The Story of Contemporary Art2
contemporary art review on visual arts 2
Contemporary Art Story and Visual Art Review with Aesthetic Criticism [2/22~24] Contemporary Art Review by Choi Chul-joo, a contemporary art critic who examines the aesthetic value, process, and artistry of art and approaches the meaning of formative works with visual art theory:The boy's room by designed by Choi Chul-joo, a modern photographer / 홍상현의 필름 사진전 '少年의 房' 사진 미학 평론/ 최철주 사진평론 및 한국현대사진평론가의 라캉 디자인 방법론적 평론 (웹사이트: newsmanwha – 사진평론): Lacan's Design Methodological Criticism of Choi Chul-joo's Photo Review and Korean Contemporary Photo Review (Website: newsmanwha - Photo Review)
Writing. Chul-joo Choi (Design reviewer, Doctor of Design)
The boy's room by designed -
The boy's room by designed is space to be designed between the past and the present.
This is the design of time that existed prior to spatial time.
Thus, Design left behind the time shows by the structure of space.
This space of the now is a mark of design that is tailored for the past time.
This is a space where design behavior is cut off.
Thus, there is no movement, but the spacial design of the structure is in space of now.
The architecture of Palladio is centered on structure.
He takes the shape of a structure that shapes the sensibility and forms.
Following Palladio's structure of paladianian is a unified 2D installation of the pillar proportion of classical architecture.
It was taken to the façade of design, and it was arranged in different forms.
This is only reveals the walls and patterns of the design that has gone astray.
However, the patterns can not recognize design.
Time can be seen in the past, but space can not determine the shape of the design.
Thus, the space leaves a form that is designed in time. It's a vestige of the design left behind.
Therefore, the vestige of time in the visible space is design.
This is the space of the subject who designed in the past.
And it is the form of revival design in now.
The boy's room hides the mark of time and loses the subject of the space.
It is the boy's room was designed.
Palladio is the style of serliana, he produced the same effect of structure in façade design.
Thus, the design of the Palladio structure is the 2D structure, which is based on the emotion of the subject.
The design of a boy's room is the structure shown in the wall between space and action.
The boy Palladio revive structure of serliana, design a column in a boy's room./ Writing. Chul-joo Choi(Photo reviewer, Doctor of Design)
Photo: A boy's room by designed by Choi Chul-joo
Photo : A boy's room by Hong-Sanghyun
시간잉여공간으로서의 小年의 房
시간잉여공간은 선 공간과 현재와의 사이에서 이외의 공간을 말한다.
이것은 선 공간에 존재했던 시간성을 공간화하여서 시간의 흔적이 남겨진 비존재로서의 공간성을 보여준다.
이 공간은 이제(現)의 시간에 맞추어진 선 공간에서의 남겨진 인위적인 흔적이다.
이것은 빈공간으로 남겨져서 행위가 단절된 공간이다. 따라서 움직임이 없는 공간이다.
이것은 주체가 사라진 벽과 창의 무늬만을 밝힌다. 그리고 무늬가 의식하는 것을 볼 수 없다. 즉 시간은 잉여공간을 볼 수 있지만 공간은 형태를 정할 수 없다.
이렇게 공간은 시간에서 여잉(餘剩)된 형태를 남긴다. 그것은 시간의 흔적으로 한 공간적 시간의 표식일 보일뿐이다.
홍상현은 보이는 공간에서 시간의 흔적을 찾으려 한다.
이것은 무늬를 만드는 주체의 공간을 넘어선 이제의 형태이다. 따라서 시간의 표식을 감추고 있는 내부의 빈공간은 주체의 상실을 말한다.
이것은 시간의 흔적에서 여잉된 슬픔에 잠긴 소년의 방이다.
소년의 방에서 그는 공간과 행위 사이의 창에서 드러난 슬픔을 본다.
소년은 돌이킬 수 없이 슬픔의 영향이 지속되어서 그의 슬픔은 행위의 대상이 아니라 행위를 하게 만드는 원인으로서의 공간이 된다.
홍상현은 슬픔의 일반적인 구조로 소년의 방을 형상화 한다.
Photo : A boy's room by Hong-Sanghyu
小年의 房
소년의 방은 작(婥)은 공간을 의미한다.
홍상현은 예쁜 소년(rute)이 보는 대상과 이야기 한다. 이것은 공간에서 실재하는 ‘소년의 방’을 찾아가는 과정이다.
소년이 ‘소년의 방’을 찾아가는 길에는 이름 모를 꽃과 사인‘IN’이 가로막고 있다.
소년은 기표적 의미로서 사인‘IN’이 입구가 아닌 무의미한 표상이라는 것을 모르고 긴 시간을 헤매다가 사인‘IN’ 앞에 선다.
그리고 소년은 사인‘IN’의 의미에 대하여 맞서서 버티다가 무의미한 것에서 의미를 찾고자 꽃으로 갈아 채우려고 꽃을 유리병에 담아서 가져간다.
홍상현은 시간성을 배제함으로써 꽃, 물방울과 벽 각각 다른 시점의 공간을 자유롭게 연결하여서 각각의 다름을 소년을 통하여 실재화 한다.
꽃이 없는 잎은 그것이 꽃인지 나무인지를 판단할 수 없다. 그러나 소년은 잎의 줄기가 나무가 된다고 생각하여서 꽃을 딴다.
소년은 자신이 꽃을 따고 남은 잎에서 물방울의 흔적을 보았다.
그것은 소년이 본 것이 아니라 물방울의 흔적이 사라진 잎이 소년을 본 것이다.
잎은 생각했다. 스스로가 벽을 넘지 못하면 나무가 있는 곳으로 갈 수 없다는 것을 그래서 소년이 가는 방향을 보았다.
소년이 찾아가는 곳에는 고가(高架)가 생기고 ‘소년의 방’으로 가는 길이 사라진다.
소년은 고가를 통하여 사인‘IN’이 무의미한 이유를 알게 되지만 유리병에 담긴 꽃이 시들어가는 것은 모르고 있다.
꽃은 소년의 시선을 고가에 고착시키고 응시적 이미지가 된다. 꽃은 시간성에 종속된 것이 아니라 사실적 이미지로서 시간성을 시각화한 것이다.
따라서 꽃이 ‘소년의 방’을 선택하고 소년과 응시적 공간을 공유함으로서 꽃이 존재하는 ‘소년의 방’은 시간성이 시각화되고 여러 현상이 일어나는 공간이 된다.
홍상현은 예술적 공간으로서 ‘소년의 방’이 만나는 추상적인 공간을 실재적 시간으로 한정한다.
‘소년의 방’에는 창문과 액자 그리고 유리꽃병이 있다.
창문에서 들어오는 빛은 ‘소년의 방’을 간섭하지 않고 있다. 빛의 간섭을 싫어하는 소년은 대상의 고유색이 빛이 만들어낸 것임을 알고 있다.
빛은 유리병의 꽃을 그려진 액자의 꽃처럼 만들고 시들게 하여 고유색을 변화시킨다. 소년은 빛의 간섭으로 유리병의 꽃이 그림처럼 보이는 것을 정지된 액자의 꽃과 유리병의 꽃으로 한정하였고 다른 시간성에서 보이는 꽃이라는 속성을 ‘소년의 방’에서 보여준다.
‘소년의 방’은 이미지로 고착되고 공간에서 사라진다. 그는 사라진 공간의 실재를 찾고자 한다.
그것은 카페의 푯말(rute44_5521)을 보고서 사라진 카페를 찾아서 본디의 공간으로 시간을 되돌리는 것이다. 그리고 그 공간을 찾으려고 욕망하게 만드는 그의 대상이 소년이다.
홍상현은 공간에서의 시간성을 다루고 있다. 이것은 가역적 시간으로 한 공간이다.
따라서 그는 ‘소년의 방’에서 경과된 시간과 현재를 동일시할 수 있다.
지금까지 그의 사진은 공간이 어디인가, 시점은 어디에 둘 것인가 이였다. 이것은 보는 시간에 따라 공간은 변형되었고 시점에 따라 공간은 다른 이미지가 되었다.
그는 사진은 현실적인 유클리드의 공간에서 볼 수 없는 ‘소년의 방’의 실재를 만나기 위해서 공간에서 물방울처럼 아름다운 대상들을 소재로 사용한다.
Photo : A boy's room by Hong-Sanghyun
홍상현 사진의 소재로서의 물방울은 공간에서 차가운 자극을 받아서 숨쉴 때 나오는 슬픔이다. 그것은 잠결에서 깨어난 소년이 더 슬퍼하는 이유이다.
소년은 물방울이 투명 하지만 빛의 자극으로 그것의 크기만큼 그림자가 생기는 것을 몰랐다. 왜 한쪽면은 투명하게 보이고 반대쪽면은 물방울들이 검게 보이는 것(rute44_5506)인지를 727번이 지나서 슬픔이 모인 검은 바탕에 떨어진 물방울은 흔적을 남기고 물방울에도 그림자가 있는 것(rute44_6233)을 알게된 소년은 물방울을 꺼리고 따돌리게 된다.
물방울을 막아주던 둥근 모양이 반복된 벽(rute44_1504)은 감추었던 됨됨이를 소년의 슬픔으로 끌어낸 흔적이다.
이것은 소년의 가장 슬픈 소리가 아름다운 벽(璧)을 진동하여 떨어진 물방울이 벽의 한 부분을 시들어진 꽃처럼 변화(邊花)시킨 것이다.
소년 유클리드는 공간에서 슬픔과 벽을 분리시킨다. 그것을 반대하는 소년 로바쳅스키는 슬픔 밖의 또 하나의 슬픔을 지나서 벽과 만나게 한다.
홍상현은 아름다운 벽을 유클리드가 볼 수 없는 로바쳅스키의 슬픔으로 시각화 하여서 소년에게서 보이는 벽과 슬픔의 왜상적 이미지를 동일시함으로서 벽을 슬픔이 존재하는 흔적으로 표상 한다.
Photo : A boy's room by Hong-Sanghyun
이번 전시에서 홍상현은 소년을 통해 실재로서의 공간을 정한다.
이 공간은 그가 소년을 처음 만난 시간에서 빛으로 드러나는 ‘소년의 방’의 실재이다.
시간은 빛의 간섭을 받아서 ‘소년의 방’의 형태를 변화시킨다.
그러나 한정된 시간에서 멈추어선 ‘소년의 방’의 창문 밖에서 그는 보이는 시간과 공간의 실재적 존재(rute44_4204)를 찾아낸다. 이것은 소년이 탄 자전거를 지난 시간의 늪에서 찾아내면서 시작된다.
소년은 생각한다. 자전거가 다른 공간의 늪에 있었던 시간과 소년이 보았던 자전거와 늪이 변한 것을.
그리고 소년은 자전거와 늪이 하나의 공간에서 존재하는 이유를 가역적 시간에서 실재화 한다.
실재화된 이미지는 자전거가 늪을 빌려서 실재화한 것이 아니라 자전거의 시간성을 늪으로 바꾸어 놓음으로서 원래의 늪이 자전거와 동일한 공간에 존재하게 된다.
이렇게 그는 시간의 우연적 형식에서 형상이 변한 대상을 본디의 상태로 가역하는 시간 속의 형상과 그 시간의 공간이 중첩된 실재로 유도한다./ 글. 사진미학 평론가 최철주 (문화디자인박사)
Photo : A boy's room by Hong-Sanghyun
A boy's room
A boy's room means a rute space.
Hong-Sanghyeon talks boy about an object that rute boy sees This is the process of finding a 'boy's room'(rute44_2203) in space.
The boy looking for way of boy's room that is blocked by a nameless flower and a ‘sign: IN'.
The boy does not know that meaning of 'sign: IN ' is not an entrance, but a meaningless representation,
after a long time, he stands in front of the 'sign: IN'.
And the boy struggles against the meaning of the cause of the 'sign: IN',
tries to find meaning in nonsense, put to the flowers in a bottle with replace a meaning in nonsense.
By excluding time, Hong-Sanghyeon provides free links between flowers, droplets, and walls.
And which allow each differentiation to be realized through the boy.
Leaves without flowers can not determine whether it is a flower or a tree.
However, the boy thinks the leaves of the tree become a tree, so he pick a flower.
The boy saw a vestige(rute44_6133) of water dripp from the leaves of the flower.
It is not a boy saw, but leaf that disappeared traces of water saw the boy.
The leaves thought. “If you can't get yourself across the wall, you're not going to be able to go to the woods”, so leaves saw the way the boy went.
Where the boy goes, there's an overpass, the path to 'Boy’s room' disappears.
The boy learns the 'sign: IN' of meaningless, but he does not know that the flowers in the glass bottle do wither.
The flower puts the boy's gaze at overpass and becomes a gazing at image.
Flowers are not dependent on time, but time visualize as a realistic image.
So the flowers chose the boy's room, by sharing the visible space with the boy,
the ‘Boy’s room’ in which flowers exist becomes a visual visualization and becomes a place where various phenomena occur.
Hong-Sanghyeon is an artistic space that limits the abstract space that a boy's room meets in real time.
There are window, frame, and glass vase in the boy's room.
The light from the window does not interfere with the 'boy's room'.
The boy who hates the interference of light knows that the color of the object is produced by light.
Light makes painting of flowers look like flowers in a vase and turns them into a original color.
The boy looks like a picture of flowers in a vase as an interference of the light,
it was confined to a fixed frame of flowers and to the flowers of glass bottles,
shows the attributes of flowers appearing in different time periods in 'Boy’s room’.
The boy's room is stuck with images and disappears from space. He wants to find the reality of lost space.
That is to find a signpost(rute44_5521) of café missing from the café and back it back into its original space of time. And that’s desire is the boy that is to find the space.
Hong-Sanghyeon deals with time in space. This is a space with a reversible time.
Therefore, he is capable of making same to the elapsed time and the now in the 'boy’s room'.
So far, where is his photo, viewpoint was where would put it.
This was modified according to the time of it looked at,
According to the viewpoint, the space became a different image.
His photo uses beautiful objects like waterdrop in space to meet the reality of the boy's room that he can't see in real space of Euclid.
Water droplets as shown in the photo of Hong-Sanghyeon are the sadness from resulting of the chilling breath in the space.
That is why the boy who wakes up nap is more sad.
Water droplets are transparency,
the boy did not know that the shadow of water droplets were as thick as its size.
Why one side looks transparent and the other side(rute44_5506) looks black,
The drops of water that fell on a black background of sadness,
which had accumulated over 727, left sadness, the boy learns that there(rute44_6233) is a shadow in the water, and he avoid water droplets and throw away.
A round shaped repeated wall(rute44_1504) that blocks the water droplets of water is a sign of the boy's sorrow as he was swept away by the boy's sorrow.
This is because the boy's sorrowful sound shook the beautiful wall, and the drops of water changed like a faded flower.
Young Euclid separates the sorrows and walls from the space.
Young robachevsky oppose it and then another grief outside of grief meets the wall.
Hong-Sanghyeon visualized the beautiful Robachevsky’s walls, which the sadness of Euclid does not see,
The wall presents the wall as a boy of sadness by equating the image of the wall and the grief of the boy with the same image.
In this exhibition, Hong-Sanghyeon decides the real space through a boy.
This space is the reality of the boy's room that reveals the light from the time he first met the boy.
Time changes the form of 'boy’s room' because of the interference of light.
But in a limited time, he finds the real existence(rute44_4204) of time and space outside the window of the ‘boy's room’.
This begins when the boy's bicycle is found in the swamp of the time.
The boy thinks. The time when the bicycle was in the swamp of another space and the boy had seen the changed in bicycle and the swamp.
And the boy realized the reason why bicycles and swamps exist in one space of reversible time.
The reality is that bicycles are not realized by borrowing a swamp,
By turning the bicycle of time into a swamp, the original swamps exist in the same space as the bicycle.
So, In the form of accidently time, it changed its form,
The shape of the time in which the original condition is restored and the time of the hour is derived into overlapping reality./ Writing. Chul-joo Choi(Photo reviewer, Doctor of Design)
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The Story of Contemporary Art 22
Contemporary art review on visual arts 22
Contemporary Art Story and Visual Art Review with Aesthetic Criticism [22] Contemporary Art Review by Choi Chul-joo, a contemporary art critic who examines the aesthetic value, process, and artistry of art and approaches the meaning of formative works with visual art theory: Abstract contemporary art work cartoon news as a treacherous concept art artworks of realistic abstraction [4] Korean News cartoon review & Contemporary Abstract Artist Louis Choi Chul-joo's Artworks with Other's Desire Abstraction Concept : Cartoon as an Easy Example of Contemporary Art Abstraction: Korean news cartoon review [25] Try to get the disease by releasing the pollution water that would be a disaster. (2018.10.8.) / Reporter Choi Chul-joo’s Cartoon Review
Korean News Cartoon Review [25] Cartoon art work designed by Louis Choi Chul-joo, an abstract artist of modern art, as a dangerous conceptual art of realistic abstraction
Cartoon as an Easy Example of Contemporary Art Abstraction: As a conceptual semantic structure of contemporary art, contemporary art abstraction converts images of the desires of others designed as pop art sketches into abstraction through cartoon criticism. This abstractly illuminates the desire to reconstruct the external phenomena of socio-cultural objects of contemporary art into photographs of events and to express the specific validity of others through an objective view of images as the subject of desire. This effect is an easy example of modern art abstraction by abstractly setting the desires of others as cartoons in which events occurred in objects and interpreting cartoon analysis as a cultural form of modern art to evaluate the value of life.
It's a work of art as a treacherous conceptual art called realistic abstraction, which is the cartoon news of abstract modern art.
- Conceptual artist, contemporary artist, abstract painter, media artist, pop artist, cartoonist & cartoon critic Choi Chul-joo cartoonist, pop artist, contemporary art work, pop artist who draws webtoon news, contemporary artist, concept artist, cartoon critic Choi Chul-joo.
- Choi Chul-joo, contemporary cartoon art historical painting & contemporary concept image installation artist's work
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.
Contemporary artwork Cartoon news as a treacherous concept artworks of realistic abstraction [5] Korean News cartoon review & Contemporary Abstract Artist Louis Choi Chul-joo's Artworks with Other's Desire Abstraction Concept
Korean news cartoon review [25] The ship follows the typhoon, and the damage is mercilessness. (2018.10.8.) / Reporter Choi Chul-joo’s Cartoon Review
. Try to get the disease by releasing the pollution water that would be a disaster.
. Essayez d'obtenir la maladie en libérant l'eau polluante qui constituerait un désastre.
Abstract contemporary art work: Abstract Painting with Treacherous Conceptual Art: Louis Chul-joo Choi, morning glory p4-11-Try to get the disease by releasing the pollution water that would be a disaster, a hand-painted picture on a computer/ Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Desire Concept Realistic Abstract Work: morning glory p4-12-Try to get the disease by releasing the pollution water that would be a disaster : Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Corona mutant viruses 6> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory 45-03> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i)
Background image of an artist's artwork: Louis Chul-joo Choi, Morning glory p4-7, a hand-painted picture on a computer
Contemporary artwork Cartoon news as a treacherous concept artworks of realistic abstraction [1] Korean News cartoon review & Contemporary Abstract Artist Louis Choi Chul-joo's Artworks with Other's Desire Abstraction Concept : Korean news cartoon review [25] Try to get the disease by releasing the pollution water that would be a disaster. (2018.10.8.) / Reporter Choi Chul-joo’s Cartoon Review / Comics critic & cartoonist Choi Chul-joo, current affairs cartoon review, pop art cartoon news, cartoon review, and conceptual cartoon review. / Choi Chul-joo, a current affairs critic, was a reporter at the Ministry of Culture of the News Busan Internet Newspaper. He is a cultural design critic and abstract artist who paints Current affairs cartoon cartoons News and abstract paintings in contemporary :art works and webtoons. ▶Allow the release of contaminated water from Fukushima nuclear power plant?._ Permettre le rejet d'eau contaminée de la centrale nucléaire de Fukushima?. ■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i).
■ Choi Chul-joo's Desire The design process of abstract concepts: 1. The concept of desire is abstracted from the perspective of an image to the outside of reality, and the image of reality as an object of abstraction is designed as the correlation between reality and reality. This is the design process 1 of Choi Chul-joo's concept of abstraction of desire. This does not presuppose a causal relationship with the real world, but rather results in an abstract concept of desire as a correlation with reality to escape the misunderstanding that transfers from an abstract concept to a real structure. 2. The scope of showing the concept of desire is created and located by omitting the actual size of the abstract concept as a shade of the concept of desire originating from the actual image. In addition, Choi Chul-joo's conceptual process 2 follows the process of decorating an object with a color of universal reality suitable for custom in order to have aesthetic value suitable for its position as a single image. This creates an abstraction that contrasts with the past and desire, in which the aesthetic structure hidden by realistic colors is divided by clouds and obscured by shaded light, obscuring the abstract concept in the actual image. 3. The subject who painted abstraction realizes the reality that symbolizes the concept of desire, and the unconscious realizes abstract desire as a conscious phenomenon of image. Desire is an abstract image realized as a conscious phenomenon of an image, and the unconscious structure is process 3 of designing an abstract art concept of desire that repeatedly designs desire that combines line and color in thoughts but is not conscious of unconscious behavior. 4. The unconsciously abstracted concept of desire is a piece of reality in which the object of reality is not seen as a reversible shade of light, concealing reality as a shadow and showing another real image as a video. This is the process 4 of designing an abstract concept of desire formed by combining the space of desire into a reversible light structure through the conscious movement of planar monochromatic painting carved into reality.
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The Story of Contemporary Art 23
Contemporary art review on visual arts 23
Contemporary Art Story and Visual Art Review with Aesthetic Criticism [23] Contemporary Art Review by Choi Chul-joo, a contemporary art critic who examines the aesthetic value, process, and artistry of art and approaches the meaning of formative works with visual art theory: Contemporary Artworks Review & Artist Artworks [7] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review / Cartoon Review: Pop Art Cartoon Abstract Painting & Contemporary Art Pop Art Cartoon Abstract & Conceptual Artist Choi Chul-joo Cartoon News Manwha review : Cartoon review that is a conceptual artist [2] freaking ! Academy Award
Louis Chul-joo Choi, morning glory p9-6-freaking ! Academy Award 5, a hand-painted picture on a computer
News Cartoon: Cartoonist & freelance reporter Choi Chul-joo's current affairs cartoon review one sentence - Cartoon review: cartoon designer Choi Chul-joo's review news
■ Cartoonist Choi Chul-joo, one line of current affairs cartoon Review: freaking ! Academy Award
Famous contemporary artist, modern painter, abstract painter & contemporary abstract artist Louis Choi Chul-joo's treacherous conceptual art abstraction 'Morning Glory' & 'Bamboo Forest' pop art abstraction design / Webtoon News Cartoonist & Contemporary Artist Choi Chul-joo Cartoon Design News
Webtoon News Cartoonist Choi Chuljoo's One-Sentence Cartoon Review & Abstract Artist Louis Choi Chul-joo Pop Art Abstract Painting design
Cartoon designer Choi Chul-joo, contemporary conceptual art pop art work & Webtoon design historical painter
Abstract painting as a treacherous conceptual art refers to abstract painting as a realistic structure in art. Since the conceptual meanings present in the place of the realistic shape can be divided into cartoon review images, the abstraction is drawn through a reversible shade of light that interprets another person's abstract desire as a cartoon review image as an image.
Realistic structures reflect the shape by being distorted by light. It is the outline and shadow that are determined by the shade of light that reveals its shape. Realistic abstractions as treacherous conceptual art take note of this and shape realistic concepts.
(Choi Chul-joo's Conceptual Art Theory on Realistic Abstract Painting)
Louis, <freaking ! Academy Award 5>, a hand-painted picture on a computer
Louis, <freaking ! Academy Award 4>, a hand-painted picture on a computer
■ Likewise, Biden, who said he was back to square one from Trump, said, "The president's election strategy is based on his own interests. - This is a metaphor that shows the symbolic world as an invisible non-cultural reality, and the symbolic meaning of the image "freaking ! Academy Award" has been transformed into an old-fashioned meaning.
In modern painting, "U.S. President Trump says: freaking ! Academy Award" is an image of news that remains in the category of realistic formality and conventional subjectivity that reveals the stage of light and dark.
Trump's symbolism as an invisible reality to escape from the set subject is destroyed, but his meaning as a social constraint in painting transforms into a symbolic non-cultural American.
(Choi Chul-joo, Doctor of Cultural Design, Cultural Review/ ACN : 2021. 3. 1)
The abstract painting Louis <Choi Chul-joo's Morning glory> abstract painting design is an abstract meaning of conceptual art as a reality as a hidden existence. This "starts with the imagination where the chick identifies the image reflected in the mirror.
Recognizing that the image is not a chicken as a subject, it transitions to the symbolic world through separation from the symbolic image and reality of the image. Here, symbolic images and reality meet reality through division.
As a reality, the image is revealed as a modified image, but the image generated by reversible light is non-real and has a meeting with meaning.
(the desire of a chick to become a chicken as an infant: ACN 2022.06.06)
Contemporary conceptual art by contemporary art critic & conceptual artist Choi Chul-joo is the return of painting as a concept of early conceptual art.
In other words, it is a conceptual art created as a painting work. Therefore, his modern conceptual art criticizes phenomenal images like conceptual reviews, but refers to semantic values with pictoriality.
In art, "Ready Made" refers to a concept created like Marcel Duchamp and a message according to the philosophy of his sympathizer Joseph Kosuth.
On the other hand, as a concept of the infant imagination in Lacan art theory, the conceptual art of <Choi Chul-ju Nafal Flower> contains a message in the painting of the meaning of the concept in conceptual full pyeong. It combines realistic perspectives with abstract paintings with treacherous conceptual art in cartoon review of field photographs of events.
Beyond mathematical concepts and philosophically semanticized linguistic interpretations, the realistic view of the scene of the incident as a cartoon review and the value of life of the painting that abstracts the desires of others are combined.
Here, abstraction refers to a realistic abstraction that reveals the desires of others, which depicts a structure with a reversible shade of light, as a precarious conceptual art that can be recognized rationally by staring at other people's desires, not arbitrary philosophy.
■ Abstract Painting with Design Methodology Applied to Lacan Art Theory by Contemporary Art Critic Choi Chul-joo :
Abstract painting by applying a formula<f(S...S')S=˜ S (-)s> that exchanges the meaning of Lacan to abstract paintings(Freaking! Academy Award 4) of modern art is derived by overlapping reversible light and abstract images.
In addition, by re-applying the formula to exchange the meaning of Lacan by repeating the linguistic metaphor image, the phenomenal position of the <morning glory 2021-b-freaking! Academy Award 4> is set in another place in one space with reversible light shade, and it is converted to <morning glory 2021-b-freaking! Academy Award 5>.
This is a realistic abstraction of a treacherous conceptual art with a reversible shade of light, and it seems instantaneously as a desire of others with <morning glory 2021-b-breaking! Academy Award 6>.
Contemporary Art Work: Chul-joo Choi, morning glory 2021-b-freaking ! Academy Award 4, a hand-painted picture on a computer, 2021 / Reinterpreting cartoon news review, which uses modern art abstract painting as treacherous conceptual art, as a conceptual artist's work
Contemporary Art Work: Louis Chul-joo Choi, morning glory p9-6-5-freaking ! Academy Award, a hand-painted picture on a computer, 2023 : Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears
The visualization of the concept of desire: Visualizing the concept of desire is a cartoon depicting events and performances manually, expressing the background of the cartoon as a landscape of desire with "morning glory" and "Bamboo Forest," and the cartoon image reconstructs desire into an abstract and realistic picture.
Desire Design Methodology in Abstract Art Theory on Painting Design, Contemporary Artist Choi Chul-joo's Desire Concept Abstract Design Methodology: <morning glory 2022-h> As an Abstract Korean painting of Modern Art, Desire Formula <D(I...I')d=I(D...D'i)i> is applied to overlap the painting <Corona mutant viruses 6> created by reversible light. In addition, by re-applying the desire formula by linking verbal metaphor images, a phenomenal conceptual place is set in another place in one space as a shade of reversible light and abstracted.
This translates to the first non-realistic abstraction poster at Louis Choi Chul-joo's 2022 New York Exhibition to actualize the Desire Object. The image <morning glory 45-03> becomes a non-real abstraction of reality.
By repeatedly applying the concept of imaginary world and desire and Choi Chul-joo's desire formula <D(I...I')d=I(D...D'i)i> to the image of the work, it acquires aesthetic value and reveals its meaning by realizing formability in the shadow of reversible light. / The meaning of the shape, which is covered by the actual changed instantaneous movement of the shape, results in linguistic abstraction. In other words, the realistic shape of the other person's desire in a momentary event is a linguistic abstraction of the same meaning. Conceptual art with morning glory and bamboo as cultural background is linguistic abstraction. The abstract creates a conceptual structure based on the shape of subsequent reality fostered by language and hides the desire of others in a momentary event.
■ Choi Chul-joo's Concept of Desire Formul: The image of desire, which applies Choi Chul-joo's desire formula D(I...I')d=I(D...D')i to 'morning glory', connects the concept of desire with the background of 'morning glory ' as an image to create a landscape by floating morning glory in the sky. In addition, in <morning glory>, the desire formula "D(I...I')d=I(D...D')i" is substituted, the connection effect between the concept of desire and the "morning glory" as desire image shades the concept of desire in the reversible shadow structure by setting the object as the concept of desire image of women by the "morning glory". In other words, the image of desire (I) is the structure of desire (D) because desire (D) is repeated (I...I') in several images (D...D'), and the image of art behavior or desire image(I) appears as the concept of desire(i)
Contemporary Art Work: Louis Chul-joo Choi, morning glory p9-6-3-freaking ! Academy Award, a hand-painted picture on a computer, 2023 : Lacan's imaginary world and metamorphic formula f(S...)... By repeatedly applying S'S=˜S(-)s, formability is embodied in a reversible shade of light to the image of the work to acquire aesthetic value and its meaning appears
Background image of an artist's artwork: Chul-joo Choi, morning glory( 2021-b, 132X168cm, acrylic and composite materials on cloth, 2021 [The interpretation of words in a cartoon news ː l’interprétation du mot dans une nouvelle caricature] ■ Cartoon review Korea News Cartoon Review - Cartoon review that is a conceptual artist [2] freaking ! Academy Award
■ Choi Chul-joo's concept of desire design process "morning glory" by Choi Chul-joo is a reconstruction of the imagination of desire that is recognized as a structure of desire and the reality reflected in the mirror as a background of desire established as a visual structure. "Bamboo Forest" is the shadow that hides the reality in the shadow of reversible light in his desire concept design process. And "The Missing Pond" is an abstract language image that reflects the reality of the concept of unconscious desire as a linguistic structure.
Therefore, Choi Chul-joo's concept of desire visualizes the concept of desire as a linguistic representation of the "disappeared pond" structure of symbolic reality, reducing the concept of abstract desire to a real image in the category of modern art's ideal Logos expression.
The progress of this symbolizes the object of desire as a conceptual subject as a design process of the conceptual subject of desire.
Choi Chul-joo's concept of desire to design abstraction in contemporary art does not presuppose causality with the real image, but symbolizes the object of desire as a conceptual subject from an abstract concept in which desires alienated by the unconscious are divided, resulting in an abstract real image as a correlation between real images.
In linguistic abstraction, the meaning of abstraction as a real image is inductively inferred to take the meaning of symbolic existence.
And the view of the image of its existence abstracts the concept of desire to the outside of reality, and the real image becomes the object of abstraction as the correlation of reality with the concept of desire. This is Choi Chul-joo's concept of desire design process 1.
The actual image symbolized by the design using the object of abstract desire as the conceptual subject is omitted, and the image is flattened in the visible range of light. And the image is represented as a symbolic structure of the concept of desire, which is spoken in a linguistic sense.
Choi Chul-joo's concept of desire design process 2 is to decorate the object with a color of universal reality that matches customs so that the reality of the symbolic structure represented in this way has an aesthetic value corresponding to the place as a single image.
The aesthetic structure concealed by the image designed as the concept of desire is divided into clouds and obscured shades, and the concept of desire is visualized as an image in various directions in the opposite direction of the concept of desire and the image, and the subject of the structure of desire created in the social environment is represented as an object in the past to recognize the image as an abstraction. And the subject who drew the existence executes the reality that symbolizes the concept of desire as an agent, and turns abstract desire into an image's mental phenomenon.
And Choi Chul-joo's abstract concept of desire is created by the imagination desired by the subject of desire in selecting an image of an abstract desire object in the unconscious.
As an abstract image, the concept of desire design process 3 is to repeatedly design a desire that combines lines and colors as an unconscious act that is in thought but is not conscious.
The concept of unconsciously abstracting desire is a sculpture image of reality in which the object of reality is not seen as a reversible shadow of light, and shows another image of reality by concealing reality as a shadow.
The image is an unconscious mind maintained by the real image and the imagination desired by the subject of desire, and is an idea that cannot be recognized by that image.
Desire Concept Design Process 4. is designed by combining the spatial composition of desire, in which the image of desire is a sculpted planar monochromatic painting in reality, into a reversible structure of light through conscious movement.
In this way, Choi Cheol-joo's concept of desire design appears as an object of desire as another abstract reality in the perspective visual system through his concept of desire design process.
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The Story of Contemporary Art 24
Contemporary art review on visual arts 24
Contemporary Art Story and Visual Art Review with Aesthetic Criticism [24] Contemporary Art Review by Choi Chul-joo, a contemporary art critic who examines the aesthetic value, process, and artistry of art and approaches the meaning of formative works with visual art theory: Abstract Painting Review & Art Docent [6] Example of contemporary artwork: Contemporary Art Critic Louis Choi Chul-joo's Art Review of Contemporary painting Artwork & Modern Art Review / Abstract Design of Korean Painters [11] Contemporary Concepts Art Review: Korean Painting Abstract Works <morning glory window p106-3> Design Review
Planning. Former curator of the Seoul Museum of Art Louis Choi Chul-joo (abstract design artist & contemporary artist)
Louis Choi chuljoo "morning glory Window" Exhibition poster An image of desire based on the cartoon review concept as an object ɑ of the concept of desire, 20230704~20230714 Haeundae-gu Office Gallery, Busan.
Louis, morning glory p106-3, a hand-painted picture on a computer, 2023
<morning glory Window p106-3> abstracts the concept of desire, which depicts images produced by amorphous images, meaning the reality of morning glory, in the shade of reversible light.
It is a modern abstract painting that symbolizes the design of the shape, that is, the exhibition poster image of the painting, by producing a poster of modern art related to the Busan solo exhibition (Haeundae-gu Office Gallery) of Korean artist and pop artist Louis Choi Chuljoo.
The object (Louis Choi Chuljoo 2023 Busan exhibition morning glory p106-3), which depicts the meaning of the shape seen in the meaning space created by reversible light, is an object ɑ of abstract desire concept images that reveal the place of others' unconscious desires as a virtual non-realization of cartoon review.
The object ɑ, which depicts the meaning of the event shape seen in the space of the meaning created by reversible light, is an abstract space that can turn objects into real shapes by structuring the meaning of the shape in the shade of reversible light, and means an exhibition poster (morning glory p34) as an artistic movement of the concept of desire that has actually changed from the background image to the cartoon shape (like "Have a wonderful Chuseok like the stars in the fall night").
Louis, morning glory p34, a hand-painted picture on a computer, 2022
The conceptual art of desire <morning glory p34> is an image that shows the desire of others functioning visually in the landscape in the abstract area of painting where certain effects of the concept of desire occur in the meaning of the exhibition poster.
This is a dwarf planarity that seems to consistently mean morning glory in painting. The morning glory is the same as the reality reflected in the mirror, but the shape of the background is not the same. Abstraction as a conceptual semantic structure with a non-realistic shape that has the same meaning as the conceptual semantic structure, but abstraction as the same meaning with different shapes is real non-realistic as an ideological non-realistic being of different color and size.
Its existence means the abstract meaning of exhibition poster concept art, which defines abstract space as a real reversible image, and whose image is obscured by real changes in the shadow of reversible light.
2023 <morning glory Window> Busan Exhibition Abstract Poster Works & Contemporary Art Works: Contemporary Abstract Artist Louis Choi Chuljoo Desire Conceptual Art Abstracts: <morning glory Window p106-5>
Chul-joo Choi, <Have a wonderful Chuseok like the stars in the fall night>, a hand-painted picture on a computer
The object (Louis Choi Chuljoo Busan morning glory poster 106-3), which depicts the meaning of the shape visible in the meaning space created by reversible light, means a momentally distorted desire concept image object ɑ based on desire by structuring the meaning of "<Have a wonderful Chuseok like the stars in the fall night>" in the shade of reversible light.
Modern conceptual design by Choi Chuljoo, a contemporary art critic and conceptual artist, is the return of painting as a concept of early conceptual art, that is, a conceptual art design created by paintings, so his contemporary conceptual art criticizes phenomenal images such as current events and mentions design value in terms of painting.
On the other hand, Choi Chuljoo's conceptual art abstract design, based on the illusion of infant imagination in Lacan art theory, contains the meaning of the concept in the conceptual art abstract image of desire, and expresses the value of life through critical perspective and desire conceptual art abstract design, combining the concept of desire with the scene photograph of the event.
Here, desire concept art abstraction design refers to abstract design that can momentarily perceive the desires of others as a gaze rather than arbitrary philosophy. (ACN · October 7, 2022 2:33 Choi Chul-joo Conceptual Art Abstract Design Interpretation)
Desire for Painting Design Concept Docent: Design Critic & Contemporary Artist Choi Chul-joo's Desire Concept Design Methodology: Modern Art Abstract Korean Painting by Applying the concept of desire to <morning glory p34>, overlapping the painting <Have a wonderful cookie like the stars in the fall night> created with reversible light. In addition, by re-applying Lacan's conversion formula by linking verbal metaphor images, the phenomenal position of "Have a wonderful Chuseok like the stars in the fall night" is set in another place in one space as a reversible shade of light to show the concept of desire based on "morning glory p34". This means that the poster designed as the conceptual art of desire in Louis Choi Chul-joo's exhibition in Busan is an abstract painting that actualizes the object of the concept of desire.
2023 <The Woman in morning glory> Korean Painting Modern Art Works: A Modern Korean Painter Louis Choi Chul-joo Conceptual Art Abstract Painting
Desire Concept Art abstraction reveals reality through mirror theory, starting with the imaginary world in which infants identify symbolic images reflected in the mirror with imaginary imagesⓐ Recognizing that the symbolic image is not itself as a subject, it is transferred to an abstraction that interprets A(utre) as a symbolic world through separation from the symbolic image of symbols and reality. Abstract images and reality meet reality through division. As a reality, the concept of desire image is revealed as a dwarf image, but as a non-reality, the concept of desire with reality, that is, abstraction.(ACN. Oct. 14, 2022, interpretation of Choi Chul-joo's 'Four Defense of Lacan Interpretation')
If abstract desire art <morning glory window p106-3> is applied to Lacan's ((É=Jacques Marie Émile Lacan, Écrits, Seuil, 1977, 53)), the imageⓐ('utre) The work of the painting is placed as a symbolic system at a diagonal position crossing the line and S(Es) of the interpretation A(utre) to interpret the interpretation A(utre) and S(Es) as a 'quadruple of interpretation'.
Here, the concept of abstraction of desire art reveals reality through mirror theory, starting with the imaginary world in which infants identify symbolic images reflected in the mirror with imaginary images.ⓐ('utre) Recognizing that the symbolic image is not itself as a subject, it is transferred to an abstract painting that interprets A(utre) as a symbolic world through separation from the symbolic image of sign and reality Abstract images and reality meet reality through division. The concept of desire as a reality is revealed as a dwarf image, but as an unrealistic reality, the concept of desire with reality, that is, abstraction. (ACN. Oct. 14, 2022, Choi Chul-joo's interpretation of 'The four quadruple of Lacan Interpretation')
In the perspective of desire of the perspective visual system, which reproduces abstract objects with the object ɑ "Luis Choi Chuljoo Busan Exhibition Morning glory Window p106-3", the visual system is concealed, but it is a ɑ of objects that is viewed from the perspective of desire that is revealed unconsciously through a momentary gaze.
The object ɑ <morning glory Window 106-3> forms a dwarf image expressed through the desire revealed in the other's repressed unconscious as a picture, and creates a target ɑ as a being to reveal the artistry of the momentarily distorted image as a semantic structure.
Here, the artistry that appeared in the ɑ of things transforms the image of things into a structure of meaning with a dwarf image from the other's desire point of view, revealing the ɑ of things as another being of things.
And the little sculpture as the other's desire hidden in the background of the painterly "morning glory woman" really shows a reversible real abstract space <morning glory Window> through symbolic art movements that actually change shape.
Therefore, object ɑ as a conceptual image of desire is an image of desire and a structure of desire that emerged from the image of an event. What reveals reality as a result is to reveal the relationship between the representation of the object ɑ and the reality of the concept of desire. In addition, the representation of hidden desire concept object ɑ in painting works is an abstract concept of desire in the background of abstract objects pointing to abstract space and abstract landscape shapes in which the reality of the shape is obscured by abstract other's desire as the background of the reversible desire concept image of reality. / Writing. Art critic Choi Chul-joo (Korean Painter & Ph.D. of Cultural Design)
Contemporary Art Critic Louis Choi Chul-joo