is a modern abstract art that expresses the absence of the concept of desire that exists in reversible temporality as a phenomenal image and expresses the structure of desire hidden in the shadow of reversible light in the intermediate stage, which represents the existence of various desires beyond the current abstract color and planar structure.: Contemporary Art Movement Now: A New Abstract Methodology for Drawing Abstracts from Uninterpretable Modern Abstracts to Images of Modern Events into Desire Concept = Desire Designing Modern Art Abstraction Concept Abstraction & Abstraction Artist Louis Choi Chul-joo Abstraction Art Work [20] contemporary abstract art movement examples: Contemporary Art Review with Visual Art of the Story of Contemporary Art Critic [30] A modern art review that examines the aesthetic value, process, and artistry of photography, cartoons, art, and design, and approaches the meaning of the work with the theory of visual art : Art Review News- Reading New Works: The artwork posted on Facebook = Louis Choi Chul-joo <morning glory outside the window 2023-6-2>

Louis Choi chuljoo's "Painting Installation Performance" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230703 Haeundae-gu Office Gallery, Busan.

Louis, morning glory p104-4-1, a hand-painted picture on a computer, 2023

<morning glory window p104-1-1> is a conceptual abstraction of desire as a treacherous conceptual art based on the cartoon review concept that images created by distorted images meaning the reality of <morning glory> are reversible shadows of light. This is a modern art movement that presents a methodology of realistic abstraction as a concept of modern desire.

In Busan (Haeundae-gu Office Gallery), Korean painter & abstract painter Louis Choi Chul-joo produced a poster as an abstract artwork of contemporary art related to the individual exhibition of "morning glory window", which is a modern abstract painting <morning glory window 2023-6-1> that symbolizes the exhibition poster image of the abstract painting as a desire semantic structure. In addition, the abstraction of the concept of desire <morning glory (outside the) window 2023-6-2> emerges through "Painting Installation Performance," which constitutes the abstraction as another desire image.

Louis Chul-joo Choi, morning glory window 6-1, 241X223cm, acrylic and composite materials on cloth, 2023

The object <morning glory window 2023-6-1>, which depicts the meaning of the shape seen in the meaning space created by the reversible light of realistic non-realism, is an abstract painting that reveals the place of the unconscious desire of others in <morning glory> by structuring the meaning of abstract space that can flip an object into a real shape with a reversible shadow of light. The image of desire in the mirror is a hypothetical non-real image of cartoon review, revealing the place of the other's unconscious desire in "morning glory".

Here, the object of desire is insufficient and follows the other's concept of desire to obtain semantic correlation through empirical consciousness movements.

Louis Choi Chul-joo's contemporary art movement, which presents a methodology of realistic abstraction using the concept of desire as a modern art for abstraction, creates abstraction of the concept of desire through a "picture installation performance" that composes abstraction as an image of desire as another image of desire at Haeundae-gu Office Gallery in Busan.

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

%ED%8F%AC%EC%8A%A4%ED%84%B0104-1-3.jpg?type=w773

2023 <morning glory window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Realistically Abstracted Contemporary Abstract Artist Louis Choi Chul-joo Desire Conceptual Art Abstracts: <morning glory p104-1-4>

The abstract area of painting in which the specific effect of the desire abstract image occurs as an exhibition poster meaning of "morning glory p104-1-4" as conceptual art is an image that can momentarily see the desire of others functioning gazefully in the landscape.

This is a distorted planarity that seems to have a consistent meaning of morning glory in painting. The morning glory is the same as the mirrored reality, but the shape of the background is not the same. This is because abstraction as a conceptual semantic structure is an abstraction of non-realistic realistic form with the same meaning as a realistic structure, but abstraction as the same meaning with different shapes is a real non-realistic being with different colors and sizes..

Therefore, the factual abstract image defines abstract space as a real reversible shape, and Choi Chul-joo's exhibition poster, whose shape is hidden by actual changed movements in the shade of reversible light, means the meaning of abstraction of conceptual art by creating a place of abstraction as a contemporary art abstract art movement.

%ED%8F%AC%EC%8A%A4%ED%84%B0103-1.jpg?type=w773

%ED%8F%AC%EC%8A%A4%ED%84%B0103-2.jpg?type=w773

%ED%8F%AC%EC%8A%A4%ED%84%B0103-3.jpg?type=w773

Louis Chul-joo Choi, morning glory window 6-2, 241X223cm, acrylic and composite materials on cloth, 2023

In the mechanical diagram of a perspective visual system that reproduces abstract image as an object <morning glory window 6-2> as an image of desire concept, the visual system is concealed, but it is an object that appears to be a momentary gaze from a desire perspective revealed in the unconscious. This is a realistic abstraction of the concept of desire based on the image of events and performances.

As a painting, "morning glory window" forms a distorted image expressed through the desire revealed in the other's suppressed unconscious to acquire artistry beyond generality and creates an object as a being to reveal the artistry of the momentary distorted image of drama, disaster, riot, war, and performance as a semantic structure.

Abstract painting <morning glory window 6-2> repeats the concept of desire to hide the shadow image of others' desires as performance images and collects images of desire overlapping with the timeliness of reversible light.

In <morning glory window 6-2>, there is an abstract effect in which a person dancing against the background of a morning glory hides desire and gives reversible time sensitivity to the performance image to become the desire of others, and sets a phenomenal position so that the image of light does not overlap.

Louis Choi Chul-joo's "morning glory window 6-2" absorbs temporal light and removes the symbolic representation of the image surface to create an image of realistic desire and hides the conceptual image of desire in the shadow of reversible light.

The image of the morning glory and the dancer is abstracted into a realistic image that recognizes the reality subordinated to the gap as the concept of desire and is objectified by the moment of desire.

Combined with images of reality with reversible light, including a desire for abstraction.

The image of desire repeats the process of directly acquiring the concept of the aesthetic structure of the real world that is subordinate to the concept, a reality that embodies the abstraction of desire as an event and facilitates performance.

The fact that the concept of desire cannot overlap with the image of reality is that factual abstraction is a treacherous conceptual art.

Abstracted realistic concepts reveal realistic figures similar to reality, but they momentarily pause space-time with the light of a conceptualized landscape like clouds.

Abstracting from the back of the morning glory landscape undermines timeliness, realizes the past time-adjusted traces of desire and the present overlapping landscape of color, and transfers images of desire into the painting.

It also doesn't represent the symbolic ideas abstracted from the image in a hidden form of color, but it gathers the image in shades of light in several directions.

In this way, the painting becomes a desire concept as a result of desire, dismantling abstract images interacting in real space

It shows a differentiated impression with a realistic abstraction that transforms the situation of desire in abstraction into a real world.

It shows aesthetic value by shading bright and dark parts in a distorted landscape and drawing a desireful meaning with a realistic expression.

Louis Choi's painting recreates the image of desire of the past time and combines the color of light with time.

It sculpts concepts into images of desire with reversible colors of light that stop with images that contrast with timeliness.

Desire concept superimposes abstractions on morning glory and bamboo forests with dual landscapes, leaving fragmented real space in the gaps of light without disassembling and unifying symbolic images, and then repeatedly portraying reality over the present representation and the gap in between.

In this way, he creates a gap of desire and repeats the image of desire in the gap of reality, although the world that does not change is meaningless. And the dual semantic structure abstracts the unchanged reality by adding desire in the shadow to the image of the missing reality.

In order to reveal the realistic abstraction of the image of dance and music performance that is momentarily distorted in real life, the object of the conceptual form is abstracted in a semantic structure.

As a conceptual form, the realistic shape of non-realism with the same structure of meaning is abstract as a conceptual meaning structure, but abstraction with the same meaning with different shapes is a non-realistic existence with different colors and sizes.

Its existence defines an abstract space as an actual reversible shape, and abstracts the image <morning glory> in which the window shape placed in front of the morning glory is covered by the actual changed movement by the shade of reversible light into installation art outside the window. It is an image of desire in a picture, that is, a space without atmosphere reflected in a mirror. mirror. This is an abstraction as a being abstracted from a non-real painting into a realistic image.

It realizes the surface image of the non-realistic sky just as the clouds reflected in the building are real as surface images. This is the impression of a city in which the desire concept image is developed at small intervals where it exists momentarily as a reversible shade of light.

In this way, fragments of contemporary visual culture are abstracted with desire in the realistic structure. / Writing. Art critic Choi Chul-joo (Image Installation artist & Doctor of Cultural Design)

Contemporary Art Critic Louis Choi Chuljoo

keyword

Brunch Book

최철주

최철주의 브런치입니다.

팔로워 13

이전 05화Contemporary Artist Movement 5Contemporary Artist Movement 7다음 07화